• The Flip Side Of The Beatles' First Single

    From Curtis Eagal@21:1/5 to All on Sun Dec 25 11:04:02 2022
    In my book on the debut album by The Beatles, "The Comedy Of Eros," after the section for "Love Me Do," the B-Side "P.S. I Love You" had its analysis, covering the contrasting commitment factor, appending a postscript statement further justifying the
    lyrical command of the A-Side.

    John Lennon said Paul McCartney was attempting to write a song in a mode like "Soldier Boy," by The Shirelles. McCartney refuted rumors: "It's not based in reality, nor did I write it to my girlfriend from Hamburg, which some people think."

    There is no bargaining for a relationship here, one already exists threatened by the physical separation of distance - "Keep all my love forever" from "I'll always be true"; there is a reunion promised at a mutual Home.

    In a sort of brisk calypso Latin-Rock style, they used a cha-cha beat, with session drummer Andy White providing subtle percussion while Ringo Starr rattled a maraca.

    << ...The bridge is more traditional in structure and chord choices than the verse, but the tune relies on unexpected tonalities, mixing familiar chords with ones more appropriate to jazz...

    The backing vocals by Lennon and Harrison highlight certain syllables in the lyrical phrases of the verse, starting with first syllable, concluding with the final two syllables.

    The tune derives some drama from variations in these backing vocals: in the intro and first appearance of the bridge, they seem to be in unison with the lead vocal - but when the bridge returns, the backing vocalists have taken over the lead role, and
    Paul scats around them for an exhilarating twist; and in the final, fourth instance of the verse, the backing vocals come in slightly sooner than the lead, and the syllabic emphasis diminishes, so it sounds more like the unison singing in the first
    bridge.

    After a triple repeat of the "You, you, you" line, there is some rhythmic strumming, a final invocation of "I love you," and the tune simply halts with a cessation of the rhythm.

    The title nearly intones,

    "P-X,
    I love you,"

    which could be a subtly hidden reference to the Christian symbol for Jesus consisting of an elongated letter "P" with an "X" crossing its shaft, representing the Greek letters Chi and Rho respectively, since that is how they began to spell the word "
    Christ" - this notion was probably conscious, because it seems pivotally hinted by the first line,

    "As I write this
    *Letter*"

    ...the protracted scat-crooning of "you, you, you" in the lead vocal resembles,

    'You -
    Re-
    New!'


    The band joked in a Christmas message recorded for fans about their early hit "From Me To You" having become a standard; they would look back on their early phases as a sort of rut, full of personal pronouns to engage listeners, yearning for some exotic
    chords or rhythms to avoid any impression of monotony, despite the pop song-crafting inherently utilizing repetition.

    There is no substitute to actually hearing the music for getting intended deeper messages, since they would not be apparent in the overt lyrical content, but how it is treated, and not in the instrumental notation, but in how those performances were
    meant to strike the ear.

    John Lennon would later explain The Beatles as a unified group was about forging ahead and getting the collective task accomplished, while being aware it might take well into the next century for people to process what was produced. George Harrison
    wrote The Beatles had thrown boulders into the collective consciousness with the ripples yet to manifest.

    Lennon commented on the unconscious Christ-transference, earning him the so-called apology interview, where he responded to aggressive journalists with thoughtful contemplations of how Jesus of the gospels would perceive what they were experiencing at
    their concerts. The seeds of that conflict between Faith-Based-Art and Faith-Lacking-Base were evident even in the B-Side of their first vinyl release from 5 October 1962.

    https://www.amazon.com/Comedy-Eros-Beating-Time/dp/1549657755

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Curtis Eagal@21:1/5 to Curtis Eagal on Tue Dec 27 09:44:41 2022
    On Sunday, December 25, 2022 at 11:04:03 AM UTC-8, Curtis Eagal wrote:
    In my book on the debut album by The Beatles, "The Comedy Of Eros," after the section for "Love Me Do," the B-Side "P.S. I Love You" had its analysis, covering the contrasting commitment factor, appending a postscript statement further justifying the
    lyrical command of the A-Side.

    John Lennon said Paul McCartney was attempting to write a song in a mode like "Soldier Boy," by The Shirelles. McCartney refuted rumors: "It's not based in reality, nor did I write it to my girlfriend from Hamburg, which some people think."

    There is no bargaining for a relationship here, one already exists threatened by the physical separation of distance - "Keep all my love forever" from "I'll always be true"; there is a reunion promised at a mutual Home.

    In a sort of brisk calypso Latin-Rock style, they used a cha-cha beat, with session drummer Andy White providing subtle percussion while Ringo Starr rattled a maraca.

    << ...The bridge is more traditional in structure and chord choices than the verse, but the tune relies on unexpected tonalities, mixing familiar chords with ones more appropriate to jazz...

    The backing vocals by Lennon and Harrison highlight certain syllables in the lyrical phrases of the verse, starting with first syllable, concluding with the final two syllables.

    The tune derives some drama from variations in these backing vocals: in the intro and first appearance of the bridge, they seem to be in unison with the lead vocal - but when the bridge returns, the backing vocalists have taken over the lead role, and
    Paul scats around them for an exhilarating twist; and in the final, fourth instance of the verse, the backing vocals come in slightly sooner than the lead, and the syllabic emphasis diminishes, so it sounds more like the unison singing in the first
    bridge.

    After a triple repeat of the "You, you, you" line, there is some rhythmic strumming, a final invocation of "I love you," and the tune simply halts with a cessation of the rhythm.

    The title nearly intones,

    "P-X,
    I love you,"

    which could be a subtly hidden reference to the Christian symbol for Jesus consisting of an elongated letter "P" with an "X" crossing its shaft, representing the Greek letters Chi and Rho respectively, since that is how they began to spell the word "
    Christ" - this notion was probably conscious, because it seems pivotally hinted by the first line,

    "As I write this
    *Letter*"

    ...the protracted scat-crooning of "you, you, you" in the lead vocal resembles,

    'You -
    Re-
    New!'


    The band joked in a Christmas message recorded for fans about their early hit "From Me To You" having become a standard; they would look back on their early phases as a sort of rut, full of personal pronouns to engage listeners, yearning for some
    exotic chords or rhythms to avoid any impression of monotony, despite the pop song-crafting inherently utilizing repetition.

    There is no substitute to actually hearing the music for getting intended deeper messages, since they would not be apparent in the overt lyrical content, but how it is treated, and not in the instrumental notation, but in how those performances were
    meant to strike the ear.

    John Lennon would later explain The Beatles as a unified group was about forging ahead and getting the collective task accomplished, while being aware it might take well into the next century for people to process what was produced. George Harrison
    wrote The Beatles had thrown boulders into the collective consciousness with the ripples yet to manifest.

    Lennon commented on the unconscious Christ-transference, earning him the so-called apology interview, where he responded to aggressive journalists with thoughtful contemplations of how Jesus of the gospels would perceive what they were experiencing at
    their concerts. The seeds of that conflict between Faith-Based-Art and Faith-Lacking-Base were evident even in the B-Side of their first vinyl release from 5 October 1962.

    https://www.amazon.com/Comedy-Eros-Beating-Time/dp/1549657755

    Venus At Its Saturnin Nadir
    With Relics Exuding Myrrh

    Reviewing the hagiology, 16 November 2022 for Saint Gratia (for the Isle de Graye hint) could hold because of the US House chamber partisan majority announcement with Venus at the Geneva Nadir: the quatrain was V.16, whose numeration matches the date.

    The theme of smoke as from Frankincense due to burning human flesh in V.16 presents one of the Magi gifts as an aspect of cataclysmic horror; the 'Fire color of Gold' in II.92 presents another.

    As for the third Magi Gift of Myrrh, this is associated with Smyrna, and there is a near anagram through Syrmium, Pannonia, for Saint Artaxus, martyr in a group circa 3rd or 4th century, with a 2 January feast.

    A more likely possibility is the 28 December date being inferred by omission through Saint Simon of Athos, whose relics purportedly exude myrrh.

    https://www.oca.org/saints/lives/2022/12/28/103680-venerable-simon-the-myrrh-gusher-of-mount-athos

    << Saint Simon the Myrrh-Gusher lived an ascetical life on Mt Athos, and was glorified by many miracles. He was the founder of the New Bethlehem monastery, now known as Simonopetra. One night, he saw a star of such brightness that he thought it must be
    the Star of Bethlehem. Seeing the star remain motionless for several nights, he thought at first that it was a demonic temptation. On the eve of the Lord’s Nativity the star stood over a high rock, and Saint Simon heard a voice say, “Here, O Simon,
    you must lay the foundations of your monastery for the salvation of souls.” He built the monastery and called it New Bethlehem.

    He reposed in the year 1287, and his holy relics exude myrrh. >>

    The Second of January has a Lombardy connection, through Saint Martinian (aka Maternian), bishop of Milan; consecrated in 423, Martinian attended the Council of Ephesus, and opposed the heresy of Nestorianism denying Mary the title 'Mother of God.'

    Also for 2 January, Saint Basil the Great (d. 379) is a very likely candidate for the Bible-reading person of renown in V.83: a learned and eloquent orator, Basil was bishop of Caesaria, opposing simony and Arianism; called Great in life, and declared a
    Doctor of the Church in death, Basil appears to simultaneously be the character from VI.78 line 4 whose feast perhaps marks the initial cultural stirrings towards spiritual Redemption.

    Puis par eux-memes Basil grand reclame

    Translating Basil as Lord and presuming the Second Coming Christ is being reclaimed goes too far.

    Then through Great Basil themselves reclaimed

    It is a simple matter of rearranging the poetic syntax into something esoterically plausible.

    The Lady honored through force of terror (I.94) could indicate the feast for Blessed Virgin Mary on January First.

    There is a Saint Rhodes with a 3 January feast, which V.16 line 4 could make the 2023 date for the first sighting of the Garabandal Miracle for its 'Lasting Phantom.' Garabandal is in the same time zone as Geneva, using CET, with a shift of coordinates.
    Venus will commence a new reign entering Aquarius 3 January 2023 3:10 am CET; this Venusian reign ends about 31 hours later when Venus exceeds the relative location of Jupiter 4 January 2023 10:09 am CET.

    The Miracle stipulations were met 13 May 2021, the foretold 8:30 pm CEST local Garabandal time was synchronized with a Mercury lunar conjunction (Fortune was opposing Venus about ten minutes later): this was an Ascension Thursday; and the story of
    concurrently-honored Blessed Imelda matches as an unusual martyr of the Eucharist, dying from her first Communion, after a spectral Host appearing over her persuaded the priest to let her receive the Sacrament earlier than planned.

    On 3 January 2022, there will be a Mars lunar conjunct also in the evening, at 8:47 pm CET; Fortune conjoins Neptune two minutes later. The vision of the Miracle was shared by a young priest (story retold in "A Temple Of Many Mansions") who was ecstatic,
    yet died hours later (the young girl visionaries said he would be found incorrupt, but he was later exhumed and this was not the case). The coincidence of these two dates having major planetary lunar conjunctions in the evening for Garabandal may be
    significant, so it can be presumed the Miracle would be first visible in this scenario shortly before 3 January 2022 9 pm CET. Garabandal is directly below Liverpool, with the apparitions beginning on 18 June 1961 (Paul McCartney's nineteenth birthday);
    Hamburg is directly east of Liverpool.

    As the world was mystified by the unexplained phenomenon at Garabandal, The Beatles were honing their craft at Hamburg nightclubs, and evolving into their collective long-haired personas. Returning to Liverpool, the band found new success when being
    promoted as 'Direct From Hamburg,' causing the British audience to presume they were an unfamiliar foreign act.

    https://www.amazon.com/Temple-Many-Mansions-Standard-Exploits/dp/1549656449

    The text explains how the Israelis regaining Jerusalem in June 1967 was a key factor in both the prophecy of Daniel and the Revelation vision, occurring within a seven-year period whose significance was not widely comprehended.

    The Miracle as Henoch's Sword would not be a static Metaphysical Monument, but activate as hinted in V.42 at a later date (using Mars for a timing clue), driving the wicked into an Abyss that opens simultaneously in two dimensions, as Charles VIII drove
    the Savoyards from France to Turin, Italy, circa 1495.

    So if the Saturnin interval has been properly defined for lunar conjunctions, the Moon subsequently reaching Vesta would be the limiting temporal parameter. The judicial astrology for the remainder of the Saturnin interval in Geneva shows several
    elements previously observed, however the precise details are unique (using CET):

    27 December 2022 6:40 pm - Neptune conjunct Juno;

    10:28 pm to 10:39 pm - The Moon and South Node form a Grand Trine with the Part of Fortune;

    28 December 2022 12:38 am - Sun at Nadir;

    1 am - Upright Grand Trine peaks with Midheaven-Apex, the Moon and South Node trine line forming the horizontal base;

    1:47 am - Venus at Nadir, Pallas at Midheaven (their opposition occurred 27 December 2022 8:28 pm) - this could be the cataclysmic onset time -

    << 28 December 2022 1:47 am CET / 27 December 2022 7:47 pm EST / 4:47 pm PST >>;

    1:55 am - Mercury at Nadir, Ouranos conjoined by the Vertex;

    3:29 am to 3:32 am - East Point forms a Grand Trine with Pallas and Neptune-Juno;

    3:47 am - Saturn at Nadir, South Node at Ascendant;

    4:48 am to 4:53 am - Ascendant forms a Grand Trine with Pallas and Neptune-Juno;

    5:18 am to 5:28 am - Grand Trine of Moon-Vesta with South Node and the Vertex;

    5:30 am - Vesta lunar conjunct (ends Saturnin interval).

    The Upright Lunar Grand Trine at 1 am CET appears particularly ominous, as though the Upturned Cup (with Venus beneath) and Divine Trinity concepts are visually merged, shortly before Venus reaches the Nadir position, which is technical debasement (X.28);
    the Moon involved somehow as Neptune consummates its union with Juno demonstrates further perplexity for III.3, beyond the two being in Pisces.

    The opposition of Venus and Pallas puts the latter at Midheaven, reminding of the theme from II.66 about being trapped from 'Palais' for Pallas.

    The eight-minute gap between Venus and Mercury reaching the Nadir should be critical, with X.79 calling Mercury Great perhaps ironically for positioning at the Nadir: High-Born Venus would mark the onset, with the massive fatalities occurring by Mercury'
    s time, as the Great Nephew of II.92.

    The most compelling factor for fixing the date of this double fire-and-water catastrophe at 28 December 2022 is the honoring of Saint Simon of Mount Athos, whose relics exude myrrh: this would complete the Magi Gift Attack scenario, when supplied with
    the horrific manifestations of Frankincense-like smoke and Golden fire.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Curtis Eagal@21:1/5 to Curtis Eagal on Tue Dec 27 18:18:08 2022
    On Tuesday, December 27, 2022 at 9:44:42 AM UTC-8, Curtis Eagal wrote:
    On Sunday, December 25, 2022 at 11:04:03 AM UTC-8, Curtis Eagal wrote:
    In my book on the debut album by The Beatles, "The Comedy Of Eros," after the section for "Love Me Do," the B-Side "P.S. I Love You" had its analysis, covering the contrasting commitment factor, appending a postscript statement further justifying the
    lyrical command of the A-Side.

    John Lennon said Paul McCartney was attempting to write a song in a mode like "Soldier Boy," by The Shirelles. McCartney refuted rumors: "It's not based in reality, nor did I write it to my girlfriend from Hamburg, which some people think."

    There is no bargaining for a relationship here, one already exists threatened by the physical separation of distance - "Keep all my love forever" from "I'll always be true"; there is a reunion promised at a mutual Home.

    In a sort of brisk calypso Latin-Rock style, they used a cha-cha beat, with session drummer Andy White providing subtle percussion while Ringo Starr rattled a maraca.

    << ...The bridge is more traditional in structure and chord choices than the verse, but the tune relies on unexpected tonalities, mixing familiar chords with ones more appropriate to jazz...

    The backing vocals by Lennon and Harrison highlight certain syllables in the lyrical phrases of the verse, starting with first syllable, concluding with the final two syllables.

    The tune derives some drama from variations in these backing vocals: in the intro and first appearance of the bridge, they seem to be in unison with the lead vocal - but when the bridge returns, the backing vocalists have taken over the lead role,
    and Paul scats around them for an exhilarating twist; and in the final, fourth instance of the verse, the backing vocals come in slightly sooner than the lead, and the syllabic emphasis diminishes, so it sounds more like the unison singing in the first
    bridge.

    After a triple repeat of the "You, you, you" line, there is some rhythmic strumming, a final invocation of "I love you," and the tune simply halts with a cessation of the rhythm.

    The title nearly intones,

    "P-X,
    I love you,"

    which could be a subtly hidden reference to the Christian symbol for Jesus consisting of an elongated letter "P" with an "X" crossing its shaft, representing the Greek letters Chi and Rho respectively, since that is how they began to spell the word "
    Christ" - this notion was probably conscious, because it seems pivotally hinted by the first line,

    "As I write this
    *Letter*"

    ...the protracted scat-crooning of "you, you, you" in the lead vocal resembles,

    'You -
    Re-
    New!'


    The band joked in a Christmas message recorded for fans about their early hit "From Me To You" having become a standard; they would look back on their early phases as a sort of rut, full of personal pronouns to engage listeners, yearning for some
    exotic chords or rhythms to avoid any impression of monotony, despite the pop song-crafting inherently utilizing repetition.

    There is no substitute to actually hearing the music for getting intended deeper messages, since they would not be apparent in the overt lyrical content, but how it is treated, and not in the instrumental notation, but in how those performances were
    meant to strike the ear.

    John Lennon would later explain The Beatles as a unified group was about forging ahead and getting the collective task accomplished, while being aware it might take well into the next century for people to process what was produced. George Harrison
    wrote The Beatles had thrown boulders into the collective consciousness with the ripples yet to manifest.

    Lennon commented on the unconscious Christ-transference, earning him the so-called apology interview, where he responded to aggressive journalists with thoughtful contemplations of how Jesus of the gospels would perceive what they were experiencing
    at their concerts. The seeds of that conflict between Faith-Based-Art and Faith-Lacking-Base were evident even in the B-Side of their first vinyl release from 5 October 1962.

    https://www.amazon.com/Comedy-Eros-Beating-Time/dp/1549657755
    Venus At Its Saturnin Nadir
    With Relics Exuding Myrrh

    Reviewing the hagiology, 16 November 2022 for Saint Gratia (for the Isle de Graye hint) could hold because of the US House chamber partisan majority announcement with Venus at the Geneva Nadir: the quatrain was V.16, whose numeration matches the date.

