• Record Players in cars

    From MB@21:1/5 to All on Fri Aug 19 14:14:33 2022
    This link was in RadCom

    https://www.lelandwest.com/blog/listing.asp?2022/3/the-history-of-record-players-in-cars


    Also some interesting stuff on early cars on the site.

    MB

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  • From NY@21:1/5 to MB@nospam.net on Fri Aug 19 15:10:50 2022
    "MB" <MB@nospam.net> wrote in message news:tdo2bq$1gf7l$1@dont-email.me...
    This link was in RadCom

    https://www.lelandwest.com/blog/listing.asp?2022/3/the-history-of-record-players-in-cars

    I didn't know that record players in cars was even possible. I thought that
    the slightest bump would make the record player skip.

    They say "Surprisingly, these new record players were actually relatively stable and did not skip when you drove. The stylus never jumped over the grooves, even when driving over ruts and grooves." but they don't say how
    they achieved that. Maybe a very heavy tracking weight to keep the needle in the groove. If you jog or tilt a conventional record player, certainly
    playing a 33 1/3 rpm LP, the needle will almost certainly skip a few grooves
    or even go skating from the outside to inside of the record. Do 45 rpm
    singles have coarser, deeper grooves which make skipping/skating less
    likely. Or was it all down to very heavy tracking weight (and therefore more wear to the record grooves)?

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  • From Mark Carver@21:1/5 to All on Fri Aug 19 15:14:12 2022
    On 19/08/2022 14:14, MB wrote:
    This link was in RadCom

    https://www.lelandwest.com/blog/listing.asp?2022/3/the-history-of-record-players-in-cars


    Also some interesting stuff on early cars on the site.

    You'll be telling us next in the mid 1960s there were radio stations on
    ships in the North Sea playing records, even in rough weather ?

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  • From MB@21:1/5 to Mark Carver on Fri Aug 19 15:53:13 2022
    On 19/08/2022 15:14, Mark Carver wrote:
    You'll be telling us next in the mid 1960s there were radio stations on
    ships in the North Sea playing records, even in rough weather ?

    They didn't they tend to use tape or eight-track cartridges when the
    weather got bad?

    I was expecting a post from Bill saying he still has a wind-up
    phonograph in his van. :-)

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  • From Stephen Wolstenholme@21:1/5 to mark.carver@invalid.invalid on Fri Aug 19 15:35:07 2022
    On Fri, 19 Aug 2022 15:14:12 +0100, Mark Carver
    <mark.carver@invalid.invalid> wrote:

    On 19/08/2022 14:14, MB wrote:
    This link was in RadCom

    https://www.lelandwest.com/blog/listing.asp?2022/3/the-history-of-record-players-in-cars


    Also some interesting stuff on early cars on the site.

    You'll be telling us next in the mid 1960s there were radio stations on
    ships in the North Sea playing records, even in rough weather ?

    On land, unsynchronised reception caused wave sickness

    --
    Neural Network Software for Windows http://www.npsnn.com

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  • From williamwright@21:1/5 to All on Fri Aug 19 16:06:56 2022
    On 19/08/2022 15:53, MB wrote:
    On 19/08/2022 15:14, Mark Carver wrote:
    You'll be telling us next in the mid 1960s there were radio stations on
    ships in the North Sea playing records, even in rough weather ?

    They didn't they tend to use tape or eight-track cartridges when the
    weather got bad?

    I was expecting a post from Bill saying he still has a wind-up
    phonograph in his van.  :-)

    How did you know about that? It isn't wind up though; it's powered by
    engine vacuum. The only thing is, when I rev the engine the record
    speeds up.

    Bill

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  • From Mark Carver@21:1/5 to All on Fri Aug 19 15:56:45 2022
    On 19/08/2022 15:53, MB wrote:
    On 19/08/2022 15:14, Mark Carver wrote:
    You'll be telling us next in the mid 1960s there were radio stations on
    ships in the North Sea playing records, even in rough weather ?

    They didn't they tend to use tape or eight-track cartridges when the
    weather got bad?

    I think they did yes, and I think the 1980s ship Laser 558 used carts
    all the time ? (As many landbased US radio stations did too)

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  • From MB@21:1/5 to williamwright on Fri Aug 19 16:38:27 2022
    On 19/08/2022 16:06, williamwright wrote:
    How did you know about that? It isn't wind up though; it's powered by
    engine vacuum. The only thing is, when I rev the engine the record
    speeds up.




