• Re: WIRELESS NOTES - Derbyshire Advertiser and Journal - Friday 11 Janu

    From John Williamson@21:1/5 to J. P. Gilliver on Thu Nov 9 08:50:58 2023
    On 09/11/2023 08:23, J. P. Gilliver wrote:
    (What is a dull emitter valve?)

    At the time, bright emitter valves were common, with a tungsten wire
    cathode running as hot as a light bulb. We used one at school in the
    1060s in our physics lessons to help us understand how electronics
    worked. I'd been playing with the by then normal dull emitter valves at
    home for a while at the time, and was worried about them burning the
    heater out.

    Dull emitter valves either had a special coating on the filament
    (Directly heated) or a coated cathode surrounded the filament (Indirect heating) The cathode in these valves ran at a temperature hot enough to
    emit a dull red glow, hence the name.

    accomplished by a variometer, and the natural wave length of the
    aerial being shortened by a large condenser in series with same.

    Interesting that no crystal was involved!

    The first use of crystal control was only three years before the article
    was written, and the transmitter was probably older than that.

    Mr. Basebe. the engineer in charge, explained the workings fully, and
    after a further vote of thanks by Mr. Gelsthorpe. the party dispersed
    to finish the evening according to their own desires.

    Sounds like a fun day!

    Certainly educational.

    I wonder what they did about sound leakage through the open windows
    mentioned as the only ventilation in the studio?

    --
    Tciao for Now!

    John.

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  • From J. P. Gilliver@21:1/5 to mb@nospam.net on Thu Nov 9 08:23:30 2023
    Thanks for this - fascinating!

    In message <uihuai$22vmm$1@dont-email.me> at Thu, 9 Nov 2023 06:30:41,
    JMB99 <mb@nospam.net> writes
    I came across this whilst looking for something else on the BNA.

    Derbyshire Advertiser and Journal - Friday 11 January 1924
    Image © Reach PLC. Image created courtesy of THE BRITISH LIBRARY BOARD.

    WIRELESS NOTES.

    People are asking, will there lie enough radio to round? There is no
    wonder at this query when one looks about even in own town, at the
    large numlier of aerials which keep springing up, but can assure all

    If I interpret that correctly, it was concern that too many people
    receiving were going to sap the signal; an understandable concern among
    the not technically minded.

    enthusiasts that there is heaps more than enough to satisfy all. fact, >broadcast concerts, etc., are like the widow's cruse, and never reem to

    Not an expression I've encountered before!

    get any less nor any fainter. There is undoubtedly a good lot of
    wireless fever about, and dealers appear to be very busy. Now for the
    doings of one of our local societies!

    The Midland Institute Radio people and lady friends, to the number of >sixty-eight, paid visit last Saturday to the British Broadcasting
    studio and transmitting station at Birmingham. After our arrival
    New-street. and having climbed lots and lots of stairs, found ourselves
    the fourth storey above Lorelles Picture House. At the end of a small

    So it was above a cinema!

    lobby we halted before a dark and mystic door which, being opened to
    us, revealed narrow passage leading into the studio. The party entered >without a sound on account of the padded floor, and in sympathy spoke
    only in whispers! It was bit like going into a cemetery chape! or tomb,

    OCR quite good - I only spotted that (obviously "chapel") and one other.

    until we got used to the strange atmosphere. The first impression of
    the studio was rather a mixture photography and "behind the scenes" at
    a theatre. The room was about thirty feet square and nine feet high,
    with a flat ceiling. It was lighted on one side only by three windows,
    which fortunately opened as it was rlather stuffy. When broadcasting,
    even daytime, are closed and thickly curtained to keep out all
    extraneous sounds. With the exception of the floor, which was thickly >carpeted, the walls and ceiling were covered with a single layer of
    coarse dark drapery, this by experiment having been found most suitable

    Though of course the colour wasn't relevant!

    and is sufficient deadening effect to ensure direct sound waves being
    picked up. yet with just enough reflection to give brilliance to the >transmission. It took six months to bring the studio to its present
    state of perfection. Round the room there are numbers of chairs, and in >certain positions, grand piano, cabinet gramophone, pianola player

