• Are pictures of Bergerac really newsworthy?

    From J. P. Gilliver (John)@21:1/5 to All on Tue Oct 19 15:06:03 2021
    Apparently, to mark the 40th anniversary of some aspect of the
    "Bergerac" series (is 40 a significant one? For a marriage, maybe, but I
    didn't think it was in general), the BBC are releasing some pictures
    taken during the making of the series.

    Nice, and I wish them no ill - but is that really newsworthy? I've seen
    at least two sets of headlines that mention it.
    --
    J. P. Gilliver. UMRA: 1960/<1985 MB++G()AL-IS-Ch++(p)Ar@T+H+Sh0!:`)DNAf

    It's not the pace of life that concerns me, it's the sudden stop at the end.

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  • From The Other John@21:1/5 to All on Tue Oct 19 14:56:26 2021
    On Tue, 19 Oct 2021 15:06:03 +0100, J. P. Gilliver (John) wrote:

    Apparently, to mark the 40th anniversary of some aspect of the
    "Bergerac" series (is 40 a significant one? For a marriage, maybe, but I didn't think it was in general), the BBC are releasing some pictures
    taken during the making of the series.

    Nice, and I wish them no ill - but is that really newsworthy? I've seen
    at least two sets of headlines that mention it.

    On BBC Breakfast they were talking to a producer who is planning to start
    a new series of Bergerac. He's about to start casting.

    --
    TOJ

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  • From MB@21:1/5 to All on Tue Oct 19 17:09:44 2021
    On 19/10/2021 15:06, J. P. Gilliver (John) wrote:
    Apparently, to mark the 40th anniversary of some aspect of the
    "Bergerac" series (is 40 a significant one? For a marriage, maybe, but I didn't think it was in general), the BBC are releasing some pictures
    taken during the making of the series.

    Nice, and I wish them no ill - but is that really newsworthy? I've seen
    at least two sets of headlines that mention it.

    Seems quite reasonable, I have actually been watching some of the old
    series recently. We got bombarded with promotions for the new James
    Bond film so why not this, I know which I would rather watch especially
    if one of the episodes with the Ice Maiden!

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  • From NY@21:1/5 to All on Tue Oct 19 21:01:39 2021
    "Gerard K" <scotsmandrareg@gmail.com> wrote in message news:3b562d59-a669-44e7-b195-6bc5d03082b1n@googlegroups.com...
    On Tuesday, October 19, 2021 at 5:08:46 PM UTC+1, MB wrote:
    On 19/10/2021 15:06, J. P. Gilliver (John) wrote:
    Apparently, to mark the 40th anniversary of some aspect of the
    "Bergerac" series (is 40 a significant one? For a marriage, maybe, but
    I
    didn't think it was in general), the BBC are releasing some pictures
    taken during the making of the series.

    Nice, and I wish them no ill - but is that really newsworthy? I've seen
    at least two sets of headlines that mention it.
    Seems quite reasonable, I have actually been watching some of the old
    series recently. We got bombarded with promotions for the new James
    Bond film so why not this, I know which I would rather watch especially
    if one of the episodes with the Ice Maiden!

    I read the article on the BBC website but one part confused me.
    They say that they have digitally remastered an episode from the original film master and go on to say that the digitally restored version is 10 minutes longer than copies edited to contain commercial breaks. Presumably these 'copies' referred to are versions supplied to other third party broadcasters. Or did the BBC edit down all versions for broadcast
    (including the BBC broadcast) to be advert friendly i.e. deliberately
    remove 10 minutes from the directors cut.

    Yes, I had to read the sentence several times and I'm still left with a "so what - they've put back the 10 minutes that non-BBC broadcasters removed for adverts". On the other hand, IMDB says that episodes were originally 50
    minutes long, so maybe they were "pre-edited" by BBC to fit a 1-hour slot
    with adverts, in which case maybe there is new material which has not been
    seen before.

    It's a shame they have only remastered one episode. They could do with remastering all of them: it's amazing what additional detail and tonal range
    is revealed when the original negative is telecined on a modern machine
    rather than one that used the technology of the time, which is now 40 years old. A bit of grain-, scratch- and dust-removal works wonders as well.