    :-)

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  • From Liz Tuddenham@21:1/5 to me@privacy.invalid on Fri Aug 19 17:58:06 2022
    NY <me@privacy.invalid> wrote:

    "MB" <MB@nospam.net> wrote in message news:tdo2bq$1gf7l$1@dont-email.me...
    This link was in RadCom


    https://www.lelandwest.com/blog/listing.asp?2022/3/the-history-of-record- >players-in-cars

    I didn't know that record players in cars was even possible. I thought that the slightest bump would make the record player skip.
    [...]
    Maybe a very heavy tracking weight to keep the needle in
    the groove.

    The exact opposite. A heavy tracking weight would have high inertia and
    would need higher forces to make it follow movements of the car. The
    arms were very light with low inertia and were held on the record by
    gentle spring pressure.

    The inertia of a turntable would have made the machine prone to wow
    during turning movements, so they used a very lightweight turntable
    driven by a high-speed shaft with a flywheel. The angular motion of the
    player relative to this small shaft could cause wow, but it was geared
    down when it reached the turntable and gave a much smaller effect.
    (Similar to the drive system of a Uher.)

    All the rotating components, including the pickup arm, were balanced so
    their centres of mass coincided with the pivots. Because of this, any
    up-down or sideways movement didn't give rise to turning moments.


    --
    ~ Liz Tuddenham ~
    (Remove the ".invalid"s and add ".co.uk" to reply)
    www.poppyrecords.co.uk

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  • From Max Demian@21:1/5 to williamwright on Fri Aug 19 17:32:21 2022
    On 19/08/2022 16:06, williamwright wrote:
    On 19/08/2022 15:53, MB wrote:
    On 19/08/2022 15:14, Mark Carver wrote:

    You'll be telling us next in the mid 1960s there were radio stations on
    ships in the North Sea playing records, even in rough weather ?

    They didn't they tend to use tape or eight-track cartridges when the
    weather got bad?

    I was expecting a post from Bill saying he still has a wind-up
    phonograph in his van.  :-)

    How did you know about that? It isn't wind up though; it's powered by
    engine vacuum. The only thing is, when I rev the engine the record
    speeds up.

    Shouldn't it slow down like vacuum windscreen wipers?

    (Reminds me of music played at fairs which varied in speed/pitch
    according to the loading on the generator in the 60s. Anyone remember
    the thick compressed air tubes snaking around that powered the roundabouts?)

    --
    Max Demian

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  • From John Williamson@21:1/5 to Mark Carver on Fri Aug 19 18:49:24 2022
    On 19/08/2022 15:56, Mark Carver wrote:
    On 19/08/2022 15:53, MB wrote:
    On 19/08/2022 15:14, Mark Carver wrote:
    You'll be telling us next in the mid 1960s there were radio stations on
    ships in the North Sea playing records, even in rough weather ?

    They didn't they tend to use tape or eight-track cartridges when the
    weather got bad?

    I think they did yes, and I think the 1980s ship Laser 558 used carts
    all the time ? (As many landbased US radio stations did too)

    Laser 558 used records for music and carts for adverts, jingles and
    inserts, just as all the others did, no matter what the weather.

    --
    Tciao for Now!

    John.

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  • From John Williamson@21:1/5 to Mark Carver on Fri Aug 19 18:32:10 2022
    On 19/08/2022 15:14, Mark Carver wrote:
    On 19/08/2022 14:14, MB wrote:
    This link was in RadCom

    https://www.lelandwest.com/blog/listing.asp?2022/3/the-history-of-record-players-in-cars


    Also some interesting stuff on early cars on the site.

    You'll be telling us next in the mid 1960s there were radio stations on
    ships in the North Sea playing records, even in rough weather ?

    One of them even had gimbals for the turntables. ;-)

    The rest used the time honoured dodge of a penny on top of the
    cartridge, often held in place by sellotape.

    If you fancy diving for it, according to an inside source, Radio
    Caroline's original record library is still on board the Mi Amigo, which
    sank in 1980.

    --
    Tciao for Now!

    John.

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  • From John Williamson@21:1/5 to John Williamson on Fri Aug 19 19:06:48 2022
    On 19/08/2022 18:49, John Williamson wrote:
    On 19/08/2022 15:56, Mark Carver wrote:
    On 19/08/2022 15:53, MB wrote:
    On 19/08/2022 15:14, Mark Carver wrote:
    You'll be telling us next in the mid 1960s there were radio stations on >>>> ships in the North Sea playing records, even in rough weather ?

    They didn't they tend to use tape or eight-track cartridges when the
    weather got bad?

