Den lördag 7 oktober 2017 kl. 15:58:41 UTC-4 skrev rnkri...@gmail.com:

On Monday, September 18, 1995 at 12:00:00 AM UTC-7, Ramasubramanian Ramakrishnan wrote:

The last raga of the month thread was on rAgA kAnadA, to my
knowledge. Thanks to all those who participated in a
discussion on kAnadA: M. V. Ramana, Nurani Chandrasekhar,
U.V Ravindra, C.M. Venkatachalam, Ravi Kumar V. Pariti and others.
P. P. Narayanaswami posted a summary. For those of you who missed
it, here is a compilation with stuff added from discussions on
this thread. If I missed out anything, send me email and update
the info. rAgA of the week summaries are archived at

http://stsp.ecn.purdue.edu/~ramasubr/raga_summary.html

**********************************************************

Ragam k A n a D A
^^^^^^^^^^^^^^^^^^^
Janyam of Melam 22 Kharaharapriya (Ri Gi Ma Dha Ni)
svaras used: Chatusruti Ri, Sadharana Ga, Suddha Ma
Chatusruti Dha, and Kaishiki Ni.

(1)
Arohanam: sa ri ga ma pa ma dha ni sa
Avarohanam: sa ni sa dha pa ma pa ga ma ri sa
sampurNa - sampUrNa ragam with a vakra sancharam in both
arohanan and avarohanan

Alternate versions:

(2)
arohanam: sa ri ga ma dha ni sa
avarohanam: sa ni pa ma paga ma ri sa (treated as a
shadava sampurna raga))
Ri, Ga, Ma. Dha, Ni are vikrta svaras

(3)
arohanam: sa ri pa ga ma dha ni sa
avarohanam: sa ni pa dha ni dha pa ma pa ga ma ri sa

Ga dha ni are Jiva swarams
KaruNa rasa pradanam
A thrsthayi ragam sung at all times.
A raga with subtle srutis and gamakas which is to be
handled carefully.
a preferred ragam in post pallavi ragamalika svarams
Ga Dha Ni are Raga Chaayaa svarms
Ri Ga Pa Ma are Nyasa svarams

Compositions in kAnaDA
^^^^^^^^^^^^^^^^^^^^^^
Varnam
^^^^^^
Ninnu Kori, Adi (Tiruvottiyur Tyagarajan)
Nera Nammiti, ATa, (Ramnad Srinivasa Iyengar)
? , Adi (vIna kuppayyar)

Krithis
^^^^^^
Sukhi Yevvaro, Adi (Tyagaraja)
Sri Narada, Rupakam (Tyagaraja)
Balambikayam Param, Misra Chapu (Muthuswami Dikshitar)
Vishvesharo Rakshatumam, Adi (Muthuswami Dikshitar)
Sapthagirisham Sadha Bhajeham, Adi (Muthuswami Dikshitar)
ni Pondu Chalu, Adi Dharmapuri (Subba Iyer)
Kamalambana , Adi (Karur Dakshinamurthi Sastri) -someone resolve the confusion here
-same as above ??? Kamalambana Chinta Theerchavamma - (Subbaraya Sastry?) Jagadabhirama, Adi (Veenai Kuppayyar)
Maamava sadaa, Adi (Svathi Tirunal)
Devan Ke pati Indra, Chowtaal (Svati Tirunal) (Darbari Kanada)
Ninyaa ko ninna, Adi, (Purandaradasa)
nAninnE dhyAna, ?, (PurandaradAsA)
Mhaganapathe, Adi (Kotiswara Iyer)
Chirapathjikaram, Adi (Lakshmanan Pillai)
Podum enum, Rupakam (Lakshmanan Pillai)
Ellam Iraivan, Misra Chapu (Lakshmanan Pillai)
KadavuLai Ariyaada, Rupakam (Lakshmanan Pillai)
Mayil kondan, Rupakam (Lakshmanan Pillai)
Alai Paayudhe, Adi (Uthukkadu Venkatasubba Iyer)
Nalvini Irundu, Rupakam (Arunagirinathar)
Kanthimathi anari, Misra Chapu (Papanasam Sivan)
Inbam en badalaiye, Adi (Papanasam Sivan)
Matha Thunai Purivaay, Adi (Papanasam Sivan)
Mahishasura Marddhani, Adi (Papanasam Sivan)
Ullam Irangi, Adi (Papanasam Sivan)
Giriisam Mahesam, Misra Chapu (Muthiah Bhagavathar)
Panchaasyaanane, Misra Chapu (Muthiah Bhagavathar)
Vasudevan Anisam, Triputa (Mysore Vasudevachariar)
Pranamatha Sri, Adi (Mysore Vasudevachariar)
Twameeva Sarvam, Adi (Svarna Venkatesa Dikshitar)
Neeyallay ini, Adi (G. N. Balasubramanyam)
Paraamukhamela, Rupakam (G. N. Balasubramanyam)
Muralii Rava lola, Adi (Thulaseevanam)
Govindam Kalayee, Adi (Thulaseevanam)
Brihadisvara Mahadeva (M. Balamuralikrishna)
VIra hanumathE, Rupakam (Muthuswamy Dikshitar)
akilANDEs'vari jaya jaya sankari, Adi,(laLitAdAsar)
kamalAmbA, Rupakam (garbhapUrivAsA: Devudu and Chinniah)

Javali
^^^^^^
Charumathi, Adi (Dakshinamurthi Sastri)
vAni pondu, adi (Dharmapuri Subbarayar)

Thillana
^^^^^^^^

Tom Ta thara, Rupakam (Ramanathapuram Srinivasa iyengar)
Gauri Nayaka, Simhanandanam (Maha Vaidyanatha Iyer)
Thom tha thom Adi (Muthiah Bhagavathar)
Thari ka janu taka, (S. Kalyanaraman (Durbari Kanada)
Nadir Deem, Adi (Veena Seshanna) (Darbari Kanada)
Dhim dha dhim na (Balamuralikrishna (Durbari) (?)

