• SD broadcast video: 704 versus 720 pixels (by 576 pixels)

    From NY@21:1/5 to All on Thu Feb 24 21:15:56 2022
    Daft question: why is it that some channels and/or some platforms (satellite versus terrestrial) broadcast standard-definition as 704x576 and some as 720x576. There are even cases where the same channel is 704 on satellite and 720 on terrestrial (or vice versa). It looks as if the picture area is the same, but differently scaled, rather than the 704 version being the 720
    version with 8 pixels either side being cropped off.

    Both numbers are exact multiples of 16 (44x16 versus 45x16): I imagine the compression algorithms work best with widths and heights that are exact multiples of 16 (*). But why the two different standards which are so close?
    I can understand why some lower-budget channels are sub-SD 544x576 because
    that reduces bandwidth and therefore transmission costs. But the saving of
    704 rather than 720 is minuscule.


    (*) Was it pure chance that the analogue 625/25 format had 575 active lines which is extremely close to 576 (a multiple of 16)? Was the multiple-of-16 factor relevant when 625/25 was specced - eg to derive the frame frequency
    by a cascade of divide-by-2 analogue frequency-division stages from the line frequency.

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  • From Mark Carver@21:1/5 to All on Fri Feb 25 08:12:25 2022
    On 24/02/2022 21:15, NY wrote:
    But the saving of 704 rather than 720 is minuscule.
    I think the BBC changed their DTT channels from 720 to 704, as although
    tiny, it liberated enough bandwidth to squeeze local radio into PSB1

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  • From NY@21:1/5 to Mark Carver on Fri Feb 25 08:56:13 2022
    On 25/02/2022 08:12, Mark Carver wrote:
    On 24/02/2022 21:15, NY wrote:
    But the saving of 704 rather than 720 is minuscule.
    I think the BBC changed their DTT channels from 720 to 704, as although
    tiny, it liberated enough bandwidth to squeeze local radio into PSB1

    Fair enough, although since then they've had to make much bigger
    economies to fit in BBC Three. I suppose they designed the resolution
    and bit rates when BBC Three was present, then benefited from a time
    when BBC Three was internet-only and the remaining channels could have
    higher bit rates, and have now reverted to the original state.

    Reducing 720 to 704 is a saving of 16/720 = 2% - but for several
    channels I can see that it would be enough to fit in several radio channels.

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  • From Brian Gaff (Sofa)@21:1/5 to Mark Carver on Fri Feb 25 10:30:53 2022
    I assume that is why its in mono then. Very few of the stations on radio on Freeview are stereo. The main bbc ones, Asian network, Classic FM and not
    much else it seems.

    As for the frame refresh rate, Many early 405 line receivers assumed that
    the frame was synchronised to the mains, since when this stopped being the
    case many needed extra smoothing in the power supply to stop hum bars
    rolling slowly over the screen.
    When you say active lines on 625, I'm assuming you mean that sync pulses
    and other data like teletext were in the ones not officially seen. In the US they used 525 and their mains was, and still is 60hz of course, I'd guess
    for much the same reasons as our relationship.
    History of TV is pretty full of strange decisions.
    Why did the 405 line use positive video, as this put the sync pulses at
    the lowest signal level and hence more prone to am interference like cars
    and vacuum cleaner interference.
    Brian

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    "Mark Carver" <mark.carver@invalid.invalid> wrote in message news:j7rhb9FffruU1@mid.individual.net...
    On 24/02/2022 21:15, NY wrote:
    But the saving of 704 rather than 720 is minuscule.
    I think the BBC changed their DTT channels from 720 to 704, as although
    tiny, it liberated enough bandwidth to squeeze local radio into PSB1

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  • From Brian Gaff (Sofa)@21:1/5 to All on Fri Feb 25 10:33:49 2022
    Why did they bring back BBC 3? Did the streaming fail, I mean did nobody
    watch it. To be honest its full of crap now, but some is probably better
    crap than the current crap on bbc1.
    All depends on your tastes I'd expect. One assumes they have cut back on
    the kiddies channels again then.
    Brian

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    "NY" <me@privacy.net> wrote in message news:0cKdnRcT3aYtBIX_nZ2dnUU7-dHNnZ2d@brightview.co.uk...
    On 25/02/2022 08:12, Mark Carver wrote:
    On 24/02/2022 21:15, NY wrote:
    But the saving of 704 rather than 720 is minuscule.
    I think the BBC changed their DTT channels from 720 to 704, as although
    tiny, it liberated enough bandwidth to squeeze local radio into PSB1

    Fair enough, although since then they've had to make much bigger economies
    to fit in BBC Three. I suppose they designed the resolution and bit rates when BBC Three was present, then benefited from a time when BBC Three was internet-only and the remaining channels could have higher bit rates, and have now reverted to the original state.

    Reducing 720 to 704 is a saving of 16/720 = 2% - but for several channels
    I can see that it would be enough to fit in several radio channels.