    I think they did yes, and I think the 1980s ship Laser 558 used carts
    all the time ? (As many landbased US radio stations did too)

    Laser 558 used records for music and carts for adverts, jingles and
    inserts, just as all the others did, no matter what the weather.

    Sorry. my mistake. As Laser 558 was a US owned station, they used carts
    for most of their music, and a lot of their output arrived via satellite
    from the USA or, later, via a private VHF link from Kent.

    --
    Tciao for Now!

    John.

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  • From NY@21:1/5 to Mark Carver on Fri Aug 19 20:45:56 2022
    "Mark Carver" <mark.carver@invalid.invalid> wrote in message news:jm9k5kFq8h0U1@mid.individual.net...
    You'll be telling us next in the mid 1960s there were radio stations on
    ships in the North Sea playing records, even in rough weather ?

    That is easier to engineer a solution to compensate for, because the
    turntables can be mounted on gyro-stabilised gimbals so they stay (almost) horizontal as the ship pitches and rolls. But still not immune to sudden lurches. I imagine they too had to use very heavy tracking weight on the
    stylus to help it not skip.

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  • From NY@21:1/5 to All on Fri Aug 19 21:01:11 2022
    "Liz Tuddenham" <liz@poppyrecords.invalid.invalid> wrote in message news:1pwy45d.15lbymrduppcmN%liz@poppyrecords.invalid.invalid...
    NY <me@privacy.invalid> wrote:

    "MB" <MB@nospam.net> wrote in message
    news:tdo2bq$1gf7l$1@dont-email.me...
    This link was in RadCom


    https://www.lelandwest.com/blog/listing.asp?2022/3/the-history-of-record- >> >players-in-cars

    I didn't know that record players in cars was even possible. I thought
    that
    the slightest bump would make the record player skip.
    [...]
    Maybe a very heavy tracking weight to keep the needle in
    the groove.

    The exact opposite. A heavy tracking weight would have high inertia and would need higher forces to make it follow movements of the car. The
    arms were very light with low inertia and were held on the record by
    gentle spring pressure.

    I think we may be talking about the same thing. Whether it's a penny (or several) on the tone arm or a spring pulling the tone arm towards the
    record, the aim is to generate a downward force to make the stylus stay in
    the groove and to prevent the stylus skipping grooves or the whole tone arm skating around.

    My parents' B&O turntable had a collar that you moved up and down the tone
    arm to vary downward spring pressure and therefore tracking weight. I found that a perfectly flat record could tolerate a lower tracking weight that one which had warped, when greater tracking weight (downward force) was needed
    to prevent skipping and skating on the high points of the warp, at the
    expense of slight loss of high frequencies (and in extreme cases, clipping)
    as the stylus was moved towards one end of the movement range of the sensor, which I imagine was moving-iron-in-coil rather than crystal.

    When I was digitising a lot of LPs for my father-in-law, I found that a
    penny on the tone arm improved the quality of the sound (less distortion).
    My record deck doesn't (AFAIK) have any *obvious* way of adjusting spring tension to alter tracking force.


    I wonder if any car record players had decks which could pitch and roll to compensate for movements of the car - as referred to in the sub-thread about gyro-gimballed decks on Radio Caroline (etc) ships.

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  • From Chris J Dixon@21:1/5 to All on Fri Aug 19 22:09:45 2022
    NY wrote:

    I wonder if any car record players had decks which could pitch and roll to >compensate for movements of the car - as referred to in the sub-thread about >gyro-gimballed decks on Radio Caroline (etc) ships.

    That I doubt, but my 10 CD auto changer, which I fitted in my
    then car boot about 20 years ago, had internal resilient mounts
    to reduce the chance of skipping.

    Chris
    --
    Chris J Dixon Nottingham UK
    chris@cdixon.me.uk @ChrisJDixon1

    Plant amazing Acers.

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  • From Liz Tuddenham@21:1/5 to me@privacy.invalid on Sat Aug 20 09:53:59 2022
    NY <me@privacy.invalid> wrote:

    "Liz Tuddenham" <liz@poppyrecords.invalid.invalid> wrote in message news:1pwy45d.15lbymrduppcmN%liz@poppyrecords.invalid.invalid...
    NY <me@privacy.invalid> wrote:

    "MB" <MB@nospam.net> wrote in message
    news:tdo2bq$1gf7l$1@dont-email.me...
    This link was in RadCom


    https://www.lelandwest.com/blog/listing.asp?2022/3/the-history-of-record- >> >players-in-cars

    I didn't know that record players in cars was even possible. I thought
    that
    the slightest bump would make the record player skip.
    [...]
    Maybe a very heavy tracking weight to keep the needle in
    the groove.

