• Re: Barry Harris Method

    From Serie20y20 - Editorial Digital de M@21:1/5 to All on Wed Nov 22 06:32:39 2023
    El sábado, 16 de octubre de 2010 a las 17:12:53 UTC-3, AJK escribió:
    On Oct 16, 11:07 am, Larry <larryotismu...@gmail.com> wrote:
    On Oct 16, 6:35 am, AJK <akingst...@bnn.ca> wrote:





    On Oct 15, 7:35 pm, Larry <larryotismu...@gmail.com> wrote:

    I recently bought Alan Kingstones book "The Barry Harris Harmonic Method for Guitar" which is proving to be very helpful (I'm working through the 2nd chapter on movement right now). My take on Alan's book is that it requires a knowledge of theory and a commitment to work
    hard unraveling Alan's short comments. If anything, Alan could have provided more examples and commentary since it reads a bit like a transcription of his or Barry's notes.

    I'm still not sure how this method will translate to other genres
    other than jazz.
    Larry

    Larry: Feel free to contact me directly at the e-mail address provided
    in the book if you have any questions.

    Alan

    Hi Alan,
    Thank you for your response. I'm now a bit embarrassed to have posted publicly my comments about your book (which is excellent by the way).
    I hope that my comments will not discourage anyone considering buying
    your book. I bought it and I'm very glad I did!

    I do have one basic question that I thought I might share with
    everyone since it is something I've run across elsewhere when googling
    the Barry Harris method: How are the 7th diminished and 7b5 diminished scales and chords used? There is a LOT of great information about how
    to think about and use the Maj/Min 6th dim. scales but the other two
    are only harmonized and shown with inversions on the fingerboard
    charts.
    Thank you for the invitation to contact you via email also.
    Larry
    Larry: No need to apologize. I think your critique is valid as there
    is a shortage of actual song application in the book. I suggest
    movement on chord/scales where before we may have played a single
    chord and ways to colour the chords with borrowed diminished or
    related dominant notes. There are demonstrations using common chord progressions and our job is to plug them in. Like your private e-mail suggests, it's hard work. Now I should get of the couch, turn off the baseball game and do some of that hard work.
    Best
    Alan
    If you are looking for books on the Barry Harris method please visit this link: https://www.serie20y20.com.ar/en/barry-harris/

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