• Albert Ferber's Debussy Etudes.

    From Mandryka@21:1/5 to All on Thu Mar 23 09:58:59 2023
    I've become really intrigued by this recording. Is there anyone else who makes these etudes sound so beautiful? And makes them sound so consistent with Debussy's style in other music like Preludes II.

    I just tried to listen to Joseph Moog play the first book, and though it's clearly fabulous pianism, I felt it didn't have the magic of Ferber. Somehow Moog seemed reductive, reducing the music to thrills about speed and piano technique. Ferber makes
    them sound to me like some of Debussy's best poetry.


    Here, if you don't know it.

    https://www.youtube.com/watch?v=gk_bU7nlX2c&ab_channel=OnTheTopofDamavandforever

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  • From HT@21:1/5 to All on Thu Mar 23 11:03:15 2023
    Op donderdag 23 maart 2023 om 17:59:01 UTC+1 schreef Mandryka:
    I've become really intrigued by this recording. Is there anyone else who makes these etudes sound so beautiful? And makes them sound so consistent with Debussy's style in other music like Preludes II.

    I just tried to listen to Joseph Moog play the first book, and though it's clearly fabulous pianism, I felt it didn't have the magic of Ferber. Somehow Moog seemed reductive, reducing the music to thrills about speed and piano technique. Ferber makes
    them sound to me like some of Debussy's best poetry.


    Here, if you don't know it.

    https://www.youtube.com/watch?v=gk_bU7nlX2c&ab_channel=OnTheTopofDamavandforever

    Moog's version of the Debussy études is one of the least interesting I know. Ferber is good but not one of my favourites.

    Henk

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  • From Frank Berger@21:1/5 to All on Thu Mar 23 14:18:33 2023
    On 3/23/2023 2:03 PM, HT wrote:
    Op donderdag 23 maart 2023 om 17:59:01 UTC+1 schreef Mandryka:
    I've become really intrigued by this recording. Is there anyone else who makes these etudes sound so beautiful? And makes them sound so consistent with Debussy's style in other music like Preludes II.

    I just tried to listen to Joseph Moog play the first book, and though it's clearly fabulous pianism, I felt it didn't have the magic of Ferber. Somehow Moog seemed reductive, reducing the music to thrills about speed and piano technique. Ferber makes
    them sound to me like some of Debussy's best poetry.


    Here, if you don't know it.

    https://www.youtube.com/watch?v=gk_bU7nlX2c&ab_channel=OnTheTopofDamavandforever

    Moog's version of the Debussy études is one of the least interesting I know. Ferber is good but not one of my favourites.

    Henk



    Prefer his Fauré.

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  • From Andy Evans@21:1/5 to Mandryka on Thu Mar 23 11:29:54 2023
    On Thursday, 23 March 2023 at 16:59:01 UTC, Mandryka wrote:
    I've become really intrigued by this recording. Is there anyone else who makes these etudes sound so beautiful? And makes them sound so consistent with Debussy's style in other music like Preludes II.

    Ferber pulls the music about a lot, and I would hate to call that "consistent with Debussy's style" any more than pulling Chopin about represents "Chopin style". Paul Jacobs and others play the music fairly straight but with feeling and musicality. Other
    good ones are Gieseking, Rosen, Thibaudet, Queffelec. If you want something a bit more original there's Bonaventura. I don't think there's a perfect set of these etudes - some pianists come closer than others.

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  • From Mandryka@21:1/5 to Andy Evans on Thu Mar 23 11:40:28 2023
    On Thursday, March 23, 2023 at 6:29:56 PM UTC, Andy Evans wrote:
    On Thursday, 23 March 2023 at 16:59:01 UTC, Mandryka wrote:
    I've become really intrigued by this recording. Is there anyone else who makes these etudes sound so beautiful? And makes them sound so consistent with Debussy's style in other music like Preludes II.
    Ferber pulls the music about a lot, and I would hate to call that "consistent with Debussy's style" any more than pulling Chopin about represents "Chopin style". Paul Jacobs and others play the music fairly straight but with feeling and musicality.
    Other good ones are Gieseking, Rosen, Thibaudet, Queffelec. If you want something a bit more original there's Bonaventura. I don't think there's a perfect set of these etudes - some pianists come closer than others.

    Mercifully I don’t play piano well enough to notice whether the music is being pulled about. What Ferber does sounds quite natural to me.

    Of those you mentioned, the only one which has caught my imagination is Bonaventura - but I can certainly see that Thibaudet is interesting and I intend to give it more time. I can do without Gieseking and Rosen myself in this music, I should need to
    listen again to Queffelec and Jacobs to comment - to be honest I don’t remember their recordings at all.

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  • From Mandryka@21:1/5 to Frank Berger on Thu Mar 23 11:35:39 2023
    On Thursday, March 23, 2023 at 6:18:48 PM UTC, Frank Berger wrote:
    On 3/23/2023 2:03 PM, HT wrote:
    Op donderdag 23 maart 2023 om 17:59:01 UTC+1 schreef Mandryka:
    I've become really intrigued by this recording. Is there anyone else who makes these etudes sound so beautiful? And makes them sound so consistent with Debussy's style in other music like Preludes II.