    Acoustic gramophone perhaps in 1924?

    piano, and all the impedimenta of jazz band and tympani. "Uncle" Vernon
    was busy with fluxite and soldering iron making a portable transmitter
    for use at Bournemouth when we arrived, and soon after "Uncle Jack”
    Cooper appeared.He is still in the army reserve, and quickly had us all >marshalled for his address, which proved to be very interesting. He
    explained the whole broadcasting process and showed how by brass nails
    in the carpet each performer knew exactly where to stand or sit. and
    also how by signals from a row of little coloured lights instructions
    were given without speaking a sound to the performers. lights were the
    cause of the studio being christened "Rugby Station" by Uncle Joe. who >declared they looked like that station on a wet night. They each
    illuminate small labels which read - speak - wait - re-arrange — move
    back - come closer and all correct. Close to the lights is a small
    window through which the engineer his ante-room listens in, watches,
    and controls the whole show. He is in direct telephonic communication
    with London, all other B.B.C. studios, also the transmitting station
    mile away, and fills in his spare time with the "national" as well. The
    most important instrument, the microphone, hangs on insulated springs
    from three-legged iron stand atiout five feet high. It is round, about

    A "meat-safe" one? Interesting that - by the sound of it - there was
    only one microphone for the whole studio.

    five inches in diameter, and an inch and a half thick, and is connected
    to the apparatus (which is not on show) by ordinary flex. This circuit
    is joined to the transmission station at Lowe’- Loveday-streel by

    (The other OCR - "street" I presume.)

    ordinary land line, where it amplified and fed into the aerial. Uncle

    (Obviously the concept of modulation not within the scope of such an
    article, or perhaps the presentation.)

    Jack was particularly anxious to aasuie us that all concerts, etc.,
    were ‘sent out from the studio clear and clean cut. If listeners-in
    did not get good he said, it was undoubtedly the fault of their sets, >especially transformers, and warned all again.st the folly of buying
    cheap rubbish.

    Interesting. I presume audio output transformers, as I imagine most sets
    would have been directly-rectified mains in those days? What would have
    been the problem - oversaturation?

    Mr. Wallis, on behalf of the party, thanked the officers of the B.B.C.
    for their kindness in allowing the visit to be made, also for their
    trouble taken to make it so interesting.

    We all walked to the power station at Summer lane, and eventually got
    inside. The great feature is the fine aerial of cage or sausage type, >suspended vertically between two huge chimneys nearly two hundred feet
    high. undoubtedly a very fine piece of engineering work, and we should
    have liked to have seen it put up. Inside the small transmitting

    Interesting that it used - presumably - chimneys that were already
    there.

    station were found motor generators by Newton Brothers. Ltd.. Derby,
    which fed current to four huge dull emitter power valves, tuning being

    (What is a dull emitter valve?)

    accomplished by a variometer, and the natural wave length of the aerial
    being shortened by a large condenser in series with same.

    Interesting that no crystal was involved!

    Mr. Basebe. the engineer in charge, explained the workings fully, and
    after a further vote of thanks by Mr. Gelsthorpe. the party dispersed
    to finish the evening according to their own desires.

    Sounds like a fun day!
    --
    J. P. Gilliver. UMRA: 1960/<1985 MB++G()AL-IS-Ch++(p)Ar@T+H+Sh0!:`)DNAf

    Who's General Failure & why's he reading my disk? (Stolen from another .sig)

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  • From J. P. Gilliver@21:1/5 to John Williamson on Thu Nov 9 10:02:35 2023
    In message <kr3krjFro5mU1@mid.individual.net> at Thu, 9 Nov 2023
    08:50:58, John Williamson <johnwilliamson@btinternet.com> writes
    On 09/11/2023 08:23, J. P. Gilliver wrote:
    (What is a dull emitter valve?)

    At the time, bright emitter valves were common, with a tungsten wire
    cathode running as hot as a light bulb. We used one at school in the
    1060s in our physics lessons to help us understand how electronics

    Ah, just before the conquest (-:!