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  • From Mark Carver@21:1/5 to All on Fri Feb 25 10:51:36 2022
    On 25/02/2022 10:30, Brian Gaff (Sofa) wrote:
    I assume that is why its in mono then. Very few of the stations on radio on Freeview are stereo. The main bbc ones, Asian network, Classic FM and not much else it seems.
    It's not worth having the radio stations in stereo on DTT. I suspect
    they are aimed at consumption based on kitchen, bedroom, and hotel
    tellies, where listening is a secondary activity.
    When you say active lines on 625, I'm assuming you mean that sync pulses and other data like teletext were in the ones not officially seen.
    Blanking consumes about 25+25 lines on analogue.

    Digital platforms do not transmit the blanking period, it would be a
    pointless waste of bandwidth

    Why did the 405 line use positive video, as this put the sync pulses at the lowest signal level and hence more prone to am interference like cars and vacuum cleaner interference.

    Wasn't the reason negative mod was adopted for 625/UHF because it pushed
    the sync pulses (rather than high luminance picture content) into the
    non linearity 'zone' of klystrons ?
    Anyway negative mod any better though for reception and impulse
    rejection; overshoot and all that ?

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  • From Brian Gaff (Sofa)@21:1/5 to Mark Carver on Sat Feb 26 11:18:31 2022
    Well on the old dual standard set from Redifusion I had it was clear that
    the negative video was better and more stable, of course to find out, both would have had to have been transmitted on vhf. You could however find that
    as Europe went 625 negative, except France, that negative was better at rejecting impulse noise that otherwise gave rise to picture jitter on the French stations. It was pretty bad on their old 819 line service too, which
    we modified the set to handle though the audio needed a second receiver as
    did the am sound on 625 of course.
    I remember that when I could see, looking at colour TVs in France one
    could not really tell it was not negative mod and used Seam colour. You occasionally heard am interference though on some stations.
    Brian

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    "Mark Carver" <mark.carver@invalid.invalid> wrote in message news:j7rqloFh7u3U1@mid.individual.net...
    On 25/02/2022 10:30, Brian Gaff (Sofa) wrote:
    I assume that is why its in mono then. Very few of the stations on radio
    on
    Freeview are stereo. The main bbc ones, Asian network, Classic FM and not
    much else it seems.
    It's not worth having the radio stations in stereo on DTT. I suspect they
    are aimed at consumption based on kitchen, bedroom, and hotel tellies,
    where listening is a secondary activity.
    When you say active lines on 625, I'm assuming you mean that sync
    pulses
    and other data like teletext were in the ones not officially seen.
    Blanking consumes about 25+25 lines on analogue.

    Digital platforms do not transmit the blanking period, it would be a pointless waste of bandwidth

    Why did the 405 line use positive video, as this put the sync pulses
    at
    the lowest signal level and hence more prone to am interference like
    cars
    and vacuum cleaner interference.

    Wasn't the reason negative mod was adopted for 625/UHF because it pushed
    the sync pulses (rather than high luminance picture content) into the non linearity 'zone' of klystrons ?
    Anyway negative mod any better though for reception and impulse rejection; overshoot and all that ?



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  • From Roderick Stewart@21:1/5 to briang1@blueyonder.co.uk on Sat Feb 26 11:41:34 2022
    On Fri, 25 Feb 2022 10:30:53 -0000, "Brian Gaff \(Sofa\)" <briang1@blueyonder.co.uk> wrote:

    Why did the 405 line use positive video, as this put the sync pulses at
    the lowest signal level and hence more prone to am interference like cars >and vacuum cleaner interference.

    And why didn't 405 line use equalising pulses?

    Rod.

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  • From NY@21:1/5 to Mark Carver on Sat Feb 26 21:37:36 2022
    "Mark Carver" <mark.carver@invalid.invalid> wrote in message news:j7rqloFh7u3U1@mid.individual.net...
    On 25/02/2022 10:30, Brian Gaff (Sofa) wrote:
    I assume that is why its in mono then. Very few of the stations on radio
    on
    Freeview are stereo. The main bbc ones, Asian network, Classic FM and not
    much else it seems.
    It's not worth having the radio stations in stereo on DTT. I suspect they
    are aimed at consumption based on kitchen, bedroom, and hotel tellies,
    where listening is a secondary activity.

    Interesting assumption. I don't have any FM radio, apart from a) an
    all-in-one hifi system and b) a separate tuner, neither of which I CBA to
    set up, especially since the tuner requires a 300 ohm aerial and doesn't
    have a telescopic one.

    I use DTT or DSat for recording radio programmes (mostly Radio 4), in
    exactly the same way as for TV programmes.

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  • From NY@21:1/5 to Mark Carver on Sat Feb 26 21:39:37 2022
    "Mark Carver" <mark.carver@invalid.invalid> wrote in message news:j7rqloFh7u3U1@mid.individual.net...
    Wasn't the reason negative mod was adopted for 625/UHF because it pushed
    the sync pulses (rather than high luminance picture content) into the non linearity 'zone' of klystrons ?
    Anyway negative mod any better though for reception and impulse rejection; overshoot and all that ?