    The exact opposite. A heavy tracking weight would have high inertia and would need higher forces to make it follow movements of the car. The
    arms were very light with low inertia and were held on the record by
    gentle spring pressure.

    I think we may be talking about the same thing. Whether it's a penny (or several) on the tone arm or a spring pulling the tone arm towards the
    record, the aim is to generate a downward force to make the stylus stay in the groove and to prevent the stylus skipping grooves or the whole tone arm skating around.

    No, gravity doesn't come into it. The idea was to make the whole thing
    as independent as possible of gravity and inertial forces (both of which
    vary uncontrollably as the car moves) and maintain the stylus contact
    force entirely by a controllable spring force.

    The concept is totally different from conventional record decks, which
    rely on gravity and are extremely susceptible to movement.

    CD players are a different matter. The guidance is optical and the only special requirement is to ensure that the vibrational forces don't
    exceed the maximum correcting force available from the tracking
    'motors'. Jog-proof players simply load into memory whatever the
    reading head finds and then sort it out for replay, they don't attempt
    fine control of the reading head position.


    --
    ~ Liz Tuddenham ~
    (Remove the ".invalid"s and add ".co.uk" to reply)
    www.poppyrecords.co.uk

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  • From Brian Gaff@21:1/5 to All on Sat Aug 20 12:19:41 2022
    Yes I had a Sony Cassette deck that did the same as the Uher, but also had
    two flywheels going in opposite directions.
    Brian

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    Note this Signature is meaningless.!
    "Liz Tuddenham" <liz@poppyrecords.invalid.invalid> wrote in message news:1pwy45d.15lbymrduppcmN%liz@poppyrecords.invalid.invalid...
    NY <me@privacy.invalid> wrote:

    "MB" <MB@nospam.net> wrote in message
    news:tdo2bq$1gf7l$1@dont-email.me...
    This link was in RadCom


    https://www.lelandwest.com/blog/listing.asp?2022/3/the-history-of-record- >> >players-in-cars

    I didn't know that record players in cars was even possible. I thought
    that
    the slightest bump would make the record player skip.
    [...]
    Maybe a very heavy tracking weight to keep the needle in
    the groove.

    The exact opposite. A heavy tracking weight would have high inertia and would need higher forces to make it follow movements of the car. The
    arms were very light with low inertia and were held on the record by
    gentle spring pressure.

    The inertia of a turntable would have made the machine prone to wow
    during turning movements, so they used a very lightweight turntable
    driven by a high-speed shaft with a flywheel. The angular motion of the player relative to this small shaft could cause wow, but it was geared
    down when it reached the turntable and gave a much smaller effect.
    (Similar to the drive system of a Uher.)

    All the rotating components, including the pickup arm, were balanced so
    their centres of mass coincided with the pivots. Because of this, any up-down or sideways movement didn't give rise to turning moments.


    --
    ~ Liz Tuddenham ~
    (Remove the ".invalid"s and add ".co.uk" to reply)
    www.poppyrecords.co.uk

    --- SoupGate-Win32 v1.05
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  • From Brian Gaff@21:1/5 to me@privacy.invalid on Sat Aug 20 12:38:08 2022
    Well you will find that springs are less of an issue than weight. Weight has inertia, but spring pressure does not. I have a technics sl5 here, with an Ortofon cart tracking under 2 grammes, and assuming a very clean record or better still a very wet one, you can convert records very well indeed.
    Obviously not all surface issues can be removed electronically, for example the strange noise in the background on the album Carpenters during the
    medley at the end can only be fixed on the very expensive Japanese deck
    where a laser can be positioned to miss the pressing blank damage. Of course now with lots of remastered stuff out there this is less needed, but still
    you do find some vinyl actually sounds more dynamic than the so called digitally remastered version as I guess the engineer had never heard the original pressing on a decent sound system to get what they might be aiming for. Too often compression and presence regions are set incorrectly, some
    also lack bass.
    Brian

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    "Liz Tuddenham" <liz@poppyrecords.invalid.invalid> wrote in message news:1pwy45d.15lbymrduppcmN%liz@poppyrecords.invalid.invalid...
    NY <me@privacy.invalid> wrote:

    "MB" <MB@nospam.net> wrote in message
    news:tdo2bq$1gf7l$1@dont-email.me...
    This link was in RadCom


    https://www.lelandwest.com/blog/listing.asp?2022/3/the-history-of-record- >>> >players-in-cars

    I didn't know that record players in cars was even possible. I thought
    that
    the slightest bump would make the record player skip.
    [...]
    Maybe a very heavy tracking weight to keep the needle in
    the groove.

