Definitely brain damaged. After Fedorova I listened to
another entire performance of the Rach 2, by Evgeni
Kissin and the Radio France Orch.
Definitely brain damaged. After Fedorova I listened to another entire performance of the Rach 2, by Evgeni Kissin and the Radio France Orch.
Definitely brain damaged.
Brescianello: 3 violin concertos, 3 sinphonias and one ouverture-suite.
By La Serenissima and Adrian Chandler (on signum classics).
Chandler's music making is relatively easy-going and not as captivating
as Chauvin's or Carmignola's in Vivaldi.
The music itself also is not as captivating as Vivaldi's. It is nice and agreeable
On the other hand his programming brings more variety per disk than the
more usual recordings of baroque concertos.
(The title of this issue - and the text on the spine - is not very
helpful. "Behind closed doors". It was "inspired" by the situation
during the coronavirus lock down in 2020.)
But hardly anyone here enjoys
dodecaphonic music I guess....
On Sunday, December 4, 2022 at 4:49:07 PM UTC-8, Todd M. McComb wrote:
But hardly anyone here enjoys12 tones are a bit too much to digest
dodecaphonic music I guess....
at a time, don't you think?
One can always start with 5 tones and
keep adding until one finds the best
match for one's ears. ;-)
For starters:
https://www.youtube.com/watch?v=OlUoaXXG_YY
dk
On Sunday, December 4, 2022 at 7:16:48 PM UTC-6, dan....@gmail.com wrote:
On Sunday, December 4, 2022 at 4:49:07 PM UTC-8, Todd M. McComb wrote:
But hardly anyone here enjoys12 tones are a bit too much to digest
dodecaphonic music I guess....
at a time, don't you think?
One can always start with 5 tones and
keep adding until one finds the best
match for one's ears. ;-)
For starters:
https://www.youtube.com/watch?v=OlUoaXXG_YY
Perhaps because I was introduced to it in high school
by a friend who played a good deal of Schoenberg (and
some Webern) on the piano, dodecaphonic music makes
sense/doesn't sound alien to me. Listening in the mid-1950s
to some of Robert Craft's recordings of that music, particularly
Berg's Altenberg Lieder with Bethany Beardslee, opened more
doors. On the other hand, I usually have no trouble, or so I tell
myself, distinguishing gems from dross in that repertoire.
Gustav Leonhardt, Bach WTC book 2, 9-12
I'm a great fan of the f minor P&F
What makes music (or not) to my ears is not the number ofYes, a superb score, atmospheric and unforgettable.
tones or the formal structure -- it is memorable expression
and emotion. Here is an example of a great masterpiece
that does not rely on a formal western tonal system:
https://www.youtube.com/watch?v=XQODHMlwg1w
dk
On Sunday, December 4, 2022 at 4:49:07 PM UTC-8, Todd M. McComb wrote:
But hardly anyone here enjoys dodecaphonic music I guess....
Perhaps because I was introduced to it in high school by a friend who
played a good deal of Schoenberg (and some Webern) on the piano,
dodecaphonic music makes sense/doesn't sound alien to me. Listening in
the mid-1950s to some of Robert Craft's recordings of that music, >particularly Berg's Altenberg Lieder with Bethany Beardslee, opened more >doors. On the other hand, I usually have no trouble, or so I tell
myself, distinguishing gems from dross in that repertoire.
On Monday, December 5, 2022 at 12:49:56 PM UTC-8, Herman wrote:
Gustav Leonhardt, Bach WTC book 2, 9-12
I'm a great fan of the f minor P&FJust bought Alto box of Harnoncourt /Concentus Musicus Vienna =
Complete Vanguard and MHS recordings
Charlie Byrd - Byrdland /More Brazilian Byrd (Collectables)
La India de Oriente con el Trio la Rosa -
Yo fui la Callejera (Tumbao)
In article <5781352e-4559-4a19...googlegroups.com>,
Lawrence Kart <ljk...aol.com> wrote:
Well, I can only go by what people discuss here....On Sunday, December 4, 2022 at 4:49:07 PM UTC-8, Todd M. McComb wrote:Perhaps because I was introduced to it in high school by a friend who >played a good deal of Schoenberg (and some Webern) on the piano, >dodecaphonic music makes sense/doesn't sound alien to me. Listening in
But hardly anyone here enjoys dodecaphonic music I guess....
the mid-1950s to some of Robert Craft's recordings of that music, >particularly Berg's Altenberg Lieder with Bethany Beardslee, opened more >doors. On the other hand, I usually have no trouble, or so I tell
myself, distinguishing gems from dross in that repertoire.
