• The University of British Columbia policy on plagiarism, which uses MLK

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    Introduction | What is plagiarism | Avoiding Plagiarism |
    Examples

    PLAGIARISM

    What it is, and How to Avoid It

    1. INTRODUCTION

    2. WHAT IS PLAGIARISM?

    3. AVOIDING PLAGIARISM

    4. EXAMPLES

    1. INTRODUCTION

    Plagiarism is a serious academic offence. Each year a number of
    cases of plagiarism are brought to the attention of the Dean of
    Arts and the President’s Office. Depending on the severity of
    the offence, students found guilty of plagiarism may lose credit
    for the assignment in question, be awarded a mark of zero in the
    course, or face suspension from the University. Most cases which
    pass through the Dean’s office result in at least a temporary
    suspension from the University (permanently noted on the
    student’s transcript) and a mark of zero.

    2. WHAT IS PLAGIARISM?

    Complete plagiarism
    Near-Complete plagiarism
    Patchwork plagiarism
    Lazy plagiarism
    Self plagiarism

    Most simply, plagiarism is intellectual theft. Any use of
    another author’s research, ideas, or language without proper
    attribution may be considered plagiarism. Because such
    definitions include many shades of accidental or intentional
    plagiarism, these need to be described more fully.

    Complete Plagiarism

    This is the most obvious case: a student submits, as his or her
    own work, an essay that has been written by someone else.
    Usually the original source is a published journal article or
    book chapter. The use of unpublished work, including the work of
    another student, is just as serious.

    In such cases, plagiarism cannot be "avoided" by paraphrasing
    the original or acknowledging its use in footnotes. The work is
    the property of another author and should not be used. See
    Example #1

    Near-complete Plagiarism

    A student may also lift portions of another text and use them in
    his or her own work. For example, a student might add her or his
    own conclusions or introduction to an essay. Or a student might
    scatter his or her own comments through a text taken
    substantially from another source.

    These practices are unacceptable. Even with some attribution,
    the bulk of the work has been done by another. See Example #1

    Patchwork Plagiarism

    In many cases, a student will lift ideas, phrases, sentences,
    and paragraphs from a variety of sources and "stitch" them
    together into an essay. These situations often seem difficult to
    assess. Most essays, after all, are attempts to bring together a
    range of sources and arguments. But the line between plagiarism
    and original work is not difficult to draw. See Example #2

    Lazy Plagiarism

    Lazy plagiarism crops up in many student essays, and is usually
    the result of sloppy note-taking or research shortcuts. Examples
    include:

    inadvertent use of another’s language, usually when the student
    fails to distinguish between direct quotes and general
    observations when taking notes. In such cases, the presence of a
    footnote does not excuse the use of another’s language without
    quotation marks.

    use of footnotes or material quoted in other sources as if they
    were the results of your research.

    sloppy or inadequate footnoting which leaves out sources or page
    references.

    Although it may not be the student’s intention to deceive, it is
    often difficult for instructors to distinguish between
    purposeful and accidental plagiarism. See Example #3

    Self Plagiarism

    The use of an essay written for one course to satisfy the
    requirements of another course is plagiarism. Students should
    not use, adapt, or update an essay written for another purpose.

    This is not intended to discourage students from pursuing
    specific interests. If you want to use a previously completed
    essay as a starting point for new research, you should receive
    the instructor’s approval and provide her or him with a copy of
    the original essay. If you want to use substantially similar
    essays to satisfy the requirements of two related courses, you
    should get approval from all the instructors concerned.

    3. AVOIDING PLAGIARISM

    research
    writing
    footnoting
    editing

    It is not hard to draw the distinction between original and
    thoroughly plagiarized work. But the "grey areas" between these
    extremes are more vexing. Students should avoid any hint of
    dishonesty by maintaining good research habits and paying
    attention to a few basic rules of writing and documentation.

    Research

    Most written assignments begin with the collection of research
    notes -- a combination of ideas or quotes from other sources,
    and the student’s own ideas. Whether you keep notes on index
    cards, in a loose-leaf binder, or on old envelopes in a desk
    drawer, it is important to record and organize them in such a
    way that vital information is not lost.


    Keep careful and complete track of sources. Accurately copy the
    author, title, and other information about the source
    publication, including the number(s) of the page(s) from which
    notes or quotes were taken.

    Distinguish carefully between your ideas and the ideas of
    others. This is a simple question of intellectual honesty. If
    you use another’s conclusions, acknowledge them. If you come to
    the same conclusions as another on your own, you should still
    acknowledge the agreement.