    I just tried to listen to Joseph Moog play the first book, and though it's clearly fabulous pianism, I felt it didn't have the magic of Ferber. Somehow Moog seemed reductive, reducing the music to thrills about speed and piano technique. Ferber
    makes them sound to me like some of Debussy's best poetry.


    Here, if you don't know it.

    https://www.youtube.com/watch?v=gk_bU7nlX2c&ab_channel=OnTheTopofDamavandforever

    Moog's version of the Debussy études is one of the least interesting I know. Ferber is good but not one of my favourites.

    Henk


    Prefer his Fauré.

    I think his Fauré is very good, and I felt that from the first encounter with it. I found these etudes quite disconcerting at first, but slowly they’ve gotten under my skin.

    Anyone enjoy his Schubert?,

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  • From HT@21:1/5 to All on Thu Mar 23 12:05:51 2023
    Op donderdag 23 maart 2023 om 19:40:31 UTC+1 schreef Mandryka:
    On Thursday, March 23, 2023 at 6:29:56 PM UTC, Andy Evans wrote:
    On Thursday, 23 March 2023 at 16:59:01 UTC, Mandryka wrote:
    I've become really intrigued by this recording. Is there anyone else who makes these etudes sound so beautiful? And makes them sound so consistent with Debussy's style in other music like Preludes II.
    Ferber pulls the music about a lot, and I would hate to call that "consistent with Debussy's style" any more than pulling Chopin about represents "Chopin style". Paul Jacobs and others play the music fairly straight but with feeling and musicality.
    Other good ones are Gieseking, Rosen, Thibaudet, Queffelec. If you want something a bit more original there's Bonaventura. I don't think there's a perfect set of these etudes - some pianists come closer than others.
    Mercifully I don’t play piano well enough to notice whether the music is being pulled about. What Ferber does sounds quite natural to me.

    Of those you mentioned, the only one which has caught my imagination is Bonaventura - but I can certainly see that Thibaudet is interesting and I intend to give it more time. I can do without Gieseking and Rosen myself in this music, I should need to
    listen again to Queffelec and Jacobs to comment - to be honest I don’t remember their recordings at all.

    Bonaventura is special. These days I'm not only a fan of Crochet's Bach but also of her Fauré. Jacobs and Queffelec are excellent - and quite a few more.

    Henk

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  • From HT@21:1/5 to All on Thu Mar 23 12:01:46 2023
    Op donderdag 23 maart 2023 om 19:18:48 UTC+1 schreef Frank Berger:
    On 3/23/2023 2:03 PM, HT wrote:
    Op donderdag 23 maart 2023 om 17:59:01 UTC+1 schreef Mandryka:
    I've become really intrigued by this recording. Is there anyone else who makes these etudes sound so beautiful? And makes them sound so consistent with Debussy's style in other music like Preludes II.

    I just tried to listen to Joseph Moog play the first book, and though it's clearly fabulous pianism, I felt it didn't have the magic of Ferber. Somehow Moog seemed reductive, reducing the music to thrills about speed and piano technique. Ferber
    makes them sound to me like some of Debussy's best poetry.


    Here, if you don't know it.

    https://www.youtube.com/watch?v=gk_bU7nlX2c&ab_channel=OnTheTopofDamavandforever

    Moog's version of the Debussy études is one of the least interesting I know. Ferber is good but not one of my favourites.

    Henk


    Prefer his Fauré.

    Seconded!

    Henk

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  • From Mandryka@21:1/5 to All on Thu Mar 23 13:19:36 2023
    On Thursday, March 23, 2023 at 7:05:53 PM UTC, HT wrote:
    Op donderdag 23 maart 2023 om 19:40:31 UTC+1 schreef Mandryka:
    On Thursday, March 23, 2023 at 6:29:56 PM UTC, Andy Evans wrote:
    On Thursday, 23 March 2023 at 16:59:01 UTC, Mandryka wrote:
    I've become really intrigued by this recording. Is there anyone else who makes these etudes sound so beautiful? And makes them sound so consistent with Debussy's style in other music like Preludes II.
    Ferber pulls the music about a lot, and I would hate to call that "consistent with Debussy's style" any more than pulling Chopin about represents "Chopin style". Paul Jacobs and others play the music fairly straight but with feeling and musicality.
    Other good ones are Gieseking, Rosen, Thibaudet, Queffelec. If you want something a bit more original there's Bonaventura. I don't think there's a perfect set of these etudes - some pianists come closer than others.
    Mercifully I don’t play piano well enough to notice whether the music is being pulled about. What Ferber does sounds quite natural to me.

    Of those you mentioned, the only one which has caught my imagination is Bonaventura - but I can certainly see that Thibaudet is interesting and I intend to give it more time. I can do without Gieseking and Rosen myself in this music, I should need to
    listen again to Queffelec and Jacobs to comment - to be honest I don’t remember their recordings at all.
    Bonaventura is special. These days I'm not only a fan of Crochet's Bach but also of her Fauré. Jacobs and Queffelec are excellent - and quite a few more.