    The theme of smoke as from Frankincense due to burning human flesh in V.16 presents one of the Magi gifts as an aspect of cataclysmic horror; the 'Fire color of Gold' in II.92 presents another.

    As for the third Magi Gift of Myrrh, this is associated with Smyrna, and there is a near anagram through Syrmium, Pannonia, for Saint Artaxus, martyr in a group circa 3rd or 4th century, with a 2 January feast.

    A more likely possibility is the 28 December date being inferred by omission through Saint Simon of Athos, whose relics purportedly exude myrrh.

    https://www.oca.org/saints/lives/2022/12/28/103680-venerable-simon-the-myrrh-gusher-of-mount-athos

    << Saint Simon the Myrrh-Gusher lived an ascetical life on Mt Athos, and was glorified by many miracles. He was the founder of the New Bethlehem monastery, now known as Simonopetra. One night, he saw a star of such brightness that he thought it must be
    the Star of Bethlehem. Seeing the star remain motionless for several nights, he thought at first that it was a demonic temptation. On the eve of the Lord’s Nativity the star stood over a high rock, and Saint Simon heard a voice say, “Here, O Simon,
    you must lay the foundations of your monastery for the salvation of souls.” He built the monastery and called it New Bethlehem.

    He reposed in the year 1287, and his holy relics exude myrrh. >>

    The Second of January has a Lombardy connection, through Saint Martinian (aka Maternian), bishop of Milan; consecrated in 423, Martinian attended the Council of Ephesus, and opposed the heresy of Nestorianism denying Mary the title 'Mother of God.'

    Also for 2 January, Saint Basil the Great (d. 379) is a very likely candidate for the Bible-reading person of renown in V.83: a learned and eloquent orator, Basil was bishop of Caesaria, opposing simony and Arianism; called Great in life, and declared
    a Doctor of the Church in death, Basil appears to simultaneously be the character from VI.78 line 4 whose feast perhaps marks the initial cultural stirrings towards spiritual Redemption.

    Puis par eux-memes Basil grand reclame

    Translating Basil as Lord and presuming the Second Coming Christ is being reclaimed goes too far.

    Then through Great Basil themselves reclaimed

    It is a simple matter of rearranging the poetic syntax into something esoterically plausible.

    The Lady honored through force of terror (I.94) could indicate the feast for Blessed Virgin Mary on January First.

    There is a Saint Rhodes with a 3 January feast, which V.16 line 4 could make the 2023 date for the first sighting of the Garabandal Miracle for its 'Lasting Phantom.' Garabandal is in the same time zone as Geneva, using CET, with a shift of coordinates.
    Venus will commence a new reign entering Aquarius 3 January 2023 3:10 am CET; this Venusian reign ends about 31 hours later when Venus exceeds the relative location of Jupiter 4 January 2023 10:09 am CET.

    The Miracle stipulations were met 13 May 2021, the foretold 8:30 pm CEST local Garabandal time was synchronized with a Mercury lunar conjunction (Fortune was opposing Venus about ten minutes later): this was an Ascension Thursday; and the story of
    concurrently-honored Blessed Imelda matches as an unusual martyr of the Eucharist, dying from her first Communion, after a spectral Host appearing over her persuaded the priest to let her receive the Sacrament earlier than planned.

    On 3 January 2022, there will be a Mars lunar conjunct also in the evening, at 8:47 pm CET; Fortune conjoins Neptune two minutes later. The vision of the Miracle was shared by a young priest (story retold in "A Temple Of Many Mansions") who was
    ecstatic, yet died hours later (the young girl visionaries said he would be found incorrupt, but he was later exhumed and this was not the case). The coincidence of these two dates having major planetary lunar conjunctions in the evening for Garabandal
    may be significant, so it can be presumed the Miracle would be first visible in this scenario shortly before 3 January 2022 9 pm CET. Garabandal is directly below Liverpool, with the apparitions beginning on 18 June 1961 (Paul McCartney's nineteenth
    birthday); Hamburg is directly east of Liverpool.

    As the world was mystified by the unexplained phenomenon at Garabandal, The Beatles were honing their craft at Hamburg nightclubs, and evolving into their collective long-haired personas. Returning to Liverpool, the band found new success when being
    promoted as 'Direct From Hamburg,' causing the British audience to presume they were an unfamiliar foreign act.

    https://www.amazon.com/Temple-Many-Mansions-Standard-Exploits/dp/1549656449

    The text explains how the Israelis regaining Jerusalem in June 1967 was a key factor in both the prophecy of Daniel and the Revelation vision, occurring within a seven-year period whose significance was not widely comprehended.

    The Miracle as Henoch's Sword would not be a static Metaphysical Monument, but activate as hinted in V.42 at a later date (using Mars for a timing clue), driving the wicked into an Abyss that opens simultaneously in two dimensions, as Charles VIII
    drove the Savoyards from France to Turin, Italy, circa 1495.

    So if the Saturnin interval has been properly defined for lunar conjunctions, the Moon subsequently reaching Vesta would be the limiting temporal parameter. The judicial astrology for the remainder of the Saturnin interval in Geneva shows several
    elements previously observed, however the precise details are unique (using CET):

    27 December 2022 6:40 pm - Neptune conjunct Juno;

    10:28 pm to 10:39 pm - The Moon and South Node form a Grand Trine with the Part of Fortune;

    28 December 2022 12:38 am - Sun at Nadir;

    1 am - Upright Grand Trine peaks with Midheaven-Apex, the Moon and South Node trine line forming the horizontal base;

    1:47 am - Venus at Nadir, Pallas at Midheaven (their opposition occurred 27 December 2022 8:28 pm) - this could be the cataclysmic onset time -

    << 28 December 2022 1:47 am CET / 27 December 2022 7:47 pm EST / 4:47 pm PST >>;

    1:55 am - Mercury at Nadir, Ouranos conjoined by the Vertex;

    3:29 am to 3:32 am - East Point forms a Grand Trine with Pallas and Neptune-Juno;

    3:47 am - Saturn at Nadir, South Node at Ascendant;

    4:48 am to 4:53 am - Ascendant forms a Grand Trine with Pallas and Neptune-Juno;

    5:18 am to 5:28 am - Grand Trine of Moon-Vesta with South Node and the Vertex;

    5:30 am - Vesta lunar conjunct (ends Saturnin interval).

    The Upright Lunar Grand Trine at 1 am CET appears particularly ominous, as though the Upturned Cup (with Venus beneath) and Divine Trinity concepts are visually merged, shortly before Venus reaches the Nadir position, which is technical debasement (X.
    28); the Moon involved somehow as Neptune consummates its union with Juno demonstrates further perplexity for III.3, beyond the two being in Pisces.

    The opposition of Venus and Pallas puts the latter at Midheaven, reminding of the theme from II.66 about being trapped from 'Palais' for Pallas.

    The eight-minute gap between Venus and Mercury reaching the Nadir should be critical, with X.79 calling Mercury Great perhaps ironically for positioning at the Nadir: High-Born Venus would mark the onset, with the massive fatalities occurring by
    Mercury's time, as the Great Nephew of II.92.

    The most compelling factor for fixing the date of this double fire-and-water catastrophe at 28 December 2022 is the honoring of Saint Simon of Mount Athos, whose relics exude myrrh: this would complete the Magi Gift Attack scenario, when supplied with
    the horrific manifestations of Frankincense-like smoke and Golden fire.

    Looking slightly past the Vesta lunar conjunct, while still in 28 December 2022 for the Myrrh connection with Saint Simon of Mount Athos, the Geneva chart shows circumstances potentially complying for the Saturn-Vesta shift applied to their consecutive
    risings at the Ascendant, when a moment unequivocally focuses a spotlight on planet Venus, in yet another Grand Trine.

    Saturn rises 10:47 am CET; Vesta is at the Ascendant later, at 11:33 am CET.

    A Venusian Grand Trine forms with conceptual points the Vertex and Fortune acting in tandem at about 11:31 am CET, peaking around 11:35 am CET, then quickly disintegrating, just as Vesta is emerging on the horizon, like an actor making an entrance on cue.

    If Saturn and Vesta herald the double cataclysm in this way, the notable feature of the Grand Trine in the chart would point conclusively towards Venus, on the day to complete the Magi Gift theme with Myrrh, and the critical time would be -

    << 28 December 2022 11:31 am CET / 5:31 am EST / 2:31 am PST >>

    However for the projected Miracle Awareness Day of 3 January 2023, the Mars lunar conjunct under a Venusian Reign has Venus and Mars potentially alright that night for Garabandal.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Curtis Eagal@21:1/5 to Curtis Eagal on Wed Dec 28 07:11:06 2022
    On Tuesday, December 27, 2022 at 6:18:09 PM UTC-8, Curtis Eagal wrote:
    On Tuesday, December 27, 2022 at 9:44:42 AM UTC-8, Curtis Eagal wrote:
    On Sunday, December 25, 2022 at 11:04:03 AM UTC-8, Curtis Eagal wrote:
    In my book on the debut album by The Beatles, "The Comedy Of Eros," after the section for "Love Me Do," the B-Side "P.S. I Love You" had its analysis, covering the contrasting commitment factor, appending a postscript statement further justifying
    the lyrical command of the A-Side.

    John Lennon said Paul McCartney was attempting to write a song in a mode like "Soldier Boy," by The Shirelles. McCartney refuted rumors: "It's not based in reality, nor did I write it to my girlfriend from Hamburg, which some people think."

    There is no bargaining for a relationship here, one already exists threatened by the physical separation of distance - "Keep all my love forever" from "I'll always be true"; there is a reunion promised at a mutual Home.

    In a sort of brisk calypso Latin-Rock style, they used a cha-cha beat, with session drummer Andy White providing subtle percussion while Ringo Starr rattled a maraca.

    << ...The bridge is more traditional in structure and chord choices than the verse, but the tune relies on unexpected tonalities, mixing familiar chords with ones more appropriate to jazz...

    The backing vocals by Lennon and Harrison highlight certain syllables in the lyrical phrases of the verse, starting with first syllable, concluding with the final two syllables.

    The tune derives some drama from variations in these backing vocals: in the intro and first appearance of the bridge, they seem to be in unison with the lead vocal - but when the bridge returns, the backing vocalists have taken over the lead role,
    and Paul scats around them for an exhilarating twist; and in the final, fourth instance of the verse, the backing vocals come in slightly sooner than the lead, and the syllabic emphasis diminishes, so it sounds more like the unison singing in the first
    bridge.

    After a triple repeat of the "You, you, you" line, there is some rhythmic strumming, a final invocation of "I love you," and the tune simply halts with a cessation of the rhythm.

    The title nearly intones,

    "P-X,
    I love you,"

    which could be a subtly hidden reference to the Christian symbol for Jesus consisting of an elongated letter "P" with an "X" crossing its shaft, representing the Greek letters Chi and Rho respectively, since that is how they began to spell the word
    "Christ" - this notion was probably conscious, because it seems pivotally hinted by the first line,

    "As I write this
    *Letter*"

    ...the protracted scat-crooning of "you, you, you" in the lead vocal resembles,

    'You -
    Re-
    New!'


    The band joked in a Christmas message recorded for fans about their early hit "From Me To You" having become a standard; they would look back on their early phases as a sort of rut, full of personal pronouns to engage listeners, yearning for some
    exotic chords or rhythms to avoid any impression of monotony, despite the pop song-crafting inherently utilizing repetition.

    There is no substitute to actually hearing the music for getting intended deeper messages, since they would not be apparent in the overt lyrical content, but how it is treated, and not in the instrumental notation, but in how those performances
    were meant to strike the ear.

    John Lennon would later explain The Beatles as a unified group was about forging ahead and getting the collective task accomplished, while being aware it might take well into the next century for people to process what was produced. George Harrison
    wrote The Beatles had thrown boulders into the collective consciousness with the ripples yet to manifest.

    Lennon commented on the unconscious Christ-transference, earning him the so-called apology interview, where he responded to aggressive journalists with thoughtful contemplations of how Jesus of the gospels would perceive what they were experiencing
    at their concerts. The seeds of that conflict between Faith-Based-Art and Faith-Lacking-Base were evident even in the B-Side of their first vinyl release from 5 October 1962.

    https://www.amazon.com/Comedy-Eros-Beating-Time/dp/1549657755
    Venus At Its Saturnin Nadir
    With Relics Exuding Myrrh

    Reviewing the hagiology, 16 November 2022 for Saint Gratia (for the Isle de Graye hint) could hold because of the US House chamber partisan majority announcement with Venus at the Geneva Nadir: the quatrain was V.16, whose numeration matches the date.


    The theme of smoke as from Frankincense due to burning human flesh in V.16 presents one of the Magi gifts as an aspect of cataclysmic horror; the 'Fire color of Gold' in II.92 presents another.

    As for the third Magi Gift of Myrrh, this is associated with Smyrna, and there is a near anagram through Syrmium, Pannonia, for Saint Artaxus, martyr in a group circa 3rd or 4th century, with a 2 January feast.

    A more likely possibility is the 28 December date being inferred by omission through Saint Simon of Athos, whose relics purportedly exude myrrh.

    https://www.oca.org/saints/lives/2022/12/28/103680-venerable-simon-the-myrrh-gusher-of-mount-athos

    << Saint Simon the Myrrh-Gusher lived an ascetical life on Mt Athos, and was glorified by many miracles. He was the founder of the New Bethlehem monastery, now known as Simonopetra. One night, he saw a star of such brightness that he thought it must
    be the Star of Bethlehem. Seeing the star remain motionless for several nights, he thought at first that it was a demonic temptation. On the eve of the Lord’s Nativity the star stood over a high rock, and Saint Simon heard a voice say, “Here, O Simon,
    you must lay the foundations of your monastery for the salvation of souls.” He built the monastery and called it New Bethlehem.

    He reposed in the year 1287, and his holy relics exude myrrh. >>

    The Second of January has a Lombardy connection, through Saint Martinian (aka Maternian), bishop of Milan; consecrated in 423, Martinian attended the Council of Ephesus, and opposed the heresy of Nestorianism denying Mary the title 'Mother of God.'

    Also for 2 January, Saint Basil the Great (d. 379) is a very likely candidate for the Bible-reading person of renown in V.83: a learned and eloquent orator, Basil was bishop of Caesaria, opposing simony and Arianism; called Great in life, and
    declared a Doctor of the Church in death, Basil appears to simultaneously be the character from VI.78 line 4 whose feast perhaps marks the initial cultural stirrings towards spiritual Redemption.

    Puis par eux-memes Basil grand reclame

    Translating Basil as Lord and presuming the Second Coming Christ is being reclaimed goes too far.

    Then through Great Basil themselves reclaimed

    It is a simple matter of rearranging the poetic syntax into something esoterically plausible.

    The Lady honored through force of terror (I.94) could indicate the feast for Blessed Virgin Mary on January First.

    There is a Saint Rhodes with a 3 January feast, which V.16 line 4 could make the 2023 date for the first sighting of the Garabandal Miracle for its 'Lasting Phantom.' Garabandal is in the same time zone as Geneva, using CET, with a shift of
    coordinates. Venus will commence a new reign entering Aquarius 3 January 2023 3:10 am CET; this Venusian reign ends about 31 hours later when Venus exceeds the relative location of Jupiter 4 January 2023 10:09 am CET.

    The Miracle stipulations were met 13 May 2021, the foretold 8:30 pm CEST local Garabandal time was synchronized with a Mercury lunar conjunction (Fortune was opposing Venus about ten minutes later): this was an Ascension Thursday; and the story of
    concurrently-honored Blessed Imelda matches as an unusual martyr of the Eucharist, dying from her first Communion, after a spectral Host appearing over her persuaded the priest to let her receive the Sacrament earlier than planned.

    On 3 January 2022, there will be a Mars lunar conjunct also in the evening, at 8:47 pm CET; Fortune conjoins Neptune two minutes later. The vision of the Miracle was shared by a young priest (story retold in "A Temple Of Many Mansions") who was
    ecstatic, yet died hours later (the young girl visionaries said he would be found incorrupt, but he was later exhumed and this was not the case). The coincidence of these two dates having major planetary lunar conjunctions in the evening for Garabandal
    may be significant, so it can be presumed the Miracle would be first visible in this scenario shortly before 3 January 2022 9 pm CET. Garabandal is directly below Liverpool, with the apparitions beginning on 18 June 1961 (Paul McCartney's nineteenth
    birthday); Hamburg is directly east of Liverpool.

    As the world was mystified by the unexplained phenomenon at Garabandal, The Beatles were honing their craft at Hamburg nightclubs, and evolving into their collective long-haired personas. Returning to Liverpool, the band found new success when being
    promoted as 'Direct From Hamburg,' causing the British audience to presume they were an unfamiliar foreign act.

    https://www.amazon.com/Temple-Many-Mansions-Standard-Exploits/dp/1549656449

    The text explains how the Israelis regaining Jerusalem in June 1967 was a key factor in both the prophecy of Daniel and the Revelation vision, occurring within a seven-year period whose significance was not widely comprehended.

    The Miracle as Henoch's Sword would not be a static Metaphysical Monument, but activate as hinted in V.42 at a later date (using Mars for a timing clue), driving the wicked into an Abyss that opens simultaneously in two dimensions, as Charles VIII
    drove the Savoyards from France to Turin, Italy, circa 1495.

    So if the Saturnin interval has been properly defined for lunar conjunctions, the Moon subsequently reaching Vesta would be the limiting temporal parameter. The judicial astrology for the remainder of the Saturnin interval in Geneva shows several
    elements previously observed, however the precise details are unique (using CET):

    27 December 2022 6:40 pm - Neptune conjunct Juno;

    10:28 pm to 10:39 pm - The Moon and South Node form a Grand Trine with the Part of Fortune;

    28 December 2022 12:38 am - Sun at Nadir;

    1 am - Upright Grand Trine peaks with Midheaven-Apex, the Moon and South Node trine line forming the horizontal base;

    1:47 am - Venus at Nadir, Pallas at Midheaven (their opposition occurred 27 December 2022 8:28 pm) - this could be the cataclysmic onset time -

    << 28 December 2022 1:47 am CET / 27 December 2022 7:47 pm EST / 4:47 pm PST >>;

    1:55 am - Mercury at Nadir, Ouranos conjoined by the Vertex;

    3:29 am to 3:32 am - East Point forms a Grand Trine with Pallas and Neptune-Juno;

    3:47 am - Saturn at Nadir, South Node at Ascendant;

    4:48 am to 4:53 am - Ascendant forms a Grand Trine with Pallas and Neptune-Juno;

    5:18 am to 5:28 am - Grand Trine of Moon-Vesta with South Node and the Vertex;

    5:30 am - Vesta lunar conjunct (ends Saturnin interval).

