• Samsung botch [re]introduction of OLED TV's

    From R. Mark Clayton@21:1/5 to All on Wed Apr 20 04:11:03 2022
    Much trumpeted especially in the USA these have now reached the market.

    <link>

    On Samsung's web site the specification is incomplete, not explicitly stating the ports nor even the tuner(s), a manual download only gets you the first two pages and a leading trade magazine reports that they will use third grade OLED panels: -

    https://www.whathifi.com/news/samsung-is-still-planning-to-launch-standard-oled-tvs-using-lgs-cheapest-panels

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  • From R. Mark Clayton@21:1/5 to R. Mark Clayton on Wed Apr 20 04:20:53 2022
    On Wednesday, 20 April 2022 at 12:11:04 UTC+1, R. Mark Clayton wrote:
    Much trumpeted especially in the USA these have now reached the UK market.


    https://www.samsung.com/uk/tvs/qled-tv/qn95b-55-inch-neo-qled-4k-smart-tv-qe55qn95batxxu


    On Samsung's web site the specification is incomplete, not explicitly stating the ports nor even the tuner(s), a manual download only gets you the first two pages and a leading trade magazine reports that they will use third grade OLED panels: -

    https://www.whathifi.com/news/samsung-is-still-planning-to-launch-standard-oled-tvs-using-lgs-cheapest-panels

    Oh and list price £2,599!

    I think they need to do better than this...

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  • From the dog from that film you saw@21:1/5 to R. Mark Clayton on Wed Apr 20 17:20:53 2022
    On 20/04/2022 12:11, R. Mark Clayton wrote:
    Much trumpeted especially in the USA these have now reached the market.

    <link>

    On Samsung's web site the specification is incomplete, not explicitly stating the ports nor even the tuner(s), a manual download only gets you the first two pages and a leading trade magazine reports that they will use third grade OLED panels: -

    https://www.whathifi.com/news/samsung-is-still-planning-to-launch-standard-oled-tvs-using-lgs-cheapest-panels




    they also have sets with their own oled panels that are apparently
    superior to lg ones. only thing is they don't have dolby vision but not
    to worry, sony have a model using the new samsung panel if you're happy
    to pay the premium.

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  • From Andy Burns@21:1/5 to R. Mark Clayton on Thu Apr 21 06:51:40 2022
    R. Mark Clayton wrote:

    I think they need to do better than this...

    So save up for an S95B or A95K ...

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  • From alan_m@21:1/5 to R. Mark Clayton on Thu Apr 21 08:42:27 2022
    On 20/04/2022 12:11, R. Mark Clayton wrote:
    Much trumpeted especially in the USA these have now reached the market.

    <link>

    On Samsung's web site the specification is incomplete, not explicitly stating the ports nor even the tuner(s), a manual download only gets you the first two pages and a leading trade magazine reports that they will use third grade OLED panels: -

    https://www.whathifi.com/news/samsung-is-still-planning-to-launch-standard-oled-tvs-using-lgs-cheapest-panels



    What Hifi reviewing and commenting on TVs? This often the Russ Andrews
    type bullshit.

    --
    mailto : news {at} admac {dot} myzen {dot} co {dot} uk

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  • From R. Mark Clayton@21:1/5 to Andy Burns on Thu Apr 21 02:56:04 2022
    On Thursday, 21 April 2022 at 06:51:44 UTC+1, Andy Burns wrote:
    R. Mark Clayton wrote:

    I think they need to do better than this...

    So save up for an S95B or A95K ...

    That is what we are talking about: - https://www.samsung.com/uk/tvs/oled-tv/s95b-55-inch-oled-4k-smart-tv-qe55s95batxxu/
    (US version)

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  • From R. Mark Clayton@21:1/5 to the dog from that film you saw on Thu Apr 21 03:00:52 2022
    On Wednesday, 20 April 2022 at 17:20:56 UTC+1, the dog from that film you saw wrote:
    On 20/04/2022 12:11, R. Mark Clayton wrote:
    Much trumpeted especially in the USA these have now reached the market.

    <link>

    On Samsung's web site the specification is incomplete, not explicitly stating the ports nor even the tuner(s), a manual download only gets you the first two pages and a leading trade magazine reports that they will use third grade OLED panels: -

    https://www.whathifi.com/news/samsung-is-still-planning-to-launch-standard-oled-tvs-using-lgs-cheapest-panels

    they also have sets with their own oled panels that are apparently
    superior to lg ones. only thing is they don't have dolby vision but not
    to worry, sony have a model using the new samsung panel if you're happy
    to pay the premium.