    Henk

    What do you think of Soulima Stravinsky, Igor's son? I've only just found it.

    https://www.youtube.com/watch?v=mwLErZ9mXM4&ab_channel=OnTheTopofDamavandforever

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  • From Mandryka@21:1/5 to Mandryka on Thu Mar 23 13:21:55 2023
    On Thursday, March 23, 2023 at 8:19:39 PM UTC, Mandryka wrote:
    On Thursday, March 23, 2023 at 7:05:53 PM UTC, HT wrote:
    Op donderdag 23 maart 2023 om 19:40:31 UTC+1 schreef Mandryka:
    On Thursday, March 23, 2023 at 6:29:56 PM UTC, Andy Evans wrote:
    On Thursday, 23 March 2023 at 16:59:01 UTC, Mandryka wrote:
    I've become really intrigued by this recording. Is there anyone else who makes these etudes sound so beautiful? And makes them sound so consistent with Debussy's style in other music like Preludes II.
    Ferber pulls the music about a lot, and I would hate to call that "consistent with Debussy's style" any more than pulling Chopin about represents "Chopin style". Paul Jacobs and others play the music fairly straight but with feeling and
    musicality. Other good ones are Gieseking, Rosen, Thibaudet, Queffelec. If you want something a bit more original there's Bonaventura. I don't think there's a perfect set of these etudes - some pianists come closer than others.
    Mercifully I don’t play piano well enough to notice whether the music is being pulled about. What Ferber does sounds quite natural to me.

    Of those you mentioned, the only one which has caught my imagination is Bonaventura - but I can certainly see that Thibaudet is interesting and I intend to give it more time. I can do without Gieseking and Rosen myself in this music, I should need
    to listen again to Queffelec and Jacobs to comment - to be honest I don’t remember their recordings at all.
    Bonaventura is special. These days I'm not only a fan of Crochet's Bach but also of her Fauré. Jacobs and Queffelec are excellent - and quite a few more.

    Henk
    What do you think of Soulima Stravinsky, Igor's son? I've only just found it.

    https://www.youtube.com/watch?v=mwLErZ9mXM4&ab_channel=OnTheTopofDamavandforever

    Oh I now see that you said a couple of years ago that you don't like it at all. Sorry to raise a bad memory!

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  • From HT@21:1/5 to All on Thu Mar 23 14:29:33 2023
    Oh I now see that you said a couple of years ago that you don't like it at all. Sorry to raise a bad memory!

    No problem at all. It comes with being a Debussy études completist (who lost track of what he has or hasn't).

    Henk

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  • From HT@21:1/5 to All on Thu Mar 23 14:23:11 2023
    Op donderdag 23 maart 2023 om 21:19:39 UTC+1 schreef Mandryka:
    On Thursday, March 23, 2023 at 7:05:53 PM UTC, HT wrote:
    Op donderdag 23 maart 2023 om 19:40:31 UTC+1 schreef Mandryka:
    On Thursday, March 23, 2023 at 6:29:56 PM UTC, Andy Evans wrote:
    On Thursday, 23 March 2023 at 16:59:01 UTC, Mandryka wrote:
    I've become really intrigued by this recording. Is there anyone else who makes these etudes sound so beautiful? And makes them sound so consistent with Debussy's style in other music like Preludes II.
    Ferber pulls the music about a lot, and I would hate to call that "consistent with Debussy's style" any more than pulling Chopin about represents "Chopin style". Paul Jacobs and others play the music fairly straight but with feeling and
    musicality. Other good ones are Gieseking, Rosen, Thibaudet, Queffelec. If you want something a bit more original there's Bonaventura. I don't think there's a perfect set of these etudes - some pianists come closer than others.
    Mercifully I don’t play piano well enough to notice whether the music is being pulled about. What Ferber does sounds quite natural to me.

    Of those you mentioned, the only one which has caught my imagination is Bonaventura - but I can certainly see that Thibaudet is interesting and I intend to give it more time. I can do without Gieseking and Rosen myself in this music, I should need
    to listen again to Queffelec and Jacobs to comment - to be honest I don’t remember their recordings at all.
    Bonaventura is special. These days I'm not only a fan of Crochet's Bach but also of her Fauré. Jacobs and Queffelec are excellent - and quite a few more.

    Henk
    What do you think of Soulima Stravinsky, Igor's son? I've only just found it.

    https://www.youtube.com/watch?v=mwLErZ9mXM4&ab_channel=OnTheTopofDamavandforever

    Iirc, it's one of the worst out there. If you are looking for a pleasant surprise, try Korstick. Like Boventura he's really different in a positive way.

    Henk

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  • From Dan Koren@21:1/5 to All on Thu Mar 23 16:07:49 2023
    Anne Queffelec

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  • From Mandryka@21:1/5 to All on Fri Mar 24 22:45:34 2023
    Anyone heard Nina Tichman’s Debussy? (I’ve been enjoying her variations sérieuses and I’m wondering whether to take a punt on anything else from her.)

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  • From Dan Koren@21:1/5 to Mandryka on Fri Mar 24 23:42:49 2023
    On Friday, March 24, 2023 at 10:45:36 PM UTC-7, Mandryka wrote:

    Anyone heard Nina Tichman’s Debussy?
    (I’ve been enjoying her variations sérieuses
    and I’m wondering whether to take a punt on
    anything else from her.)