The famous Thillana: Gauri Nayaka in the difficult Talam
Simhanandanam (128 aksharas) composed by Maha Vaidyantha
Iyer in Ragam Kanada is a classic.

Padam
^^^^^
Intu vanti Navala , Misra Capu (Kshetrajna)
ninnE dhyAna, misrachapu??? (Purandaradasa)
srikAnta enarakshitu, adi (Purandaradasa)

Pallavi Lines:
T. R. Subrahmanyam renders many pallavis in Kanada --
one such line is
Krishna Mukunda Giridhari Hare Prabho

Post Palavi ragamalika svarams:
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Invariably features Kanada as a preferred Ragam.

Karnatak raga Kannada has no resemblence to kAnaDA whatsoever.
Kannada is a janya of 29the mela Sankarabharanam.

======================================================

In Hindustahni Paddhathi, "kAnaDa" refers to a family
of rAgAs of which darbari Kanada is getting exceedingly
popular in Karnatik music.
Darbari kAnandA is called the King of Ragas - raga of the
Kings. It uses the komal (= shuddha) dhaivatam. This rAgA
has been imported to carnatic and is popular. Huseni kAnadA
or sahAnA of the north resembles the carnatic rAgA kAnadA.
Darbari Kanada, Nayaki Kanada, Abhogi Kanada, Sahana Kanada,
Huseni Kanada, and so forth.
nAyaki kAnadA of the north is a kAnadA devoid of Dha. Koushi
kAnadA is a kAnadA with elements of malkauns (hindOlam),
bhimpalasi (abhEri) and bAgeshrI.

-------------------------------------------------
Warren Senders adds:

Darbari Kanada (Hindustani Bandishes):
Drut:
Kinu Bairain Kaan Bhare
Ghar Jaane De Chhand Mori Bhai
Jo Guru Kripa Kare
Matawa Bare La
Vilambit Khyals:
Aur Nahin Kacchu Kam Ke Ram Ke
Mubarak Badiyan Shadiyan
Eri Bi

Kaunsi Kanada:
Vilambit Khyal:
Rajan Ke Raja

Nayaki Kanada:
Vilambit Khyal:
Mero Piya

Shahana Kanada:
Drut Khyal:
Main To Tumse Hori Kheloongi

Other Kanada variants include:
Jayant Kanada (mix of darbari, shahana & jaijaivanti)
Raisa Kanada (not sure)
Chandramukhi Kanada (mix of darbari & rishabh Chandrakauns)
Basanti Kanada (mix w/Basant)
Kanada Malhar (0bvious)

There is some controversy about Abhogi -- some say that Abhogi Kanada is Abhogi but restricted to the sangathi GMRS, while shuddha Abhogi can use MGRS as in Bageshri. This is one opinion and not necessarily a consensus.

==========================================================================

Lyrics for some carnatic compositions in kAnadA: (piked up from rmic) ---------------------------------------------------------------------
GNB's composition: rAgA: kAnadA, tAlA: Adi

pallavi
-------
parAmukham-Ela-namma? parAdhIna-patita! nA pai
(parAmukhamEla)
anupallavi
----------
nirAdaravu nIve jesite, nirvahimpa-taramA? talli
(parAmukhamEla)

charanam
--------
marALa-jita mandagamani! mahAdEvamatir-Ayatavadani!
nirAmayE! nIrada-s'yAmalE! nityakalyANaguNAlayE!
(parAmukhamEla)

---------------------------------------
OothukkAdu Venkatasubbaiyar's composition: Alaipayude: Adi

Pallavi
Alaipayude, Kanna, enmanam alaipayude,Unananda mogana venuganamadil alapayude (repeat)

Anupallavi

Nilaipeyarade, silai polave nindrar. Neramaavadariyaamale migavinodhamaana muralidhara (repeat)

Charanam

Thelindha nilavupattapagal pol eriyudhe. Dhikkai nokkienullam ... (i've forgotten the last 2 words in this)
Kaninda unvenugaanam kaatril varugude,

Iduthagumo, idumuraiyo, idudharumam thaano
kuzhaloodhidum pozhidhu, aadididum alaigal polave manadhu vedanaimigaoru.

Radhika
email: radhika@ccu.umanitoba.ca

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Sapthagirisham song in raga Kanada composed by Srimathi Kalyani Varadarajan: Here's the link to compositions of Srimathi Kalyani Varadarajan

can someone please email me mp3 or youtube recording of sapta Sapthagirisham at mkrissh@gmail.com

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