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  • From Gerard K@21:1/5 to All on Tue Oct 19 12:52:52 2021
    On Tuesday, October 19, 2021 at 5:08:46 PM UTC+1, MB wrote:
    On 19/10/2021 15:06, J. P. Gilliver (John) wrote:
    Apparently, to mark the 40th anniversary of some aspect of the
    "Bergerac" series (is 40 a significant one? For a marriage, maybe, but I didn't think it was in general), the BBC are releasing some pictures
    taken during the making of the series.

    Nice, and I wish them no ill - but is that really newsworthy? I've seen
    at least two sets of headlines that mention it.
    Seems quite reasonable, I have actually been watching some of the old
    series recently. We got bombarded with promotions for the new James
    Bond film so why not this, I know which I would rather watch especially
    if one of the episodes with the Ice Maiden!

    I read the article on the BBC website but one part confused me.
    They say that they have digitally remastered an episode from the original film master and go on to say that the digitally restored version is 10 minutes longer than copies edited to contain commercial breaks. Presumably these 'copies' referred to are
    versions supplied to other third party broadcasters. Or did the BBC edit down all versions for broadcast (including the BBC broadcast) to be advert friendly i.e. deliberately remove 10 minutes from the directors cut.

    Gerard

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  • From J. P. Gilliver (John)@21:1/5 to me@privacy.invalid on Tue Oct 19 23:23:47 2021
    On Tue, 19 Oct 2021 at 21:01:39, NY <me@privacy.invalid> wrote (my
    responses usually follow points raised):
    "Gerard K" <scotsmandrareg@gmail.com> wrote in message >news:3b562d59-a669-44e7-b195-6bc5d03082b1n@googlegroups.com...
    On Tuesday, October 19, 2021 at 5:08:46 PM UTC+1, MB wrote:
    On 19/10/2021 15:06, J. P. Gilliver (John) wrote:
    Apparently, to mark the 40th anniversary of some aspect of the
    "Bergerac" series (is 40 a significant one? For a marriage, maybe,
    but I
    didn't think it was in general), the BBC are releasing some pictures
    taken during the making of the series.

    Nice, and I wish them no ill - but is that really newsworthy? I've seen >>> > at least two sets of headlines that mention it.
    Seems quite reasonable, I have actually been watching some of the old
    series recently. We got bombarded with promotions for the new James
    Bond film

    I get fed up with those too, but I suppose I'm used to such things - at
    least it's a new film; I was a little puzzled at the Bergerac ones. But
    I understand they're making a new series (or episode), so maybe
    understandable.

    so why not this, I know which I would rather watch especially
    if one of the episodes with the Ice Maiden!

    Ah, after she got her blue eyes - yes, very startling!

    I read the article on the BBC website but one part confused me.
    They say that they have digitally remastered an episode from the
    original film master and go on to say that the digitally restored
    version is 10 minutes longer than copies edited to contain commercial >>breaks. Presumably these 'copies' referred to are versions supplied
    to other third party broadcasters. Or did the BBC edit down all
    versions for broadcast (including the BBC broadcast) to be advert
    friendly i.e. deliberately remove 10 minutes from the directors cut.

    That would have meant they were only 50 minutes when on the BBC? Maybe
    they were; I remember TV programming not being on as much of an hourly
    cycle as it is now. (Irritatingly so: I sometimes, though not often,
    find there are two, three, or even four prog.s at 21:00 I would like to
    watch. [I still tend to watch "live".])

    Yes, I had to read the sentence several times and I'm still left with a
    "so what - they've put back the 10 minutes that non-BBC broadcasters
    removed for adverts". On the other hand, IMDB says that episodes were >originally 50 minutes long, so maybe they were "pre-edited" by BBC to
    fit a 1-hour slot with adverts, in which case maybe there is new
    material which has not been seen before.

    It's a shame they have only remastered one episode. They could do with >remastering all of them: it's amazing what additional detail and tonal
    range is revealed when the original negative is telecined on a modern
    machine rather than one that used the technology of the time, which is
    now 40 years old. A bit of grain-, scratch- and dust-removal works
    wonders as well.