    AFAIK Samsung do not make their own OLED panels, but are buying 3rd grade LG ones - LG are keeping the best ones for their own sets.

    To be fair AFAICT the only difference is brightness, so in most scenarios they should be OK.

    Sony also use LG panels, but I think they get the betters ones: - https://www.oled-info.com/sony-oled

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  • From Andy Burns@21:1/5 to R. Mark Clayton on Thu Apr 21 14:28:58 2022
    R. Mark Clayton wrote:

    Andy Burns wrote:

    R. Mark Clayton wrote:

    I think they need to do better than this...

    So save up for an S95B or A95K ...

    That is what we are talking about: - https://www.samsung.com/uk/tvs/oled-tv/s95b-55-inch-oled-4k-smart-tv-qe55s95batxxu/
    (US version)

    I assumed QN95B was a slightly different model?

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  • From Andy Burns@21:1/5 to R. Mark Clayton on Thu Apr 21 14:30:46 2022
    R. Mark Clayton wrote:

    AFAIK Samsung do not make their own OLED panels, but are buying 3rd grade LG ones - LG are keeping the best ones for their own sets.
    To be fair AFAICT the only difference is brightness, so in most scenarios they should be OK.

    Sounds like they may need a little rest between periods of full brightness ...

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  • From R. Mark Clayton@21:1/5 to Andy Burns on Fri Apr 22 07:31:16 2022
    On Thursday, 21 April 2022 at 14:29:03 UTC+1, Andy Burns wrote:
    R. Mark Clayton wrote:

    Andy Burns wrote:

    R. Mark Clayton wrote:

    I think they need to do better than this...

    So save up for an S95B or A95K ...

    That is what we are talking about: - https://www.samsung.com/uk/tvs/oled-tv/s95b-55-inch-oled-4k-smart-tv-qe55s95batxxu/
    (US version)
    I assumed QN95B was a slightly different model?

    Yes there is some confusion here. The UK model is different because AFAICT it includes a satellite tuner, not present in the US model, and presumably other differences like mains voltage etc.

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  • From Mark Carver@21:1/5 to R. Mark Clayton on Fri Apr 22 15:56:31 2022
    On 22/04/2022 15:31, R. Mark Clayton wrote:

    Yes there is some confusion here. The UK model is different because AFAICT it includes a satellite tuner, not present in the US model, and presumably other differences like mains voltage etc.
    It's been ages since I saw any bit of consumer electronics that wasn't
    100(ish) to 250(ish) volts rated ?

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  • From the dog from that film you saw@21:1/5 to R. Mark Clayton on Fri Apr 22 17:32:13 2022
    On 21/04/2022 11:00, R. Mark Clayton wrote:

    they also have sets with their own oled panels that are apparently
    superior to lg ones. only thing is they don't have dolby vision but not
    to worry, sony have a model using the new samsung panel if you're happy
    to pay the premium.

    AFAIK Samsung do not make their own OLED panels, but are buying 3rd grade LG ones - LG are keeping the best ones for their own sets.

    To be fair AFAICT the only difference is brightness, so in most scenarios they should be OK.

    Sony also use LG panels, but I think they get the betters ones: - https://www.oled-info.com/sony-oled




    here you go
    https://www.whathifi.com/news/the-sony-a95k-qd-oled-tv-is-more-expensive-than-samsungs-own-qd-oled




    these are the 'premium' ones with the new samsung oled panel.
    they lack a white pixel which is found in the lg panels, they have a
    layer of quantum dots, i can't even start to understand what they do but
    they are apparently superior to the lg panel.

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  • From Pamela@21:1/5 to All on Fri Apr 22 21:47:14 2022
    On 08:42 21 Apr 2022, alan_m said:

    On 20/04/2022 12:11, R. Mark Clayton wrote:
    Much trumpeted especially in the USA these have now reached the
    market.

    <link>

    On Samsung's web site the specification is incomplete, not
    explicitly stating the ports nor even the tuner(s), a manual
    download only gets you the first two pages and a leading trade
    magazine reports that they will use third grade OLED panels: -

    https://www.whathifi.com/news/samsung-is-still-planning-to-launch-sta
    ndard-oled-tvs-using-lgs-cheapest-panels


    What Hifi reviewing and commenting on TVs? This often the Russ
    Andrews type bullshit.

    Those hi-fi enthusiast magazines seem to assume a limitless budget.