    Mendelssohn is not a reliable predictor of Debussy.

    dk

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  • From HT@21:1/5 to All on Sat Mar 25 03:40:48 2023
    Op zaterdag 25 maart 2023 om 06:45:36 UTC+1 schreef Mandryka:
    Anyone heard Nina Tichman’s Debussy? (I’ve been enjoying her variations sérieuses and I’m wondering whether to take a punt on anything else from her.)

    She's not in my top 20 but she can certainly play the études. You should give her a try if you can find the time.

    Henk

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  • From Dan Koren@21:1/5 to All on Sat Mar 25 03:46:36 2023
    On Saturday, March 25, 2023 at 3:40:51 AM UTC-7, HT wrote:
    Op zaterdag 25 maart 2023 om 06:45:36 UTC+1 schreef Mandryka:

    Anyone heard Nina Tichman’s Debussy?
    (I’ve been enjoying her variations sérieuses
    and I’m wondering whether to take a punt on
    anything else from her.)

    She's not in my top 20 but she can certainly play the
    études. You should give her a try if you can find the
    time.

    Why waste one's time on someone who isn't even in
    your top 20? Sounds like damning with faint praise.

    dk

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  • From HT@21:1/5 to All on Sat Mar 25 03:59:32 2023
    Op zaterdag 25 maart 2023 om 11:46:39 UTC+1 schreef Dan Koren:

    Because it wouldn't be a waste of time, if you have the time. Tichman really can play the études. It's just a matter of taste. I probably have 100 versions of the études and only really dislike Moog and Soulima Stravinsky and a few others.

    Henk

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  • From Mandryka@21:1/5 to All on Sat Mar 25 04:38:38 2023
    On Saturday, March 25, 2023 at 10:59:35 AM UTC, HT wrote:
    Op zaterdag 25 maart 2023 om 11:46:39 UTC+1 schreef Dan Koren:

    Because it wouldn't be a waste of time, if you have the time. Tichman really can play the études. It's just a matter of taste. I probably have 100 versions of the études and only really dislike Moog and Soulima Stravinsky and a few others.

    Henk

    Cheers Henk. Is it Vol 1, this one?

    https://www.prestomusic.com/classical/products/8657855--debussy-integrale-loeuvre

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  • From HT@21:1/5 to All on Sat Mar 25 05:19:25 2023
    Op zaterdag 25 maart 2023 om 12:38:40 UTC+1 schreef Mandryka:

    Cheers Henk. Is it Vol 1, this one?

    https://www.prestomusic.com/classical/products/8657855--debussy-integrale-loeuvre

    Yes, it is:

    https://www.amazon.de/-/en/Nina-Tichman/dp/B000025SFV/ref=sr_1_10?crid=I4VNCXQ58EXO&keywords=tichman&qid=1679746638&s=music&sprefix=tichman%2Cpopular%2C74&sr=1-10

    Henk

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  • From Mandryka@21:1/5 to All on Sat Mar 25 11:10:26 2023
    On Saturday, March 25, 2023 at 12:19:28 PM UTC, HT wrote:
    Op zaterdag 25 maart 2023 om 12:38:40 UTC+1 schreef Mandryka:
    Cheers Henk. Is it Vol 1, this one?

    https://www.prestomusic.com/classical/products/8657855--debussy-integrale-loeuvre
    Yes, it is:

    https://www.amazon.de/-/en/Nina-Tichman/dp/B000025SFV/ref=sr_1_10?crid=I4VNCXQ58EXO&keywords=tichman&qid=1679746638&s=music&sprefix=tichman%2Cpopular%2C74&sr=1-10

    Henk

    Thanks, I’ve ordered a copy.

    I tried the Korstick this afternoon but it seemed a little too intrusive to me, as if I was always aware of a pianist “having ideas.” And the tone didn’t appeal - I expect I’ll get more out of it another day, another mood.

    More positively I’ve started to listen to Beroff on Denon, and I’m getting into it. Put it like this - if it were a concert I’d be on my feet shouting “bravo”

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  • From HT@21:1/5 to All on Sat Mar 25 11:38:19 2023
    Op zaterdag 25 maart 2023 om 19:10:29 UTC+1 schreef Mandryka:
    On Saturday, March 25, 2023 at 12:19:28 PM UTC, HT wrote:
    Op zaterdag 25 maart 2023 om 12:38:40 UTC+1 schreef Mandryka:
    Cheers Henk. Is it Vol 1, this one?

    https://www.prestomusic.com/classical/products/8657855--debussy-integrale-loeuvre
    Yes, it is:

    https://www.amazon.de/-/en/Nina-Tichman/dp/B000025SFV/ref=sr_1_10?crid=I4VNCXQ58EXO&keywords=tichman&qid=1679746638&s=music&sprefix=tichman%2Cpopular%2C74&sr=1-10

    Henk
    Thanks, I’ve ordered a copy.

    I tried the Korstick this afternoon but it seemed a little too intrusive to me, as if I was always aware of a pianist “having ideas.” And the tone didn’t appeal - I expect I’ll get more out of it another day, another mood.

    More positively I’ve started to listen to Beroff on Denon, and I’m getting into it. Put it like this - if it were a concert I’d be on my feet shouting “bravo”

    Beroff is one of the best. Did you try the early Bavouzet version?