The quality of performance of this music seems to have improved
markedly since the 1990s, particularly in ensemble, such that
secondary composers such as Gerhard (whom I'd mentioned above...)
come off much better. So it would probably be interesting to revisit
more dodecaphonic music from the 60s & 70s.
Brescianello: 3 violin concertos, 3 sinphonias and one ouverture-suite.
By La Serenissima and Adrian Chandler (on signum classics).
2 CDs of French music:recorded yesterday.
Daquin - 12 Noels- E. Power Biggs - Obtained through Haydn House, this gem was never made available on CD. Mr. -Paquin has done a beautiful job in transferring it to CD - sounds wonderful - the recording is 60 years old - sounds like it could have been
Brescianello: 3 violin concertos, 3 sinphonias and one ouverture-suite.
By La Serenissima and Adrian Chandler (on signum classics).
Chandler's music making is relatively easy-going and not as captivating
as Chauvin's or Carmignola's in Vivaldi.
The music itself also is not as captivating as Vivaldi's. It is nice and agreeable
On the other hand his programming brings more variety per disk than the
more usual recordings of baroque concertos.
(The title of this issue - and the text on the spine - is not very
helpful. "Behind closed doors". It was "inspired" by the situation
during the coronavirus lock down in 2020.)
Haydn keyboard sonata in A flat major, XVI-46
Bavouzet and Sv. Richter.
The D flat major adagio in this sonata never ceases to amaze me - the moonlit key.
I've been trawling my CD collection for works that are - to me at least
- not mainstream. One work that I found absolutely fascinating years ago
is Messiaen's Quartet for the End of Time. But despite my appreciation,
I hadn't listened to it for years.
On Saturday, 10 December 2022 at 02:38:39 UTC, Notsure01 wrote:
I've been trawling my CD collection for works that are - to me at leastI like Messiaen too. But for me it's La Nativite and 20 Regards.
- not mainstream. One work that I found absolutely fascinating years ago is Messiaen's Quartet for the End of Time. But despite my appreciation,
I hadn't listened to it for years.
On Saturday, December 10, 2022 at 4:09:01 AM UTC-5, Andy Evans wrote:
On Saturday, 10 December 2022 at 02:38:39 UTC, Notsure01 wrote:Those are my top 2 Messiaen favorites as well. Also L’Ascension and occasionally the Tarangalila Symphony. Slowly getting into Messe de La Pentecost for organ.
I've been trawling my CD collection for works that are - to me at least - not mainstream. One work that I found absolutely fascinating years ago is Messiaen's Quartet for the End of Time. But despite my appreciation, I hadn't listened to it for years.I like Messiaen too. But for me it's La Nativite and 20 Regards.
I would say that Messiaen is the 20th century composer who interests me the most.
I would say that Messiaen is the 20th century composer who interests me the most.
On Saturday, December 10, 2022 at 1:48:29 AM UTC-8, JohnGavin wrote:
I would say that Messiaen is the 20th century composer who interests me the most.An intriguing statement -- not because Messiaen is anything less than a master, but because of the depth and quality of the field.
As a change of pace after Scriabin and Messiaen I've been listening to
some uncommon Beethoven - the ballet "Creatures of Prometheus." Although
it is a relatively early work, it is from the time of the first two symphonies and although uneven, I found it to be very enjoyable.
I got to know the work from a Columbia LP of Louis Lane with the
Cleveland Orchestra and it is a fine performance. I also listened to the version from the Orpheus Chamber Orchestra which was even a bit more lively.
The Lane performance seems to be unavailable now, but was once in any
early Sony box of Szell's Beethoven. The Orpheus is available separately
but is also included in an inexpensive jumbo download collection of
music for the stage: https://www.prestomusic.com/classical/products/8701869--beethoven-2020-works-for-the-stage-2
On Tuesday, 13 December 2022 at 12:59:10 UTC+11, Notsure01 wrote:collection of his symphonies. It is on CD but now at black market type prices. They can whistle for it.
As a change of pace after Scriabin and Messiaen I've been listening to
some uncommon Beethoven - the ballet "Creatures of Prometheus." Although
it is a relatively early work, it is from the time of the first two
symphonies and although uneven, I found it to be very enjoyable.