    I really came into electronics in the '70s, but am pleased that the
    Scroggie I used started with valves (about 9th edition I think?).
    [Actually I often cite it as an excellent textbook: it actually started
    by explaining what a graph was, which I thought was good.]

    worked. I'd been playing with the by then normal dull emitter valves at
    home for a while at the time, and was worried about them burning the
    heater out.

    Dull emitter valves either had a special coating on the filament
    (Directly heated) or a coated cathode surrounded the filament (Indirect >heating) The cathode in these valves ran at a temperature hot enough to
    emit a dull red glow, hence the name.

    Ah, so it just referred to the operating temperature of the filament. (I
    think most/all of the valves I ever had anything to do with were indirectly-heated cathodes.)
    []
    I wonder what they did about sound leakage through the open windows
    mentioned as the only ventilation in the studio?

    Kept them closed, I think! The article did say it was a bit stuffy.
    --
    J. P. Gilliver. UMRA: 1960/<1985 MB++G()AL-IS-Ch++(p)Ar@T+H+Sh0!:`)DNAf

    looking like one who had drunk the cup of life and found
    a dead beetle in the bottom. - Wodehouse

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  • From charles@21:1/5 to Liz Tuddenham on Thu Nov 9 10:45:02 2023
    In article <1qjx9oh.7l2yvxn693k0N%liz@poppyrecords.invalid.invalid>,
    Liz Tuddenham <liz@poppyrecords.invalid.invalid> wrote:
    JMB99 <mb@nospam.net> wrote:

    [...]
    After our arrival New-street.
    and having climbed lots and lots of stairs, found ourselves on the
    fourth storey above Lorelles Picture House.

    It was the Lozells Picture House, named after the district of Birmingham where it was located. It had a well known cinema organ and recordings
    were issued of Frank Newman (a famous cinema organist of the time)
    playing it. My sleeve notes on the CD re-issue read:

    ~~~~~~~~~~
    Lozells Wurlitzer: originally a Model 160 recovered from a cinema in Hamilton, Ohio, USA. The company rebuilt it as a Model B Special with a two-manual console, six ranks of pipes and extra effects.
    It was then resold and installed in Lozells Picture House, Birmingham in January 1927. The cinema and organ were destroyed by enemy action in
    1942.
    ~~~~~~~~~~~~~~~

    as an aside, the Mechanical Music Museum in Brentford, West London, has a working cinema organ complete with rising keyboard area. It can also play a grand piano alongside which has been modified tom accept air operation of
    the keys.

    --
    from KT24 in Surrey, England - sent from my RISC OS 4t
    "I'd rather die of exhaustion than die of boredom" Thomas Carlyle

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  • From Liz Tuddenham@21:1/5 to mb@nospam.net on Thu Nov 9 10:14:23 2023
    JMB99 <mb@nospam.net> wrote:

    [...]
    After our arrival New-street.
    and having climbed lots and lots of stairs, found ourselves on the
    fourth storey above Lorelles Picture House.

    It was the Lozells Picture House, named after the district of Birmingham
    where it was located. It had a well known cinema organ and recordings
    were issued of Frank Newman (a famous cinema organist of the time)
    playing it. My sleeve notes on the CD re-issue read:

    ~~~~~~~~~~
    Lozells Wurlitzer: originally a Model 160 recovered from a cinema in
    Hamilton, Ohio, USA. The company rebuilt it as a Model B Special with a two-manual console, six ranks of pipes and extra effects.
    It was then resold and installed in Lozells Picture House, Birmingham in January 1927. The cinema and organ were destroyed by enemy action in
    1942.
    ~~~~~~~~~~~~~~~

    --
    ~ Liz Tuddenham ~
    (Remove the ".invalid"s and add ".co.uk" to reply)
    www.poppyrecords.co.uk

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  • From Liz Tuddenham@21:1/5 to J. P. Gilliver on Thu Nov 9 10:14:23 2023
    J. P. Gilliver <G6JPG@255soft.uk> wrote:

    [...]>
    The Midland Institute Radio people and lady friends, to the number of >sixty-eight, paid visit last Saturday to the British Broadcasting
    studio and transmitting station at Birmingham. After our arrival >New-street. and having climbed lots and lots of stairs, found ourselves
    the fourth storey above Lorelles Picture House. At the end of a small

    So it was above a cinema!