    Yes; anything originally shot on film - even 16mm - bears re-scanning.
    (_Maybe_ 8mm is only SD-worthy, though even there I have my doubts,
    especially super 8.) They ought to do TOS, which I think was on film.
    (They re-processed TNG - I think that was video, but they have kept the
    aspect ratio at least. I've seen rather a lot of TOS that's been
    cropped, which is awful.)
    --
    J. P. Gilliver. UMRA: 1960/<1985 MB++G()AL-IS-Ch++(p)Ar@T+H+Sh0!:`)DNAf

    People wear anoraks because it's cold outside and it rains, not to annoy the editors of style magazines. - Ben Elton, Radio Times 18-24 April 1998

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  • From NY@21:1/5 to MB@nospam.net on Wed Oct 20 09:40:06 2021
    "MB" <MB@nospam.net> wrote in message news:skoja1$sfj$1@dont-email.me...
    On 19/10/2021 23:23, J. P. Gilliver (John) wrote:
    That would have meant they were only 50 minutes when on the BBC?

    I just had a look on GENOME, it was as I remembered and most of that type
    of series were 50 minute.

    You did not tend to get the same programmes on ITV but similar ones would
    be an hour with the adverts.

    Casualty was also only 50 minutes whereas its sister programme Holby City
    was 60 minutes (both are shorter at present, because of Covid restrictions I imagine). It's interesting that when Drama are repeating old episodes at the moment, HC is fitted into a 90 minute slot (including commercials) whereas
    Cas is fitted into a 60 minute slot. So they are adding a lot more
    commercials with HC.


    So the statement about Bergerac in the news story doesn't tell us much: for
    the remastered version they have added back the parts that were edited out
    to make way for commercials when repeated on non-BBC channels. Big deal ;-)
    I wish repeats channels would show full, unedited programmes and if the commercials mean that programmes with a run time of 60 minutes no longer
    start on the hour, so be it - just live with it.



    ITV programmes used to be a nominal 52 minutes of running time (fitting into
    a 1-hour slot with commercials) until the change from 2 to 3 breaks per hour within a programme; now it's been reduced to 46 minutes with the extra
    break. Likewise for Channel 4 and Five.

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  • From MB@21:1/5 to All on Wed Oct 20 09:18:06 2021
    On 19/10/2021 23:23, J. P. Gilliver (John) wrote:
    That would have meant they were only 50 minutes when on the BBC?

    I just had a look on GENOME, it was as I remembered and most of that
    type of series were 50 minute.

    You did not tend to get the same programmes on ITV but similar ones
    would be an hour with the adverts.

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  • From Brian Gaff (Sofa)@21:1/5 to The Other John on Wed Oct 20 09:59:48 2021
    I was on Jersey once when they were filming a chase scene, and we were all
    kept waiting around a corner while they went down the street, into a cafe
    with outside tables, knocking them over and going inside. There were no cast members in the chance, just stunt doubles apparently, though they did do
    some cut in shots of the real people at the same time, from what we heard,
    so the lighting was the same as the chase scene.
    It seems its true what they say about making films and TV, its 90 percent waiting around and 10 percent actually performing.
    Brian

    --

    This newsgroup posting comes to you directly from...
    The Sofa of Brian Gaff...
    briang1@blueyonder.co.uk
    Blind user, so no pictures please
    Note this Signature is meaningless.!
    "The Other John" <nomail@here.org> wrote in message news:skmmaq$igs$1@dont-email.me...
    On Tue, 19 Oct 2021 15:06:03 +0100, J. P. Gilliver (John) wrote:

    Apparently, to mark the 40th anniversary of some aspect of the
    "Bergerac" series (is 40 a significant one? For a marriage, maybe, but I
    didn't think it was in general), the BBC are releasing some pictures
    taken during the making of the series.

    Nice, and I wish them no ill - but is that really newsworthy? I've seen
    at least two sets of headlines that mention it.

    On BBC Breakfast they were talking to a producer who is planning to start
    a new series of Bergerac. He's about to start casting.

    --
    TOJ

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  • From Brian Gaff (Sofa)@21:1/5 to G6JPG@255soft.uk on Wed Oct 20 09:55:27 2021
    He was interviewed on Radio Jersey. I heard part of it, he is sounding very old and grandfather like now. I think as he said that the public may well
    like to see a return of something similar to our screens. If the stories are well written as they were mostly on the original, then why not? Obviously
    he is too old to play a a recovering alcoholic policeman and most of his co stars are dead, but I guess he could have a cameo as a voice from the past.

    The name, Bergerac always sounded like the name of some male fragrance to me anyway, but then, I've got that sense of humour.
    It was interesting to me when they re ran the various series to not a lot
    of it sounds like it was made on film, a bit like the ITV stuff made by ITC
    and Euston Films were.