I got to know the work from a Columbia LP of Louis Lane with the
Cleveland Orchestra and it is a fine performance. I also listened to the
version from the Orpheus Chamber Orchestra which was even a bit more lively. >>
The Lane performance seems to be unavailable now, but was once in any
early Sony box of Szell's Beethoven. The Orpheus is available separately
but is also included in an inexpensive jumbo download collection of
music for the stage:
https://www.prestomusic.com/classical/products/8701869--beethoven-2020-works-for-the-stage-2
The Szell/Cleveland collection of the LvB overtures, with the three Leonores included, was on an LP I once possessed, and was a great collection. Also had Creatures included. Orchestrally, I have to say I preferred this collection far more than any
In truth the Szell symphonies are fine too, marred only by the typical close up CBS sound. Strong, direct, and non-fussy readings from Szell.
Ray Hall, Taree
Magnus Lindberg: EXPO, Piano Concerto #2, Al Largo (all composed between
2009 and 2012) on Dacapo. With Alan Gilbert, NYPO, Yefim Bronfman (piano). Program notes by Ilkka Oramo go into considerable detail on the evolution
and components of Lindberg's music, generally intelligible, which does
not necessarily mean I can relate them to what I gather on first hearing. Overall, instrumentation and sonority are highly varied, and all of the
works are easy to listen to.
EXPO is a celebratory work which opened Gilbert's tenure at the NYPO, and
is quite attractive. The concerto is also attractive with a very
active piano part (even a cadenza in the last movement), performed impressively by Bronfman. Oramo labels it as "crypto-Ravelian" (influenced
by the latter's left-hand concerto). I think it deserves a second
hearing. Lastly, the atmospheric "Al largo", said by the composer to
depict the open sea, is the most coherent of the works, and aay well
be a genuine masterpiece. The CD is available at Berkshire, and is well
worth the price. I intend to investigate more of Lindberg's work.
(Much of it is on Ondine, currently on a discount at Presto.)
--
Al Eisner
"Al Eisner" wrote in message news:alpine.LRH.2.00.2212122108270.11629@iris02.slac.stanford.edu...
Magnus Lindberg: EXPO, Piano Concerto #2, Al Largo (all composed between
2009 and 2012) on Dacapo. With Alan Gilbert, NYPO, Yefim Bronfman (piano). >> Program notes by Ilkka Oramo go into considerable detail on the evolution
and components of Lindberg's music, generally intelligible, which does
not necessarily mean I can relate them to what I gather on first hearing.
Overall, instrumentation and sonority are highly varied, and all of the
works are easy to listen to.
EXPO is a celebratory work which opened Gilbert's tenure at the NYPO, and
is quite attractive. The concerto is also attractive with a very
active piano part (even a cadenza in the last movement), performed
impressively by Bronfman. Oramo labels it as "crypto-Ravelian" (influenced >> by the latter's left-hand concerto). I think it deserves a second
hearing. Lastly, the atmospheric "Al largo", said by the composer to
depict the open sea, is the most coherent of the works, and aay well
be a genuine masterpiece. The CD is available at Berkshire, and is well
worth the price. I intend to investigate more of Lindberg's work.
(Much of it is on Ondine, currently on a discount at Presto.)
I concur; I have this CD (which is excellent) and quite a number of others.
I started years ago with some of his earlier compositions; I admit it took
me quite a while
to get the hang of how to listen to his complex work.
His music has become more "user-friendly" over the past decade or so. I've been impressed
with much of his output.
Ed Presson
For the past few weeks I've been listening to the music of Schnittke: his piano sonatas, string quartets, piano concertos and lastly his symphonies
one per day. This because I find them as well as most of his other music very demanding and intense; grim. I am so taken by this man's music, I intend
to explore his soundtracks and miscellaneous orchestral output. My initial hearing was the cello concerto no. 1 and 2. I have difficulty imagining
a live concert of his music because of the challenging nature of the music, much of it imo dark.
"TRANSCENDENTAL" CONCORD SONATA by Charles Ives for two pianos in
spiral of fifths tuning
Unfortunately, the brief accompanying discussion doesn't really
tell us why....
Chopin Preludes for Hanukkah.
Not sure yet what to listen to
for Christmas.
dk
On Thursday, 22 December 2022 at 10:26:52 UTC+11, dan....gmail.com wrote:
Chopin Preludes for Hanukkah.