    I don't think it was inside the cinema building, I think it was in a
    nearby building which overlooked the cinema. I have seen a postcard of
    Lozells Picture House and seem to recall it was a bit squat-looking.
    It had a beautiful rose window which made it a landmark at the end of
    the high street.

    [...]
    Round the room there are numbers of chairs, and in
    certain positions, grand piano, cabinet gramophone, pianola player

    Acoustic gramophone perhaps in 1924?

    Yes, electrical pickups were still in the experimental stage.

    [...]
    The
    most important instrument, the microphone, hangs on insulated springs
    from three-legged iron stand atiout five feet high. It is round, about

    A "meat-safe" one? Interesting that - by the sound of it - there was
    only one microphone for the whole studio.

    That was the norm for quite a long while. Balancing and fading was done
    by moving the performers.

    [...]
    station were found motor generators by Newton Brothers. Ltd.. Derby,
    which fed current to four huge dull emitter power valves, tuning being

    (What is a dull emitter valve?)

    The earlier valves had tungsten filaments which had to run white hot
    (like light bulbs) to give enough emission. Later there were coated and surface-treated filaments, which gave much more emission at lower
    temperatures, so they were 'dull' emitters. The problem was that coated filaments were much more liable to be stripped by electroststic forces
    or be damaged by flashover if pockets of gas were released from the
    metal components of the valve during use.

    The gas-related flashover was called the "Rocky Point Effect" because it
    was first noticed in the transmitter at Rocky Point [USA]. When
    transmitting valves were still air cooled and relatively small, powerful transmitters used banks of them in parallel. This meant that any valve
    which flashed-over was destroyed by discharging a power supply that was
    far bigger than was needed for a single valve. The 'cure' was to put a resistor in series with each valve's anode to limit the fault current
    until the manin breakers could trip out. (The circuit diagram of 2LO
    shows those resistors.)

    Later there were improvments to the de-gassing and pumping-down methods, including induction-heating all the electrodes during the process, which
    made gas occlusion less likely. Single large valves, rather than
    parallel banks of small ones, solved the problem - but they needed water cooling.

    Continuously-pumped valves were another way of overcoming the problem.

    [...]
    accomplished by a variometer, and the natural wave length of the aerial >being shortened by a large condenser in series with same.

    Interesting that no crystal was involved!

    Crystal control didn't become the norm until the 1930s.


    --
    ~ Liz Tuddenham ~
    (Remove the ".invalid"s and add ".co.uk" to reply)
    www.poppyrecords.co.uk

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  • From Theo@21:1/5 to J. P. Gilliver on Thu Nov 9 16:44:23 2023
    J. P. Gilliver <G6JPG@255soft.uk> wrote:
    In message <uihuai$22vmm$1@dont-email.me> at Thu, 9 Nov 2023 06:30:41,
    JMB99 <mb@nospam.net> writes

    Mr. Wallis, on behalf of the party, thanked the officers of the B.B.C.
    for their kindness in allowing the visit to be made, also for their
    trouble taken to make it so interesting.

    We all walked to the power station at Summer lane, and eventually got >inside. The great feature is the fine aerial of cage or sausage type, >suspended vertically between two huge chimneys nearly two hundred feet >high. undoubtedly a very fine piece of engineering work, and we should
    have liked to have seen it put up. Inside the small transmitting

    Interesting that it used - presumably - chimneys that were already
    there.

    I am reminded of:
    https://en.wikipedia.org/wiki/Lots_Road_Power_Station

    which used its chimneys for a radio transmitter for early commercial radio, from 1973 to 2001.

    Theo

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  • From JMB99@21:1/5 to Theo on Thu Nov 9 17:42:50 2023
    On 09/11/2023 16:44, Theo wrote:
    which used its chimneys for a radio transmitter for early commercial radio, from 1973 to 2001.