    Brian

    --

    This newsgroup posting comes to you directly from...
    The Sofa of Brian Gaff...
    briang1@blueyonder.co.uk
    Blind user, so no pictures please
    Note this Signature is meaningless.!
    "J. P. Gilliver (John)" <G6JPG@255soft.uk> wrote in message news:RASkXOqLDtbhFwUU@255soft.uk...
    Apparently, to mark the 40th anniversary of some aspect of the "Bergerac" series (is 40 a significant one? For a marriage, maybe, but I didn't think
    it was in general), the BBC are releasing some pictures taken during the making of the series.

    Nice, and I wish them no ill - but is that really newsworthy? I've seen at least two sets of headlines that mention it.
    --
    J. P. Gilliver. UMRA: 1960/<1985 MB++G()AL-IS-Ch++(p)Ar@T+H+Sh0!:`)DNAf

    It's not the pace of life that concerns me, it's the sudden stop at the
    end.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From NY@21:1/5 to briang1@blueyonder.co.uk on Wed Oct 20 10:21:44 2021
    "Brian Gaff (Sofa)" <briang1@blueyonder.co.uk> wrote in message news:skoli3$aj2$1@dont-email.me...
    He was interviewed on Radio Jersey. I heard part of it, he is sounding
    very old and grandfather like now. I think as he said that the public may well like to see a return of something similar to our screens. If the
    stories are well written as they were mostly on the original, then why
    not? Obviously he is too old to play a a recovering alcoholic policeman
    and most of his co stars are dead, but I guess he could have a cameo as a voice from the past.

    The name, Bergerac always sounded like the name of some male fragrance to
    me anyway, but then, I've got that sense of humour.
    It was interesting to me when they re ran the various series to not a lot
    of it sounds like it was made on film, a bit like the ITV stuff made by
    ITC and Euston Films were.

    It was interesting to see how very similar the production styles (*) were
    for Shoestring and Bergerac - which is what led to the urban myth that some episodes of Bergerac were recycled Shoestring scripts that were reused after Trevor Eve decided not to make a third series of Shoestring. I went to university in Bristol just after Shoestring had finished and there was a
    group of students who organised unofficial tours of the city centre to show people the main filming locations.

    I so wanted a crossover: Jim Bergerac has to go to Bristol to follow a case
    and bumps into Eddie Shoestring ;-)

    I wonder how a Bergerac remake would work. A relative of Jim Bergerac, who coincidentally also has an alcohol problem? Maybe Jim's last girlfriend
    found she was pregnant after she and Jim had split, leading to a son growing
    up in France but yearning to go back to where his estranged father had lived and worked.

    Would it work as well without an equivalent of Charlie Hungerford? I wonder what became of the odious new boss played by Roger Sloman - there's scope
    for a bit of comeuppance and back-story there in a new series.

    There was lovely word-picture painted by Louise Jameson in an interview
    about Bergerac. They had to film a scene where Jim and Susan were in bed.
    Under the duvet, the actors were fully clothed, but the bottoms of John Nettles' trousers could be seen. He offered to roll them up, and Louise said "You can take them off - I don't mind." John declined, saying "If I get aroused, I'll be embarrassed. And if I don't, you'll be offended."



    (*) In particular the stills in the end credits showing the characters who were listed in that page of credits.

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  • From MB@21:1/5 to All on Wed Oct 20 12:18:03 2021
    On 20/10/2021 10:21, NY wrote:
    Would it work as well without an equivalent of Charlie Hungerford? I wonder what became of the odious new boss played by Roger Sloman - there's scope
    for a bit of comeuppance and back-story there in a new series.

    I can't remember Sloman.

    An updated Charlie Hungerford would be difficult to devise, he manages
    to be stay likable. Compare with Charlie Gimbert in Lovejoy who is just completely unlikable - he always seemed to have more teeth than would
    fit in his mouth! Some of the "experts" on daytime "antiques"
    programmes have the same characteristic!

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  • From J. P. Gilliver (John)@21:1/5 to briang1@blueyonder.co.uk on Wed Oct 20 13:16:53 2021
    On Wed, 20 Oct 2021 at 09:55:27, "Brian Gaff (Sofa)"
    <briang1@blueyonder.co.uk> wrote (my responses usually follow points
    raised):
    []
    The name, Bergerac always sounded like the name of some male fragrance to me >anyway, but then, I've got that sense of humour.

    similar here, except more a wine.