    The Upright Lunar Grand Trine at 1 am CET appears particularly ominous, as though the Upturned Cup (with Venus beneath) and Divine Trinity concepts are visually merged, shortly before Venus reaches the Nadir position, which is technical debasement (X.
    28); the Moon involved somehow as Neptune consummates its union with Juno demonstrates further perplexity for III.3, beyond the two being in Pisces.

    The opposition of Venus and Pallas puts the latter at Midheaven, reminding of the theme from II.66 about being trapped from 'Palais' for Pallas.

    The eight-minute gap between Venus and Mercury reaching the Nadir should be critical, with X.79 calling Mercury Great perhaps ironically for positioning at the Nadir: High-Born Venus would mark the onset, with the massive fatalities occurring by
    Mercury's time, as the Great Nephew of II.92.

    The most compelling factor for fixing the date of this double fire-and-water catastrophe at 28 December 2022 is the honoring of Saint Simon of Mount Athos, whose relics exude myrrh: this would complete the Magi Gift Attack scenario, when supplied
    with the horrific manifestations of Frankincense-like smoke and Golden fire.
    Looking slightly past the Vesta lunar conjunct, while still in 28 December 2022 for the Myrrh connection with Saint Simon of Mount Athos, the Geneva chart shows circumstances potentially complying for the Saturn-Vesta shift applied to their consecutive
    risings at the Ascendant, when a moment unequivocally focuses a spotlight on planet Venus, in yet another Grand Trine.

    Saturn rises 10:47 am CET; Vesta is at the Ascendant later, at 11:33 am CET.

    A Venusian Grand Trine forms with conceptual points the Vertex and Fortune acting in tandem at about 11:31 am CET, peaking around 11:35 am CET, then quickly disintegrating, just as Vesta is emerging on the horizon, like an actor making an entrance on
    cue.

    If Saturn and Vesta herald the double cataclysm in this way, the notable feature of the Grand Trine in the chart would point conclusively towards Venus, on the day to complete the Magi Gift theme with Myrrh, and the critical time would be -

    << 28 December 2022 11:31 am CET / 5:31 am EST / 2:31 am PST >>

    However for the projected Miracle Awareness Day of 3 January 2023, the Mars lunar conjunct under a Venusian Reign has Venus and Mars potentially alright that night for Garabandal.

    With the Neptune lunar conjunct on the 28 December 2022 date providing unequivocal perplexity for III.3, on the feast of Saint Simon of Mount Athos for the contribution of Myrrh to the Magi Gift Attack scenario (II.92, V.16), the judicial astrology
    should be approached with extreme flexibility.

    Using CET and Geneva coordinates for that date:

    5:30 am - Vesta lunar conjunct;

    4:39 pm to 4:44 pm - Vertex in Grand Trine position for Pallas and Neptune, Venus opposing Pallas;

    4:51 pm - Dusk brings jump for Fortune from lunar opposition (around 19 degrees Virgo) to nearly 25 degrees Aries;

    7:47 pm to 8:14 pm - Fortune moves through positions to form a Grand Trine with Ceres and Pluto - since Venus and Mercury are near Pluto, Venus seems poised beneath the lip of a tipping Cup;

    8:44 pm - Saturn reaches the Descendant;

    9:21 pm - Pallas lunar trine;

    10:35 pm - Vesta at Descendant (X.6);

    11:05 pm - Neptune lunar conjunct (III.3);

    11:28 pm - Neptune at Descendant;

    11:29 pm - Moonset, Fortune in Solar opposition, the Vertex at Vesta;

    11:31 pm - Juno at Descendant;

    11:32 pm - Saturn trine Midheaven (IX.44), as another 'Oblong Box' presentation appears, having the Ascendant trine Venus, with Pallas and Neptune-Moon also all around 22-23 degrees in their respective signs (II.66);

    11:53 pm - Juno lunar conjunct.

    Saturn falling at the Descendant precedes by about half an hour Venus joined by the Vertex, then three minutes later the Vertex has moved on to Mercury - yet the Vertex merely conjoining a celestial body appears too minor in itself to play a major role
    in the denouement of this elaborate scheme.

    The Vesta designation of X.6 would remain from its lunar conjunct of 5:30 am CET, until the Neptune lunar conjunct. Since Juno is very close to Neptune, the appearance of the rectangular configuration during the 48-minute gap between their lunar
    conjunctions appears ominous.

    The lunar conjunction sequence of Saturn, Vesta, Neptune may be indicated with isolated warnings for each, muddling things when precise clarity is sought: Saturn was joined by the Moon 26 December 2022 7:20 pm CET. However, the Saturn-Midheaven trine
    synchronized with the critical time potentially justifies the urgency of the Saturnin warnings on that basis alone. And Vesta falling at the Descendant precedes the critical Neptune-Moonset by less than an hour.

    The proximity of Neptune to Juno at the time of its lunar conjunct could provide the implied perplexity of III.3, spotlighting the period of less than an hour until the Moon reaches Juno.

    The seer could have created the device of being trapped within the 'Pallas' of II.66 because the Revelation Cup symbolism was too temporally inexact for his illuminated version; the phrasing 'Chief pail of water' in IV.58 supports the theory Saint John's
    vision has been generically reprocessed. Venus seemed debased by being placed beneath Pallas at her Nadir 28 December 2022 1:47 am CET, as a condition of judicial astrology that should shortly precede the explosive onset, reigning Jupiter placing his
    wretched daughter Venus (as Mystery Babylon) in the 'Palace Basement Dungeon.'

    The Great Mercury of X.79 in this timing context would be the Venus-Mercury conjunct occurring 29 December 2022 2:55 pm CET.

    Presuming the Venusian trine with the Ascendant during the Oblong Box for setting Neptune-Moon will be the triggering aspect derives the critical time as

    << 28 December 2022 11:32 pm CET / 5:32 pm ST / 2:32 pm PST >>

    The rectangular configuration has proportions very similar to the yellow oblong area seen above The Beatles on their debut album sleeve cover photo, when they leaned over the balcony at EMI headquarters - the image was reprised later circa 1969,
    tentatively for the Get Back sessions, but was ultimately used for the latter half of the double vinyl career compilation (1966-1970) with a blue border.

    https://www.elsewhere.co.nz/culturalelsewhere/9161/angus-mcbean-photographer-the-first-iconic-beatles-album-cover-2019-a-snapper-making-it-snappy/

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Curtis Eagal@21:1/5 to Curtis Eagal on Wed Dec 28 13:04:57 2022
    On Wednesday, December 28, 2022 at 7:11:08 AM UTC-8, Curtis Eagal wrote:
    On Tuesday, December 27, 2022 at 6:18:09 PM UTC-8, Curtis Eagal wrote:
    On Tuesday, December 27, 2022 at 9:44:42 AM UTC-8, Curtis Eagal wrote:
    On Sunday, December 25, 2022 at 11:04:03 AM UTC-8, Curtis Eagal wrote:
    In my book on the debut album by The Beatles, "The Comedy Of Eros," after the section for "Love Me Do," the B-Side "P.S. I Love You" had its analysis, covering the contrasting commitment factor, appending a postscript statement further justifying
    the lyrical command of the A-Side.

    John Lennon said Paul McCartney was attempting to write a song in a mode like "Soldier Boy," by The Shirelles. McCartney refuted rumors: "It's not based in reality, nor did I write it to my girlfriend from Hamburg, which some people think."

    There is no bargaining for a relationship here, one already exists threatened by the physical separation of distance - "Keep all my love forever" from "I'll always be true"; there is a reunion promised at a mutual Home.

    In a sort of brisk calypso Latin-Rock style, they used a cha-cha beat, with session drummer Andy White providing subtle percussion while Ringo Starr rattled a maraca.

    << ...The bridge is more traditional in structure and chord choices than the verse, but the tune relies on unexpected tonalities, mixing familiar chords with ones more appropriate to jazz...

    The backing vocals by Lennon and Harrison highlight certain syllables in the lyrical phrases of the verse, starting with first syllable, concluding with the final two syllables.

    The tune derives some drama from variations in these backing vocals: in the intro and first appearance of the bridge, they seem to be in unison with the lead vocal - but when the bridge returns, the backing vocalists have taken over the lead role,
    and Paul scats around them for an exhilarating twist; and in the final, fourth instance of the verse, the backing vocals come in slightly sooner than the lead, and the syllabic emphasis diminishes, so it sounds more like the unison singing in the first
    bridge.

    After a triple repeat of the "You, you, you" line, there is some rhythmic strumming, a final invocation of "I love you," and the tune simply halts with a cessation of the rhythm.

    The title nearly intones,

    "P-X,
    I love you,"

    which could be a subtly hidden reference to the Christian symbol for Jesus consisting of an elongated letter "P" with an "X" crossing its shaft, representing the Greek letters Chi and Rho respectively, since that is how they began to spell the
    word "Christ" - this notion was probably conscious, because it seems pivotally hinted by the first line,

    "As I write this
    *Letter*"

    ...the protracted scat-crooning of "you, you, you" in the lead vocal resembles,

    'You -
    Re-
    New!'


    The band joked in a Christmas message recorded for fans about their early hit "From Me To You" having become a standard; they would look back on their early phases as a sort of rut, full of personal pronouns to engage listeners, yearning for some
    exotic chords or rhythms to avoid any impression of monotony, despite the pop song-crafting inherently utilizing repetition.

    There is no substitute to actually hearing the music for getting intended deeper messages, since they would not be apparent in the overt lyrical content, but how it is treated, and not in the instrumental notation, but in how those performances
    were meant to strike the ear.

    John Lennon would later explain The Beatles as a unified group was about forging ahead and getting the collective task accomplished, while being aware it might take well into the next century for people to process what was produced. George
    Harrison wrote The Beatles had thrown boulders into the collective consciousness with the ripples yet to manifest.

    Lennon commented on the unconscious Christ-transference, earning him the so-called apology interview, where he responded to aggressive journalists with thoughtful contemplations of how Jesus of the gospels would perceive what they were
    experiencing at their concerts. The seeds of that conflict between Faith-Based-Art and Faith-Lacking-Base were evident even in the B-Side of their first vinyl release from 5 October 1962.

    https://www.amazon.com/Comedy-Eros-Beating-Time/dp/1549657755
    Venus At Its Saturnin Nadir
    With Relics Exuding Myrrh

    Reviewing the hagiology, 16 November 2022 for Saint Gratia (for the Isle de Graye hint) could hold because of the US House chamber partisan majority announcement with Venus at the Geneva Nadir: the quatrain was V.16, whose numeration matches the
    date.

    The theme of smoke as from Frankincense due to burning human flesh in V.16 presents one of the Magi gifts as an aspect of cataclysmic horror; the 'Fire color of Gold' in II.92 presents another.

    As for the third Magi Gift of Myrrh, this is associated with Smyrna, and there is a near anagram through Syrmium, Pannonia, for Saint Artaxus, martyr in a group circa 3rd or 4th century, with a 2 January feast.

    A more likely possibility is the 28 December date being inferred by omission through Saint Simon of Athos, whose relics purportedly exude myrrh.

    https://www.oca.org/saints/lives/2022/12/28/103680-venerable-simon-the-myrrh-gusher-of-mount-athos

    << Saint Simon the Myrrh-Gusher lived an ascetical life on Mt Athos, and was glorified by many miracles. He was the founder of the New Bethlehem monastery, now known as Simonopetra. One night, he saw a star of such brightness that he thought it
    must be the Star of Bethlehem. Seeing the star remain motionless for several nights, he thought at first that it was a demonic temptation. On the eve of the Lord’s Nativity the star stood over a high rock, and Saint Simon heard a voice say, “Here, O
    Simon, you must lay the foundations of your monastery for the salvation of souls.” He built the monastery and called it New Bethlehem.

    He reposed in the year 1287, and his holy relics exude myrrh. >>

    The Second of January has a Lombardy connection, through Saint Martinian (aka Maternian), bishop of Milan; consecrated in 423, Martinian attended the Council of Ephesus, and opposed the heresy of Nestorianism denying Mary the title 'Mother of God.'

    Also for 2 January, Saint Basil the Great (d. 379) is a very likely candidate for the Bible-reading person of renown in V.83: a learned and eloquent orator, Basil was bishop of Caesaria, opposing simony and Arianism; called Great in life, and
    declared a Doctor of the Church in death, Basil appears to simultaneously be the character from VI.78 line 4 whose feast perhaps marks the initial cultural stirrings towards spiritual Redemption.

    Puis par eux-memes Basil grand reclame

    Translating Basil as Lord and presuming the Second Coming Christ is being reclaimed goes too far.

    Then through Great Basil themselves reclaimed

    It is a simple matter of rearranging the poetic syntax into something esoterically plausible.

    The Lady honored through force of terror (I.94) could indicate the feast for Blessed Virgin Mary on January First.

    There is a Saint Rhodes with a 3 January feast, which V.16 line 4 could make the 2023 date for the first sighting of the Garabandal Miracle for its 'Lasting Phantom.' Garabandal is in the same time zone as Geneva, using CET, with a shift of
    coordinates. Venus will commence a new reign entering Aquarius 3 January 2023 3:10 am CET; this Venusian reign ends about 31 hours later when Venus exceeds the relative location of Jupiter 4 January 2023 10:09 am CET.

    The Miracle stipulations were met 13 May 2021, the foretold 8:30 pm CEST local Garabandal time was synchronized with a Mercury lunar conjunction (Fortune was opposing Venus about ten minutes later): this was an Ascension Thursday; and the story of
    concurrently-honored Blessed Imelda matches as an unusual martyr of the Eucharist, dying from her first Communion, after a spectral Host appearing over her persuaded the priest to let her receive the Sacrament earlier than planned.

    On 3 January 2022, there will be a Mars lunar conjunct also in the evening, at 8:47 pm CET; Fortune conjoins Neptune two minutes later. The vision of the Miracle was shared by a young priest (story retold in "A Temple Of Many Mansions") who was
    ecstatic, yet died hours later (the young girl visionaries said he would be found incorrupt, but he was later exhumed and this was not the case). The coincidence of these two dates having major planetary lunar conjunctions in the evening for Garabandal
    may be significant, so it can be presumed the Miracle would be first visible in this scenario shortly before 3 January 2022 9 pm CET. Garabandal is directly below Liverpool, with the apparitions beginning on 18 June 1961 (Paul McCartney's nineteenth
    birthday); Hamburg is directly east of Liverpool.

    As the world was mystified by the unexplained phenomenon at Garabandal, The Beatles were honing their craft at Hamburg nightclubs, and evolving into their collective long-haired personas. Returning to Liverpool, the band found new success when
    being promoted as 'Direct From Hamburg,' causing the British audience to presume they were an unfamiliar foreign act.

    https://www.amazon.com/Temple-Many-Mansions-Standard-Exploits/dp/1549656449

    The text explains how the Israelis regaining Jerusalem in June 1967 was a key factor in both the prophecy of Daniel and the Revelation vision, occurring within a seven-year period whose significance was not widely comprehended.

    The Miracle as Henoch's Sword would not be a static Metaphysical Monument, but activate as hinted in V.42 at a later date (using Mars for a timing clue), driving the wicked into an Abyss that opens simultaneously in two dimensions, as Charles VIII
    drove the Savoyards from France to Turin, Italy, circa 1495.

    So if the Saturnin interval has been properly defined for lunar conjunctions, the Moon subsequently reaching Vesta would be the limiting temporal parameter. The judicial astrology for the remainder of the Saturnin interval in Geneva shows several
    elements previously observed, however the precise details are unique (using CET):

    27 December 2022 6:40 pm - Neptune conjunct Juno;

    10:28 pm to 10:39 pm - The Moon and South Node form a Grand Trine with the Part of Fortune;

    28 December 2022 12:38 am - Sun at Nadir;

    1 am - Upright Grand Trine peaks with Midheaven-Apex, the Moon and South Node trine line forming the horizontal base;

    1:47 am - Venus at Nadir, Pallas at Midheaven (their opposition occurred 27 December 2022 8:28 pm) - this could be the cataclysmic onset time -

    << 28 December 2022 1:47 am CET / 27 December 2022 7:47 pm EST / 4:47 pm PST >>;

    1:55 am - Mercury at Nadir, Ouranos conjoined by the Vertex;

    3:29 am to 3:32 am - East Point forms a Grand Trine with Pallas and Neptune-Juno;

    3:47 am - Saturn at Nadir, South Node at Ascendant;

    4:48 am to 4:53 am - Ascendant forms a Grand Trine with Pallas and Neptune-Juno;

    5:18 am to 5:28 am - Grand Trine of Moon-Vesta with South Node and the Vertex;

    5:30 am - Vesta lunar conjunct (ends Saturnin interval).

    The Upright Lunar Grand Trine at 1 am CET appears particularly ominous, as though the Upturned Cup (with Venus beneath) and Divine Trinity concepts are visually merged, shortly before Venus reaches the Nadir position, which is technical debasement (
    X.28); the Moon involved somehow as Neptune consummates its union with Juno demonstrates further perplexity for III.3, beyond the two being in Pisces.

    The opposition of Venus and Pallas puts the latter at Midheaven, reminding of the theme from II.66 about being trapped from 'Palais' for Pallas.

    The eight-minute gap between Venus and Mercury reaching the Nadir should be critical, with X.79 calling Mercury Great perhaps ironically for positioning at the Nadir: High-Born Venus would mark the onset, with the massive fatalities occurring by
    Mercury's time, as the Great Nephew of II.92.

    The most compelling factor for fixing the date of this double fire-and-water catastrophe at 28 December 2022 is the honoring of Saint Simon of Mount Athos, whose relics exude myrrh: this would complete the Magi Gift Attack scenario, when supplied
    with the horrific manifestations of Frankincense-like smoke and Golden fire.
    Looking slightly past the Vesta lunar conjunct, while still in 28 December 2022 for the Myrrh connection with Saint Simon of Mount Athos, the Geneva chart shows circumstances potentially complying for the Saturn-Vesta shift applied to their
    consecutive risings at the Ascendant, when a moment unequivocally focuses a spotlight on planet Venus, in yet another Grand Trine.

    Saturn rises 10:47 am CET; Vesta is at the Ascendant later, at 11:33 am CET.