    Seems to have been common for some of the first transmitter site and
    then many Group H sites used chimneys and some went on to be DF sites.

    Why build a tower / mast when there was already a nice big chimney and
    of course it did not draw attention to the site during the war.

    A BBC engineer died in an air raid whilst he was working at the Hughes
    Biscuit factory Bordesley, I suspect that must have been at a Group H
    site and it probably used the chimneys.

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  • From charles@21:1/5 to Theo on Thu Nov 9 17:30:03 2023
    In article <pGp*zm0uz@news.chiark.greenend.org.uk>,
    Theo <theom+news@chiark.greenend.org.uk> wrote:
    J. P. Gilliver <G6JPG@255soft.uk> wrote:
    In message <uihuai$22vmm$1@dont-email.me> at Thu, 9 Nov 2023 06:30:41, JMB99 <mb@nospam.net> writes

    Mr. Wallis, on behalf of the party, thanked the officers of the B.B.C. >for their kindness in allowing the visit to be made, also for their >trouble taken to make it so interesting.

    We all walked to the power station at Summer lane, and eventually got >inside. The great feature is the fine aerial of cage or sausage type, >suspended vertically between two huge chimneys nearly two hundred feet >high. undoubtedly a very fine piece of engineering work, and we should >have liked to have seen it put up. Inside the small transmitting

    Interesting that it used - presumably - chimneys that were already
    there.

    I am reminded of:
    https://en.wikipedia.org/wiki/Lots_Road_Power_Station

    which used its chimneys for a radio transmitter for early commercial
    radio, from 1973 to 2001.

    There was a BBC Tx at that site on 720kHz carrying Radio 4.

    --
    from KT24 in Surrey, England - sent from my RISC OS 4t
    "I'd rather die of exhaustion than die of boredom" Thomas Carlyle

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  • From charles@21:1/5 to mb@nospam.net on Thu Nov 9 18:08:03 2023
    In article <uij5ms$2ad7v$1@dont-email.me>,
    JMB99 <mb@nospam.net> wrote:
    On 09/11/2023 16:44, Theo wrote:
    which used its chimneys for a radio transmitter for early commercial
    radio, from 1973 to 2001.


    Seems to have been common for some of the first transmitter site and
    then many Group H sites used chimneys and some went on to be DF sites.

    Why build a tower / mast when there was already a nice big chimney and
    of course it did not draw attention to the site during the war.

    A BBC engineer died in an air raid whilst he was working at the Hughes Biscuit factory Bordesley, I suspect that must have been at a Group H
    site and it probably used the chimneys.

    Yes, this is mentioned in Pawley p244. 19 November 1940. But is doesn't
    seem to have been an H Group station; it is quoted as a "spoiler" for the European Service on 804kHz. 3 BBC staff were killed

    --
    from KT24 in Surrey, England - sent from my RISC OS 4t
    "I'd rather die of exhaustion than die of boredom" Thomas Carlyle

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  • From Woody@21:1/5 to Theo on Thu Nov 9 18:35:06 2023
    On Thu 09/11/2023 16:44, Theo wrote:
    J. P. Gilliver <G6JPG@255soft.uk> wrote:
    In message <uihuai$22vmm$1@dont-email.me> at Thu, 9 Nov 2023 06:30:41,
    JMB99 <mb@nospam.net> writes

    Mr. Wallis, on behalf of the party, thanked the officers of the B.B.C.
    for their kindness in allowing the visit to be made, also for their
    trouble taken to make it so interesting.

    We all walked to the power station at Summer lane, and eventually got
    inside. The great feature is the fine aerial of cage or sausage type,
    suspended vertically between two huge chimneys nearly two hundred feet
    high. undoubtedly a very fine piece of engineering work, and we should
    have liked to have seen it put up. Inside the small transmitting

    Interesting that it used - presumably - chimneys that were already
    there.

    I am reminded of:
    https://en.wikipedia.org/wiki/Lots_Road_Power_Station

    which used its chimneys for a radio transmitter for early commercial radio, from 1973 to 2001.