    I'd always understood that the main reason for negative mod was better rejection of impulse interference from poorly-regulated car and motorbike (especially motorbike!) ignition systems - probably more of an issue with spark-gap/coil ignition than with modern electronic ignition.

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  • From NY@21:1/5 to Roderick Stewart on Sat Feb 26 21:40:36 2022
    "Roderick Stewart" <rjfs@escapetime.myzen.co.uk> wrote in message news:9e4k1h9ndt62ghledil4qq31k5ga07fo12@4ax.com...
    On Fri, 25 Feb 2022 10:30:53 -0000, "Brian Gaff \(Sofa\)" <briang1@blueyonder.co.uk> wrote:

    Why did the 405 line use positive video, as this put the sync pulses at >>the lowest signal level and hence more prone to am interference like cars >>and vacuum cleaner interference.

    And why didn't 405 line use equalising pulses?

    What was the purpose of equalising pulses? I could never find a really good explanation.

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  • From MB@21:1/5 to All on Sat Feb 26 22:33:21 2022
    On 26/02/2022 21:37, NY wrote:
    Interesting assumption. I don't have any FM radio, apart from a) an all-in-one hifi system and b) a separate tuner, neither of which I CBA to
    set up, especially since the tuner requires a 300 ohm aerial and doesn't
    have a telescopic one.

    Never had any problem with just a piece of wire connected to the back of
    the VHF FM tuner though use DAB most of the time?

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  • From Ian Jackson@21:1/5 to me@privacy.invalid on Sun Feb 27 08:52:43 2022
    In message <sve6n4$gl7$2@dont-email.me>, NY <me@privacy.invalid> writes
    "Mark Carver" <mark.carver@invalid.invalid> wrote in message >news:j7rqloFh7u3U1@mid.individual.net...
    Wasn't the reason negative mod was adopted for 625/UHF because it
    pushed the sync pulses (rather than high luminance picture content)
    into the non linearity 'zone' of klystrons ?
    Anyway negative mod any better though for reception and impulse
    rejection; overshoot and all that ?

    I'd always understood that the main reason for negative mod was better >rejection of impulse interference from poorly-regulated car and
    motorbike (especially motorbike!) ignition systems - probably more of
    an issue with spark-gap/coil ignition than with modern electronic
    ignition.

    For several reasons, positive modulation is a real PITA. One of them is
    that there is no easily-obtainable measurement of the RF signal level.

    With negative mod, it's simply sync tip level, which is steady and
    constant, and easy to measure with a peak-detecting meter, or as might
    be displayed on a spectrum analyser.

    With positive mod, it can vary between 30% (black level) and 100% (peak
    white). OK, there might be a few lines of VITs, but these are
    essentially transient, and make peak level difficult to 'catch'.
    --
    Ian

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  • From Woody@21:1/5 to All on Sun Feb 27 09:53:20 2022
    On Sat 26/02/2022 21:37, NY wrote:
    "Mark Carver" <mark.carver@invalid.invalid> wrote in message news:j7rqloFh7u3U1@mid.individual.net...
    On 25/02/2022 10:30, Brian Gaff (Sofa) wrote:
    I assume that is why its in mono then. Very few of the stations on
    radio on
    Freeview are stereo. The main bbc ones, Asian network, Classic FM and
    not
    much else it seems.
    It's not worth having the radio stations in stereo on DTT. I suspect
    they are aimed at consumption based on kitchen, bedroom, and hotel
    tellies, where listening is a secondary activity.

    Interesting assumption. I don't have any FM radio, apart from a) an all-in-one hifi system and b) a separate tuner, neither of which I CBA
    to set up, especially since the tuner requires a 300 ohm aerial and
    doesn't have a telescopic one.

    I use DTT or DSat for recording radio programmes (mostly Radio 4), in
    exactly the same way as for TV programmes.

    If your tuner does not have a 75R FM aerial socket just connect the
    aerial with core to one of the 300R terminals and the screen to the
    earth (or an earth) terminal - may be one of the AM aerial connections
    if the tuner is AM/FM. You will loose a little sensitivity but it will
    match well and certainly work.

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  • From Roderick Stewart@21:1/5 to me@privacy.invalid on Sun Feb 27 10:18:13 2022
    On Sat, 26 Feb 2022 21:40:36 -0000, "NY" <me@privacy.invalid> wrote:

    "Roderick Stewart" <rjfs@escapetime.myzen.co.uk> wrote in message >news:9e4k1h9ndt62ghledil4qq31k5ga07fo12@4ax.com...
    On Fri, 25 Feb 2022 10:30:53 -0000, "Brian Gaff \(Sofa\)"
    <briang1@blueyonder.co.uk> wrote:

    Why did the 405 line use positive video, as this put the sync pulses at >>>the lowest signal level and hence more prone to am interference like cars >>>and vacuum cleaner interference.