    --- SoupGate-Win32 v1.05
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  • From R. Mark Clayton@21:1/5 to Mark Carver on Sat Apr 23 04:05:26 2022
    On Friday, 22 April 2022 at 15:56:34 UTC+1, Mark Carver wrote:
    On 22/04/2022 15:31, R. Mark Clayton wrote:

    Yes there is some confusion here. The UK model is different because AFAICT it includes a satellite tuner, not present in the US model, and presumably other differences like mains voltage etc.
    It's been ages since I saw any bit of consumer electronics that wasn't 100(ish) to 250(ish) volts rated ?

    Now on Samsung's official UK web site: - https://www.samsung.com/uk/tvs/oled-tv/s95b-55-inch-oled-4k-smart-tv-qe55s95batxxu/

    but £2k4 and spec' still incomplete.

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  • From Jim Lesurf@21:1/5 to pamela.private.mailbox@gmail.com on Sat Apr 23 10:07:11 2022
    In article <XnsAE81DDA1DFBB337B93@144.76.35.252>, Pamela <pamela.private.mailbox@gmail.com> wrote:

    Those hi-fi enthusiast magazines seem to assume a limitless budget.

    It depends a bit on which ones you read, and the particular authors /
    writers / editors. But I'd agree that I miss the days when HFN printed DIY info, etc. And many enthusiasts assembled their system with some practical skills, knowing which end of a soldering iron to hold, etc.[1] Different
    world to today. But the basic point is that they publish what the market
    wants to pay to read, and at a price that is to some extent supported by
    makers being willing to send items for reviews. And over the years those writers and editors have shifted from being amatuer entusiasts/engineers to being pro writers/editors/owners who use the mags to make a living.[2]

    Makers/designers used tom be keen to have their items reviewed as they
    needed that for people to know they existed and were worth buying. But
    since then some makers have avoided sending items for review because they
    may get a 'bad' one, or seem unsatisfactory when compared with something
    else at a much higher price and construction quality. Good components and
    metal work cost more than cheap-and-cheerful.

    [1] Currently enjoying a 1970s issue of HFN that had one of the first
    organised listening tests to check the claims some 'golden eared' were
    making about 'amplifier sounds' that didn't show up in measurements.

    [2] Alas, on occasion in the past also as a way to exploit makers by also offering 'consultantcies' on the QT prior to 'reviewing' their product in a magazine. I *think* this has now stopped, but can't be sure of course.

    Jim

    --
    Please use the address on the audiomisc page if you wish to email me. Electronics https://www.st-andrews.ac.uk/~www_pa/Scots_Guide/intro/electron.htm
    biog http://jcgl.orpheusweb.co.uk/history/ups_and_downs.html
    Audio Misc http://www.audiomisc.co.uk/index.html

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  • From Pamela@21:1/5 to Jim Lesurf on Tue Apr 26 14:11:45 2022
    On 10:07 23 Apr 2022, Jim Lesurf said:

    In article <XnsAE81DDA1DFBB337B93@144.76.35.252>, Pamela <pamela.private.mailbox@gmail.com> wrote:

    Those hi-fi enthusiast magazines seem to assume a limitless budget.

    It depends a bit on which ones you read, and the particular authors /
    writers / editors. But I'd agree that I miss the days when HFN
    printed DIY info, etc. And many enthusiasts assembled their system
    with some practical skills, knowing which end of a soldering iron to
    hold, etc.[1] Different world to today. But the basic point is that
    they publish what the market wants to pay to read, and at a price
    that is to some extent supported by makers being willing to send
    items for reviews. And over the years those writers and editors have
    shifted from being amatuer entusiasts/engineers to being pro writers/editors/owners who use the mags to make a living.[2]

    Makers/designers used tom be keen to have their items reviewed as
    they needed that for people to know they existed and were worth
    buying. But since then some makers have avoided sending items for
    review because they may get a 'bad' one, or seem unsatisfactory when
    compared with something else at a much higher price and construction
    quality. Good components and metal work cost more than
    cheap-and-cheerful.

    [1] Currently enjoying a 1970s issue of HFN that had one of the first organised listening tests to check the claims some 'golden eared'
    were making about 'amplifier sounds' that didn't show up in
    measurements.

    [2] Alas, on occasion in the past also as a way to exploit makers by
    also offering 'consultantcies' on the QT prior to 'reviewing' their
    product in a magazine. I *think* this has now stopped, but can't be
    sure of course.

    Jim

    I can understand manufacturers wanting to flaunt their flaship models.
    From what I understand, most manufacturers (not only of hifi) with a
    wide range of goods produce a flagship model to set a market image but
    expect the vast majority of sales & profits to come from models much
    lower in the range. A flagship model might even make a loss.