    Distinguish carefully between your own words and those of
    others. If necessary, highlight or use coloured index cards for
    directly quoted material.

    Writing

    As you begin to tie your ideas together in written form,
    consider the following:


    Begin by organizing your essay in an original manner. Avoid
    mimicking the pattern or order of argument used by others.
    Remember: this is your humble contribution to a debate or a body
    of research; it is not (in most case) an attempt to summarize or
    paraphrase the work of others.

    As you weave the ideas and language of others into your work,
    make clear choices about the use of quoted material. In other
    words, either quote directly, or state the idea(s) in your own
    language. Do not mess around with close paraphrases or purely
    cosmetic changes. See Example #4

    Read the first draft carefully. Is the distinction between your
    work and the work of others clear and unambiguous? You might
    even take an early draft and highlight all those passages that
    summarize, paraphrase, or quote other sources. Is there enough
    of your own work left in the essay?

    Footnoting

    Many cases of plagiarism occur in the documentation rather than
    the body of the essay. You should have a clear idea of the
    variety of purposes a footnote (or endnote) may serve, and many
    different ways you can acknowledge the work of others. For
    specific cases See Example #5. Also note the following:

    Always record your source of the information; never use or rely
    on another author’s footnotes.

    The footnote should allow the reader to find or check the
    material being cited. Provide exact page numbers for direct
    quotes, and a range of page numbers for more general points.

    If you included more than one source or reference in a footnote,
    the relevance or order of the various sources should be clear to
    the reader.

    Editing

    Once your essay is complete, consider each portion that is drawn
    from another source, and ask yourself the following:

    Is the idea or argument expressed entirely my own?

    Is the general language or choice of words (including even
    phrases or rough paraphrases) my own?

    If either answer is "no," the work must be credited to the
    original author. And if the answer to the second question is
    "no," the passage should either be quoted directly or rewritten
    in the student’s own words and credited directly.

    EXAMPLES

    EXAMPLE #1

    Complete or Near-Complete Plagiarism

    Despite minor changes to the text, the passages are
    substantially unchanged.

    In the first case, the plagiarist also lifts the footnote from
    the original. Note that the use of even very brief passages
    (such as the "wings of aspiration") constitutes plagiarism. Use
    of such passages throughout an essay would constitute complete
    plagiarism; use of such passages occasionally would constitute
    near-complete plagiarism. [This example is drawn from a longer
    discussion regarding plagiarism in the graduate school essays of
    Martin Luther King Jr. Students interested in a well-illustrated
    discussion of student plagiarism, might want to consult this:
    "Becoming Martin Luther King -- Plagiarism and Originality: A
    Round Table," Journal of American History (June 1991, pp. 11-
    123. The example used below is on p. 25.]

    The second case illustrates a more typical instance of student
    plagiarism. Even the footnote to the original does not excuse
    the substantial use of the original’s language.

    CASE 1

    Original
    It is Eros, not Agape, that loves in proportion to the value of
    its object. By the pursuit of value in its object, Platonic love
    is let up and away from the world, on wings of aspiration,
    beyond all transient things and persons to the realm of the
    Ideas. Agape, as described in the Gospels and Epistles, is
    "spontaneous and ‘uncaused’," "indifferent to human merit," and
    "creates" value in those upon whom it is bestowed out of pure
    generosity. It flows down from God into this transient, sinful
    world; those whom it touches become conscious of their own utter
    unworthiness; they are impelled to forgive and love their
    enemies....because the God of grace imparts worth to them by the
    act of loving them.* [footnote* is to Anders Nygren, Agape and
    Eros. (New York, 1932), pp. 52-56]

    Plagiarized Version

    As Nygren set out to contrast these two Greek words he finds
    that Eros loves in proportion to the value of the object. By the
    pursuit of value in its objects. Platonic love is let up and
    away from the world, on wings of aspiration, beyond all
    transient things and persons to the realm of the Ideas. Agape as
    described in the Gospels and Epistles, is "spontaneous and
    uncaused," "indifferent to human merit," and creates value in
    those upon whom it is bestowed out of pure generosity. It flows
    down from God into the transient, sinful world; those whom it
    touches become conscious of their own utter unworthiness; they
    are impelled to forgive and love their enemies, because the God
    of Grace imparts worth to them by the act of loving them.*
    [Footnote* is to Nygren, Agape and Eros, pp. 52-56]

    CASE 2

    Original

    The strike officially began on May 29, and on June 1 the
    manufacturers met publicly to plan their resistance. Their
    strategies were carried out on two fronts. They pressured the
    proprietors into holding out indefinitely by refusing to send
    new collars and cuffs to any laundry. Also the manufacturers
    attempted to undermine directly the union’s efforts to weather
    the strike. They tried to create a negative image of the union
    through the press, which they virtually controlled. They
    prevented a few collar manufacturers in other cities from
    patronizing the unions’ cooperative laundry even though it
    claimed it could provide the same services for 25 percent less.
    Under these circumstances, the collar ironers’ tactics were much
    less useful.