    Henk

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  • From Graham@21:1/5 to All on Sat Mar 25 13:24:56 2023
    On 2023-03-25 12:38 p.m., HT wrote:
    Op zaterdag 25 maart 2023 om 19:10:29 UTC+1 schreef Mandryka:
    On Saturday, March 25, 2023 at 12:19:28 PM UTC, HT wrote:
    Op zaterdag 25 maart 2023 om 12:38:40 UTC+1 schreef Mandryka:
    Cheers Henk. Is it Vol 1, this one?

    https://www.prestomusic.com/classical/products/8657855--debussy-integrale-loeuvre
    Yes, it is:

    https://www.amazon.de/-/en/Nina-Tichman/dp/B000025SFV/ref=sr_1_10?crid=I4VNCXQ58EXO&keywords=tichman&qid=1679746638&s=music&sprefix=tichman%2Cpopular%2C74&sr=1-10

    Henk
    Thanks, I’ve ordered a copy.

    I tried the Korstick this afternoon but it seemed a little too intrusive to me, as if I was always aware of a pianist “having ideas.” And the tone didn’t appeal - I expect I’ll get more out of it another day, another mood.

    More positively I’ve started to listen to Beroff on Denon, and I’m getting into it. Put it like this - if it were a concert I’d be on my feet shouting “bravo”

    Beroff is one of the best. Did you try the early Bavouzet version?

    Henk

    I have several versions but my favourite is Peter Frankl.

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  • From Mandryka@21:1/5 to All on Sat Mar 25 13:36:26 2023
    On Saturday, March 25, 2023 at 6:38:21 PM UTC, HT wrote:
    Did you try the early Bavouzet version?

    Henk


    Ah, I see I really am dealing with a completist. I'm going to have to hear that now by hook or by crook.

    For all the problems with rmcr, it's still an extraordinary place.

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  • From Dan Koren@21:1/5 to Dan Koren on Sat Mar 25 22:48:22 2023
    On Thursday, March 23, 2023 at 4:07:53 PM UTC-7, Dan Koren wrote:

    Anne Queffelec

    This is it: https://youtu.be/Bx6ufmtUEHs

    Enjoy! And stay away from Mitsuko.

    dk

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  • From Dan Koren@21:1/5 to Dan Koren on Sun Mar 26 00:05:06 2023
    On Saturday, March 25, 2023 at 10:48:25 PM UTC-7, Dan Koren wrote:
    On Thursday, March 23, 2023 at 4:07:53 PM UTC-7, Dan Koren wrote:

    Anne Queffelec

    This is it: https://youtu.be/Bx6ufmtUEHs


    In better sound:

    https://www.youtube.com/playlist?list=OLAK5uy_m23UxpNG5QTKrSHP1l3FFu3fQ2YNk3Zk4

    dk

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  • From HT@21:1/5 to All on Sun Mar 26 02:41:01 2023
    Op zondag 26 maart 2023 om 07:48:25 UTC+2 schreef Dan Koren:
    On Thursday, March 23, 2023 at 4:07:53 PM UTC-7, Dan Koren wrote:

    Anne Queffelec

    This is it: https://youtu.be/Bx6ufmtUEHs

    Enjoy! And stay away from Mitsuko.

    No reason to stay away from her. Her version is fine, although there are more interesting versions.

    Henk

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  • From Dan Koren@21:1/5 to All on Sun Mar 26 05:29:03 2023
    On Sunday, March 26, 2023 at 2:41:04 AM UTC-7, HT wrote:
    Op zondag 26 maart 2023 om 07:48:25 UTC+2 schreef Dan Koren:
    On Thursday, March 23, 2023 at 4:07:53 PM UTC-7, Dan Koren wrote:

    Anne Queffelec

    This is it: https://youtu.be/Bx6ufmtUEHs

    Enjoy! And stay away from Mitsuko.

    No reason to stay away from her. Her version is fine,

    Very un-French.

    although there are more interesting versions.

    Ahem!

    dk

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  • From Mandryka@21:1/5 to Mandryka on Sun Mar 26 09:43:18 2023
    On Saturday, March 25, 2023 at 8:36:29 PM UTC, Mandryka wrote:
    On Saturday, March 25, 2023 at 6:38:21 PM UTC, HT wrote:
    Did you try the early Bavouzet version?

    Henk
    Ah, I see I really am dealing with a completist. I'm going to have to hear that now by hook or by crook.

    For all the problems with rmcr, it's still an extraordinary place.


    Got it! Will comment later on the differences between Bav I and Bav II. All I can say now is that the earlier seems less about transcendental virtuosity. I’m noticing more humane and tender moments. But I could be wrong of course.

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  • From HT@21:1/5 to All on Sun Mar 26 11:26:59 2023
    Op zondag 26 maart 2023 om 18:43:20 UTC+2 schreef Mandryka:

    Got it! Will comment later on the differences between Bav I and Bav II. All I can say now is that the earlier seems less about transcendental virtuosity. I’m noticing more humane and tender moments. But I could be wrong of course.

    Looking forward to your review!