    That seems like typical marketing. However the editorial of magazines
    such as What HiFi always give the misleading impression that upper
    market models are what everybody reading must consider buying. The same
    goes for smartphones and many other electronic products.

    The end result of such magazines is an image of pure fantasy affordable
    by only a few, while Mr and Mrs Average buy products which may not get
    a single review.

    I can't tell you how many articles I've read about "budget" this or
    that in which the cheapes of the so-called budget models cost three or
    four times the maximum price my budget stretched to.

    On the other hand ... HiFi News in the 1960s and 70s was somewhat
    different because there it often seemed well-heeled enthusiast
    manufacturers were talking to well-heeled enthusiast buyers and they
    all shared a common aim of pure excellence at any cost. Mr and Mrs
    Average probably didn't read such stuff as they weren't in the market
    for £5,000 amps (at a time when £5,000 was worth a lot more than
    today). Intriguingly HFN journalists could still find faults with these
    highly expensive models.

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  • From alan_m@21:1/5 to Pamela on Wed Apr 27 08:53:57 2022
    On 26/04/2022 14:11, Pamela wrote:
    On 10:07 23 Apr 2022, Jim Lesurf said:

    In article <XnsAE81DDA1DFBB337B93@144.76.35.252>, Pamela
    <pamela.private.mailbox@gmail.com> wrote:

    Those hi-fi enthusiast magazines seem to assume a limitless budget.

    It depends a bit on which ones you read, and the particular authors /
    writers / editors. But I'd agree that I miss the days when HFN
    printed DIY info, etc. And many enthusiasts assembled their system
    with some practical skills, knowing which end of a soldering iron to
    hold, etc.[1] Different world to today. But the basic point is that
    they publish what the market wants to pay to read, and at a price
    that is to some extent supported by makers being willing to send
    items for reviews. And over the years those writers and editors have
    shifted from being amatuer entusiasts/engineers to being pro
    writers/editors/owners who use the mags to make a living.[2]

    Makers/designers used tom be keen to have their items reviewed as
    they needed that for people to know they existed and were worth
    buying. But since then some makers have avoided sending items for
    review because they may get a 'bad' one, or seem unsatisfactory when
    compared with something else at a much higher price and construction
    quality. Good components and metal work cost more than
    cheap-and-cheerful.

    [1] Currently enjoying a 1970s issue of HFN that had one of the first
    organised listening tests to check the claims some 'golden eared'
    were making about 'amplifier sounds' that didn't show up in
    measurements.

    [2] Alas, on occasion in the past also as a way to exploit makers by
    also offering 'consultantcies' on the QT prior to 'reviewing' their
    product in a magazine. I *think* this has now stopped, but can't be
    sure of course.

    Jim

    I can understand manufacturers wanting to flaunt their flaship models.
    From what I understand, most manufacturers (not only of hifi) with a
    wide range of goods produce a flagship model to set a market image but
    expect the vast majority of sales & profits to come from models much
    lower in the range. A flagship model might even make a loss.

    That seems like typical marketing. However the editorial of magazines
    such as What HiFi always give the misleading impression that upper
    market models are what everybody reading must consider buying. The same
    goes for smartphones and many other electronic products.

    The end result of such magazines is an image of pure fantasy affordable
    by only a few, while Mr and Mrs Average buy products which may not get
    a single review.

    I can't tell you how many articles I've read about "budget" this or
    that in which the cheapes of the so-called budget models cost three or
    four times the maximum price my budget stretched to.

    When in the market for a new camera I selected a few candidates in my
    price range and then looked at some of the on-line in depth reviews. The
    proper type reviews where they tested the performance, although there
    were some personal opinions expressed.

    In a review a comment would be made such as "brand X is better value for
    money with a better this, that or other". There would be a link to the
    brand X review and in that review a comment that "brand Y is better
    value for money with a better this, that or other" and so on.

    After 30 minutes of reading I reached the stage where perhaps my
    original selection may have been wrong and I needed to go for
    brand/model Z - until the price for brand Z was checked and found to be
    x3 more than the original budget.

    I now find that although I selected a relatively small camera that 99%
    of my photos are now taken on my mobile phone which is a lot more
    convenient to carry around.

    --
    mailto : news {at} admac {dot} myzen {dot} co {dot} uk

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  • From Jim Lesurf@21:1/5 to junk@admac.myzen.co.uk on Wed Apr 27 11:03:31 2022
    In article <jcsb4lF6234U1@mid.individual.net>, alan_m
    <junk@admac.myzen.co.uk> wrote:

    In a review a comment would be made such as "brand X is better value for money with a better this, that or other". There would be a link to the
    brand X review and in that review a comment that "brand Y is better
    value for money with a better this, that or other" and so on.