    Plagiarized Version

    The strike began on May 29, and on June 1 the manufacturers met
    publicly to plan their response. They had two strategies. They
    pressured the proprietors into holding out indefinitely by
    refusing to send new collars and cuffs to any laundry, and they
    attempted to undermine directly the union’s efforts to weather
    the strike. They also tried to create a negative image of the
    union through the newspapers, which they virtually controlled.
    They prevented a few collar manufacturers in other cities from
    using the unions’ cooperative laundry even though it could
    provide the same services for 25 percent less. Under these
    circumstances, the collar ironers’ tactics were much less
    useful.1

    1. Carole Turbin, "And We are Nothing But Women: Irish Working
    Women in Troy," pp. 225-26 in Women of America. Edited by Mary
    Beth Norton (Boston: Houghton Mifflin, 1979).

    EXAMPLE #2

    Patchwork Plagiarism

    Here two sources are combined to create a new passage. As it
    stands, the passage is clearly plagiarized. If a footnote were
    added acknowledging the sources, the substantial use of the
    language of the original passage would still open the student to
    charges of plagiarism. An example of an honest and acceptable
    use of the information derived from these sources is provided at
    the bottom of the page. Note that the "acceptable version" uses
    the facts of the original sources, but organizes and expresses
    them in the student’s own language.

    Originals

    Source 1:

    "Despite the strong public opposition, the Reagan administration
    continued to install so many North American men, supplies, and
    facilities in Honduras that one expert called it "the USS
    Honduras, a [stationary] aircraft carrier or sorts." (Walter
    LaFeber, Inevitable Revolutions (New York, 1989), 309.)

    Source 2:

    "By December 1981, American agents--some CIA, some U.S. Special
    Forces--were working through Argentine intermediaries to set up
    contra safe houses, training centres, and base camps along the Nicaraguan-Honduran border." (Peter Kornbluh, "Nicaragua," in
    Michael Klare (ed), Low Intensity Warfare (New York, 1983), 139.)

    Plagiarized Version
    Despite strong public opposition, by December 1981 the Reagan
    Administration was working through Argentine intermediaries to
    install contra safe houses, training centres, and base camps in
    Honduras. One expert called Honduras "the USS Honduras, a
    stationary aircraft carrier or sorts."

    Acceptable
    In the early 1980s, the Reagan Administration made increasing
    use of Honduras as a base for the contra war. The Administration
    set up a number of military and training facilities--some
    American, some contra, and some housing Argentine mercenaries--
    along the border between Nicaragua and Honduras. The country, as
    one observer noted, was little more than "a [stationary]
    aircraft carrier," which he described as "the USS Honduras."2

    2. See Walter Lafeber, Inevitable Revolutions (New York, 1989),
    p. 307-310 (quote p. 309); and Peter Kornbluh, "Nicaragua," in
    Michael Klare (ed), Low Intensity Warfare (New York, 1983), 139.

    EXAMPLE #3

    Lazy Plagiarism

    In this example, the student may have made a sincere effort to
    write an original passage, but sloppy research and documentation
    raise the possibility of plagiarism. Note the characteristic
    errors: confusion of original and student’s language, quotation
    marks in the wrong place, improper or incomplete footnotes.

    Originals

    Source 1:

    "Despite the strong public opposition, the Reagan administration
    continued to install so many North American men, supplies, and
    facilities in Honduras that one expert called it "the USS
    Honduras, a [stationary aircraft carrier of sorts." (Walter
    LaFeber, Inevitable Revolutions (New York, 1989), 309.)

    Source 2:

    "By December 1981, American agents--some CIA, some U.S. Special
    Forces--were working through Argentine intermediaries to set up
    contra safe houses, training centres, and base camps along the Nicaraguan-Honduran border." (Peter Kornbluh, "Nicaragua," in
    Michael Klare (ed), Low Intensity Warfare (New York, 1983), 139.)

