• Re: RIP Libor Pesek

    From Frank Berger@21:1/5 to Andrew Clarke on Tue Oct 25 09:13:07 2022
    On 10/25/2022 8:26 AM, Andrew Clarke wrote:
    "Few modern maestros looked the part as much as Pesek, who on the podium cut a charismatic, old-fashioned figure exuding authority. His long white baton drew magic arcs over the heads of his players, as if casting spells from the rostrum. He was also
    one of life’s charmers, exuding impeccable manners as he bowed low to kiss women on the hand.

    At the same time he was an early example of the new breed of less autocratic conductor. He preferred to work in partnership with his musicians and was always ready to ask their advice during rehearsals. In return the players developed a warm affection
    for him, respecting his musical humility and responsive personality and his ability to assert his authority without hectoring.

    The relationship with the RLPO had come about in 1986. In time honoured-fashion Pesek was asked to step in for an indisposed colleague at two concerts conducting Asrael, an hour-long romantic symphony by his compatriot Josef Suk, whose music he later
    did much to champion on Merseyside.

    He recalled that although the performances received an enthusiastic response from players, audiences and critics, he was initially unsure about accepting the orchestra’s offer to make the city his regular base. “At first, I didn’t feel like going
    to Liverpool,” he admitted. “But my manager kept talking about the significance of the oldest English orchestra and I eventually consented.” He later described himself as a proud Czech, Liverpudlian and Adelphian, a reference to the city hotel that
    became something of a home from home."

    - Daily Telegraph, London

    Andrew Clarke
    Canberra

    I don't have a lot of his recordings, but those I do have are gems. Martinu concertos with Firkusny and Rachmaninov #1 and Rhapsody with Pletnev. Nothing with the the Liverpudlians.
    Recommendations?

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  • From Andrew Clarke@21:1/5 to All on Tue Oct 25 05:26:50 2022
    "Few modern maestros looked the part as much as Pesek, who on the podium cut a charismatic, old-fashioned figure exuding authority. His long white baton drew magic arcs over the heads of his players, as if casting spells from the rostrum. He was also one
    of life’s charmers, exuding impeccable manners as he bowed low to kiss women on the hand.

    At the same time he was an early example of the new breed of less autocratic conductor. He preferred to work in partnership with his musicians and was always ready to ask their advice during rehearsals. In return the players developed a warm affection
    for him, respecting his musical humility and responsive personality and his ability to assert his authority without hectoring.

    The relationship with the RLPO had come about in 1986. In time honoured-fashion Pesek was asked to step in for an indisposed colleague at two concerts conducting Asrael, an hour-long romantic symphony by his compatriot Josef Suk, whose music he later did
    much to champion on Merseyside.

    He recalled that although the performances received an enthusiastic response from players, audiences and critics, he was initially unsure about accepting the orchestra’s offer to make the city his regular base. “At first, I didn’t feel like going
    to Liverpool,” he admitted. “But my manager kept talking about the significance of the oldest English orchestra and I eventually consented.” He later described himself as a proud Czech, Liverpudlian and Adelphian, a reference to the city hotel that
    became something of a home from home."

    - Daily Telegraph, London

    Andrew Clarke
    Canberra

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  • From mswdesign@gmail.com@21:1/5 to Frank Berger on Wed Oct 26 17:19:12 2022
    On Tuesday, October 25, 2022 at 8:13:13 AM UTC-5, Frank Berger wrote:
    I don't have a lot of his recordings, but those I do have are gems. Martinu concertos with Firkusny and Rachmaninov #1 and Rhapsody with Pletnev. Nothing with the the Liverpudlians.
    Recommendations?

    Dave likes his Heldenleben. I'm not very critical when it comes to the piece, but this is a muscular non-wallow. Very enjoyable.

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