    It was interesting to me when they re ran the various series to not a lot
    of it sounds like it was made on film, a bit like the ITV stuff made by ITC >and Euston Films were.

    That's an interesting insight from you: would you care to elucidate? I'm interested to hear (!) how something being made on film affects the
    sound. Different microphones, mixing, what?

    Brian

    John
    --
    J. P. Gilliver. UMRA: 1960/<1985 MB++G()AL-IS-Ch++(p)Ar@T+H+Sh0!:`)DNAf

    "To YOU I'm an atheist; to God, I'm the Loyal Opposition." - Woody Allen

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  • From J. P. Gilliver (John)@21:1/5 to me@privacy.invalid on Wed Oct 20 13:25:21 2021
    On Wed, 20 Oct 2021 at 10:21:44, NY <me@privacy.invalid> wrote (my
    responses usually follow points raised):
    []
    It was interesting to see how very similar the production styles (*)
    []
    There was lovely word-picture painted by Louise Jameson in an interview
    about Bergerac. They had to film a scene where Jim and Susan were in
    bed. Under the duvet, the actors were fully clothed, but the bottoms of
    John Nettles' trousers could be seen. He offered to roll them up, and
    Louise said "You can take them off - I don't mind." John declined,
    saying "If I get aroused, I'll be embarrassed. And if I don't, you'll
    be offended."

    Nice!


    (*) In particular the stills in the end credits showing the characters
    who were listed in that page of credits.

    What a nice idea! I don't remember (or had forgotten) that. Pity it
    almost certainly costs too much extra to be doable now.

    Though credits are very rushed these days (even when _not squeezed,
    squashed, and spoken over).

    I remember - must have been quite a few years ago, but not _that_ long -
    seeing an episode of "Morse" being shown in the small hours - where they
    let the full original credits roll at the end - the full music, and so
    long that I realised that when they show them nowadays they've hacked
    the end credits considerably. And they didn't squash, squeeze, or talk
    over. I almost expected to hear the end of the film slapping on the
    projector! (Yes, I know it'd have been telecine'd [I think it was long
    enough ago _not_ to have been off disc], but you know what I mean.)
    --
    J. P. Gilliver. UMRA: 1960/<1985 MB++G()AL-IS-Ch++(p)Ar@T+H+Sh0!:`)DNAf

    "To YOU I'm an atheist; to God, I'm the Loyal Opposition." - Woody Allen

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  • From NY@21:1/5 to MB@nospam.net on Wed Oct 20 13:28:42 2021
    "MB" <MB@nospam.net> wrote in message news:skotre$10a$1@dont-email.me...
    On 20/10/2021 10:21, NY wrote:
    Would it work as well without an equivalent of Charlie Hungerford? I
    wonder
    what became of the odious new boss played by Roger Sloman - there's scope
    for a bit of comeuppance and back-story there in a new series.

    I can't remember Sloman.

    He played a standard Roger Sloman character - annoying, bumptious, sneering, delights in finding fault, only sees bad in people. He was Bergerac's boss
    in the last series, after Barney Crozier left. He deserved to be taken down
    a peg - or given a "dry slap" down a dark alley (to use a Frank
    Butcher-ism!").

    An updated Charlie Hungerford would be difficult to devise, he manages to
    be stay likable.

    Yes, he could so easily have been written slightly differently and flaunted
    his wealth in a less likable way.

    It's the same as Francis Urquhart in the House of Cards trilogy. In the
    books you are on his side but you know he's evil. As played by Ian
    Richardson in the TV adaptation you almost forget how evil he is and are positively willing him to succeed: a very skilful writing and portrayal. And
    of course he coined/popularised "Urquhart's Evasion" - "You might very well think that. I couldn't possibly comment." which means "you've got me bang to rights but you can't prove anything".

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  • From NY@21:1/5 to G6JPG@255soft.uk on Wed Oct 20 15:08:11 2021
    "J. P. Gilliver (John)" <G6JPG@255soft.uk> wrote in message news:oHLaGMDxqAchFwbj@255soft.uk...
    I remember - must have been quite a few years ago, but not _that_ long - seeing an episode of "Morse" being shown in the small hours - where they
    let the full original credits roll at the end - the full music, and so
    long that I realised that when they show them nowadays they've hacked the
    end credits considerably. And they didn't squash, squeeze, or talk over.