    And why didn't 405 line use equalising pulses?

    What was the purpose of equalising pulses? I could never find a really good >explanation.

    Equalisation between fields of the residual charge on the integrating
    capacitor in the field sync separator. Without them, the line sync
    pulse that immediately precedes a field sync pulse will precede it by
    a whole line on alternate fields, and only half a line on the others.
    The timing of the start of field scan depends on the voltage on the
    integrating capacitor, and if it's not equal between field scans, it
    can trigger alternately late and early, and cause the lines displayed
    on the screen to bunch in pairs. ("Early" translates to up, and "late"
    to down). Using two or three lines of half width pulses twice as often
    doesn't alter the average signal voltage, so it won't interfere with
    anything else, but it gives enough time for the capacitor to discharge
    to a level that doesn't matter, so when the broad pulses begin, the
    integrating circuit has the same initial conditions on every field.

    There are other ways of detecting field sync, but most early TVs used
    fairly simple circuitry (essentially a resistor and a capacitor) that
    didn't always work perfectly. The extra complication of adding
    equalising pulses in the broadcasters' sync pulse generators obviates
    the need for extra care or complication in millions of receivers, so
    you might expect that as soon as the idea had been thought of it would
    have been implemented everywhere, but our 405 line system never did.

    Rod.

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  • From Roderick Stewart@21:1/5 to ianREMOVETHISjackson@g3ohx.co.uk on Sun Feb 27 10:27:30 2022
    On Sun, 27 Feb 2022 08:52:43 +0000, Ian Jackson <ianREMOVETHISjackson@g3ohx.co.uk> wrote:

    For several reasons, positive modulation is a real PITA. One of them is
    that there is no easily-obtainable measurement of the RF signal level.

    You can sample the black level on the back porch (as some of the
    better homemade receivers did to obtain an AGC voltage), but you only
    get a measure of 30% of peak, which is not as good as a 100% reference
    that can be sampled with simpler circuitry. Designers of domestic
    electronics being cheapskates is not a new thing.

    Rod.

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  • From Ian Jackson@21:1/5 to Stewart on Sun Feb 27 13:28:11 2022
    In message <t0km1htg218ft7suu43dbtossa17db9ise@4ax.com>, Roderick
    Stewart <rjfs@escapetime.myzen.co.uk> writes
    On Sun, 27 Feb 2022 08:52:43 +0000, Ian Jackson ><ianREMOVETHISjackson@g3ohx.co.uk> wrote:

    For several reasons, positive modulation is a real PITA. One of them is >>that there is no easily-obtainable measurement of the RF signal level.

    You can sample the black level on the back porch (as some of the
    better homemade receivers did to obtain an AGC voltage), but you only
    get a measure of 30% of peak, which is not as good as a 100% reference
    that can be sampled with simpler circuitry. Designers of domestic
    electronics being cheapskates is not a new thing.

    There were also some commercial sets that did have a 'proper' gated
    black-level AGC system and black-level clamp (especially in the earlier
    days), but an awful lot had that ghastly mean-level AGC, with AC-coupled
    video drive to the CRT. [Around 1967 the Wireless World carried an
    article on how to do a simple add-on modification to at least stabilise
    black level. I did the mod to my Ferguson 1500, and it did sort-of
    work.]
    --
    Ian

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  • From Brian Gaff (Sofa)@21:1/5 to Roderick Stewart on Mon Feb 28 15:55:27 2022
    Yes well another oddity of old black and white sets, not the early ones but those around the time of dual standard was the AC coupled video that made blacks lighter when not much white was on the screen.
    I did modify one with a dc restore circuit once, but then found I needed to modify the eht to stop the regulation affecting picture size and focus when
    you got a sudden flash from something.
    Brian

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    "Roderick Stewart" <rjfs@escapetime.myzen.co.uk> wrote in message news:giim1hlosd2gi4ifdgf329qh0kgk328mvm@4ax.com...
    On Sat, 26 Feb 2022 21:40:36 -0000, "NY" <me@privacy.invalid> wrote:

    "Roderick Stewart" <rjfs@escapetime.myzen.co.uk> wrote in message >>news:9e4k1h9ndt62ghledil4qq31k5ga07fo12@4ax.com...
    On Fri, 25 Feb 2022 10:30:53 -0000, "Brian Gaff \(Sofa\)"
    <briang1@blueyonder.co.uk> wrote:

    Why did the 405 line use positive video, as this put the sync pulses at >>>>the lowest signal level and hence more prone to am interference like >>>>cars
    and vacuum cleaner interference.

    And why didn't 405 line use equalising pulses?

    What was the purpose of equalising pulses? I could never find a really
    good
    explanation.

