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  • =?UTF-8?Q?Pavel_Kolesnikov=E2=80=99s_Kreisleriana_last_night_?=

    From Mandryka@21:1/5 to All on Thu Dec 22 22:20:55 2022
    https://m.youtube.com/watch?v=ZWZZYpZRN6Y

    I was at the concert - it was disappointing in the Schubert (not least because of the hard piano tone in the lower registers when he played louder) but somehow in the second half he found a way to control the piano better - and I loved the Kreisleriana.

    Anyone know what the mystery piece is at the start of the second half?

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  • From Paul Alsing@21:1/5 to Mandryka on Thu Dec 22 22:41:46 2022
    On Thursday, December 22, 2022 at 10:20:58 PM UTC-8, Mandryka wrote:
    https://m.youtube.com/watch?v=ZWZZYpZRN6Y

    I was at the concert - it was disappointing in the Schubert (not least because of the hard piano tone in the lower registers when he played louder) but somehow in the second half he found a way to control the piano better - and I loved the Kreisleriana.

    Anyone know what the mystery piece is at the start of the second half?

    Just FYI, that mystery piece starts at about 55:25... and it is way too "modern" for me, I couldn't listen for more than a few minutes, and I have no idea who composed the thing... but I will listen to the rest of this tomorrow...

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  • From Herman@21:1/5 to All on Fri Dec 23 00:56:25 2022
    No idea what the mystery piece is, but not knowing worked very well. (The piano less so.)
    I liked his idea of listening in 'metaphorical darkness, without the protection of knowledge, preconception and expectation.'
    RMCR is to a large extent devoted to the opposite, perhaps.

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  • From Herman@21:1/5 to Herman on Fri Dec 23 01:06:00 2022
    On Friday, December 23, 2022 at 9:56:28 AM UTC+1, Herman wrote:
    No idea what the mystery piece is, but not knowing worked very well. (The piano less so.)
    I liked his idea of listening in 'metaphorical darkness, without the protection of knowledge, preconception and expectation.'
    RMCR is to a large extent devoted to the opposite, perhaps.

    This also made me switch off the broadcast after a minute of Kreisleriana. It's different when one is in the hall, getting overwhelmed by the sound, but youtube is a format that strongly favors the 'protection of knowledge, preconception and expectation'
    - in this case, listening how this Kreiselriana stacks up against all the other Kreislerianas on offer.
    This is why some RMCRers have protested the youtubisation of the group, which used to be a music discussion group.

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  • From HT@21:1/5 to All on Fri Dec 23 02:01:17 2022
    Op vrijdag 23 december 2022 om 10:59:12 UTC+1 schreef Notsure01:
    On 12/23/22 1:20 AM, Mandryka wrote:
    https://m.youtube.com/watch?v=ZWZZYpZRN6Y

    Anyone know what the mystery piece is at the start of the second half?
    Thomas Ades: Darkness Visible

    Thanks!

    Henk

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  • From Notsure01@21:1/5 to Mandryka on Fri Dec 23 04:59:04 2022
    On 12/23/22 1:20 AM, Mandryka wrote:
    https://m.youtube.com/watch?v=ZWZZYpZRN6Y

    Anyone know what the mystery piece is at the start of the second half?

    Thomas Ades: Darkness Visible

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Mandryka@21:1/5 to All on Fri Dec 23 10:07:31 2022
    On Friday, December 23, 2022 at 9:59:12 AM UTC, Notsure01 wrote:
    On 12/23/22 1:20 AM, Mandryka wrote:
    https://m.youtube.com/watch?v=ZWZZYpZRN6Y

    Anyone know what the mystery piece is at the start of the second half?
    Thomas Ades: Darkness Visible

    Ah! In the concert I thought it might be something by Somei Satoh

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