On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
On Tuesday, September 27, 2022 at 10:10:02 AM UTC-7, gggg gggg wrote:naxos+seefried&gs_lcp=CgNpbWcQAzoICAAQgAQQsQM6BQgAEIAEOgsIABCABBCxAxCDAToGCAAQBRAeOgYIABAIEB5QAFi6VWCtVmgAcAB4AIAB6gKIAYEbkgEJMTguMTIuMC4xmAEAoAEBqgELZ3dzLXdpei1pbWc&sclient=img#imgrc=necOyxtrxJZN0M
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:Wasn't this Seefried's earliest recording?:
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
https://www.google.com/search?q=1944+ariadne+auf+naxos+seefried&tbm=isch&source=hp&biw=1366&bih=657&ei=zVRLY4rTI4e6kPIPq8OoyAQ&iflsig=AJiK0e8AAAAAY0ti3f2iiwsR2BWZ2xFbV5uf7FqcHfkp&ved=0ahUKEwjK7fe1w-P6AhUHHUQIHashCkkQ4dUDCAc&uact=5&oq=1944+ariadne+auf+
For any humans who might be interested, there was a Handel "Laudate pueri" recording in which she participated, dated 1943. It was reissued in the two-lp "The Art of Irmgard Seefried" on HMV Treasury and Seraphim. I believe a recording attributed tothe same year was issued in a CRQ Edition cd devoted to her.
DH
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
Surely Irmgard Seefried was perhaps the absolute finest of(Y. upload):
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
"Ave Maria - Esther Rethy - Grammophon 78 Rpm"
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:
Surely Irmgard Seefried was perhaps the absolute finest ofSeinemeyer's "Lied der Mignon III":
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
https://www.youtube.com/watch?v=H7DpqxGVjCE&list=OLAK5uy_mMdtjHj1CL_0GfoBc01ms3ZqJ83fvCqyw&index=38
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
For any humans who might be interested, there was a Handel "Laudate pueri" recording in which she participated, dated 1943. It was reissued in the two-lp "The Art of Irmgard Seefried" on HMV Treasury and Seraphim. I believe a recording attributed tothe same year was issued in a CRQ Edition cd devoted to her.
DHnaxos+seefried&gs_lcp=CgNpbWcQAzoICAAQgAQQsQM6BQgAEIAEOgsIABCABBCxAxCDAToGCAAQBRAeOgYIABAIEB5QAFi6VWCtVmgAcAB4AIAB6gKIAYEbkgEJMTguMTIuMC4xmAEAoAEBqgELZ3dzLXdpei1pbWc&sclient=img#imgrc=necOyxtrxJZN0M
On Saturday, October 15, 2022 at 8:50:04 PM UTC-4, gggg gggg wrote:
On Tuesday, September 27, 2022 at 10:10:02 AM UTC-7, gggg gggg wrote:
On Sunday, May 22, 2022 at 3:17:30 PM UTC-7, Bill Staab wrote:Wasn't this Seefried's earliest recording?:
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
https://www.google.com/search?q=1944+ariadne+auf+naxos+seefried&tbm=isch&source=hp&biw=1366&bih=657&ei=zVRLY4rTI4e6kPIPq8OoyAQ&iflsig=AJiK0e8AAAAAY0ti3f2iiwsR2BWZ2xFbV5uf7FqcHfkp&ved=0ahUKEwjK7fe1w-P6AhUHHUQIHashCkkQ4dUDCAc&uact=5&oq=1944+ariadne+auf+
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
Surely Irmgard Seefried was perhaps the absolute finest of
Schubert sopranos in the postwar era, singing with Gerald Moore
just after the war and then mostly with Erik Werba. Many recordings
on EMI and then mostly on DGG and live performances on Orfeo from
Salzburg. Interpretively more perceptive than Ameling, more
natural than Schwarzkopf, and with superlative diction and
as expressive as any Schubert soprano one can hear
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