    After 30 minutes of reading I reached the stage where perhaps my
    original selection may have been wrong and I needed to go for
    brand/model Z - until the price for brand Z was checked and found to be
    x3 more than the original budget.

    I now find that although I selected a relatively small camera that 99%
    of my photos are now taken on my mobile phone which is a lot more
    convenient to carry around.

    Good point. Yes, that tendency also afflicts HiFi mags these days. However
    a few decades ago reviews generally simply examined the unit being reviewed
    and tended not to say "but unit X is 'better'". They measured, listened, considered, and described the unit being reviewed.

    Drifting to 'A is better than B' tended to grow as a consequence of "subjective" reviews where making comparisons becomes more convenient. The
    fact that in one such 'review' someone prefers A to B, whilst in another someone else prefers B to A tends to show how shakey that can be as a
    'guide'.

    And TBH some mags tend to work on the basis of 'liking' items so that the
    maker will go on sending new models for review, enabling more issues of the magazine to be filled and flogged. 8-]

    Jim

    --
    Please use the address on the audiomisc page if you wish to email me. Electronics https://www.st-andrews.ac.uk/~www_pa/Scots_Guide/intro/electron.htm
    biog http://jcgl.orpheusweb.co.uk/history/ups_and_downs.html
    Audio Misc http://www.audiomisc.co.uk/index.html

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  • From Jim Lesurf@21:1/5 to pamela.private.mailbox@gmail.com on Wed Apr 27 10:56:51 2022
    Largely agree with your points about a lot of the JiFi mages today. alas. Although some more budget - put perfectly decent performance - units do get some look it. The real loss tends to be content on other aspects. cf
    below...


    In article <XnsAE8590687A20A37B93@144.76.35.252>, Pamela <pamela.private.mailbox@gmail.com> wrote:

    On the other hand ... HiFi News in the 1960s and 70s was somewhat
    different because there it often seemed well-heeled enthusiast
    manufacturers were talking to well-heeled enthusiast buyers and they
    all shared a common aim of pure excellence at any cost. Mr and Mrs
    Average probably didn't read such stuff as they weren't in the market
    for £5,000 amps (at a time when £5,000 was worth a lot more than
    today). Intriguingly HFN journalists could still find faults with these highly expensive models.

    Not many units were 5,000 pounds in the 60s/70s! It is difficult to compare given inflation[1], but the reality is that Hi-Fi went 'mass market' in
    that period and pretty much 'everyone' (sic) got a HiFi of some sort then.
    It was later on eclipsed by VCRs and Colour TV being the 'must have'.

    The best sellers in terms real HiFi at the time - until the Japanese ate
    the UK middle market - were items like the Armstong 500 and 600 ranges. Although people tend to recall other names like QUAD, the Armstrong units
    sold in much bigger numbers.

    Comet Warehouses used to use the 521 amp as a 'loss leader'. The sold these
    at a price *below* what they paid for them. Knowing that most buyers would
    also want a turntable, speakers, etc, to go with it. 8-] At the time that
    level of kit was apparently quite affordable for many. Sold as fast as they could be made.

    Yamaha, Sansui, etc, then undercut this.

    So HFN in that period had a much wider range of content then you allow. Including a fair bit of DIY. I'm currently re-reading some examples. Each
    issue also has far more content - more pages with smaller type - covering
    all aspects. e.g. regular column on patents. regular "letter from America", etc.

    Jim

    [1] Above said, by c1980 things had changed. The RRP for the 700 range was about 300 quid for the pre-amp and nearly 600 for the power amp. [2] That translates to quite a high price nowdays! But given the spec it would be similar to its performance/price competitors as top-of-the-range does tend
    to cost more per item given the smaller market.

    However this was a reaction to the Japanese taking over the mid and low
    ranges of the market via their ability to mass-manufacture for the world.
    Small UK companies couldn't really compete because investors in he UK
    decided to put their capital into 'banking' and 'property', not making
    things. The first signs of this were the way 'UK' hi-fi gradually had to
    use Japanese components because no-one in the UK was willing to spend the
    money to develop factories that could make better components.

    [2] see http://ukhhsoc.torrens.org/makers/Armstrong/Various/Letters/Move1981.gif

    --
    Please use the address on the audiomisc page if you wish to email me. Electronics https://www.st-andrews.ac.uk/~www_pa/Scots_Guide/intro/electron.htm
    biog http://jcgl.orpheusweb.co.uk/history/ups_and_downs.html
    Audio Misc http://www.audiomisc.co.uk/index.html

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