    A Venusian Grand Trine forms with conceptual points the Vertex and Fortune acting in tandem at about 11:31 am CET, peaking around 11:35 am CET, then quickly disintegrating, just as Vesta is emerging on the horizon, like an actor making an entrance on
    cue.

    If Saturn and Vesta herald the double cataclysm in this way, the notable feature of the Grand Trine in the chart would point conclusively towards Venus, on the day to complete the Magi Gift theme with Myrrh, and the critical time would be -

    << 28 December 2022 11:31 am CET / 5:31 am EST / 2:31 am PST >>

    However for the projected Miracle Awareness Day of 3 January 2023, the Mars lunar conjunct under a Venusian Reign has Venus and Mars potentially alright that night for Garabandal.
    With the Neptune lunar conjunct on the 28 December 2022 date providing unequivocal perplexity for III.3, on the feast of Saint Simon of Mount Athos for the contribution of Myrrh to the Magi Gift Attack scenario (II.92, V.16), the judicial astrology
    should be approached with extreme flexibility.

    Using CET and Geneva coordinates for that date:

    5:30 am - Vesta lunar conjunct;

    4:39 pm to 4:44 pm - Vertex in Grand Trine position for Pallas and Neptune, Venus opposing Pallas;

    4:51 pm - Dusk brings jump for Fortune from lunar opposition (around 19 degrees Virgo) to nearly 25 degrees Aries;

    7:47 pm to 8:14 pm - Fortune moves through positions to form a Grand Trine with Ceres and Pluto - since Venus and Mercury are near Pluto, Venus seems poised beneath the lip of a tipping Cup;

    8:44 pm - Saturn reaches the Descendant;

    9:21 pm - Pallas lunar trine;

    10:35 pm - Vesta at Descendant (X.6);

    11:05 pm - Neptune lunar conjunct (III.3);

    11:28 pm - Neptune at Descendant;

    11:29 pm - Moonset, Fortune in Solar opposition, the Vertex at Vesta;

    11:31 pm - Juno at Descendant;

    11:32 pm - Saturn trine Midheaven (IX.44), as another 'Oblong Box' presentation appears, having the Ascendant trine Venus, with Pallas and Neptune-Moon also all around 22-23 degrees in their respective signs (II.66);

    11:53 pm - Juno lunar conjunct.

    Saturn falling at the Descendant precedes by about half an hour Venus joined by the Vertex, then three minutes later the Vertex has moved on to Mercury - yet the Vertex merely conjoining a celestial body appears too minor in itself to play a major role
    in the denouement of this elaborate scheme.

    The Vesta designation of X.6 would remain from its lunar conjunct of 5:30 am CET, until the Neptune lunar conjunct. Since Juno is very close to Neptune, the appearance of the rectangular configuration during the 48-minute gap between their lunar
    conjunctions appears ominous.

    The lunar conjunction sequence of Saturn, Vesta, Neptune may be indicated with isolated warnings for each, muddling things when precise clarity is sought: Saturn was joined by the Moon 26 December 2022 7:20 pm CET. However, the Saturn-Midheaven trine
    synchronized with the critical time potentially justifies the urgency of the Saturnin warnings on that basis alone. And Vesta falling at the Descendant precedes the critical Neptune-Moonset by less than an hour.

    The proximity of Neptune to Juno at the time of its lunar conjunct could provide the implied perplexity of III.3, spotlighting the period of less than an hour until the Moon reaches Juno.

    The seer could have created the device of being trapped within the 'Pallas' of II.66 because the Revelation Cup symbolism was too temporally inexact for his illuminated version; the phrasing 'Chief pail of water' in IV.58 supports the theory Saint John'
    s vision has been generically reprocessed. Venus seemed debased by being placed beneath Pallas at her Nadir 28 December 2022 1:47 am CET, as a condition of judicial astrology that should shortly precede the explosive onset, reigning Jupiter placing his
    wretched daughter Venus (as Mystery Babylon) in the 'Palace Basement Dungeon.'

    The Great Mercury of X.79 in this timing context would be the Venus-Mercury conjunct occurring 29 December 2022 2:55 pm CET.

    Presuming the Venusian trine with the Ascendant during the Oblong Box for setting Neptune-Moon will be the triggering aspect derives the critical time as

    << 28 December 2022 11:32 pm CET / 5:32 pm ST / 2:32 pm PST >>

    The rectangular configuration has proportions very similar to the yellow oblong area seen above The Beatles on their debut album sleeve cover photo, when they leaned over the balcony at EMI headquarters - the image was reprised later circa 1969,
    tentatively for the Get Back sessions, but was ultimately used for the latter half of the double vinyl career compilation (1966-1970) with a blue border.

    https://www.elsewhere.co.nz/culturalelsewhere/9161/angus-mcbean-photographer-the-first-iconic-beatles-album-cover-2019-a-snapper-making-it-snappy/

    The notion of the Oblong Box presenting a trapped circumstance, hinted by Pallas being involved with II.66, is one way of interpreting the judicial astrology imagery.

    Another approach would be to marvel at how the rectangular shape is potentially the side-view of a cylindrical modern drinking glass vessel.

    Then comparing the two appearances it can be observed how Venus could drink from the Glass, the contents of which are shown by respective Saturn trines.

    In the first case, Christmas Day 1:44 am CET, Venus was at the Nadir, and the rectangle's lowest point was Mercury near Venus, with Pallas, Neptune, and the fast-moving Part of Fortune; Saturn was in a trine with the East Point that cut across the lower
    portion of the Glass, suggesting a small amount of fluid sloshing at the bottom, with the open-end above between Pallas and Fortune.

    The Glass is neither full nor oriented to pour.

    For the second case, the Myrrh Day of 28 December 2022 11:32 pm CET, Venus herself is at the low point of the Glass, which is turned so Neptune with the Moon at the Ecliptic seems the upper lip of the open-end (the sextile line between the Ascendant and
    Pallas would be the upper, closed-end); the lengthier trine lines form the cylindrical walls of the conceptual Glass.

    Now Saturn in trine with the Midheaven point paints a different picture, bisecting the Neptune-Moon portion at an oblique angle: the Glass thus appears completely Full, with a small gap of air at the top as its contents implicitly gush out upon Venus.

    The Cup symbolism of Revelation was not outdated despite its ancient source, but too sophisticated (referring to line drawings in judicial astrology) to be perceived initially in its advanced form as the Modern Drinking Glass, far from being limited to
    the simpler appearances of the Grand Trines.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Pamela Brown@21:1/5 to eagali...@gmail.com on Wed Dec 28 19:03:01 2022
    On Wednesday, December 28, 2022 at 8:20:15 PM UTC-6, eagali...@gmail.com wrote:
    On Wednesday, December 28, 2022 at 1:04:59 PM UTC-8, Curtis Eagal wrote:
    On Wednesday, December 28, 2022 at 7:11:08 AM UTC-8, Curtis Eagal wrote:
    On Tuesday, December 27, 2022 at 6:18:09 PM UTC-8, Curtis Eagal wrote:
    On Tuesday, December 27, 2022 at 9:44:42 AM UTC-8, Curtis Eagal wrote:
    On Sunday, December 25, 2022 at 11:04:03 AM UTC-8, Curtis Eagal wrote:
    In my book on the debut album by The Beatles, "The Comedy Of Eros," after the section for "Love Me Do," the B-Side "P.S. I Love You" had its analysis, covering the contrasting commitment factor, appending a postscript statement further
    justifying the lyrical command of the A-Side.

    John Lennon said Paul McCartney was attempting to write a song in a mode like "Soldier Boy," by The Shirelles. McCartney refuted rumors: "It's not based in reality, nor did I write it to my girlfriend from Hamburg, which some people think."

    There is no bargaining for a relationship here, one already exists threatened by the physical separation of distance - "Keep all my love forever" from "I'll always be true"; there is a reunion promised at a mutual Home.

    In a sort of brisk calypso Latin-Rock style, they used a cha-cha beat, with session drummer Andy White providing subtle percussion while Ringo Starr rattled a maraca.

    << ...The bridge is more traditional in structure and chord choices than the verse, but the tune relies on unexpected tonalities, mixing familiar chords with ones more appropriate to jazz...

    The backing vocals by Lennon and Harrison highlight certain syllables in the lyrical phrases of the verse, starting with first syllable, concluding with the final two syllables.

    The tune derives some drama from variations in these backing vocals: in the intro and first appearance of the bridge, they seem to be in unison with the lead vocal - but when the bridge returns, the backing vocalists have taken over the lead
    role, and Paul scats around them for an exhilarating twist; and in the final, fourth instance of the verse, the backing vocals come in slightly sooner than the lead, and the syllabic emphasis diminishes, so it sounds more like the unison singing in the
    first bridge.

    After a triple repeat of the "You, you, you" line, there is some rhythmic strumming, a final invocation of "I love you," and the tune simply halts with a cessation of the rhythm.

    The title nearly intones,

    "P-X,
    I love you,"

    which could be a subtly hidden reference to the Christian symbol for Jesus consisting of an elongated letter "P" with an "X" crossing its shaft, representing the Greek letters Chi and Rho respectively, since that is how they began to spell
    the word "Christ" - this notion was probably conscious, because it seems pivotally hinted by the first line,

    "As I write this
    *Letter*"

    ...the protracted scat-crooning of "you, you, you" in the lead vocal resembles,

    'You -
    Re-
    New!'


    The band joked in a Christmas message recorded for fans about their early hit "From Me To You" having become a standard; they would look back on their early phases as a sort of rut, full of personal pronouns to engage listeners, yearning for
    some exotic chords or rhythms to avoid any impression of monotony, despite the pop song-crafting inherently utilizing repetition.

    There is no substitute to actually hearing the music for getting intended deeper messages, since they would not be apparent in the overt lyrical content, but how it is treated, and not in the instrumental notation, but in how those
    performances were meant to strike the ear.

    John Lennon would later explain The Beatles as a unified group was about forging ahead and getting the collective task accomplished, while being aware it might take well into the next century for people to process what was produced. George
    Harrison wrote The Beatles had thrown boulders into the collective consciousness with the ripples yet to manifest.

    Lennon commented on the unconscious Christ-transference, earning him the so-called apology interview, where he responded to aggressive journalists with thoughtful contemplations of how Jesus of the gospels would perceive what they were
    experiencing at their concerts. The seeds of that conflict between Faith-Based-Art and Faith-Lacking-Base were evident even in the B-Side of their first vinyl release from 5 October 1962.

    https://www.amazon.com/Comedy-Eros-Beating-Time/dp/1549657755
    Venus At Its Saturnin Nadir
    With Relics Exuding Myrrh

    Reviewing the hagiology, 16 November 2022 for Saint Gratia (for the Isle de Graye hint) could hold because of the US House chamber partisan majority announcement with Venus at the Geneva Nadir: the quatrain was V.16, whose numeration matches
    the date.

    The theme of smoke as from Frankincense due to burning human flesh in V.16 presents one of the Magi gifts as an aspect of cataclysmic horror; the 'Fire color of Gold' in II.92 presents another.

    As for the third Magi Gift of Myrrh, this is associated with Smyrna, and there is a near anagram through Syrmium, Pannonia, for Saint Artaxus, martyr in a group circa 3rd or 4th century, with a 2 January feast.

    A more likely possibility is the 28 December date being inferred by omission through Saint Simon of Athos, whose relics purportedly exude myrrh.

    https://www.oca.org/saints/lives/2022/12/28/103680-venerable-simon-the-myrrh-gusher-of-mount-athos

    << Saint Simon the Myrrh-Gusher lived an ascetical life on Mt Athos, and was glorified by many miracles. He was the founder of the New Bethlehem monastery, now known as Simonopetra. One night, he saw a star of such brightness that he thought it
    must be the Star of Bethlehem. Seeing the star remain motionless for several nights, he thought at first that it was a demonic temptation. On the eve of the Lord’s Nativity the star stood over a high rock, and Saint Simon heard a voice say, “Here, O
    Simon, you must lay the foundations of your monastery for the salvation of souls.” He built the monastery and called it New Bethlehem.

    He reposed in the year 1287, and his holy relics exude myrrh. >>

    The Second of January has a Lombardy connection, through Saint Martinian (aka Maternian), bishop of Milan; consecrated in 423, Martinian attended the Council of Ephesus, and opposed the heresy of Nestorianism denying Mary the title 'Mother of
    God.'

    Also for 2 January, Saint Basil the Great (d. 379) is a very likely candidate for the Bible-reading person of renown in V.83: a learned and eloquent orator, Basil was bishop of Caesaria, opposing simony and Arianism; called Great in life, and
    declared a Doctor of the Church in death, Basil appears to simultaneously be the character from VI.78 line 4 whose feast perhaps marks the initial cultural stirrings towards spiritual Redemption.

    Puis par eux-memes Basil grand reclame

    Translating Basil as Lord and presuming the Second Coming Christ is being reclaimed goes too far.

    Then through Great Basil themselves reclaimed

    It is a simple matter of rearranging the poetic syntax into something esoterically plausible.

    The Lady honored through force of terror (I.94) could indicate the feast for Blessed Virgin Mary on January First.

    There is a Saint Rhodes with a 3 January feast, which V.16 line 4 could make the 2023 date for the first sighting of the Garabandal Miracle for its 'Lasting Phantom.' Garabandal is in the same time zone as Geneva, using CET, with a shift of
    coordinates. Venus will commence a new reign entering Aquarius 3 January 2023 3:10 am CET; this Venusian reign ends about 31 hours later when Venus exceeds the relative location of Jupiter 4 January 2023 10:09 am CET.

    The Miracle stipulations were met 13 May 2021, the foretold 8:30 pm CEST local Garabandal time was synchronized with a Mercury lunar conjunction (Fortune was opposing Venus about ten minutes later): this was an Ascension Thursday; and the story
    of concurrently-honored Blessed Imelda matches as an unusual martyr of the Eucharist, dying from her first Communion, after a spectral Host appearing over her persuaded the priest to let her receive the Sacrament earlier than planned.

    On 3 January 2022, there will be a Mars lunar conjunct also in the evening, at 8:47 pm CET; Fortune conjoins Neptune two minutes later. The vision of the Miracle was shared by a young priest (story retold in "A Temple Of Many Mansions") who was
    ecstatic, yet died hours later (the young girl visionaries said he would be found incorrupt, but he was later exhumed and this was not the case). The coincidence of these two dates having major planetary lunar conjunctions in the evening for Garabandal
    may be significant, so it can be presumed the Miracle would be first visible in this scenario shortly before 3 January 2022 9 pm CET. Garabandal is directly below Liverpool, with the apparitions beginning on 18 June 1961 (Paul McCartney's nineteenth
    birthday); Hamburg is directly east of Liverpool.

    As the world was mystified by the unexplained phenomenon at Garabandal, The Beatles were honing their craft at Hamburg nightclubs, and evolving into their collective long-haired personas. Returning to Liverpool, the band found new success when
    being promoted as 'Direct From Hamburg,' causing the British audience to presume they were an unfamiliar foreign act.

    https://www.amazon.com/Temple-Many-Mansions-Standard-Exploits/dp/1549656449

    The text explains how the Israelis regaining Jerusalem in June 1967 was a key factor in both the prophecy of Daniel and the Revelation vision, occurring within a seven-year period whose significance was not widely comprehended.

    The Miracle as Henoch's Sword would not be a static Metaphysical Monument, but activate as hinted in V.42 at a later date (using Mars for a timing clue), driving the wicked into an Abyss that opens simultaneously in two dimensions, as Charles
    VIII drove the Savoyards from France to Turin, Italy, circa 1495.

    So if the Saturnin interval has been properly defined for lunar conjunctions, the Moon subsequently reaching Vesta would be the limiting temporal parameter. The judicial astrology for the remainder of the Saturnin interval in Geneva shows
    several elements previously observed, however the precise details are unique (using CET):

    27 December 2022 6:40 pm - Neptune conjunct Juno;

    10:28 pm to 10:39 pm - The Moon and South Node form a Grand Trine with the Part of Fortune;

    28 December 2022 12:38 am - Sun at Nadir;

    1 am - Upright Grand Trine peaks with Midheaven-Apex, the Moon and South Node trine line forming the horizontal base;

    1:47 am - Venus at Nadir, Pallas at Midheaven (their opposition occurred 27 December 2022 8:28 pm) - this could be the cataclysmic onset time -

    << 28 December 2022 1:47 am CET / 27 December 2022 7:47 pm EST / 4:47 pm PST >>;

    1:55 am - Mercury at Nadir, Ouranos conjoined by the Vertex;

    3:29 am to 3:32 am - East Point forms a Grand Trine with Pallas and Neptune-Juno;

    3:47 am - Saturn at Nadir, South Node at Ascendant;

    4:48 am to 4:53 am - Ascendant forms a Grand Trine with Pallas and Neptune-Juno;

    5:18 am to 5:28 am - Grand Trine of Moon-Vesta with South Node and the Vertex;

    5:30 am - Vesta lunar conjunct (ends Saturnin interval).

    The Upright Lunar Grand Trine at 1 am CET appears particularly ominous, as though the Upturned Cup (with Venus beneath) and Divine Trinity concepts are visually merged, shortly before Venus reaches the Nadir position, which is technical
    debasement (X.28); the Moon involved somehow as Neptune consummates its union with Juno demonstrates further perplexity for III.3, beyond the two being in Pisces.

    The opposition of Venus and Pallas puts the latter at Midheaven, reminding of the theme from II.66 about being trapped from 'Palais' for Pallas.

    The eight-minute gap between Venus and Mercury reaching the Nadir should be critical, with X.79 calling Mercury Great perhaps ironically for positioning at the Nadir: High-Born Venus would mark the onset, with the massive fatalities occurring
    by Mercury's time, as the Great Nephew of II.92.

    The most compelling factor for fixing the date of this double fire-and-water catastrophe at 28 December 2022 is the honoring of Saint Simon of Mount Athos, whose relics exude myrrh: this would complete the Magi Gift Attack scenario, when
    supplied with the horrific manifestations of Frankincense-like smoke and Golden fire.
    Looking slightly past the Vesta lunar conjunct, while still in 28 December 2022 for the Myrrh connection with Saint Simon of Mount Athos, the Geneva chart shows circumstances potentially complying for the Saturn-Vesta shift applied to their
    consecutive risings at the Ascendant, when a moment unequivocally focuses a spotlight on planet Venus, in yet another Grand Trine.

    Saturn rises 10:47 am CET; Vesta is at the Ascendant later, at 11:33 am CET.