    Henk

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  • From JohnGavin@21:1/5 to All on Sun Mar 26 13:20:17 2023
    On Sunday, March 26, 2023 at 2:27:01 PM UTC-4, HT wrote:
    Op zondag 26 maart 2023 om 18:43:20 UTC+2 schreef Mandryka:
    Got it! Will comment later on the differences between Bav I and Bav II. All I can say now is that the earlier seems less about transcendental virtuosity. I’m noticing more humane and tender moments. But I could be wrong of course.
    Looking forward to your review!

    Henk

    Albert Ferber is my favorite Faure pianist, so I was disappointed with his complete Debussy set. This may not have been entirely the pianists’ fault as the sound engineering was not very good on this set.

    For the Etudes I’m a DiBonaventura fan and eagerly await the release of Steven Osborne’s recording on Hyperion.

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  • From Frank Berger@21:1/5 to JohnGavin on Sun Mar 26 19:41:27 2023
    On 3/26/2023 4:20 PM, JohnGavin wrote:
    On Sunday, March 26, 2023 at 2:27:01 PM UTC-4, HT wrote:
    Op zondag 26 maart 2023 om 18:43:20 UTC+2 schreef Mandryka:
    Got it! Will comment later on the differences between Bav I and Bav II. All I can say now is that the earlier seems less about transcendental virtuosity. I’m noticing more humane and tender moments. But I could be wrong of course.
    Looking forward to your review!

    Henk

    Albert Ferber is my favorite Faure pianist, so I was disappointed with his complete Debussy set. This may not have been entirely the pianists’ fault as the sound engineering was not very good on this set.

    For the Etudes I’m a DiBonaventura fan and eagerly await the release of Steven Osborne’s recording on Hyperion.

    Never on CD, right?

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  • From mINE109@21:1/5 to Frank Berger on Sun Mar 26 22:09:49 2023
    On 3/26/23 6:41 PM, Frank Berger wrote:
    On 3/26/2023 4:20 PM, JohnGavin wrote:
    On Sunday, March 26, 2023 at 2:27:01 PM UTC-4, HT wrote:
    Op zondag 26 maart 2023 om 18:43:20 UTC+2 schreef Mandryka:
    Got it! Will comment later on the differences between Bav I and Bav
    II. All I can say now is that the earlier seems less about
    transcendental virtuosity. I’m noticing more humane and tender
    moments. But I could be wrong of course.
    Looking forward to your review!

    Henk

    Albert Ferber is my favorite Faure pianist, so I was disappointed with
    his complete Debussy set.  This may not have been entirely the
    pianists’ fault as the sound engineering was not very good on this set.

    For the Etudes I’m a DiBonaventura fan and eagerly await the release
    of Steven Osborne’s recording on Hyperion.

    Never on CD, right?

    Nope, but the lp is quad.

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  • From Dan Koren@21:1/5 to JohnGavin on Sun Mar 26 20:30:09 2023
    On Sunday, March 26, 2023 at 1:20:20 PM UTC-7, JohnGavin wrote:

    Albert Ferber is my favorite Faure pianist,


    ?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?

    dk

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  • From Mandryka@21:1/5 to All on Sat Apr 1 10:04:28 2023
    On Saturday, March 25, 2023 at 12:19:28 PM UTC, HT wrote:
    Op zaterdag 25 maart 2023 om 12:38:40 UTC+1 schreef Mandryka:
    Cheers Henk. Is it Vol 1, this one?

    https://www.prestomusic.com/classical/products/8657855--debussy-integrale-loeuvre
    Yes, it is:

    https://www.amazon.de/-/en/Nina-Tichman/dp/B000025SFV/ref=sr_1_10?crid=I4VNCXQ58EXO&keywords=tichman&qid=1679746638&s=music&sprefix=tichman%2Cpopular%2C74&sr=1-10

    Henk

    I think it’s exceptional - thanks for your help locating it.

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  • From Mandryka@21:1/5 to Mandryka on Mon Apr 3 01:53:31 2023
    On Saturday, April 1, 2023 at 6:04:31 PM UTC+1, Mandryka wrote:
    On Saturday, March 25, 2023 at 12:19:28 PM UTC, HT wrote:
    Op zaterdag 25 maart 2023 om 12:38:40 UTC+1 schreef Mandryka:
    Cheers Henk. Is it Vol 1, this one?

    https://www.prestomusic.com/classical/products/8657855--debussy-integrale-loeuvre
    Yes, it is:

    https://www.amazon.de/-/en/Nina-Tichman/dp/B000025SFV/ref=sr_1_10?crid=I4VNCXQ58EXO&keywords=tichman&qid=1679746638&s=music&sprefix=tichman%2Cpopular%2C74&sr=1-10

    Henk
    I think it’s exceptional - thanks for your help locating it.

    And Tichman’s Preludes II is outstanding too, if you don’t have it you need it.

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  • From Mandryka@21:1/5 to All on Thu Apr 20 10:24:08 2023
    The two Bavouzet Etudes recording.

    I heard Bavouzet give a concert on Monday, including some Debussy - his transcription of Jeux.

    He is a real entertainer, he communicates a sense of thoroughly enjoying what he’s doing, enjoying showing off his technique too. His music making is totally charming and fun.

    I think this spirit is caught better in the second recording, which I like more and more each time I hear it. I’m not quite sure what to make of the first.