    It doesn't happen often, but when it does, it's very welcome to see the full credits without shrinking or the c[o|u]ntinuity announcer wibbling about a forthcoming programme. My feeling is that everything from the first frame of the programme (or start titles, if earlier) to the last frame (or end of credits, if later) is sacrosanct and should not be messed with in any way.
    No "coming next" message a few minutes before the end, no trailer for the
    next programme, no matey comment "well I wonder what will happen next week".
    If there isn't time to run the requisite number of trailers between the programmes, then [revolutionary idea, I know] *don't run so many trailers*. It's always annoying if a live programme over-runs, delaying the following programme. Anyone with an ounce of sense would ditch all the *padding* (trailers, adverts*) in an attempt to claw back some time so a video
    recorder set to record the programme will not cut off the (delayed) end. But no, they still run all the trailers - it almost seems as if they insert a
    few extra ones :-(

    Most broadcasters handle running trailers over credits reasonably well: they pan the credits slightly rightwards so all of them is still legible and run
    the trailer in a vertical window. But Channel 5 really take the piss: they shrink the credits to less than 1/4 screen into a window that overlays the trailer. Thankfully, catchup sites usually leave the credits intact so I can
    go there if I want to see "who played so-and-so". I heard some broadcaster
    say "If you want to know, look on IMDB". How the F do they think people
    submit the data to IMDB if not from those credits? ;-)

    Sometimes you can trust the broadcaster to leave the credits and the music alone when there has been a very dramatic ending, so as not to stomp all
    over the mood and the "coming back down to earth" that the music is there to provide.


    I almost expected to hear the end of the film slapping on the projector! (Yes, I know it'd have been telecine'd [I think it was long enough ago
    _not_ to have been off disc], but you know what I mean.)

    I know exactly what you mean about expecting a bit of leader (trailer) with "Processed by Kodak" flashing across the screen.



    (*) OK, I know the adverts pay the bills on a commercial channel, but there should be contingency in the budget to allow for loss of income for occasionally ditching adverts to make up time. Or even [another
    revolutionary idea] bill the maker of the live programme or the organisers
    of the over-running sport. Even if the commercials have to stay, at least
    ditch the trailers.

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  • From John Williamson@21:1/5 to All on Wed Oct 20 16:22:03 2021
    On 20/10/2021 15:08, NY wrote:

    (*) OK, I know the adverts pay the bills on a commercial channel, but
    there should be contingency in the budget to allow for loss of income
    for occasionally ditching adverts to make up time. Or even [another revolutionary idea] bill the maker of the live programme or the
    organisers of the over-running sport. Even if the commercials have to
    stay, at least ditch the trailers.

    Ditching adverts isn't a matter of losing funding, it's a matter of
    breach of contract. They pay a *lot* to get them on screen at a fixed
    time. Exemplary damages are a real, and very expensive, thing.

    Ditching trailers is internal politics, mostly.

    --
    Tciao for Now!

    John.

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  • From Gerard K@21:1/5 to John Williamson on Wed Oct 20 09:19:42 2021
    On Wednesday, October 20, 2021 at 4:22:06 PM UTC+1, John Williamson wrote:
    On 20/10/2021 15:08, NY wrote:

    (*) OK, I know the adverts pay the bills on a commercial channel, but
    there should be contingency in the budget to allow for loss of income
    for occasionally ditching adverts to make up time. Or even [another revolutionary idea] bill the maker of the live programme or the
    organisers of the over-running sport. Even if the commercials have to
    stay, at least ditch the trailers.
    Ditching adverts isn't a matter of losing funding, it's a matter of
    breach of contract. They pay a *lot* to get them on screen at a fixed
    time. Exemplary damages are a real, and very expensive, thing.

    Ditching trailers is internal politics, mostly.

    --
    Tciao for Now!

    John.

    There was an episode of Bergerac on the Drama Channel this afternoon so I thought
    I would record it and measure the programme duration with and without adverts:

    With adverts = 58 mins 19 seconds (nominal 1 hour slot on Drama)
    Without adverts = 44 mins 50 seconds (IMDB says 50 mins for episode duration)

    Gerard.

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  • From MB@21:1/5 to All on Wed Oct 20 18:02:50 2021
    On 20/10/2021 13:25, J. P. Gilliver (John) wrote:
    I remember - must have been quite a few years ago, but not_that_ long - seeing an episode of "Morse" being shown in the small hours - where they
    let the full original credits roll at the end - the full music, and so
    long that I realised that when they show them nowadays they've hacked
    the end credits considerably.

