While one reason for the apparent unpopularity of Sarasangi is that there aren't too many kritis. Anothe reason is probably because it is a classic case of a "mongerel" melakarta....it is just too close and appears to be
a hodge-podge of many other popular melas. It is interesting to see what ragas emerge when we change just a single note in Sarasangi:
Note Changed Ensuing Raga
R Mayamalavyagowla
G Kiravani
M Latangi
D Sankarabharnam
N Charukesi
Because of its close affinity to so many old and popular ragas it is very difficult for a musician to give it a unique identity. Try humming Sarasangi and you'll find yourself tresspassing the territory of Sankarabharnam, Latangi
and Charukesi at the very least. Hence Sarsangi has not got the status of a "gana" raga although it does seem to have a fairly pleasing combination of notes.
For this raga to gain stature musicians will have evolve a distinct and aesthetic pattern of gamakas and prayogas that seem to add character to it.. I am not saying it can't happen....ragas such as Dharmavati have been developed
fairly recently.
At the expense of sounding like a broken record I'll repeat: a raga is NOT
a scale or a collection of notes. If it were then there is no reason why the scale cannot be permutated (I'll not use a term like 'explored' since playing around with notes in a scale is NOT raga exploration)..a raga needs a separate
identity that evolves over time through introduction of unique gamakas and prayogas. In the case of Sarasangi unfortunately (or fortunately!) its neighbouring ragas developed powerful identities and thus made it difficult for it to develop its personality.
Two other ragas that suffer from the same syndrome: Natta Bhairavi (too close to Thodi, Bhairavi, Karaharapriya and Kiravani) and Harikambothi (too close to Sankarabharnam, Kambothi, Nattakuranji, etc). Harikambothi is a classic case of a sacrificing "mother"--like Kunti she fades in the glory of her progeny...i.e., the janyas of Harikambothi overshadow the janaka raga.
KRS
On Tuesday, September 17, 1996 at 12:30:00 PM UTC+5:30, K.R. Subramanyam wrote:Here is a comprehensive list of songs in sarasangi:
While one reason for the apparent unpopularity of Sarasangi is that there aren't too many kritis. Anothe reason is probably because it is a classic case of a "mongerel" melakarta....it is just too close and appears to be
a hodge-podge of many other popular melas. It is interesting to see what ragas emerge when we change just a single note in Sarasangi:
Note Changed Ensuing Raga
R Mayamalavyagowla
G Kiravani
M Latangi
D Sankarabharnam
N Charukesi
Because of its close affinity to so many old and popular ragas it is very difficult for a musician to give it a unique identity. Try humming Sarasangi
and you'll find yourself tresspassing the territory of Sankarabharnam, Latangi
and Charukesi at the very least. Hence Sarsangi has not got the status of a "gana" raga although it does seem to have a fairly pleasing combination of notes.
For this raga to gain stature musicians will have evolve a distinct and aesthetic pattern of gamakas and prayogas that seem to add character to it..
I am not saying it can't happen....ragas such as Dharmavati have been developed
fairly recently.
At the expense of sounding like a broken record I'll repeat: a raga is NOT a scale or a collection of notes. If it were then there is no reason why the
scale cannot be permutated (I'll not use a term like 'explored' since playing
around with notes in a scale is NOT raga exploration)..a raga needs a separate
identity that evolves over time through introduction of unique gamakas and prayogas. In the case of Sarasangi unfortunately (or fortunately!) its neighbouring ragas developed powerful identities and thus made it difficult for it to develop its personality.
Two other ragas that suffer from the same syndrome: Natta Bhairavi (too close
to Thodi, Bhairavi, Karaharapriya and Kiravani) and Harikambothi (too close to Sankarabharnam, Kambothi, Nattakuranji, etc). Harikambothi is a classic case of a sacrificing "mother"--like Kunti she fades in the glory of her progeny...i.e., the janyas of Harikambothi overshadow the janaka raga.
KRS
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