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  • From HT@21:1/5 to All on Thu Apr 20 11:53:45 2023
    Op donderdag 20 april 2023 om 19:24:11 UTC+2 schreef Mandryka:
    The two Bavouzet Etudes recording.

    I heard Bavouzet give a concert on Monday, including some Debussy - his transcription of Jeux.

    He is a real entertainer, he communicates a sense of thoroughly enjoying what he’s doing, enjoying showing off his technique too. His music making is totally charming and fun.

    I think this spirit is caught better in the second recording, which I like more and more each time I hear it. I’m not quite sure what to make of the first.

    I have a slight preference for the first version. There was still much terra incognita. Although I like performances that 'read' like a dissertation (you can 'hear' the footnotes), I also like it when a performer can be surprised by what he is doing.

    Henk

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  • From Mandryka@21:1/5 to All on Thu Apr 20 13:40:55 2023
    On Thursday, April 20, 2023 at 7:53:47 PM UTC+1, HT wrote:
    Op donderdag 20 april 2023 om 19:24:11 UTC+2 schreef Mandryka:
    The two Bavouzet Etudes recording.

    I heard Bavouzet give a concert on Monday, including some Debussy - his transcription of Jeux.

    He is a real entertainer, he communicates a sense of thoroughly enjoying what he’s doing, enjoying showing off his technique too. His music making is totally charming and fun.

    I think this spirit is caught better in the second recording, which I like more and more each time I hear it. I’m not quite sure what to make of the first.
    I have a slight preference for the first version. There was still much terra incognita. Although I like performances that 'read' like a dissertation (you can 'hear' the footnotes), I also like it when a performer can be surprised by what he is doing.

    Henk

    Yes I hear that too in the first version, and I appreciate it. It’s just that seeing him in the flesh somehow made me see what the second version is about more clearly, and I find it rather attractive.

    I’ve just ordered his early Schumann CD by the way.

    https://www.amazon.co.uk/dp/B000050KJK?psc=1&ref=ppx_yo2ov_dt_b_product_details

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  • From Andy Evans@21:1/5 to All on Fri Apr 21 02:44:13 2023
    Nic Hodges, peviously of this newsgroup, used to play the Etudes quite a lot in concert but never recorded them, alas.

    https://www.independent.co.uk/arts-entertainment/classical/reviews/nicolas-hodges-wigmore-hall-classical-review-pianist-dazzles-with-debussy-9733709.html

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  • From HT@21:1/5 to All on Fri Apr 21 07:18:46 2023
    Op vrijdag 21 april 2023 om 11:44:16 UTC+2 schreef Andy Evans:
    Nic Hodges, peviously of this newsgroup, used to play the Etudes quite a lot in concert but never recorded them, alas.

    https://www.independent.co.uk/arts-entertainment/classical/reviews/nicolas-hodges-wigmore-hall-classical-review-pianist-dazzles-with-debussy-9733709.html

    Thanks for the link. It made me listen to some of NH's video's on YT - and that made me wonder. If, as some believe, music (for example by Mozart) can be a healing factor, what are the effects of nonmusical music on people? Does playing composers like
    Ferneyhough, or even more nonmusical, for more than 40 hours a week have have a psychological effect?

    Henk

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  • From Mandryka@21:1/5 to All on Fri Apr 21 13:30:37 2023
    On Friday, April 21, 2023 at 3:18:48 PM UTC+1, HT wrote:
    Op vrijdag 21 april 2023 om 11:44:16 UTC+2 schreef Andy Evans:
    Nic Hodges, peviously of this newsgroup, used to play the Etudes quite a lot in concert but never recorded them, alas.

    https://www.independent.co.uk/arts-entertainment/classical/reviews/nicolas-hodges-wigmore-hall-classical-review-pianist-dazzles-with-debussy-9733709.html
    Thanks for the link. It made me listen to some of NH's video's on YT - and that made me wonder. If, as some believe, music (for example by Mozart) can be a healing factor, what are the effects of nonmusical music on people? Does playing composers like
    Ferneyhough, or even more nonmusical, for more than 40 hours a week have have a psychological effect?

    Henk

    Not Ferneyhough, but Richard Barrett, wanted his music to be "illuminating."

    To make music out of disembodied abstractions might be a very inter-
    esting exercise for a composer to indulge in, but why should anyone
    want to listen to it? What has it got to say to them? What has it in
    common, if you like, with the listener that is going to be productive of
    some kind of empathy - I hesitate to say 'communication', because
    then we begin to get into linguistics, and that's a huge grey area as far
    as music is concerned... I think the important thing for me in that
    respect is that music such as this, which I suppose is 'visionary', 'con-
    fessional' and all those things, has a function, which is to be productive
    of what we might call illumination of various sorts in a listener. ( Interview with Richard Toop in Contact, no. 32 (Spring 1988))

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  • From Dan Koren@21:1/5 to All on Fri Apr 21 23:22:19 2023
    On Friday, April 21, 2023 at 7:18:48 AM UTC-7, HT wrote:
    Op vrijdag 21 april 2023 om 11:44:16 UTC+2 schreef Andy Evans:
    Nic Hodges, peviously of this newsgroup, used to play the
    Etudes quite a lot in concert but never recorded them, alas.

    https://www.independent.co.uk/arts-entertainment/classical/reviews/nicolas-hodges-wigmore-hall-classical-review-pianist-dazzles-with-debussy-9733709.html

    Thanks for the link. It made me listen to some of NH's video's
    on YT - and that made me wonder. If, as some believe, music
    (for example by Mozart) can be a healing factor, what are the
    effects of nonmusical music on people? Does playing composers
    like Ferneyhough, or even more nonmusical, for more than 40
    hours a week have have a psychological effect?