Not sure yet what to listen to
for Christmas.
dk
Sung by the Oak Ridge Physicists (1947 party)
(to the tune of Deck the Halls)
Pile research is not for us'uns.
Fa la la la la, la la la la.
Leave it to our Argonne cousins.
Fa la la la la, la la la la.
Engineering is for we'uns.
Fa la la la la, la la la la.
We're a bunch of dirty peons.
Fa la la la la, la la la la.
Followed by
Frosty the Snowman
... or whatever else keeps the northern Sami elves in a job.
Ray Hall, Taree
Here's a Hallelujah Chorus that leaves me without words: https://www.youtube.com/watch?v=pRhjWdr-LAA
Listening to a LOT of Bach. Just about everything he wrote is pure genius.
Lots of organ music and it will be Cantatas over Xmas with some solo violin and keyboard stuff.
I'm maxed out on the Brandenburgs, but I love the 4 Suites.
In article <e66b1d31-47a0-404c...@googlegroups.com>,
number_six <cybe...@hotmail.com> wrote:
Destination Nato --- variousFor something newer from Beresford, try the _Kontakte_ trio on
90s sampler - usual nato gang including Beresford, Coxhill, Coe etc
FMR....
Destination Nato --- various
90s sampler - usual nato gang including Beresford, Coxhill, Coe etc
On Friday, December 23, 2022 at 1:44:39 PM UTC-8, Todd M. McComb wrote:
In article <e66b1d31-47a0-404c...@googlegroups.com>,thanks!
For something newer from Beresford, try the _Kontakte_ trio on
FMR....
On Sunday, December 25, 2022 at 7:25:35 AM UTC+1, pnal...@gmail.com wrote:
On Saturday, December 24, 2022 at 5:21:18 PM UTC-8, dan....@gmail.com wrote:
... I boycott Spotify.
... Why is that?
Because he's a youtube salesman.
On Saturday, December 24, 2022 at 5:21:18 PM UTC-8, dan....@gmail.com wrote:
... I boycott Spotify.
... Why is that?
On Saturday, December 24, 2022 at 5:21:18 PM UTC-8, dan....@gmail.com wrote:
... I boycott Spotify.
... Why is that?
Stupid beyond imagination. Spotify
charges for content while YouTube
does not -- so what is one selling?
Your a salesman for imbecility.
dk
On Sunday, December 25, 2022 at 8:37:17 AM UTC+1, dan....@gmail.com wrote:
Stupid beyond imagination. Spotify
charges for content while YouTube
does not -- so what is one selling?
Your a salesman for imbecility.
Did I mention you're a lying racist piece of shit?
You have been recommending paying for
youtube subscriptions.
Because he's a youtube salesman.
I consider Hadelich to be one of the finest of today's violinists.So do I.
--
On Sunday, December 25, 2022 at 9:23:57 PM UTC+1, Al Eisner wrote:
I consider Hadelich to be one of the finest of today's violinists.
--So do I.
On Sunday, December 25, 2022 at 1:07:08 PM UTC-8, Herman wrote:
On Sunday, December 25, 2022 at 9:23:57 PM UTC+1, Al Eisner wrote:
I consider Hadelich to be one of the finest of today's violinists.
Me too. I like his "Bohemian Tales", where he convinces me that Dvorak's violin concerto is actually a strong piece. And he plays more Dvorak, Suk and Janacek with Charles Owen.--So do I.
Pascal Rogé, Debussy Arpeges Composees. Onyx
On Friday, December 30, 2022 at 9:03:26 AM UTC-8, Herman wrote:
Pascal Rogé, Debussy Arpeges Composees. OnyxGood -- maybe you'll learn a thing
or two about piano performance.
Make it a New Year resolution.
On Sunday, January 1, 2023 at 4:53:16 AM UTC+1, dan....@gmail.com wrote:
On Friday, December 30, 2022 at 9:03:26 AM UTC-8, Herman wrote:
Pascal Rogé, Debussy Arpeges Composees. OnyxGood -- maybe you'll learn a thing
or two about piano performance.
Make it a New Year resolution.
mind your own fucking business
you racist piece of shit. keep your
idiotic fascist imperatives to yourself.
this is a topic for people to post what
they're listening to, NOT to tell other
people what to do, as is your inveterate
habit. You're a piece of shit.
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