    A Venusian Grand Trine forms with conceptual points the Vertex and Fortune acting in tandem at about 11:31 am CET, peaking around 11:35 am CET, then quickly disintegrating, just as Vesta is emerging on the horizon, like an actor making an
    entrance on cue.

    If Saturn and Vesta herald the double cataclysm in this way, the notable feature of the Grand Trine in the chart would point conclusively towards Venus, on the day to complete the Magi Gift theme with Myrrh, and the critical time would be -

    << 28 December 2022 11:31 am CET / 5:31 am EST / 2:31 am PST >>

    However for the projected Miracle Awareness Day of 3 January 2023, the Mars lunar conjunct under a Venusian Reign has Venus and Mars potentially alright that night for Garabandal.
    With the Neptune lunar conjunct on the 28 December 2022 date providing unequivocal perplexity for III.3, on the feast of Saint Simon of Mount Athos for the contribution of Myrrh to the Magi Gift Attack scenario (II.92, V.16), the judicial astrology
    should be approached with extreme flexibility.

    Using CET and Geneva coordinates for that date:

    5:30 am - Vesta lunar conjunct;

    4:39 pm to 4:44 pm - Vertex in Grand Trine position for Pallas and Neptune, Venus opposing Pallas;

    4:51 pm - Dusk brings jump for Fortune from lunar opposition (around 19 degrees Virgo) to nearly 25 degrees Aries;

    7:47 pm to 8:14 pm - Fortune moves through positions to form a Grand Trine with Ceres and Pluto - since Venus and Mercury are near Pluto, Venus seems poised beneath the lip of a tipping Cup;

    8:44 pm - Saturn reaches the Descendant;

    9:21 pm - Pallas lunar trine;

    10:35 pm - Vesta at Descendant (X.6);

    11:05 pm - Neptune lunar conjunct (III.3);

    11:28 pm - Neptune at Descendant;

    11:29 pm - Moonset, Fortune in Solar opposition, the Vertex at Vesta;

    11:31 pm - Juno at Descendant;

    11:32 pm - Saturn trine Midheaven (IX.44), as another 'Oblong Box' presentation appears, having the Ascendant trine Venus, with Pallas and Neptune-Moon also all around 22-23 degrees in their respective signs (II.66);

    11:53 pm - Juno lunar conjunct.

    Saturn falling at the Descendant precedes by about half an hour Venus joined by the Vertex, then three minutes later the Vertex has moved on to Mercury - yet the Vertex merely conjoining a celestial body appears too minor in itself to play a major
    role in the denouement of this elaborate scheme.

    The Vesta designation of X.6 would remain from its lunar conjunct of 5:30 am CET, until the Neptune lunar conjunct. Since Juno is very close to Neptune, the appearance of the rectangular configuration during the 48-minute gap between their lunar
    conjunctions appears ominous.

    The lunar conjunction sequence of Saturn, Vesta, Neptune may be indicated with isolated warnings for each, muddling things when precise clarity is sought: Saturn was joined by the Moon 26 December 2022 7:20 pm CET. However, the Saturn-Midheaven
    trine synchronized with the critical time potentially justifies the urgency of the Saturnin warnings on that basis alone. And Vesta falling at the Descendant precedes the critical Neptune-Moonset by less than an hour.

    The proximity of Neptune to Juno at the time of its lunar conjunct could provide the implied perplexity of III.3, spotlighting the period of less than an hour until the Moon reaches Juno.

    The seer could have created the device of being trapped within the 'Pallas' of II.66 because the Revelation Cup symbolism was too temporally inexact for his illuminated version; the phrasing 'Chief pail of water' in IV.58 supports the theory Saint
    John's vision has been generically reprocessed. Venus seemed debased by being placed beneath Pallas at her Nadir 28 December 2022 1:47 am CET, as a condition of judicial astrology that should shortly precede the explosive onset, reigning Jupiter placing
    his wretched daughter Venus (as Mystery Babylon) in the 'Palace Basement Dungeon.'

    The Great Mercury of X.79 in this timing context would be the Venus-Mercury conjunct occurring 29 December 2022 2:55 pm CET.

    Presuming the Venusian trine with the Ascendant during the Oblong Box for setting Neptune-Moon will be the triggering aspect derives the critical time as

    << 28 December 2022 11:32 pm CET / 5:32 pm ST / 2:32 pm PST >>

    The rectangular configuration has proportions very similar to the yellow oblong area seen above The Beatles on their debut album sleeve cover photo, when they leaned over the balcony at EMI headquarters - the image was reprised later circa 1969,
    tentatively for the Get Back sessions, but was ultimately used for the latter half of the double vinyl career compilation (1966-1970) with a blue border.

    https://www.elsewhere.co.nz/culturalelsewhere/9161/angus-mcbean-photographer-the-first-iconic-beatles-album-cover-2019-a-snapper-making-it-snappy/
    The notion of the Oblong Box presenting a trapped circumstance, hinted by Pallas being involved with II.66, is one way of interpreting the judicial astrology imagery.

    Another approach would be to marvel at how the rectangular shape is potentially the side-view of a cylindrical modern drinking glass vessel.

    Then comparing the two appearances it can be observed how Venus could drink from the Glass, the contents of which are shown by respective Saturn trines.

    In the first case, Christmas Day 1:44 am CET, Venus was at the Nadir, and the rectangle's lowest point was Mercury near Venus, with Pallas, Neptune, and the fast-moving Part of Fortune; Saturn was in a trine with the East Point that cut across the
    lower portion of the Glass, suggesting a small amount of fluid sloshing at the bottom, with the open-end above between Pallas and Fortune.

    The Glass is neither full nor oriented to pour.

    For the second case, the Myrrh Day of 28 December 2022 11:32 pm CET, Venus herself is at the low point of the Glass, which is turned so Neptune with the Moon at the Ecliptic seems the upper lip of the open-end (the sextile line between the Ascendant
    and Pallas would be the upper, closed-end); the lengthier trine lines form the cylindrical walls of the conceptual Glass.

    Now Saturn in trine with the Midheaven point paints a different picture, bisecting the Neptune-Moon portion at an oblique angle: the Glass thus appears completely Full, with a small gap of air at the top as its contents implicitly gush out upon Venus.


    The Cup symbolism of Revelation was not outdated despite its ancient source, but too sophisticated (referring to line drawings in judicial astrology) to be perceived initially in its advanced form as the Modern Drinking Glass, far from being limited
    to the simpler appearances of the Grand Trines.
    Venus Drains The Cup With Saturn Marking Meager Dregs [29 December 2022 11:31 am CET / 5:31 am EST]

    The Draining Phase for the Cylindrical Vessel celestial manifestation was observed for Geneva charts following the Pouring Phase about twelve hours earlier when the Moon was between Neptune and Juno.

    This is preceded by Saturn rising 29 December 2022 10:43 am CET - continuing with similar parameters:

    11:21 am to 11:35 am - The Vertex moves into position in Virgo for the rectangular Cylindrical-Vessel, with Venus-Mercury around 24 degrees Capricorn, Neptune-Juno around 23 degrees Pisces, and Pallas nearing 22 degrees Cancer;

    11:30 am - Vesta at the Ascendant;

    11:31 am - Saturn sextile Midheaven bisects the upper section where Venus-Mercury seems to be up-ending the Cylinder, at a very slight angle so it visually suggests some remnant dregs that failed to pour out at the very upper-corner;

    11:50 am - As Neptune-Juno reaches the Ascendant, the Cylinder-Vessel impression is sustained as the Vertex progresses, finding a new connection with Lilith to replace Pallas at the lowest corner, in trine with the impending Jupiter-Moon union (by then
    the Saturn-Midheaven aspect is inconsequential, about 4.5 degrees off);

    1:12 pm - Jupiter lunar conjunct;

    1:49 pm - Venus and Mercury arrive at Midheaven;

    2:55 pm - Venus and Mercury have their conjunction (perhaps as the Great Mercury of X.79).

    Since Saturn is generally given as the agent of change, its Midheaven sextile during the Draining Vessel prodigy suggests the critical time should be -

    << 29 December 2022 11:31 am CET / 5:31 am EST / 2:31 am PST >>

    The reconstitution of the Vessel structure with Lilith as back-up for Pallas accentuates the feeling of tangibility, as well as functionally enacting the draining of every last drop from the Cup of Divine Wrath.

    *

    Lors aura Rome un nouveau Leopard

    Then Rome will have a new Leopard...

    {VI.20 ... I.23}

    Leopard lasse au ciel etend son oeil

    The tired Leopard extends his gaze heavenward

    Papa Ratzinger?

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Curtis Eagal@21:1/5 to Curtis Eagal on Wed Dec 28 18:20:13 2022
    On Wednesday, December 28, 2022 at 1:04:59 PM UTC-8, Curtis Eagal wrote:
    On Wednesday, December 28, 2022 at 7:11:08 AM UTC-8, Curtis Eagal wrote:
    On Tuesday, December 27, 2022 at 6:18:09 PM UTC-8, Curtis Eagal wrote:
    On Tuesday, December 27, 2022 at 9:44:42 AM UTC-8, Curtis Eagal wrote:
    On Sunday, December 25, 2022 at 11:04:03 AM UTC-8, Curtis Eagal wrote:
    In my book on the debut album by The Beatles, "The Comedy Of Eros," after the section for "Love Me Do," the B-Side "P.S. I Love You" had its analysis, covering the contrasting commitment factor, appending a postscript statement further
    justifying the lyrical command of the A-Side.

    John Lennon said Paul McCartney was attempting to write a song in a mode like "Soldier Boy," by The Shirelles. McCartney refuted rumors: "It's not based in reality, nor did I write it to my girlfriend from Hamburg, which some people think."

    There is no bargaining for a relationship here, one already exists threatened by the physical separation of distance - "Keep all my love forever" from "I'll always be true"; there is a reunion promised at a mutual Home.

    In a sort of brisk calypso Latin-Rock style, they used a cha-cha beat, with session drummer Andy White providing subtle percussion while Ringo Starr rattled a maraca.

    << ...The bridge is more traditional in structure and chord choices than the verse, but the tune relies on unexpected tonalities, mixing familiar chords with ones more appropriate to jazz...

    The backing vocals by Lennon and Harrison highlight certain syllables in the lyrical phrases of the verse, starting with first syllable, concluding with the final two syllables.

    The tune derives some drama from variations in these backing vocals: in the intro and first appearance of the bridge, they seem to be in unison with the lead vocal - but when the bridge returns, the backing vocalists have taken over the lead
    role, and Paul scats around them for an exhilarating twist; and in the final, fourth instance of the verse, the backing vocals come in slightly sooner than the lead, and the syllabic emphasis diminishes, so it sounds more like the unison singing in the
    first bridge.

    After a triple repeat of the "You, you, you" line, there is some rhythmic strumming, a final invocation of "I love you," and the tune simply halts with a cessation of the rhythm.

    The title nearly intones,

    "P-X,
    I love you,"

    which could be a subtly hidden reference to the Christian symbol for Jesus consisting of an elongated letter "P" with an "X" crossing its shaft, representing the Greek letters Chi and Rho respectively, since that is how they began to spell the
    word "Christ" - this notion was probably conscious, because it seems pivotally hinted by the first line,

    "As I write this
    *Letter*"

    ...the protracted scat-crooning of "you, you, you" in the lead vocal resembles,

    'You -
    Re-
    New!'


    The band joked in a Christmas message recorded for fans about their early hit "From Me To You" having become a standard; they would look back on their early phases as a sort of rut, full of personal pronouns to engage listeners, yearning for
    some exotic chords or rhythms to avoid any impression of monotony, despite the pop song-crafting inherently utilizing repetition.

    There is no substitute to actually hearing the music for getting intended deeper messages, since they would not be apparent in the overt lyrical content, but how it is treated, and not in the instrumental notation, but in how those performances
    were meant to strike the ear.

    John Lennon would later explain The Beatles as a unified group was about forging ahead and getting the collective task accomplished, while being aware it might take well into the next century for people to process what was produced. George
    Harrison wrote The Beatles had thrown boulders into the collective consciousness with the ripples yet to manifest.

    Lennon commented on the unconscious Christ-transference, earning him the so-called apology interview, where he responded to aggressive journalists with thoughtful contemplations of how Jesus of the gospels would perceive what they were
    experiencing at their concerts. The seeds of that conflict between Faith-Based-Art and Faith-Lacking-Base were evident even in the B-Side of their first vinyl release from 5 October 1962.

    https://www.amazon.com/Comedy-Eros-Beating-Time/dp/1549657755
    Venus At Its Saturnin Nadir
    With Relics Exuding Myrrh

    Reviewing the hagiology, 16 November 2022 for Saint Gratia (for the Isle de Graye hint) could hold because of the US House chamber partisan majority announcement with Venus at the Geneva Nadir: the quatrain was V.16, whose numeration matches the
    date.

    The theme of smoke as from Frankincense due to burning human flesh in V.16 presents one of the Magi gifts as an aspect of cataclysmic horror; the 'Fire color of Gold' in II.92 presents another.

    As for the third Magi Gift of Myrrh, this is associated with Smyrna, and there is a near anagram through Syrmium, Pannonia, for Saint Artaxus, martyr in a group circa 3rd or 4th century, with a 2 January feast.

    A more likely possibility is the 28 December date being inferred by omission through Saint Simon of Athos, whose relics purportedly exude myrrh.

    https://www.oca.org/saints/lives/2022/12/28/103680-venerable-simon-the-myrrh-gusher-of-mount-athos

    << Saint Simon the Myrrh-Gusher lived an ascetical life on Mt Athos, and was glorified by many miracles. He was the founder of the New Bethlehem monastery, now known as Simonopetra. One night, he saw a star of such brightness that he thought it
    must be the Star of Bethlehem. Seeing the star remain motionless for several nights, he thought at first that it was a demonic temptation. On the eve of the Lord’s Nativity the star stood over a high rock, and Saint Simon heard a voice say, “Here, O
    Simon, you must lay the foundations of your monastery for the salvation of souls.” He built the monastery and called it New Bethlehem.

    He reposed in the year 1287, and his holy relics exude myrrh. >>

    The Second of January has a Lombardy connection, through Saint Martinian (aka Maternian), bishop of Milan; consecrated in 423, Martinian attended the Council of Ephesus, and opposed the heresy of Nestorianism denying Mary the title 'Mother of God.
    '

    Also for 2 January, Saint Basil the Great (d. 379) is a very likely candidate for the Bible-reading person of renown in V.83: a learned and eloquent orator, Basil was bishop of Caesaria, opposing simony and Arianism; called Great in life, and
    declared a Doctor of the Church in death, Basil appears to simultaneously be the character from VI.78 line 4 whose feast perhaps marks the initial cultural stirrings towards spiritual Redemption.

    Puis par eux-memes Basil grand reclame

    Translating Basil as Lord and presuming the Second Coming Christ is being reclaimed goes too far.

    Then through Great Basil themselves reclaimed

    It is a simple matter of rearranging the poetic syntax into something esoterically plausible.

    The Lady honored through force of terror (I.94) could indicate the feast for Blessed Virgin Mary on January First.

    There is a Saint Rhodes with a 3 January feast, which V.16 line 4 could make the 2023 date for the first sighting of the Garabandal Miracle for its 'Lasting Phantom.' Garabandal is in the same time zone as Geneva, using CET, with a shift of
    coordinates. Venus will commence a new reign entering Aquarius 3 January 2023 3:10 am CET; this Venusian reign ends about 31 hours later when Venus exceeds the relative location of Jupiter 4 January 2023 10:09 am CET.

    The Miracle stipulations were met 13 May 2021, the foretold 8:30 pm CEST local Garabandal time was synchronized with a Mercury lunar conjunction (Fortune was opposing Venus about ten minutes later): this was an Ascension Thursday; and the story
    of concurrently-honored Blessed Imelda matches as an unusual martyr of the Eucharist, dying from her first Communion, after a spectral Host appearing over her persuaded the priest to let her receive the Sacrament earlier than planned.

    On 3 January 2022, there will be a Mars lunar conjunct also in the evening, at 8:47 pm CET; Fortune conjoins Neptune two minutes later. The vision of the Miracle was shared by a young priest (story retold in "A Temple Of Many Mansions") who was
    ecstatic, yet died hours later (the young girl visionaries said he would be found incorrupt, but he was later exhumed and this was not the case). The coincidence of these two dates having major planetary lunar conjunctions in the evening for Garabandal
    may be significant, so it can be presumed the Miracle would be first visible in this scenario shortly before 3 January 2022 9 pm CET. Garabandal is directly below Liverpool, with the apparitions beginning on 18 June 1961 (Paul McCartney's nineteenth
    birthday); Hamburg is directly east of Liverpool.

    As the world was mystified by the unexplained phenomenon at Garabandal, The Beatles were honing their craft at Hamburg nightclubs, and evolving into their collective long-haired personas. Returning to Liverpool, the band found new success when
    being promoted as 'Direct From Hamburg,' causing the British audience to presume they were an unfamiliar foreign act.

    https://www.amazon.com/Temple-Many-Mansions-Standard-Exploits/dp/1549656449

    The text explains how the Israelis regaining Jerusalem in June 1967 was a key factor in both the prophecy of Daniel and the Revelation vision, occurring within a seven-year period whose significance was not widely comprehended.

    The Miracle as Henoch's Sword would not be a static Metaphysical Monument, but activate as hinted in V.42 at a later date (using Mars for a timing clue), driving the wicked into an Abyss that opens simultaneously in two dimensions, as Charles
    VIII drove the Savoyards from France to Turin, Italy, circa 1495.

    So if the Saturnin interval has been properly defined for lunar conjunctions, the Moon subsequently reaching Vesta would be the limiting temporal parameter. The judicial astrology for the remainder of the Saturnin interval in Geneva shows several
    elements previously observed, however the precise details are unique (using CET):

    27 December 2022 6:40 pm - Neptune conjunct Juno;

    10:28 pm to 10:39 pm - The Moon and South Node form a Grand Trine with the Part of Fortune;

    28 December 2022 12:38 am - Sun at Nadir;

    1 am - Upright Grand Trine peaks with Midheaven-Apex, the Moon and South Node trine line forming the horizontal base;

    1:47 am - Venus at Nadir, Pallas at Midheaven (their opposition occurred 27 December 2022 8:28 pm) - this could be the cataclysmic onset time -

    << 28 December 2022 1:47 am CET / 27 December 2022 7:47 pm EST / 4:47 pm PST >>;

    1:55 am - Mercury at Nadir, Ouranos conjoined by the Vertex;

    3:29 am to 3:32 am - East Point forms a Grand Trine with Pallas and Neptune-Juno;

    3:47 am - Saturn at Nadir, South Node at Ascendant;

    4:48 am to 4:53 am - Ascendant forms a Grand Trine with Pallas and Neptune-Juno;

    5:18 am to 5:28 am - Grand Trine of Moon-Vesta with South Node and the Vertex;

    5:30 am - Vesta lunar conjunct (ends Saturnin interval).