    Would you please clarify for the audience the meaning of
    the phrase "non-musical music"? I ask the question ......

    dk

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  • From HT@21:1/5 to All on Sat Apr 22 01:42:34 2023
    Would you please clarify for the audience the meaning of
    the phrase "non-musical music"? I ask the question ......

    What we see and hear has the appearance of music it isn't. It's an essay about music (often) written in the language of music and performed with traditional means.

    Henk

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  • From Mandryka@21:1/5 to All on Sat Apr 22 05:28:42 2023
    On Saturday, April 22, 2023 at 9:42:36 AM UTC+1, HT wrote:
    It's an essay about music (often) written in the language of music and performed with traditional means.

    Henk

    Like Pour les Sonorités opposées -- an essay (etude) in music about decomposing and recomposing all the elements of modern piano -- touch, tempo, dynamics, rhythm, texture, timbre.

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  • From HT@21:1/5 to All on Sat Apr 22 06:53:59 2023
    Op zaterdag 22 april 2023 om 14:28:45 UTC+2 schreef Mandryka:
    On Saturday, April 22, 2023 at 9:42:36 AM UTC+1, HT wrote:
    It's an essay about music (often) written in the language of music and performed with traditional means.

    Like Pour les Sonorités opposées -- an essay (etude) in music about decomposing and recomposing all the elements of modern piano -- touch, tempo, dynamics, rhythm, texture, timbre.

    <g> Does Pour les Sonorités make a point, or is it the point? The same question could, of course, be asked about Barrett's Track. Not seeing the point suggests (at least in my mind) that Barrett is trying to make one.

    Henk

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  • From Mandryka@21:1/5 to All on Sat Apr 22 08:02:18 2023
    On Saturday, April 22, 2023 at 2:54:02 PM UTC+1, HT wrote:
    Op zaterdag 22 april 2023 om 14:28:45 UTC+2 schreef Mandryka:
    On Saturday, April 22, 2023 at 9:42:36 AM UTC+1, HT wrote:
    It's an essay about music (often) written in the language of music and performed with traditional means.
    Like Pour les Sonorités opposées -- an essay (etude) in music about decomposing and recomposing all the elements of modern piano -- touch, tempo, dynamics, rhythm, texture, timbre.
    <g> Does Pour les Sonorités make a point, or is it the point? The same question could, of course, be asked about Barrett's Track. Not seeing the point suggests (at least in my mind) that Barrett is trying to make one.

    Henk

    If you've still got it have a look at the essay on the Debussy etudes in Tichman's CD -- a good little essay I think.

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  • From HT@21:1/5 to All on Sat Apr 22 14:25:38 2023
    Op zaterdag 22 april 2023 om 17:02:22 UTC+2 schreef Mandryka:

    If you've still got it have a look at the essay on the Debussy etudes in Tichman's CD -- a good little essay I think.

    Thanks! I have found it and have a look.

    Henk

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  • From Al Eisner@21:1/5 to Mandryka on Mon Apr 24 15:29:52 2023
    This message is in MIME format. The first part should be readable text,
    while the remaining parts are likely unreadable without MIME-aware tools.

    On Thu, 20 Apr 2023, Mandryka wrote:

    The two Bavouzet Etudes recording.

    I heard Bavouzet give a concert on Monday, including some Debussy - his transcription of Jeux.

    He is a real entertainer, he communicates a sense of thoroughly enjoying what he’s doing, enjoying showing off his technique too. His music making is totally charming and fun.

    I think this spirit is caught better in the second recording, which I like more and more each time I hear it. I’m not quite sure what to make of the first.

    What are his first and second versions? I've only heard what he did as
    part of his complete Debussy on Chandos.
    --
    Al Eisner

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  • From Mandryka@21:1/5 to Al Eisner on Tue Apr 25 02:30:47 2023
    On Monday, April 24, 2023 at 11:30:00 PM UTC+1, Al Eisner wrote:
    On Thu, 20 Apr 2023, Mandryka wrote:

    The two Bavouzet Etudes recording.

    I heard Bavouzet give a concert on Monday, including some Debussy - his transcription of Jeux.

    He is a real entertainer, he communicates a sense of thoroughly enjoying what he’s doing, enjoying showing off his technique too. His music making is totally charming and fun.

    I think this spirit is caught better in the second recording, which I like more and more each time I hear it. I’m not quite sure what to make of the first.
    What are his first and second versions? I've only heard what he did as
    part of his complete Debussy on Chandos.
    --
    Al Eisner

    The Chandos is the second. This is the first

    https://www.amazon.co.uk/Debussy-12-Etudes/dp/B0008FU8WW

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