    BBC Radio Sheffield transmitted MW on 1035Khz using the chimney of
    Heeley swimming baths on Broadfield Road. ISTR it was an inverted L with
    the long arm extending from the top of the chimney to a pole at the top
    of a bank across the yard. It was closed down in May 2021.

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  • From charles@21:1/5 to All on Thu Nov 9 19:08:03 2023
    In article <uij8or$2avo0$1@dont-email.me>, Woody <harrogate3@ntlworld.com> wrote:
    On Thu 09/11/2023 16:44, Theo wrote:
    J. P. Gilliver <G6JPG@255soft.uk> wrote:
    In message <uihuai$22vmm$1@dont-email.me> at Thu, 9 Nov 2023 06:30:41,
    JMB99 <mb@nospam.net> writes

    Mr. Wallis, on behalf of the party, thanked the officers of the
    B.B.C. for their kindness in allowing the visit to be made, also for
    their trouble taken to make it so interesting.

    We all walked to the power station at Summer lane, and eventually got
    inside. The great feature is the fine aerial of cage or sausage type,
    suspended vertically between two huge chimneys nearly two hundred
    feet high. undoubtedly a very fine piece of engineering work, and we
    should have liked to have seen it put up. Inside the small
    transmitting

    Interesting that it used - presumably - chimneys that were already
    there.

    I am reminded of: https://en.wikipedia.org/wiki/Lots_Road_Power_Station

    which used its chimneys for a radio transmitter for early commercial
    radio, from 1973 to 2001.



    BBC Radio Sheffield transmitted MW on 1035Khz using the chimney of
    Heeley swimming baths on Broadfield Road. ISTR it was an inverted L with
    the long arm extending from the top of the chimney to a pole at the top
    of a bank across the yard. It was closed down in May 2021.

    The St Helier uhf relay is strapped to the top of the power station
    chimney.

    --
    from KT24 in Surrey, England - sent from my RISC OS 4t
    "I'd rather die of exhaustion than die of boredom" Thomas Carlyle

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  • From John Williamson@21:1/5 to Brian Gaff on Thu Nov 30 11:18:34 2023
    Dull emitters were indeed more efficient, but before they invented the technology to make them, valve designers didn't have the choice.

    On 30/11/2023 11:15, Brian Gaff wrote:
    Dull emitters were more efficient, as the power was used to heat the cathode and not produce light, which was a waste of power.
    Brian



    --
    Tciao for Now!

    John.

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  • From J. P. Gilliver@21:1/5 to John Williamson on Thu Nov 30 13:18:37 2023
    In message <ksr9caF8ppiU1@mid.individual.net> at Thu, 30 Nov 2023
    11:18:34, John Williamson <johnwilliamson@btinternet.com> writes

    Dull emitters were indeed more efficient, but before they invented the >technology to make them, valve designers didn't have the choice.

    On 30/11/2023 11:15, Brian Gaff wrote:
    Dull emitters were more efficient, as the power was used to heat the cathode >> and not produce light, which was a waste of power.
    Brian



    I doubt there was _much_ difference in efficiency: incandescent
    lightbulbs were about 4% efficient in terms of light output (5% in
    special cases), the rest coming out as heat anyway, so not emitting
    light wouldn't save much. I suspect it's more that initially they _had_
    to run white-hot to achieve the necessary temperature to work, before
    the technology John mentions was invented. I think the real advantage
    would be greater life: white-hot filaments presumably had shorter life
    (and were more fragile); they couldn't put inert gas in to reduce
    evaporation losses as they eventually did with lightbulbs, as that would interfere with its functioning as a valve. (I have a vague memory of
    Krypton being the preferred one for lightbulbs, and that being about the
    only large-scale use for it [that and discharge tubes], but ICBWAT.)
    --
    J. P. Gilliver. UMRA: 1960/<1985 MB++G()AL-IS-Ch++(p)Ar@T+H+Sh0!:`)DNAf

    Madness takes its toll. Please have exact change
    [via Penny Mayes (mayes@pmail.net)]

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