    The Upright Lunar Grand Trine at 1 am CET appears particularly ominous, as though the Upturned Cup (with Venus beneath) and Divine Trinity concepts are visually merged, shortly before Venus reaches the Nadir position, which is technical
    debasement (X.28); the Moon involved somehow as Neptune consummates its union with Juno demonstrates further perplexity for III.3, beyond the two being in Pisces.

    The opposition of Venus and Pallas puts the latter at Midheaven, reminding of the theme from II.66 about being trapped from 'Palais' for Pallas.

    The eight-minute gap between Venus and Mercury reaching the Nadir should be critical, with X.79 calling Mercury Great perhaps ironically for positioning at the Nadir: High-Born Venus would mark the onset, with the massive fatalities occurring by
    Mercury's time, as the Great Nephew of II.92.

    The most compelling factor for fixing the date of this double fire-and-water catastrophe at 28 December 2022 is the honoring of Saint Simon of Mount Athos, whose relics exude myrrh: this would complete the Magi Gift Attack scenario, when supplied
    with the horrific manifestations of Frankincense-like smoke and Golden fire.
    Looking slightly past the Vesta lunar conjunct, while still in 28 December 2022 for the Myrrh connection with Saint Simon of Mount Athos, the Geneva chart shows circumstances potentially complying for the Saturn-Vesta shift applied to their
    consecutive risings at the Ascendant, when a moment unequivocally focuses a spotlight on planet Venus, in yet another Grand Trine.

    Saturn rises 10:47 am CET; Vesta is at the Ascendant later, at 11:33 am CET.

    A Venusian Grand Trine forms with conceptual points the Vertex and Fortune acting in tandem at about 11:31 am CET, peaking around 11:35 am CET, then quickly disintegrating, just as Vesta is emerging on the horizon, like an actor making an entrance
    on cue.

    If Saturn and Vesta herald the double cataclysm in this way, the notable feature of the Grand Trine in the chart would point conclusively towards Venus, on the day to complete the Magi Gift theme with Myrrh, and the critical time would be -

    << 28 December 2022 11:31 am CET / 5:31 am EST / 2:31 am PST >>

    However for the projected Miracle Awareness Day of 3 January 2023, the Mars lunar conjunct under a Venusian Reign has Venus and Mars potentially alright that night for Garabandal.
    With the Neptune lunar conjunct on the 28 December 2022 date providing unequivocal perplexity for III.3, on the feast of Saint Simon of Mount Athos for the contribution of Myrrh to the Magi Gift Attack scenario (II.92, V.16), the judicial astrology
    should be approached with extreme flexibility.

    Using CET and Geneva coordinates for that date:

    5:30 am - Vesta lunar conjunct;

    4:39 pm to 4:44 pm - Vertex in Grand Trine position for Pallas and Neptune, Venus opposing Pallas;

    4:51 pm - Dusk brings jump for Fortune from lunar opposition (around 19 degrees Virgo) to nearly 25 degrees Aries;

    7:47 pm to 8:14 pm - Fortune moves through positions to form a Grand Trine with Ceres and Pluto - since Venus and Mercury are near Pluto, Venus seems poised beneath the lip of a tipping Cup;

    8:44 pm - Saturn reaches the Descendant;

    9:21 pm - Pallas lunar trine;

    10:35 pm - Vesta at Descendant (X.6);

    11:05 pm - Neptune lunar conjunct (III.3);

    11:28 pm - Neptune at Descendant;

    11:29 pm - Moonset, Fortune in Solar opposition, the Vertex at Vesta;

    11:31 pm - Juno at Descendant;

    11:32 pm - Saturn trine Midheaven (IX.44), as another 'Oblong Box' presentation appears, having the Ascendant trine Venus, with Pallas and Neptune-Moon also all around 22-23 degrees in their respective signs (II.66);

    11:53 pm - Juno lunar conjunct.

    Saturn falling at the Descendant precedes by about half an hour Venus joined by the Vertex, then three minutes later the Vertex has moved on to Mercury - yet the Vertex merely conjoining a celestial body appears too minor in itself to play a major
    role in the denouement of this elaborate scheme.

    The Vesta designation of X.6 would remain from its lunar conjunct of 5:30 am CET, until the Neptune lunar conjunct. Since Juno is very close to Neptune, the appearance of the rectangular configuration during the 48-minute gap between their lunar
    conjunctions appears ominous.

    The lunar conjunction sequence of Saturn, Vesta, Neptune may be indicated with isolated warnings for each, muddling things when precise clarity is sought: Saturn was joined by the Moon 26 December 2022 7:20 pm CET. However, the Saturn-Midheaven trine
    synchronized with the critical time potentially justifies the urgency of the Saturnin warnings on that basis alone. And Vesta falling at the Descendant precedes the critical Neptune-Moonset by less than an hour.

    The proximity of Neptune to Juno at the time of its lunar conjunct could provide the implied perplexity of III.3, spotlighting the period of less than an hour until the Moon reaches Juno.

    The seer could have created the device of being trapped within the 'Pallas' of II.66 because the Revelation Cup symbolism was too temporally inexact for his illuminated version; the phrasing 'Chief pail of water' in IV.58 supports the theory Saint
    John's vision has been generically reprocessed. Venus seemed debased by being placed beneath Pallas at her Nadir 28 December 2022 1:47 am CET, as a condition of judicial astrology that should shortly precede the explosive onset, reigning Jupiter placing
    his wretched daughter Venus (as Mystery Babylon) in the 'Palace Basement Dungeon.'

    The Great Mercury of X.79 in this timing context would be the Venus-Mercury conjunct occurring 29 December 2022 2:55 pm CET.

    Presuming the Venusian trine with the Ascendant during the Oblong Box for setting Neptune-Moon will be the triggering aspect derives the critical time as

    << 28 December 2022 11:32 pm CET / 5:32 pm ST / 2:32 pm PST >>

    The rectangular configuration has proportions very similar to the yellow oblong area seen above The Beatles on their debut album sleeve cover photo, when they leaned over the balcony at EMI headquarters - the image was reprised later circa 1969,
    tentatively for the Get Back sessions, but was ultimately used for the latter half of the double vinyl career compilation (1966-1970) with a blue border.

    https://www.elsewhere.co.nz/culturalelsewhere/9161/angus-mcbean-photographer-the-first-iconic-beatles-album-cover-2019-a-snapper-making-it-snappy/
    The notion of the Oblong Box presenting a trapped circumstance, hinted by Pallas being involved with II.66, is one way of interpreting the judicial astrology imagery.

    Another approach would be to marvel at how the rectangular shape is potentially the side-view of a cylindrical modern drinking glass vessel.

    Then comparing the two appearances it can be observed how Venus could drink from the Glass, the contents of which are shown by respective Saturn trines.

    In the first case, Christmas Day 1:44 am CET, Venus was at the Nadir, and the rectangle's lowest point was Mercury near Venus, with Pallas, Neptune, and the fast-moving Part of Fortune; Saturn was in a trine with the East Point that cut across the
    lower portion of the Glass, suggesting a small amount of fluid sloshing at the bottom, with the open-end above between Pallas and Fortune.

    The Glass is neither full nor oriented to pour.

    For the second case, the Myrrh Day of 28 December 2022 11:32 pm CET, Venus herself is at the low point of the Glass, which is turned so Neptune with the Moon at the Ecliptic seems the upper lip of the open-end (the sextile line between the Ascendant
    and Pallas would be the upper, closed-end); the lengthier trine lines form the cylindrical walls of the conceptual Glass.

    Now Saturn in trine with the Midheaven point paints a different picture, bisecting the Neptune-Moon portion at an oblique angle: the Glass thus appears completely Full, with a small gap of air at the top as its contents implicitly gush out upon Venus.

    The Cup symbolism of Revelation was not outdated despite its ancient source, but too sophisticated (referring to line drawings in judicial astrology) to be perceived initially in its advanced form as the Modern Drinking Glass, far from being limited to
    the simpler appearances of the Grand Trines.

    Venus Drains The Cup With Saturn Marking Meager Dregs [29 December 2022 11:31 am CET / 5:31 am EST]

    The Draining Phase for the Cylindrical Vessel celestial manifestation was observed for Geneva charts following the Pouring Phase about twelve hours earlier when the Moon was between Neptune and Juno.

    This is preceded by Saturn rising 29 December 2022 10:43 am CET - continuing with similar parameters:

    11:21 am to 11:35 am - The Vertex moves into position in Virgo for the rectangular Cylindrical-Vessel, with Venus-Mercury around 24 degrees Capricorn, Neptune-Juno around 23 degrees Pisces, and Pallas nearing 22 degrees Cancer;

    11:30 am - Vesta at the Ascendant;

    11:31 am - Saturn sextile Midheaven bisects the upper section where Venus-Mercury seems to be up-ending the Cylinder, at a very slight angle so it visually suggests some remnant dregs that failed to pour out at the very upper-corner;

    11:50 am - As Neptune-Juno reaches the Ascendant, the Cylinder-Vessel impression is sustained as the Vertex progresses, finding a new connection with Lilith to replace Pallas at the lowest corner, in trine with the impending Jupiter-Moon union (by then
    the Saturn-Midheaven aspect is inconsequential, about 4.5 degrees off);

    1:12 pm - Jupiter lunar conjunct;

    1:49 pm - Venus and Mercury arrive at Midheaven;

    2:55 pm - Venus and Mercury have their conjunction (perhaps as the Great Mercury of X.79).

    Since Saturn is generally given as the agent of change, its Midheaven sextile during the Draining Vessel prodigy suggests the critical time should be -

    << 29 December 2022 11:31 am CET / 5:31 am EST / 2:31 am PST >>

    The reconstitution of the Vessel structure with Lilith as back-up for Pallas accentuates the feeling of tangibility, as well as functionally enacting the draining of every last drop from the Cup of Divine Wrath.

    *

    Lors aura Rome un nouveau Leopard

    Then Rome will have a new Leopard...

    {VI.20 ... I.23}

    Leopard lasse au ciel etend son oeil

    The tired Leopard extends his gaze heavenward

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Curtis Eagal@21:1/5 to pamel...@gmail.com on Thu Dec 29 04:21:54 2022
    On Wednesday, December 28, 2022 at 7:03:03 PM UTC-8, pamel...@gmail.com wrote:
    On Wednesday, December 28, 2022 at 8:20:15 PM UTC-6, eagali...@gmail.com wrote:
    On Wednesday, December 28, 2022 at 1:04:59 PM UTC-8, Curtis Eagal wrote:
    On Wednesday, December 28, 2022 at 7:11:08 AM UTC-8, Curtis Eagal wrote:
    On Tuesday, December 27, 2022 at 6:18:09 PM UTC-8, Curtis Eagal wrote:
    On Tuesday, December 27, 2022 at 9:44:42 AM UTC-8, Curtis Eagal wrote:
    On Sunday, December 25, 2022 at 11:04:03 AM UTC-8, Curtis Eagal wrote:
    In my book on the debut album by The Beatles, "The Comedy Of Eros," after the section for "Love Me Do," the B-Side "P.S. I Love You" had its analysis, covering the contrasting commitment factor, appending a postscript statement further
    justifying the lyrical command of the A-Side.

    John Lennon said Paul McCartney was attempting to write a song in a mode like "Soldier Boy," by The Shirelles. McCartney refuted rumors: "It's not based in reality, nor did I write it to my girlfriend from Hamburg, which some people think."

    There is no bargaining for a relationship here, one already exists threatened by the physical separation of distance - "Keep all my love forever" from "I'll always be true"; there is a reunion promised at a mutual Home.

    In a sort of brisk calypso Latin-Rock style, they used a cha-cha beat, with session drummer Andy White providing subtle percussion while Ringo Starr rattled a maraca.

    << ...The bridge is more traditional in structure and chord choices than the verse, but the tune relies on unexpected tonalities, mixing familiar chords with ones more appropriate to jazz...

    The backing vocals by Lennon and Harrison highlight certain syllables in the lyrical phrases of the verse, starting with first syllable, concluding with the final two syllables.

    The tune derives some drama from variations in these backing vocals: in the intro and first appearance of the bridge, they seem to be in unison with the lead vocal - but when the bridge returns, the backing vocalists have taken over the
    lead role, and Paul scats around them for an exhilarating twist; and in the final, fourth instance of the verse, the backing vocals come in slightly sooner than the lead, and the syllabic emphasis diminishes, so it sounds more like the unison singing in
    the first bridge.

    After a triple repeat of the "You, you, you" line, there is some rhythmic strumming, a final invocation of "I love you," and the tune simply halts with a cessation of the rhythm.

    The title nearly intones,

    "P-X,
    I love you,"

    which could be a subtly hidden reference to the Christian symbol for Jesus consisting of an elongated letter "P" with an "X" crossing its shaft, representing the Greek letters Chi and Rho respectively, since that is how they began to spell
    the word "Christ" - this notion was probably conscious, because it seems pivotally hinted by the first line,

    "As I write this
    *Letter*"

    ...the protracted scat-crooning of "you, you, you" in the lead vocal resembles,

    'You -
    Re-
    New!'


    The band joked in a Christmas message recorded for fans about their early hit "From Me To You" having become a standard; they would look back on their early phases as a sort of rut, full of personal pronouns to engage listeners, yearning
    for some exotic chords or rhythms to avoid any impression of monotony, despite the pop song-crafting inherently utilizing repetition.

    There is no substitute to actually hearing the music for getting intended deeper messages, since they would not be apparent in the overt lyrical content, but how it is treated, and not in the instrumental notation, but in how those
    performances were meant to strike the ear.

    John Lennon would later explain The Beatles as a unified group was about forging ahead and getting the collective task accomplished, while being aware it might take well into the next century for people to process what was produced. George
    Harrison wrote The Beatles had thrown boulders into the collective consciousness with the ripples yet to manifest.

    Lennon commented on the unconscious Christ-transference, earning him the so-called apology interview, where he responded to aggressive journalists with thoughtful contemplations of how Jesus of the gospels would perceive what they were
    experiencing at their concerts. The seeds of that conflict between Faith-Based-Art and Faith-Lacking-Base were evident even in the B-Side of their first vinyl release from 5 October 1962.

    https://www.amazon.com/Comedy-Eros-Beating-Time/dp/1549657755
    Venus At Its Saturnin Nadir
    With Relics Exuding Myrrh

    Reviewing the hagiology, 16 November 2022 for Saint Gratia (for the Isle de Graye hint) could hold because of the US House chamber partisan majority announcement with Venus at the Geneva Nadir: the quatrain was V.16, whose numeration matches
    the date.

    The theme of smoke as from Frankincense due to burning human flesh in V.16 presents one of the Magi gifts as an aspect of cataclysmic horror; the 'Fire color of Gold' in II.92 presents another.

    As for the third Magi Gift of Myrrh, this is associated with Smyrna, and there is a near anagram through Syrmium, Pannonia, for Saint Artaxus, martyr in a group circa 3rd or 4th century, with a 2 January feast.

    A more likely possibility is the 28 December date being inferred by omission through Saint Simon of Athos, whose relics purportedly exude myrrh.

    https://www.oca.org/saints/lives/2022/12/28/103680-venerable-simon-the-myrrh-gusher-of-mount-athos

    << Saint Simon the Myrrh-Gusher lived an ascetical life on Mt Athos, and was glorified by many miracles. He was the founder of the New Bethlehem monastery, now known as Simonopetra. One night, he saw a star of such brightness that he thought
    it must be the Star of Bethlehem. Seeing the star remain motionless for several nights, he thought at first that it was a demonic temptation. On the eve of the Lord’s Nativity the star stood over a high rock, and Saint Simon heard a voice say, “Here,
    O Simon, you must lay the foundations of your monastery for the salvation of souls.” He built the monastery and called it New Bethlehem.

    He reposed in the year 1287, and his holy relics exude myrrh. >>

    The Second of January has a Lombardy connection, through Saint Martinian (aka Maternian), bishop of Milan; consecrated in 423, Martinian attended the Council of Ephesus, and opposed the heresy of Nestorianism denying Mary the title 'Mother of
    God.'

    Also for 2 January, Saint Basil the Great (d. 379) is a very likely candidate for the Bible-reading person of renown in V.83: a learned and eloquent orator, Basil was bishop of Caesaria, opposing simony and Arianism; called Great in life, and
    declared a Doctor of the Church in death, Basil appears to simultaneously be the character from VI.78 line 4 whose feast perhaps marks the initial cultural stirrings towards spiritual Redemption.

    Puis par eux-memes Basil grand reclame

    Translating Basil as Lord and presuming the Second Coming Christ is being reclaimed goes too far.

    Then through Great Basil themselves reclaimed

    It is a simple matter of rearranging the poetic syntax into something esoterically plausible.

    The Lady honored through force of terror (I.94) could indicate the feast for Blessed Virgin Mary on January First.

    There is a Saint Rhodes with a 3 January feast, which V.16 line 4 could make the 2023 date for the first sighting of the Garabandal Miracle for its 'Lasting Phantom.' Garabandal is in the same time zone as Geneva, using CET, with a shift of
    coordinates. Venus will commence a new reign entering Aquarius 3 January 2023 3:10 am CET; this Venusian reign ends about 31 hours later when Venus exceeds the relative location of Jupiter 4 January 2023 10:09 am CET.

    The Miracle stipulations were met 13 May 2021, the foretold 8:30 pm CEST local Garabandal time was synchronized with a Mercury lunar conjunction (Fortune was opposing Venus about ten minutes later): this was an Ascension Thursday; and the
    story of concurrently-honored Blessed Imelda matches as an unusual martyr of the Eucharist, dying from her first Communion, after a spectral Host appearing over her persuaded the priest to let her receive the Sacrament earlier than planned.

    On 3 January 2022, there will be a Mars lunar conjunct also in the evening, at 8:47 pm CET; Fortune conjoins Neptune two minutes later. The vision of the Miracle was shared by a young priest (story retold in "A Temple Of Many Mansions") who
    was ecstatic, yet died hours later (the young girl visionaries said he would be found incorrupt, but he was later exhumed and this was not the case). The coincidence of these two dates having major planetary lunar conjunctions in the evening for
    Garabandal may be significant, so it can be presumed the Miracle would be first visible in this scenario shortly before 3 January 2022 9 pm CET. Garabandal is directly below Liverpool, with the apparitions beginning on 18 June 1961 (Paul McCartney's
    nineteenth birthday); Hamburg is directly east of Liverpool.

