• Re: Help with Bihag Bada Khayal Lyrics

    From Sundeep Dougal@21:1/5 to djames on Wed Nov 16 03:50:59 2022
    I am sorry for butting into this thread, mainly because there was a mention of "अब तो रट लागी लागी मोरी"

    Briefly, I am looking for the lyrics in this recording of BGAK's Bihagda.

    Since this thread has people conversant with BGAK, I thought I would take the liberty of posting this query here as well.

    https://www.youtube.com/watch?v=D79ii9_sD3c

    In this recording, the first bandish is clear enough (though this too is not in Mati Gilani/Quratulain Hyder book):

    हे चन्दा छुप जा
    चाँदनी तोरी मन को दुखाये
    सगरी रैन मोरी तरपत बीती
    सबरंग पिया बिन
    कछू ना भाये

    It is in the second part, from about 27:45 onwards that I can't make out any of the words, other than the phrase from the popular "अब तो रट लागी लागी मोरी" in Bihag but the rest of it is mostly a variation on "kamal
    ban...something something" "is paapi ko...something".

    I would be grateful for any help.

    With regards,
    Sundeep


    On Wednesday, 17 November 2010 at 14:33:36 UTC+5:30, djames wrote:
    On Nov 16, 11:47 pm, Abhik Majumdar <abhik.r...@gmail.com> wrote:
    (a)sthayi also contains (in this rendition anyway) the words "man hamaro..." something.

    Just crosschecked with the recording uploaded on this
    sangeethamshare.com page:

    http://www.sangeethamshare.org/murthy/154-Bade-Ghulam-Ali-Khan-10-ren...

    The Astayi there does contain the words you mention. So far as I can
    make out, it goes: E kaan mo karan phool chhab det hai, man hamaro
    hara let hai.

    No mention of Sabarang, James's right. Surprising, though, because
    BGAK was pretty particular about stamping his takhallus on his compositions.

    Abhik
    BGAK was pretty particular about stamping his takhallus on his
    compositions
    There are many compositions in this book that do not have his
    takhallus, including all the taranas. This is a compilation of
    compositions by Manorma Ahuja in the chapter called "compositions of
    Sabrang" which I suppose could mean compositions he sang as well as
    ones he composed. For example did he compose "lat ulajhi sulajha ja
    balama" in bihag? or marwa vilambit "piya mori kahu ko"in which
    adarang's name is in the antara? Is "hari om tatsat" his composition?
    It also seems that his name does not come in most of the thumris.
    James

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