    Equalisation between fields of the residual charge on the integrating capacitor in the field sync separator. Without them, the line sync
    pulse that immediately precedes a field sync pulse will precede it by
    a whole line on alternate fields, and only half a line on the others.
    The timing of the start of field scan depends on the voltage on the integrating capacitor, and if it's not equal between field scans, it
    can trigger alternately late and early, and cause the lines displayed
    on the screen to bunch in pairs. ("Early" translates to up, and "late"
    to down). Using two or three lines of half width pulses twice as often doesn't alter the average signal voltage, so it won't interfere with
    anything else, but it gives enough time for the capacitor to discharge
    to a level that doesn't matter, so when the broad pulses begin, the integrating circuit has the same initial conditions on every field.

    There are other ways of detecting field sync, but most early TVs used
    fairly simple circuitry (essentially a resistor and a capacitor) that
    didn't always work perfectly. The extra complication of adding
    equalising pulses in the broadcasters' sync pulse generators obviates
    the need for extra care or complication in millions of receivers, so
    you might expect that as soon as the idea had been thought of it would
    have been implemented everywhere, but our 405 line system never did.

    Rod.

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  • From Brian Gregory@21:1/5 to All on Tue Mar 1 15:13:24 2022
    On 25/02/2022 10:30, Brian Gaff (Sofa) wrote:
    Why did the 405 line use positive video, as this put the sync pulses at the lowest signal level and hence more prone to am interference like cars and vacuum cleaner interference.

    I assume they simply made the decision too soon, before they knew all
    the full implications of it.

    --
    Brian Gregory (in England).

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  • From Mark Carver@21:1/5 to Brian Gregory on Tue Mar 1 15:23:10 2022
    On 01/03/2022 15:13, Brian Gregory wrote:
    On 25/02/2022 10:30, Brian Gaff (Sofa) wrote:
       Why did the 405 line use positive video, as this put  the sync
    pulses at
    the lowest signal level and hence more prone to  am interference like
    cars
    and vacuum cleaner interference.

    I assume they simply made the decision too soon, before they knew all
    the full implications of it.

    Indeed, there weren't that many vehicles around in 1936. Although those
    that were had absolutely no electrical suppression.

    In fact, wasn't ignition  suppression mandated in the 1950s, when both
    cars and TVs increased in number and it was all becoming a nuisance ?!

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Brian Gregory@21:1/5 to All on Tue Mar 1 15:58:15 2022
    On 24/02/2022 21:15, NY wrote:
    Daft question: why is it that some channels and/or some platforms
    (satellite versus terrestrial) broadcast standard-definition as 704x576
    and some as 720x576. There are even cases where the same channel is 704
    on satellite and 720 on terrestrial (or vice versa). It looks as if the picture area is the same, but differently scaled, rather than the 704
    version being the 720 version with 8 pixels either side being cropped off.

    It's worse than that. There are three different formats.

    1) 704x576, all pixels used, scales to 16:9 with correct aspect ratio.

    2) 720x576, only the middle 704 pixels are needed to make 16:9 in the
    exact correct aspect ratio. The extra 8 pixels each side may have
    picture info in them from just outside the 16:9 shaped picture, or they
    may be black.

    3) 720x576, all pixels used, scales to 16:9 with correct aspect ratio.

    --
    Brian Gregory (in England).

    --- SoupGate-Win32 v1.05
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  • From Brian Gregory@21:1/5 to Brian Gregory on Tue Mar 1 16:00:43 2022
    On 01/03/2022 15:58, Brian Gregory wrote:
    It's worse than that. There are three different formats.

    1) 704x576, all pixels used, scales to 16:9 with correct aspect ratio.

    2) 720x576, only the middle 704 pixels are needed to make 16:9 in the
    exact correct aspect ratio. The extra 8 pixels each side may have
    picture info in them from just outside the 16:9 shaped picture, or they
    may be black.

    3) 720x576, all pixels used, scales to 16:9 with correct aspect ratio.

    Oh and it's worth mentioning that there is the same mess with 544x576
    and 528x576.

    --
    Brian Gregory (in England).

    --- SoupGate-Win32 v1.05
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  • From Robin@21:1/5 to Mark Carver on Tue Mar 1 17:12:14 2022
    On 01/03/2022 15:23, Mark Carver wrote:
    On 01/03/2022 15:13, Brian Gregory wrote:
    On 25/02/2022 10:30, Brian Gaff (Sofa) wrote:
       Why did the 405 line use positive video, as this put  the sync
    pulses at
    the lowest signal level and hence more prone to  am interference like
    cars
    and vacuum cleaner interference.

    I assume they simply made the decision too soon, before they knew all
    the full implications of it.

    Indeed, there weren't that many vehicles around in 1936. Although those
    that were had absolutely no electrical suppression.

    In fact, wasn't ignition  suppression mandated in the 1950s, when both
    cars and TVs increased in number and it was all becoming a nuisance ?!

    yes; well remembered :)

    --
    Robin
    reply-to address is (intended to be) valid

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  • From Indy Jess John@21:1/5 to Mark Carver on Tue Mar 1 17:40:13 2022
    On 01/03/2022 15:23, Mark Carver wrote:
    On 01/03/2022 15:13, Brian Gregory wrote:

    I assume they simply made the decision too soon, before they knew all
    the full implications of it.