    As the world was mystified by the unexplained phenomenon at Garabandal, The Beatles were honing their craft at Hamburg nightclubs, and evolving into their collective long-haired personas. Returning to Liverpool, the band found new success
    when being promoted as 'Direct From Hamburg,' causing the British audience to presume they were an unfamiliar foreign act.

    https://www.amazon.com/Temple-Many-Mansions-Standard-Exploits/dp/1549656449

    The text explains how the Israelis regaining Jerusalem in June 1967 was a key factor in both the prophecy of Daniel and the Revelation vision, occurring within a seven-year period whose significance was not widely comprehended.

    The Miracle as Henoch's Sword would not be a static Metaphysical Monument, but activate as hinted in V.42 at a later date (using Mars for a timing clue), driving the wicked into an Abyss that opens simultaneously in two dimensions, as Charles
    VIII drove the Savoyards from France to Turin, Italy, circa 1495.

    So if the Saturnin interval has been properly defined for lunar conjunctions, the Moon subsequently reaching Vesta would be the limiting temporal parameter. The judicial astrology for the remainder of the Saturnin interval in Geneva shows
    several elements previously observed, however the precise details are unique (using CET):

    27 December 2022 6:40 pm - Neptune conjunct Juno;

    10:28 pm to 10:39 pm - The Moon and South Node form a Grand Trine with the Part of Fortune;

    28 December 2022 12:38 am - Sun at Nadir;

    1 am - Upright Grand Trine peaks with Midheaven-Apex, the Moon and South Node trine line forming the horizontal base;

    1:47 am - Venus at Nadir, Pallas at Midheaven (their opposition occurred 27 December 2022 8:28 pm) - this could be the cataclysmic onset time -

    << 28 December 2022 1:47 am CET / 27 December 2022 7:47 pm EST / 4:47 pm PST >>;

    1:55 am - Mercury at Nadir, Ouranos conjoined by the Vertex;

    3:29 am to 3:32 am - East Point forms a Grand Trine with Pallas and Neptune-Juno;

    3:47 am - Saturn at Nadir, South Node at Ascendant;

    4:48 am to 4:53 am - Ascendant forms a Grand Trine with Pallas and Neptune-Juno;

    5:18 am to 5:28 am - Grand Trine of Moon-Vesta with South Node and the Vertex;

    5:30 am - Vesta lunar conjunct (ends Saturnin interval).

    The Upright Lunar Grand Trine at 1 am CET appears particularly ominous, as though the Upturned Cup (with Venus beneath) and Divine Trinity concepts are visually merged, shortly before Venus reaches the Nadir position, which is technical
    debasement (X.28); the Moon involved somehow as Neptune consummates its union with Juno demonstrates further perplexity for III.3, beyond the two being in Pisces.

    The opposition of Venus and Pallas puts the latter at Midheaven, reminding of the theme from II.66 about being trapped from 'Palais' for Pallas.

    The eight-minute gap between Venus and Mercury reaching the Nadir should be critical, with X.79 calling Mercury Great perhaps ironically for positioning at the Nadir: High-Born Venus would mark the onset, with the massive fatalities occurring
    by Mercury's time, as the Great Nephew of II.92.

    The most compelling factor for fixing the date of this double fire-and-water catastrophe at 28 December 2022 is the honoring of Saint Simon of Mount Athos, whose relics exude myrrh: this would complete the Magi Gift Attack scenario, when
    supplied with the horrific manifestations of Frankincense-like smoke and Golden fire.
    Looking slightly past the Vesta lunar conjunct, while still in 28 December 2022 for the Myrrh connection with Saint Simon of Mount Athos, the Geneva chart shows circumstances potentially complying for the Saturn-Vesta shift applied to their
    consecutive risings at the Ascendant, when a moment unequivocally focuses a spotlight on planet Venus, in yet another Grand Trine.

    Saturn rises 10:47 am CET; Vesta is at the Ascendant later, at 11:33 am CET.

    A Venusian Grand Trine forms with conceptual points the Vertex and Fortune acting in tandem at about 11:31 am CET, peaking around 11:35 am CET, then quickly disintegrating, just as Vesta is emerging on the horizon, like an actor making an
    entrance on cue.

    If Saturn and Vesta herald the double cataclysm in this way, the notable feature of the Grand Trine in the chart would point conclusively towards Venus, on the day to complete the Magi Gift theme with Myrrh, and the critical time would be -

    << 28 December 2022 11:31 am CET / 5:31 am EST / 2:31 am PST >>

    However for the projected Miracle Awareness Day of 3 January 2023, the Mars lunar conjunct under a Venusian Reign has Venus and Mars potentially alright that night for Garabandal.
    With the Neptune lunar conjunct on the 28 December 2022 date providing unequivocal perplexity for III.3, on the feast of Saint Simon of Mount Athos for the contribution of Myrrh to the Magi Gift Attack scenario (II.92, V.16), the judicial
    astrology should be approached with extreme flexibility.

    Using CET and Geneva coordinates for that date:

    5:30 am - Vesta lunar conjunct;

    4:39 pm to 4:44 pm - Vertex in Grand Trine position for Pallas and Neptune, Venus opposing Pallas;

    4:51 pm - Dusk brings jump for Fortune from lunar opposition (around 19 degrees Virgo) to nearly 25 degrees Aries;

    7:47 pm to 8:14 pm - Fortune moves through positions to form a Grand Trine with Ceres and Pluto - since Venus and Mercury are near Pluto, Venus seems poised beneath the lip of a tipping Cup;

    8:44 pm - Saturn reaches the Descendant;

    9:21 pm - Pallas lunar trine;

    10:35 pm - Vesta at Descendant (X.6);

    11:05 pm - Neptune lunar conjunct (III.3);

    11:28 pm - Neptune at Descendant;

    11:29 pm - Moonset, Fortune in Solar opposition, the Vertex at Vesta;

    11:31 pm - Juno at Descendant;

    11:32 pm - Saturn trine Midheaven (IX.44), as another 'Oblong Box' presentation appears, having the Ascendant trine Venus, with Pallas and Neptune-Moon also all around 22-23 degrees in their respective signs (II.66);

    11:53 pm - Juno lunar conjunct.

    Saturn falling at the Descendant precedes by about half an hour Venus joined by the Vertex, then three minutes later the Vertex has moved on to Mercury - yet the Vertex merely conjoining a celestial body appears too minor in itself to play a
    major role in the denouement of this elaborate scheme.

    The Vesta designation of X.6 would remain from its lunar conjunct of 5:30 am CET, until the Neptune lunar conjunct. Since Juno is very close to Neptune, the appearance of the rectangular configuration during the 48-minute gap between their lunar
    conjunctions appears ominous.

    The lunar conjunction sequence of Saturn, Vesta, Neptune may be indicated with isolated warnings for each, muddling things when precise clarity is sought: Saturn was joined by the Moon 26 December 2022 7:20 pm CET. However, the Saturn-Midheaven
    trine synchronized with the critical time potentially justifies the urgency of the Saturnin warnings on that basis alone. And Vesta falling at the Descendant precedes the critical Neptune-Moonset by less than an hour.

    The proximity of Neptune to Juno at the time of its lunar conjunct could provide the implied perplexity of III.3, spotlighting the period of less than an hour until the Moon reaches Juno.

    The seer could have created the device of being trapped within the 'Pallas' of II.66 because the Revelation Cup symbolism was too temporally inexact for his illuminated version; the phrasing 'Chief pail of water' in IV.58 supports the theory
    Saint John's vision has been generically reprocessed. Venus seemed debased by being placed beneath Pallas at her Nadir 28 December 2022 1:47 am CET, as a condition of judicial astrology that should shortly precede the explosive onset, reigning Jupiter
    placing his wretched daughter Venus (as Mystery Babylon) in the 'Palace Basement Dungeon.'

    The Great Mercury of X.79 in this timing context would be the Venus-Mercury conjunct occurring 29 December 2022 2:55 pm CET.

    Presuming the Venusian trine with the Ascendant during the Oblong Box for setting Neptune-Moon will be the triggering aspect derives the critical time as

    << 28 December 2022 11:32 pm CET / 5:32 pm ST / 2:32 pm PST >>

    The rectangular configuration has proportions very similar to the yellow oblong area seen above The Beatles on their debut album sleeve cover photo, when they leaned over the balcony at EMI headquarters - the image was reprised later circa 1969,
    tentatively for the Get Back sessions, but was ultimately used for the latter half of the double vinyl career compilation (1966-1970) with a blue border.

    https://www.elsewhere.co.nz/culturalelsewhere/9161/angus-mcbean-photographer-the-first-iconic-beatles-album-cover-2019-a-snapper-making-it-snappy/
    The notion of the Oblong Box presenting a trapped circumstance, hinted by Pallas being involved with II.66, is one way of interpreting the judicial astrology imagery.

    Another approach would be to marvel at how the rectangular shape is potentially the side-view of a cylindrical modern drinking glass vessel.

    Then comparing the two appearances it can be observed how Venus could drink from the Glass, the contents of which are shown by respective Saturn trines.

    In the first case, Christmas Day 1:44 am CET, Venus was at the Nadir, and the rectangle's lowest point was Mercury near Venus, with Pallas, Neptune, and the fast-moving Part of Fortune; Saturn was in a trine with the East Point that cut across the
    lower portion of the Glass, suggesting a small amount of fluid sloshing at the bottom, with the open-end above between Pallas and Fortune.

    The Glass is neither full nor oriented to pour.

    For the second case, the Myrrh Day of 28 December 2022 11:32 pm CET, Venus herself is at the low point of the Glass, which is turned so Neptune with the Moon at the Ecliptic seems the upper lip of the open-end (the sextile line between the
    Ascendant and Pallas would be the upper, closed-end); the lengthier trine lines form the cylindrical walls of the conceptual Glass.

    Now Saturn in trine with the Midheaven point paints a different picture, bisecting the Neptune-Moon portion at an oblique angle: the Glass thus appears completely Full, with a small gap of air at the top as its contents implicitly gush out upon
    Venus.

    The Cup symbolism of Revelation was not outdated despite its ancient source, but too sophisticated (referring to line drawings in judicial astrology) to be perceived initially in its advanced form as the Modern Drinking Glass, far from being
    limited to the simpler appearances of the Grand Trines.
    Venus Drains The Cup With Saturn Marking Meager Dregs [29 December 2022 11:31 am CET / 5:31 am EST]

    The Draining Phase for the Cylindrical Vessel celestial manifestation was observed for Geneva charts following the Pouring Phase about twelve hours earlier when the Moon was between Neptune and Juno.

    This is preceded by Saturn rising 29 December 2022 10:43 am CET - continuing with similar parameters:

    11:21 am to 11:35 am - The Vertex moves into position in Virgo for the rectangular Cylindrical-Vessel, with Venus-Mercury around 24 degrees Capricorn, Neptune-Juno around 23 degrees Pisces, and Pallas nearing 22 degrees Cancer;

    11:30 am - Vesta at the Ascendant;

    11:31 am - Saturn sextile Midheaven bisects the upper section where Venus-Mercury seems to be up-ending the Cylinder, at a very slight angle so it visually suggests some remnant dregs that failed to pour out at the very upper-corner;

    11:50 am - As Neptune-Juno reaches the Ascendant, the Cylinder-Vessel impression is sustained as the Vertex progresses, finding a new connection with Lilith to replace Pallas at the lowest corner, in trine with the impending Jupiter-Moon union (by
    then the Saturn-Midheaven aspect is inconsequential, about 4.5 degrees off);

    1:12 pm - Jupiter lunar conjunct;

    1:49 pm - Venus and Mercury arrive at Midheaven;

    2:55 pm - Venus and Mercury have their conjunction (perhaps as the Great Mercury of X.79).

    Since Saturn is generally given as the agent of change, its Midheaven sextile during the Draining Vessel prodigy suggests the critical time should be -

    << 29 December 2022 11:31 am CET / 5:31 am EST / 2:31 am PST >>

    The reconstitution of the Vessel structure with Lilith as back-up for Pallas accentuates the feeling of tangibility, as well as functionally enacting the draining of every last drop from the Cup of Divine Wrath.

    *

    Lors aura Rome un nouveau Leopard

    Then Rome will have a new Leopard...

    {VI.20 ... I.23}

    Leopard lasse au ciel etend son oeil

    The tired Leopard extends his gaze heavenward
    Papa Ratzinger?

    Saturn Line Doubles To Pour Over Venus, Vesta Struck By Vertex [29 December 2022 11:27 pm CET / 5:27 pm EST]

    Having learned from studying the intricacies of judicial astrology on a more advanced level, after examining the Geneva charts circa the 13 July 2022 Super-Moon, the 25 October 2022 solar eclipse (which I.52 warns was prelude to an apocalyptic-type
    plague, such as one would hear about in church), and the discovery that the observed Oblong Box formation was likely the 'Ancient Urn,' depicted as a modern Cylindrical Vessel (shaped like a water-drinking glass), a definitive timing can be more
    effectively deduced.

    This contemporary augury has not occurred in an academic vacuum, but while acknowledging various major concurrent news events, such as the home invasion hammer attack on Paul Pelosi, the prisoner exchange whereby Brittney Griner was released, and so on,
    often predicted with confirmatory facts.

    The rectangular configuration being sustained except for a single corner makes the pattern completed at two points in the day for Geneva: with the Vertex around 11:15 am CET; and with the Ascendant and East Point around 11:15 pm CET. The morning
    condition places Venus incorrectly at an upper corner, so this is not consequential to the cataclysmic timing, while the near-midnight circumstances ominously comply.

    For the evening of 29 December 2022, there are two differences: first, after the Venus-Mercury conjunct, Mercury is now on the outside corner, with Venus close to Pluto (also called Hades); second, this is the instance in the cycle when the Saturn-
    Midheaven trine occurs closest to a Saturn-Fortune trine, doubling the effect of the 'Liquid-Level-Setting' line.

    For the evening of 29 December 2022 using Geneva coordinates and CET:

    11:13 pm - Saturn trine Fortune;

    11:18 pm - Pallas trine Ascendant;

    11:27 pm - Vesta conjunct Vertex, Descendant between Neptune and Juno (less than a degree apart);

    11:29 pm - Saturn trine Midheaven;

    11:32 pm - Pallas trine East Point;

    11:33 pm - Mercury trine Ascendant;

    11:42 pm - Mercury trine East Point.

    The Cylindrical-Vessel configuration appears formed from the 11:18 pm Pallas trine with the Ascendant; it is reconstituted using the East Point (as a conveniently nearby Ascendant substitute) around 11:32 pm; the configuration breaks up around 11:40 pm (
    with Pallas then over four degrees from its East Point trine).

    Saturn is in its respective trine aspects with Fortune and East Point about fifteen minutes apart. Again the Saturn trine lines, now reinforced with Fortune added to the Midheaven aspect, indicate the Vessel Full and Overflowing onto Venus at the inside
    bottom-lip position.

    The Vesta conjunct with the Vertex appears to be the triggering factor, occurring just as the Descendant slips between Neptune and Juno, less than a degree apart. This precedes the first trine for Mercury to form the pattern, conforming with the II.92 of
    massive fatalities occurring by the time of the Great Nephew; the Revelation theme puts the spotlight on Venus as being the High-Born target struck, despite her implicit passivity in the critical chart.

    So the critical time is calculated for

    << 29 December 2022 11:27 pm CET / 5:27 pm EST / 2:37 pm PST >>

    The following day will present a less ominous circumstance, with the Saturn trines for Midheaven and Fortune over fifty minutes apart (11:26 pm and 12:17 am).

    The administering of Last Rites for Pope Emeritus Benedict XVI appears predicted, along with is initial rise to the papacy, using the codename Leopard - an article was found discussing Benedict as incoming pope with a title asking whether this Leopard
    could change his spots...

    Lors aura Rome un nouveau Leopard

    Then Rome will have a new Leopard...

    {VI.20 ... I.23}

    Leopard lasse au ciel etend son oeil

    The tired Leopard extends his gaze heavenward

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Curtis Eagal@21:1/5 to pamel...@gmail.com on Thu Dec 29 04:37:52 2022
    On Wednesday, December 28, 2022 at 7:03:03 PM UTC-8, pamel...@gmail.com wrote:
    On Wednesday, December 28, 2022 at 8:20:15 PM UTC-6, eagali...@gmail.com wrote:
    On Wednesday, December 28, 2022 at 1:04:59 PM UTC-8, Curtis Eagal wrote:
    On Wednesday, December 28, 2022 at 7:11:08 AM UTC-8, Curtis Eagal wrote:
    On Tuesday, December 27, 2022 at 6:18:09 PM UTC-8, Curtis Eagal wrote:
    On Tuesday, December 27, 2022 at 9:44:42 AM UTC-8, Curtis Eagal wrote:
    On Sunday, December 25, 2022 at 11:04:03 AM UTC-8, Curtis Eagal wrote:
    In my book on the debut album by The Beatles, "The Comedy Of Eros," after the section for "Love Me Do," the B-Side "P.S. I Love You" had its analysis, covering the contrasting commitment factor, appending a postscript statement further
    justifying the lyrical command of the A-Side.

    John Lennon said Paul McCartney was attempting to write a song in a mode like "Soldier Boy," by The Shirelles. McCartney refuted rumors: "It's not based in reality, nor did I write it to my girlfriend from Hamburg, which some people think."

    There is no bargaining for a relationship here, one already exists threatened by the physical separation of distance - "Keep all my love forever" from "I'll always be true"; there is a reunion promised at a mutual Home.

    In a sort of brisk calypso Latin-Rock style, they used a cha-cha beat, with session drummer Andy White providing subtle percussion while Ringo Starr rattled a maraca.

    << ...The bridge is more traditional in structure and chord choices than the verse, but the tune relies on unexpected tonalities, mixing familiar chords with ones more appropriate to jazz...

    The backing vocals by Lennon and Harrison highlight certain syllables in the lyrical phrases of the verse, starting with first syllable, concluding with the final two syllables.

    The tune derives some drama from variations in these backing vocals: in the intro and first appearance of the bridge, they seem to be in unison with the lead vocal - but when the bridge returns, the backing vocalists have taken over the
    lead role, and Paul scats around them for an exhilarating twist; and in the final, fourth instance of the verse, the backing vocals come in slightly sooner than the lead, and the syllabic emphasis diminishes, so it sounds more like the unison singing in
    the first bridge.