    I think it is common for the last in the series to run the full credits
    and particularly if it is the last series.

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  • From MB@21:1/5 to Gerard K on Wed Oct 20 18:06:05 2021
    On 20/10/2021 17:19, Gerard K wrote:
    There was an episode of Bergerac on the Drama Channel this afternoon so I thought
    I would record it and measure the programme duration with and without adverts:

    I have been working my way through them, I think they are on Drama.

    I can't decide if never seen some of just memory going!

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  • From Roderick Stewart@21:1/5 to scotsmandrareg@gmail.com on Thu Oct 21 08:45:00 2021
    On Wed, 20 Oct 2021 09:19:42 -0700 (PDT), Gerard K
    <scotsmandrareg@gmail.com> wrote:

    There was an episode of Bergerac on the Drama Channel this afternoon so I thought
    I would record it and measure the programme duration with and without adverts:

    With adverts = 58 mins 19 seconds (nominal 1 hour slot on Drama)
    Without adverts = 44 mins 50 seconds (IMDB says 50 mins for episode duration)

    Then there is the question of frame rate. If it was shot on film, was
    it shot at 25fps because it was the BBC shooting it for television, or
    was it shot at 24fps because that's "traditional" for film? If it was
    the latter, it would run for 4% longer in an American telecine machine
    than a British one.

    Rod.

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  • From NY@21:1/5 to Roderick Stewart on Thu Oct 21 10:01:17 2021
    "Roderick Stewart" <rjfs@escapetime.myzen.co.uk> wrote in message news:cb62ngdhh79c20e62h0bjkn43k6fc0rns3@4ax.com...
    On Wed, 20 Oct 2021 09:19:42 -0700 (PDT), Gerard K
    <scotsmandrareg@gmail.com> wrote:

    There was an episode of Bergerac on the Drama Channel this afternoon so I >>thought
    I would record it and measure the programme duration with and without >>adverts:

    With adverts = 58 mins 19 seconds (nominal 1 hour slot on Drama)
    Without adverts = 44 mins 50 seconds (IMDB says 50 mins for episode >>duration)

    Then there is the question of frame rate. If it was shot on film, was
    it shot at 25fps because it was the BBC shooting it for television, or
    was it shot at 24fps because that's "traditional" for film? If it was
    the latter, it would run for 4% longer in an American telecine machine
    than a British one.

    Just about anything shot for UK TV would be shot at 25 fps. Countries that
    use 30 fps have to make the best of that: probably by running the film (if
    they are supplied with it on film rather than VT) at 24 fps and then using
    3:2 pulldown to sort-of match it to 30 fps.

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  • From Laurence Taylor@21:1/5 to Gerard K on Sun Oct 24 23:09:26 2021
    On 20/10/2021 17:19, Gerard K wrote:

    There was an episode of Bergerac on the Drama Channel this afternoon so I thought
    I would record it and measure the programme duration with and without adverts:

    With adverts = 58 mins 19 seconds (nominal 1 hour slot on Drama)
    Without adverts = 44 mins 50 seconds (IMDB says 50 mins for episode duration)

    Drama (and some others) are notorious for cutting programmes for no good reason.

    --
    rgds
    LAurence
    <><

    I hit the CTRL key but I'm still not in control!
    ~~~ Random (signature) 1.6.1

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  • From Laurence Taylor@21:1/5 to All on Sun Oct 24 23:07:39 2021
    On 19/10/2021 23:23, J. P. Gilliver (John) wrote:
    Yes; anything originally shot on film - even 16mm - bears re-scanning. (_Maybe_ 8mm is only SD-worthy, though even there I have my doubts, especially super 8.) They ought to do TOS, which I think was on film.
    (They re-processed TNG - I think that was video, but they have kept the aspect ratio at least. I've seen rather a lot of TOS that's been
    cropped, which is awful.)

    Yes, TOS was film. The current DVD release has remastered versions with
    new special effects and stereo sound (which isn't always an
    improvement), but keeps the correct aspect ratio.

    It's the same version that CBS are showing with the top and bottom cut off.

    I'd like to see a re-issue of the original version (restored but without
    the changes).


    --
    rgds
    LAurence
    <><

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