    Indeed, there weren't that many vehicles around in 1936. Although those
    that were had absolutely no electrical suppression.

    In fact, wasn't ignition suppression mandated in the 1950s, when both
    cars and TVs increased in number and it was all becoming a nuisance ?!

    As someone who was driving 1950s cars in the 1960s, I can confirm that
    the early cars had copper conductors in the HT leads, and that would
    have radiated the spark current. Later 1950s cars had HT leads with
    carbon cores and they didn't create interference. One early car I
    bought had copper cored leads terminated in "antiference" spark plug
    connectors and that didn't interfere with TVs either.

    I never explored what was in the spark plug connectors because they were
    a sealed unit and I couldn't see what was inside without wrecking it,
    and I had no idea where I might find replacements.

    Jim

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  • From NY@21:1/5 to Brian Gregory on Tue Mar 1 20:51:14 2022
    "Brian Gregory" <void-invalid-dead-dontuse@email.invalid> wrote in message news:j86u9bFlh8fU2@mid.individual.net...
    On 01/03/2022 15:58, Brian Gregory wrote:
    It's worse than that. There are three different formats.

    1) 704x576, all pixels used, scales to 16:9 with correct aspect ratio.

    2) 720x576, only the middle 704 pixels are needed to make 16:9 in the
    exact correct aspect ratio. The extra 8 pixels each side may have picture
    info in them from just outside the 16:9 shaped picture, or they may be
    black.

    3) 720x576, all pixels used, scales to 16:9 with correct aspect ratio.

    Oh and it's worth mentioning that there is the same mess with 544x576 and 528x576.

    I've never heard of 528x576. Is that used for any sub-SD channels on DVB-T
    or DVB-S in the UK? Or is it more commonly found outside the UK? Unlike
    704/720 full-SD, I've only ever seen 544 sub-SD.



    Thinking of "[the pixels] may have picture info in them [...] or they may be black", why is it that some SD broadcasts (particularly BBC regional news)
    have a black or white half-line at the top right of the picture? I could understand a black half-line at the top left or the bottom right of an
    archive programme made in analogue, but why would modern all-digital
    production introduce a half-line?

    --- SoupGate-Win32 v1.05
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  • From Brian Gregory@21:1/5 to All on Tue Mar 1 22:29:20 2022
    On 01/03/2022 20:51, NY wrote:
    I've never heard of 528x576. Is that used for any sub-SD channels on
    DVB-T or DVB-S in the UK? Or is it more commonly found outside the UK?
    Unlike 704/720 full-SD, I've only ever seen 544 sub-SD.

    "That's TV (UK)" Freeview channel 91 is 528x576.

    The satellite version of it seems to be the same 528x576 padded with
    black out to 544x576.

    --
    Brian Gregory (in England).

    --- SoupGate-Win32 v1.05
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  • From Brian Gaff (Sofa)@21:1/5 to Brian Gregory on Wed Mar 2 07:39:02 2022
    Who knows the logic of all this. Back in the early days of flat displays,
    some screens had oblong pixels which made the setting up of a picture on
    them rather interesting.
    Brian

    --

    This newsgroup posting comes to you directly from...
    The Sofa of Brian Gaff...
    briang1@blueyonder.co.uk
    Blind user, so no pictures please
    Note this Signature is meaningless.!
    "Brian Gregory" <void-invalid-dead-dontuse@email.invalid> wrote in message news:j87l20FpshmU1@mid.individual.net...
    On 01/03/2022 20:51, NY wrote:
    I've never heard of 528x576. Is that used for any sub-SD channels on
    DVB-T or DVB-S in the UK? Or is it more commonly found outside the UK?
    Unlike 704/720 full-SD, I've only ever seen 544 sub-SD.

    "That's TV (UK)" Freeview channel 91 is 528x576.

    The satellite version of it seems to be the same 528x576 padded with black out to 544x576.

    --
    Brian Gregory (in England).

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Mark Carver@21:1/5 to Robin on Wed Mar 2 08:34:08 2022
    On 01/03/2022 17:12, Robin wrote:
    On 01/03/2022 15:23, Mark Carver wrote:
    On 01/03/2022 15:13, Brian Gregory wrote:
    On 25/02/2022 10:30, Brian Gaff (Sofa) wrote:
       Why did the 405 line use positive video, as this put  the sync
    pulses at
    the lowest signal level and hence more prone to  am interference
    like cars
    and vacuum cleaner interference.

    I assume they simply made the decision too soon, before they knew
    all the full implications of it.

    Indeed, there weren't that many vehicles around in 1936. Although
    those that were had absolutely no electrical suppression.

