On Tue, 21 Aug 2018 11:19:11 +0100, Richard Jones
<
news@rgjones.screaming.net> wrote as underneath :
PS Some of the tapes are metal, some CrO2, some plain
vanilla (whatever that means). And differing cutoff filters.
So that's a complication. As I recall, there were players which could recognize these various types. How did they do that?
--
Rich
As I recall, there were cut-outs on the top edge of the cassette,
similar to the record protection notch.
I think the bigger thing to watch for - is were they originally recorded
with Dolby (usually B but possibly C on very high end recorders) or not.
Many later commercial tapes even used Dolby..
If your modern transfer player doesn't recognise Dolby encoding and
un-encode it, you would need to at least correct for hiss etc in the
MP3s. Depends on your perception! C+
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