    The exact opposite. A heavy tracking weight would have high inertia and
    would need higher forces to make it follow movements of the car. The
    arms were very light with low inertia and were held on the record by
    gentle spring pressure.

    I think we may be talking about the same thing. Whether it's a penny (or several) on the tone arm or a spring pulling the tone arm towards the
    record, the aim is to generate a downward force to make the stylus stay in the groove and to prevent the stylus skipping grooves or the whole tone
    arm skating around.

    My parents' B&O turntable had a collar that you moved up and down the tone arm to vary downward spring pressure and therefore tracking weight. I
    found that a perfectly flat record could tolerate a lower tracking weight that one which had warped, when greater tracking weight (downward force)
    was needed to prevent skipping and skating on the high points of the warp,
    at the expense of slight loss of high frequencies (and in extreme cases, clipping) as the stylus was moved towards one end of the movement range of the sensor, which I imagine was moving-iron-in-coil rather than crystal.

    When I was digitising a lot of LPs for my father-in-law, I found that a
    penny on the tone arm improved the quality of the sound (less distortion).
    My record deck doesn't (AFAIK) have any *obvious* way of adjusting spring tension to alter tracking force.


    I wonder if any car record players had decks which could pitch and roll to compensate for movements of the car - as referred to in the sub-thread
    about gyro-gimballed decks on Radio Caroline (etc) ships.

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    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Brian Gaff@21:1/5 to MB@nospam.net on Sat Aug 20 12:16:40 2022
    I encountered one on a Hillman minx. It played singles thrust into a slot. Hardly hi fi and rather labour intensive. I bet it did very little favours
    to the records either. It jumped a lot on Decca Eps as I recall. Was not
    ours, but a friends. More of a novelty than something to use I feel. I just wonder how stable one would be that could play lps.
    Brian

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    --:
    This newsgroup posting comes to you directly from...
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    Note this Signature is meaningless.!
    "MB" <MB@nospam.net> wrote in message news:tdo2bq$1gf7l$1@dont-email.me...
    This link was in RadCom

    https://www.lelandwest.com/blog/listing.asp?2022/3/the-history-of-record-players-in-cars

    Also some interesting stuff on early cars on the site.

    MB

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  • From Brian Gaff@21:1/5 to me@privacy.invalid on Sat Aug 20 12:43:28 2022
    Yes but in the main they also used very few albums. Obviously they did keep some tapes handy of current hits in case of really rough weather.

    I remember one evening during a storm the signal went week and from the recording I heard later on the main aerial had lost two guys and broke off dangling over the side of the ship and banging as it rocked. The transmitter auto switched apparently to a reserve aerial which was an inverted V dipole between the main lattice mast and the bow and stern of the ship, hence the weaker signal. I think it took a couple of weeks to fix it.
    Brian

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    Note this Signature is meaningless.!
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    "Mark Carver" <mark.carver@invalid.invalid> wrote in message news:jm9k5kFq8h0U1@mid.individual.net...
    You'll be telling us next in the mid 1960s there were radio stations on
    ships in the North Sea playing records, even in rough weather ?

    That is easier to engineer a solution to compensate for, because the turntables can be mounted on gyro-stabilised gimbals so they stay (almost) horizontal as the ship pitches and rolls. But still not immune to sudden lurches. I imagine they too had to use very heavy tracking weight on the stylus to help it not skip.

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  • From SimonM@21:1/5 to John Williamson on Mon Aug 22 09:35:51 2022
    On 19/08/2022 18:32, John Williamson wrote:
    On 19/08/2022 15:14, Mark Carver wrote:
    On 19/08/2022 14:14, MB wrote:
    This link was in RadCom

    https://www.lelandwest.com/blog/listing.asp?2022/3/the-history-of-record-players-in-cars



    Also some interesting stuff on early cars on
    the site.

    You'll be telling us next in the mid 1960s there
    were radio stations on
    ships in the North Sea playing records, even in
    rough weather ?

    One of them even had gimbals for the turntables. ;-)

    The rest used the time honoured dodge of a penny
    on top of the cartridge, often held in place by
    sellotape.

    If you fancy diving for it, according to an inside
    source, Radio Caroline's original record library
    is still on board the Mi Amigo, which sank in 1980.


    Blu-Tak.

    It stays put on the headshell, and it's infinitely
    adjustable (as long as you own a Blu-Tak factory).

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