    In fact, wasn't ignition  suppression mandated in the 1950s, when
    both cars and TVs increased in number and it was all becoming a
    nuisance ?!

    yes; well remembered :)

    I'm struggling to remember the death of Queen Victoria however

    --- SoupGate-Win32 v1.05
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  • From NY@21:1/5 to briang1@blueyonder.co.uk on Wed Mar 2 09:41:03 2022
    "Brian Gaff (Sofa)" <briang1@blueyonder.co.uk> wrote in message news:svn6up$3k8$1@dont-email.me...
    Who knows the logic of all this. Back in the early days of flat displays, some screens had oblong pixels which made the setting up of a picture on
    them rather interesting.

    SD, especially in widescreen, has very oblong pixels. For 576 rows of
    pixels, you'd expect either 4/3 * 576 = 768 or else 16/9 * 576 = 1024 pixels across the width. I believe the reduction from 768 to 720 is because of the Kell Factor in analogue days: an interlaced analogue picture looks less
    sharp than a non-interlaced one (assuming you're not distracted by the extra flicker of non-interlaced) and they reduced the bandwidth of the signal to
    give comparable resolution in the horizontal direction to the perceived resolution in the vertical direction. And then that carried over into
    digital standards and widescreen stretched everything out even further. In contrast, HD is 1920x1080 which is 16/9, so that has square pixels.

    --- SoupGate-Win32 v1.05
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  • From NY@21:1/5 to Brian Gregory on Wed Mar 2 09:54:09 2022
    "Brian Gregory" <void-invalid-dead-dontuse@email.invalid> wrote in message news:j87l20FpshmU1@mid.individual.net...
    On 01/03/2022 20:51, NY wrote:
    I've never heard of 528x576. Is that used for any sub-SD channels on
    DVB-T or DVB-S in the UK? Or is it more commonly found outside the UK?
    Unlike 704/720 full-SD, I've only ever seen 544 sub-SD.

    "That's TV (UK)" Freeview channel 91 is 528x576.

    The satellite version of it seems to be the same 528x576 padded with black out to 544x576.

    Ah, I can't get That's TV on terrestrial because the signal is too weak
    where I live, due to a combination of factors: distance, a hill in the way, wrong direction (it's aimed at Hull or Grimsby, rather than north to Bridlington), possibly wrong aerial (*), possibly different propagation and cable attenuation with higher frequency. I have occasionally received the
    LOC multiplex when reception conditions have been abnormal: for That's TV, a TSReader scan shows 128 kb/s audio but the video stream could not be
    decoded.


    (*) I suspect my aerial dates from analogue days, maybe even before Channel
    4, when everything was lower than 530 MHz. Certainly COM4 (546 MHz) is noticeably worse reception than COM 5 (490) or COM6 (514) even though all
    three are almost the same power, and COM7 (746 MHz) is undetectable (though
    the lower power is probably a big cause too). Maybe one day I'll get it
    looked at, though I tend to use satellite for most TV, only using
    terrestrial as a fall-back if there are two or more things I want to record
    at the same time.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From NY@21:1/5 to Mark Carver on Wed Mar 2 09:57:47 2022
    "Mark Carver" <mark.carver@invalid.invalid> wrote in message news:j88og1F1jl0U1@mid.individual.net...
    On 01/03/2022 17:12, Robin wrote:
    On 01/03/2022 15:23, Mark Carver wrote:
    On 01/03/2022 15:13, Brian Gregory wrote:
    On 25/02/2022 10:30, Brian Gaff (Sofa) wrote:
    Why did the 405 line use positive video, as this put the sync
    pulses at
    the lowest signal level and hence more prone to am interference like >>>>> cars
    and vacuum cleaner interference.

    I assume they simply made the decision too soon, before they knew all
    the full implications of it.

    Indeed, there weren't that many vehicles around in 1936. Although those
    that were had absolutely no electrical suppression.

    In fact, wasn't ignition suppression mandated in the 1950s, when both
    cars and TVs increased in number and it was all becoming a nuisance ?!

    yes; well remembered :)

    I'm struggling to remember the death of Queen Victoria however


    Was unsuppressed ignition only a problem for TV? Did it not cause problems
    with radio reception, especially VHF which is more similar to 405-line TV?
    Or is VHF radio less susceptible because it is FM rather than AM/VSB?

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Mark Carver@21:1/5 to All on Wed Mar 2 10:08:04 2022
    On 02/03/2022 09:57, NY wrote:
    "Mark Carver" <mark.carver@invalid.invalid> wrote in message news:j88og1F1jl0U1@mid.individual.net...
    On 01/03/2022 17:12, Robin wrote:
    On 01/03/2022 15:23, Mark Carver wrote:
    On 01/03/2022 15:13, Brian Gregory wrote:
    On 25/02/2022 10:30, Brian Gaff (Sofa) wrote:
       Why did the 405 line use positive video, as this put  the sync >>>>>> pulses at
    the lowest signal level and hence more prone to  am interference
    like cars
    and vacuum cleaner interference.

    I assume they simply made the decision too soon, before they knew
    all the full implications of it.

    Indeed, there weren't that many vehicles around in 1936. Although
    those that were had absolutely no electrical suppression.

