• REVIEW - Little Willie Littlefield: "Too Late For Me" - MODERN 854; FEB

    From Bruce@21:1/5 to All on Wed Nov 23 11:52:06 2022
    Little Willie Littlefield: "Too Late For Me" - MODERN 854; FEBRUARY 1952


    https://www.spontaneouslunacy.net/little-willie-littlefield-too-late-for-me-modern-854/


    NO AUDIO -


    SPONTANEOUS LUNACY VERDICT: 7/10

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  • From Roger Ford@21:1/5 to All on Wed Nov 23 20:25:48 2022
    On Wed, 23 Nov 2022 11:52:06 -0800 (PST), Bruce <SavoyBG@aol.com>
    wrote:

    Little Willie Littlefield: "Too Late For Me" - MODERN 854; FEBRUARY 1952


    https://www.spontaneouslunacy.net/little-willie-littlefield-too-late-for-me-modern-854/


    NO AUDIO -


    Here ya go!

    https://www.youtube.com/watch?v=SZrJitqY8mM

    SPONTANEOUS LUNACY VERDICT: 7/10

    More like a 6 for me


    ROGER FORD
    -----------------------

    "Spam Free Zone" - to combat unwanted automatic spamming I have added
    an extra "b" in my e-mail address (mariabus@bblueyonder.co.uk) Please
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  • From Bruce@21:1/5 to All on Wed Nov 23 13:35:43 2022
    SAMP:

    Ultimately we don’t know why Littlefield left Modern at this point in time… whether it was Federal Records offering a more lucrative deal, or Willie getting tired of the Biharis always sticking their hands in his pockets.

    But what we do know is that while he would continue to make some really good records wherever else he went, his absolute best days were over as soon as he walked out of their studio for the final time.

    ============================================================================================

    I disagree with this. "KC Loving" is his best record IMO, which was late in this same year.

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  • From Roger Ford@21:1/5 to All on Thu Nov 24 06:06:17 2022
    On Wed, 23 Nov 2022 13:35:43 -0800 (PST), Bruce <SavoyBG@aol.com>
    wrote:

    SAMP:

    Ultimately we don't know why Littlefield left Modern at this point in time- >whether it was Federal Records offering a more lucrative deal, or Willie
    getting tired of the Biharis always sticking their hands in >his pockets.

    But what we do know is that while he would continue to make some really good >records wherever else he went, his absolute best days were over as soon as he >walked out of their studio for the final time.


    I disagree with this. "KC Loving" is his best record IMO, which was late in=
    this same year.

    I concur

    And this one should be coming up when Samp reaches circa November 1952

    ROGER FORD
    -----------------------

    "Spam Free Zone" - to combat unwanted automatic spamming I have added
    an extra "b" in my e-mail address (mariabus@bblueyonder.co.uk) Please
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