    Plagiarized Version
    Despite strong public opposition, the Reagan Administration
    "continued to install so many North American men, supplies, and
    facilities in Honduras that one expert called it the USS
    Honduras, a stationary aircraft carrier or sorts."3

    In December 1981, American agents--some CIA Special Forces--were
    working through Argentine intermediaries to set up "contra safe
    houses, training centres, and base camps along the Nicaraguan-
    Honduran border."4

    3. Walter Lafeber, Inevitable Revolutions (New York, 1989), p.
    309

    4. Michael Klare (ed), Low Intensity Warfare (New York, 1983).

    EXAMPLE #4

    Close Paraphrasing

    Students anxious about committing plagiarism often ask: "How
    much do I have to change a sentence to be sure I’m not
    plagiarizing?" A simple answer to this is: If you have to ask,
    you’re probably plagiarizing.

    This is important. Avoiding plagiarism is not an exercise in
    inventive paraphrasing. There is no magic number of words that
    you can add or change to make a passage your own. Original work
    demands original thought and organization of thoughts. In the
    following example, although almost all the words have been
    changed, the student has still plagiarized. An acceptable use of
    this material is also provided below.

    Original

    Shortly after the two rogues, who pass themselves off as a duke
    and a king, invade the raft of Huck and Jim, they decide to
    raise funds by performing scenes from Shakespeare’s Romeo and
    Juliet and Richard III. That the presentation of Shakespeare in
    small Mississippi towns could be conceived of as potentially
    lucrative tells us much about the position of Shakespeare in the
    nineteenth century. (Lawrence Levine, Highbrow, Lowbrow: The
    Emergence of a Cultural Hierarchy in America (Cambridge, 1986),
    p. 10)

    Plagiarized Version
    Soon after the two thieves, who pretend they are a king and a
    duke, capture Huck and Jim’s raft, they try to make money by
    putting on two Shakespeare plays (Romeo and Juliet and Richard
    III). Because the production of Shakespeare in tiny Southern
    towns is seen as possibly profitable, we learn a lot about the
    status of Shakespeare before the twentieth century.

    Acceptable Version
    As Lawrence Levine argues, casual references to Shakespeare in
    popular nineteenth century literature suggests that the
    identification of "highbrow" theatre is a relatively recent
    phenomenon.5

    Note that this version does not merely rephrase or repeat the
    material from the passage cited above, but expands upon it and
    places it in the context of the student’s work.

    EXAMPLE #5

    Varieties of Footnotes

    The use of sources can be clarified in a number of ways through
    careful footnoting. Consider the different forms of
    documentation and acknowledgement in the following:

    With the election of Ronald Regan, covert operations in Latin
    America escalated rapidly.6 "The influx of American funds,"
    notes Peter Kornbluh, determined "the frequency and
    destructiveness of contra attachs."7 In the early 1980s, the
    Regan Administration increasingly used Honduras as a base for
    the contra war. The Administration set up a number of military
    and training facilities--some American, some contra, and some
    housing Argengine mercenaries--along the border between
    Nicaragua and Honduras. "[T]he USS Honduras," as one observer
    noted, was little more than "a [stationary] aircraft carrier."8
    These strategies seemed to represent both a conscious
    acceleration of American involvement in the region, and the
    inertia of past involvements and failures.9

    6. The following paragraph is drawn from Walter Lafeber,
    Inevitable Revolutions (New York, 1989), p. 307-310; and Peter
    Kornbluh, "Nicaragua," in Michael Klare (ed), Low Intensity
    Warfare (New York, 1983), pp. 139-149.

    Note: FOOTNOTE 6 provides general background sources.

    7. Peter Kornbluh, "Nicaragua," in Michael Klare (ed), Low
    Intensity Warfare (New York, 1983), p. 139.

    Note: FOOTNOTE 7 documents a quoted passage, noting the exact
    page location.

    8. Observer quoted in Walter Lafeber, Inevitable Revolutions
    (New York, 1989), p. 309.

    Note: FOOTNOTE 8 documents a secondary quotation.

    9. Peter Kornbluh, "Nicaragua," in Michael Klare (ed), Low
    Intensity Warfare (New York, 1983), stresses the renewal of
    counterinsurgency under Reagan; Walter Lafeber, Inevitable
    Revolutions, stresses the ongoing interventionism of the U.S.
    (New York, 1989), p. 307-310.

    Note: FOOTNOTE 9 distinguishes your argument from that of your
    sources.


    Prepared by:

    Dr. Colin H. Gordon
    (Department of History, UBC)

    Professor Peter Simmons
    (President’s Advisory Committee on Student Discipline, UBC)

    Dr. Graeme Wynn
    (Associate Dean of Arts, UBC)

    The Faculty of Arts
    The University of British Columbia

    http://www.zoology.ubc.ca/bpg/plagiarism.htm

    https://web.archive.org/web/20050714033232/http://www.zoology.ub c.ca/bpg/plagiarism.htm


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