    In fact, wasn't ignition  suppression mandated in the 1950s, when
    both cars and TVs increased in number and it was all becoming a
    nuisance ?!

    yes; well remembered :)

    I'm struggling to remember the death of Queen Victoria however


    Was unsuppressed ignition only a problem for TV? Did it not cause
    problems with radio reception, especially VHF which is more similar to 405-line TV? Or is VHF radio less susceptible because it is FM rather
    than AM/VSB?

    I recall being driven mad by next door's electric kitchen knife when
    trying to listen to FM radio,  it didn't affect MF/LF reception at all.

    Also didn't some early (1980s vintage) FM car radios have impulse noise
    filters (by use of a delay to mute the audio when there was a pulse ?)
    Seem to recall the same devices were available for record decks too ?

    It was far more of a problem at the bottom end of UHF Band IV, than at
    the top of Band V too

    --- SoupGate-Win32 v1.05
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  • From Brian Gregory@21:1/5 to All on Wed Mar 2 17:05:19 2022
    On 02/03/2022 09:54, NY wrote:
    Ah, I can't get That's TV on terrestrial because the signal is too weak
    where I live, due to a combination of factors: distance, a hill in the
    ...

    It's marginal here. On my aerial some receivers can manage it most of
    the time, others can't.

    --
    Brian Gregory (in England).

    --- SoupGate-Win32 v1.05
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  • From Rink@21:1/5 to All on Sat Mar 5 18:07:28 2022
    Op 27-2-2022 om 9:52 schreef Ian Jackson:
    In message <sve6n4$gl7$2@dont-email.me>, NY <me@privacy.invalid> writes
    "Mark Carver" <mark.carver@invalid.invalid> wrote in message
    news:j7rqloFh7u3U1@mid.individual.net...
    Wasn't the reason negative mod was adopted for 625/UHF because it
    pushed  the sync pulses (rather than high luminance picture content)
    into the non  linearity 'zone' of klystrons ?
    Anyway negative mod any better though for reception and impulse
    rejection;  overshoot and all that ?

    I'd always understood that the main reason for negative mod was better
    rejection of impulse interference from poorly-regulated car and
    motorbike (especially motorbike!) ignition systems - probably more of
    an issue with spark-gap/coil ignition than with modern electronic
    ignition.

    For several reasons, positive modulation is a real PITA. One of them is
    that there is no easily-obtainable measurement of the RF signal level.

    With negative mod, it's simply sync tip level, which is steady and
    constant, and easy to measure with a peak-detecting meter, or as might
    be displayed on a spectrum analyser.

    With positive mod, it can vary between 30% (black level) and 100% (peak white). OK, there might be a few lines of VITs, but these are
    essentially transient, and make peak level difficult to 'catch'.


    And positive modulation needs more power, because almost the whole line
    is between 30% and 100%.
    While with negative modulation almost the whole line is between 0% and 70%. Only the syncs are at 100%.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Ian Jackson@21:1/5 to rink.hof.haalditmaarweg@planet.nl on Sat Mar 5 17:55:19 2022
    In message <t005cj$phh$1@dont-email.me>, Rink <rink.hof.haalditmaarweg@planet.nl> writes
    Op 27-2-2022 om 9:52 schreef Ian Jackson:
    In message <sve6n4$gl7$2@dont-email.me>, NY <me@privacy.invalid> writes
    "Mark Carver" <mark.carver@invalid.invalid> wrote in message >>>news:j7rqloFh7u3U1@mid.individual.net...
    Wasn't the reason negative mod was adopted for 625/UHF because it >>>>pushed  the sync pulses (rather than high luminance picture content) >>>>into the non  linearity 'zone' of klystrons ?
    Anyway negative mod any better though for reception and impulse >>>>rejection;  overshoot and all that ?

    I'd always understood that the main reason for negative mod was
    better rejection of impulse interference from poorly-regulated car
    and motorbike (especially motorbike!) ignition systems - probably
    more of an issue with spark-gap/coil ignition than with modern >>>electronic ignition.
    For several reasons, positive modulation is a real PITA. One of them
    is that there is no easily-obtainable measurement of the RF signal
    level.
    With negative mod, it's simply sync tip level, which is steady and >>constant, and easy to measure with a peak-detecting meter, or as might
    be displayed on a spectrum analyser.
    With positive mod, it can vary between 30% (black level) and 100%
    (peak white). OK, there might be a few lines of VITs, but these are >>essentially transient, and make peak level difficult to 'catch'.


    And positive modulation needs more power, because almost the whole line
    is between 30% and 100%.
    While with negative modulation almost the whole line is between 0% and 70%. >Only the syncs are at 100%.

    No. With PAL I and B/G, with -ve mod sync tip is 100% of envelope
    amplitude, black is 76% (-2.4dB) and white is 20% (-14dB). Fully
    saturated yellow takes the downward excursion down to 12.5% (leaving
    just enough to facilitate the inter-carrier mix to give a sound IF of 6
    (5.5 for B/G) MHz. [NTSC is very similar, but slightly different.]
    --
    Ian

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