    After a triple repeat of the "You, you, you" line, there is some rhythmic strumming, a final invocation of "I love you," and the tune simply halts with a cessation of the rhythm.

    The title nearly intones,

    "P-X,
    I love you,"

    which could be a subtly hidden reference to the Christian symbol for Jesus consisting of an elongated letter "P" with an "X" crossing its shaft, representing the Greek letters Chi and Rho respectively, since that is how they began to spell
    the word "Christ" - this notion was probably conscious, because it seems pivotally hinted by the first line,

    "As I write this
    *Letter*"

    ...the protracted scat-crooning of "you, you, you" in the lead vocal resembles,

    'You -
    Re-
    New!'


    The band joked in a Christmas message recorded for fans about their early hit "From Me To You" having become a standard; they would look back on their early phases as a sort of rut, full of personal pronouns to engage listeners, yearning
    for some exotic chords or rhythms to avoid any impression of monotony, despite the pop song-crafting inherently utilizing repetition.

    There is no substitute to actually hearing the music for getting intended deeper messages, since they would not be apparent in the overt lyrical content, but how it is treated, and not in the instrumental notation, but in how those
    performances were meant to strike the ear.

    John Lennon would later explain The Beatles as a unified group was about forging ahead and getting the collective task accomplished, while being aware it might take well into the next century for people to process what was produced. George
    Harrison wrote The Beatles had thrown boulders into the collective consciousness with the ripples yet to manifest.

    Lennon commented on the unconscious Christ-transference, earning him the so-called apology interview, where he responded to aggressive journalists with thoughtful contemplations of how Jesus of the gospels would perceive what they were
    experiencing at their concerts. The seeds of that conflict between Faith-Based-Art and Faith-Lacking-Base were evident even in the B-Side of their first vinyl release from 5 October 1962.

    https://www.amazon.com/Comedy-Eros-Beating-Time/dp/1549657755
    Venus At Its Saturnin Nadir
    With Relics Exuding Myrrh

    Reviewing the hagiology, 16 November 2022 for Saint Gratia (for the Isle de Graye hint) could hold because of the US House chamber partisan majority announcement with Venus at the Geneva Nadir: the quatrain was V.16, whose numeration matches
    the date.

    The theme of smoke as from Frankincense due to burning human flesh in V.16 presents one of the Magi gifts as an aspect of cataclysmic horror; the 'Fire color of Gold' in II.92 presents another.

    As for the third Magi Gift of Myrrh, this is associated with Smyrna, and there is a near anagram through Syrmium, Pannonia, for Saint Artaxus, martyr in a group circa 3rd or 4th century, with a 2 January feast.

    A more likely possibility is the 28 December date being inferred by omission through Saint Simon of Athos, whose relics purportedly exude myrrh.

    https://www.oca.org/saints/lives/2022/12/28/103680-venerable-simon-the-myrrh-gusher-of-mount-athos

    << Saint Simon the Myrrh-Gusher lived an ascetical life on Mt Athos, and was glorified by many miracles. He was the founder of the New Bethlehem monastery, now known as Simonopetra. One night, he saw a star of such brightness that he thought
    it must be the Star of Bethlehem. Seeing the star remain motionless for several nights, he thought at first that it was a demonic temptation. On the eve of the Lord’s Nativity the star stood over a high rock, and Saint Simon heard a voice say, “Here,
    O Simon, you must lay the foundations of your monastery for the salvation of souls.” He built the monastery and called it New Bethlehem.

    He reposed in the year 1287, and his holy relics exude myrrh. >>

    The Second of January has a Lombardy connection, through Saint Martinian (aka Maternian), bishop of Milan; consecrated in 423, Martinian attended the Council of Ephesus, and opposed the heresy of Nestorianism denying Mary the title 'Mother of
    God.'

    Also for 2 January, Saint Basil the Great (d. 379) is a very likely candidate for the Bible-reading person of renown in V.83: a learned and eloquent orator, Basil was bishop of Caesaria, opposing simony and Arianism; called Great in life, and
    declared a Doctor of the Church in death, Basil appears to simultaneously be the character from VI.78 line 4 whose feast perhaps marks the initial cultural stirrings towards spiritual Redemption.

    Puis par eux-memes Basil grand reclame

    Translating Basil as Lord and presuming the Second Coming Christ is being reclaimed goes too far.

    Then through Great Basil themselves reclaimed

    It is a simple matter of rearranging the poetic syntax into something esoterically plausible.

    The Lady honored through force of terror (I.94) could indicate the feast for Blessed Virgin Mary on January First.

    There is a Saint Rhodes with a 3 January feast, which V.16 line 4 could make the 2023 date for the first sighting of the Garabandal Miracle for its 'Lasting Phantom.' Garabandal is in the same time zone as Geneva, using CET, with a shift of
    coordinates. Venus will commence a new reign entering Aquarius 3 January 2023 3:10 am CET; this Venusian reign ends about 31 hours later when Venus exceeds the relative location of Jupiter 4 January 2023 10:09 am CET.

    The Miracle stipulations were met 13 May 2021, the foretold 8:30 pm CEST local Garabandal time was synchronized with a Mercury lunar conjunction (Fortune was opposing Venus about ten minutes later): this was an Ascension Thursday; and the
    story of concurrently-honored Blessed Imelda matches as an unusual martyr of the Eucharist, dying from her first Communion, after a spectral Host appearing over her persuaded the priest to let her receive the Sacrament earlier than planned.

    On 3 January 2022, there will be a Mars lunar conjunct also in the evening, at 8:47 pm CET; Fortune conjoins Neptune two minutes later. The vision of the Miracle was shared by a young priest (story retold in "A Temple Of Many Mansions") who
    was ecstatic, yet died hours later (the young girl visionaries said he would be found incorrupt, but he was later exhumed and this was not the case). The coincidence of these two dates having major planetary lunar conjunctions in the evening for
    Garabandal may be significant, so it can be presumed the Miracle would be first visible in this scenario shortly before 3 January 2022 9 pm CET. Garabandal is directly below Liverpool, with the apparitions beginning on 18 June 1961 (Paul McCartney's
    nineteenth birthday); Hamburg is directly east of Liverpool.

    As the world was mystified by the unexplained phenomenon at Garabandal, The Beatles were honing their craft at Hamburg nightclubs, and evolving into their collective long-haired personas. Returning to Liverpool, the band found new success
    when being promoted as 'Direct From Hamburg,' causing the British audience to presume they were an unfamiliar foreign act.

    https://www.amazon.com/Temple-Many-Mansions-Standard-Exploits/dp/1549656449

    The text explains how the Israelis regaining Jerusalem in June 1967 was a key factor in both the prophecy of Daniel and the Revelation vision, occurring within a seven-year period whose significance was not widely comprehended.

    The Miracle as Henoch's Sword would not be a static Metaphysical Monument, but activate as hinted in V.42 at a later date (using Mars for a timing clue), driving the wicked into an Abyss that opens simultaneously in two dimensions, as Charles
    VIII drove the Savoyards from France to Turin, Italy, circa 1495.

    So if the Saturnin interval has been properly defined for lunar conjunctions, the Moon subsequently reaching Vesta would be the limiting temporal parameter. The judicial astrology for the remainder of the Saturnin interval in Geneva shows
    several elements previously observed, however the precise details are unique (using CET):

    27 December 2022 6:40 pm - Neptune conjunct Juno;

    10:28 pm to 10:39 pm - The Moon and South Node form a Grand Trine with the Part of Fortune;

    28 December 2022 12:38 am - Sun at Nadir;

    1 am - Upright Grand Trine peaks with Midheaven-Apex, the Moon and South Node trine line forming the horizontal base;

    1:47 am - Venus at Nadir, Pallas at Midheaven (their opposition occurred 27 December 2022 8:28 pm) - this could be the cataclysmic onset time -

    << 28 December 2022 1:47 am CET / 27 December 2022 7:47 pm EST / 4:47 pm PST >>;

    1:55 am - Mercury at Nadir, Ouranos conjoined by the Vertex;

    3:29 am to 3:32 am - East Point forms a Grand Trine with Pallas and Neptune-Juno;

    3:47 am - Saturn at Nadir, South Node at Ascendant;

    4:48 am to 4:53 am - Ascendant forms a Grand Trine with Pallas and Neptune-Juno;

    5:18 am to 5:28 am - Grand Trine of Moon-Vesta with South Node and the Vertex;

    5:30 am - Vesta lunar conjunct (ends Saturnin interval).

    The Upright Lunar Grand Trine at 1 am CET appears particularly ominous, as though the Upturned Cup (with Venus beneath) and Divine Trinity concepts are visually merged, shortly before Venus reaches the Nadir position, which is technical
    debasement (X.28); the Moon involved somehow as Neptune consummates its union with Juno demonstrates further perplexity for III.3, beyond the two being in Pisces.

    The opposition of Venus and Pallas puts the latter at Midheaven, reminding of the theme from II.66 about being trapped from 'Palais' for Pallas.

    The eight-minute gap between Venus and Mercury reaching the Nadir should be critical, with X.79 calling Mercury Great perhaps ironically for positioning at the Nadir: High-Born Venus would mark the onset, with the massive fatalities occurring
    by Mercury's time, as the Great Nephew of II.92.

    The most compelling factor for fixing the date of this double fire-and-water catastrophe at 28 December 2022 is the honoring of Saint Simon of Mount Athos, whose relics exude myrrh: this would complete the Magi Gift Attack scenario, when
    supplied with the horrific manifestations of Frankincense-like smoke and Golden fire.
    Looking slightly past the Vesta lunar conjunct, while still in 28 December 2022 for the Myrrh connection with Saint Simon of Mount Athos, the Geneva chart shows circumstances potentially complying for the Saturn-Vesta shift applied to their
    consecutive risings at the Ascendant, when a moment unequivocally focuses a spotlight on planet Venus, in yet another Grand Trine.

    Saturn rises 10:47 am CET; Vesta is at the Ascendant later, at 11:33 am CET.

    A Venusian Grand Trine forms with conceptual points the Vertex and Fortune acting in tandem at about 11:31 am CET, peaking around 11:35 am CET, then quickly disintegrating, just as Vesta is emerging on the horizon, like an actor making an
    entrance on cue.

    If Saturn and Vesta herald the double cataclysm in this way, the notable feature of the Grand Trine in the chart would point conclusively towards Venus, on the day to complete the Magi Gift theme with Myrrh, and the critical time would be -

    << 28 December 2022 11:31 am CET / 5:31 am EST / 2:31 am PST >>

    However for the projected Miracle Awareness Day of 3 January 2023, the Mars lunar conjunct under a Venusian Reign has Venus and Mars potentially alright that night for Garabandal.
    With the Neptune lunar conjunct on the 28 December 2022 date providing unequivocal perplexity for III.3, on the feast of Saint Simon of Mount Athos for the contribution of Myrrh to the Magi Gift Attack scenario (II.92, V.16), the judicial
    astrology should be approached with extreme flexibility.

    Using CET and Geneva coordinates for that date:

    5:30 am - Vesta lunar conjunct;

    4:39 pm to 4:44 pm - Vertex in Grand Trine position for Pallas and Neptune, Venus opposing Pallas;

    4:51 pm - Dusk brings jump for Fortune from lunar opposition (around 19 degrees Virgo) to nearly 25 degrees Aries;

    7:47 pm to 8:14 pm - Fortune moves through positions to form a Grand Trine with Ceres and Pluto - since Venus and Mercury are near Pluto, Venus seems poised beneath the lip of a tipping Cup;

    8:44 pm - Saturn reaches the Descendant;

    9:21 pm - Pallas lunar trine;

    10:35 pm - Vesta at Descendant (X.6);

    11:05 pm - Neptune lunar conjunct (III.3);

    11:28 pm - Neptune at Descendant;

    11:29 pm - Moonset, Fortune in Solar opposition, the Vertex at Vesta;

    11:31 pm - Juno at Descendant;

    11:32 pm - Saturn trine Midheaven (IX.44), as another 'Oblong Box' presentation appears, having the Ascendant trine Venus, with Pallas and Neptune-Moon also all around 22-23 degrees in their respective signs (II.66);

    11:53 pm - Juno lunar conjunct.

    Saturn falling at the Descendant precedes by about half an hour Venus joined by the Vertex, then three minutes later the Vertex has moved on to Mercury - yet the Vertex merely conjoining a celestial body appears too minor in itself to play a
    major role in the denouement of this elaborate scheme.

    The Vesta designation of X.6 would remain from its lunar conjunct of 5:30 am CET, until the Neptune lunar conjunct. Since Juno is very close to Neptune, the appearance of the rectangular configuration during the 48-minute gap between their lunar
    conjunctions appears ominous.

    The lunar conjunction sequence of Saturn, Vesta, Neptune may be indicated with isolated warnings for each, muddling things when precise clarity is sought: Saturn was joined by the Moon 26 December 2022 7:20 pm CET. However, the Saturn-Midheaven
    trine synchronized with the critical time potentially justifies the urgency of the Saturnin warnings on that basis alone. And Vesta falling at the Descendant precedes the critical Neptune-Moonset by less than an hour.

    The proximity of Neptune to Juno at the time of its lunar conjunct could provide the implied perplexity of III.3, spotlighting the period of less than an hour until the Moon reaches Juno.

    The seer could have created the device of being trapped within the 'Pallas' of II.66 because the Revelation Cup symbolism was too temporally inexact for his illuminated version; the phrasing 'Chief pail of water' in IV.58 supports the theory
    Saint John's vision has been generically reprocessed. Venus seemed debased by being placed beneath Pallas at her Nadir 28 December 2022 1:47 am CET, as a condition of judicial astrology that should shortly precede the explosive onset, reigning Jupiter
    placing his wretched daughter Venus (as Mystery Babylon) in the 'Palace Basement Dungeon.'

    The Great Mercury of X.79 in this timing context would be the Venus-Mercury conjunct occurring 29 December 2022 2:55 pm CET.

    Presuming the Venusian trine with the Ascendant during the Oblong Box for setting Neptune-Moon will be the triggering aspect derives the critical time as

    << 28 December 2022 11:32 pm CET / 5:32 pm ST / 2:32 pm PST >>

    The rectangular configuration has proportions very similar to the yellow oblong area seen above The Beatles on their debut album sleeve cover photo, when they leaned over the balcony at EMI headquarters - the image was reprised later circa 1969,
    tentatively for the Get Back sessions, but was ultimately used for the latter half of the double vinyl career compilation (1966-1970) with a blue border.

    https://www.elsewhere.co.nz/culturalelsewhere/9161/angus-mcbean-photographer-the-first-iconic-beatles-album-cover-2019-a-snapper-making-it-snappy/
    The notion of the Oblong Box presenting a trapped circumstance, hinted by Pallas being involved with II.66, is one way of interpreting the judicial astrology imagery.

    Another approach would be to marvel at how the rectangular shape is potentially the side-view of a cylindrical modern drinking glass vessel.

    Then comparing the two appearances it can be observed how Venus could drink from the Glass, the contents of which are shown by respective Saturn trines.

    In the first case, Christmas Day 1:44 am CET, Venus was at the Nadir, and the rectangle's lowest point was Mercury near Venus, with Pallas, Neptune, and the fast-moving Part of Fortune; Saturn was in a trine with the East Point that cut across the
    lower portion of the Glass, suggesting a small amount of fluid sloshing at the bottom, with the open-end above between Pallas and Fortune.

    The Glass is neither full nor oriented to pour.

    For the second case, the Myrrh Day of 28 December 2022 11:32 pm CET, Venus herself is at the low point of the Glass, which is turned so Neptune with the Moon at the Ecliptic seems the upper lip of the open-end (the sextile line between the
    Ascendant and Pallas would be the upper, closed-end); the lengthier trine lines form the cylindrical walls of the conceptual Glass.

    Now Saturn in trine with the Midheaven point paints a different picture, bisecting the Neptune-Moon portion at an oblique angle: the Glass thus appears completely Full, with a small gap of air at the top as its contents implicitly gush out upon
    Venus.

    The Cup symbolism of Revelation was not outdated despite its ancient source, but too sophisticated (referring to line drawings in judicial astrology) to be perceived initially in its advanced form as the Modern Drinking Glass, far from being
    limited to the simpler appearances of the Grand Trines.
    Venus Drains The Cup With Saturn Marking Meager Dregs [29 December 2022 11:31 am CET / 5:31 am EST]

    The Draining Phase for the Cylindrical Vessel celestial manifestation was observed for Geneva charts following the Pouring Phase about twelve hours earlier when the Moon was between Neptune and Juno.

    This is preceded by Saturn rising 29 December 2022 10:43 am CET - continuing with similar parameters:

    11:21 am to 11:35 am - The Vertex moves into position in Virgo for the rectangular Cylindrical-Vessel, with Venus-Mercury around 24 degrees Capricorn, Neptune-Juno around 23 degrees Pisces, and Pallas nearing 22 degrees Cancer;

    11:30 am - Vesta at the Ascendant;

    11:31 am - Saturn sextile Midheaven bisects the upper section where Venus-Mercury seems to be up-ending the Cylinder, at a very slight angle so it visually suggests some remnant dregs that failed to pour out at the very upper-corner;

    11:50 am - As Neptune-Juno reaches the Ascendant, the Cylinder-Vessel impression is sustained as the Vertex progresses, finding a new connection with Lilith to replace Pallas at the lowest corner, in trine with the impending Jupiter-Moon union (by
    then the Saturn-Midheaven aspect is inconsequential, about 4.5 degrees off);

    1:12 pm - Jupiter lunar conjunct;

    1:49 pm - Venus and Mercury arrive at Midheaven;

    2:55 pm - Venus and Mercury have their conjunction (perhaps as the Great Mercury of X.79).

    Since Saturn is generally given as the agent of change, its Midheaven sextile during the Draining Vessel prodigy suggests the critical time should be -

    << 29 December 2022 11:31 am CET / 5:31 am EST / 2:31 am PST >>

    The reconstitution of the Vessel structure with Lilith as back-up for Pallas accentuates the feeling of tangibility, as well as functionally enacting the draining of every last drop from the Cup of Divine Wrath.

    *

    Lors aura Rome un nouveau Leopard

    Then Rome will have a new Leopard...

    {VI.20 ... I.23}

    Leopard lasse au ciel etend son oeil

    The tired Leopard extends his gaze heavenward
    Papa Ratzinger?

    Saturn Line Doubles To Pour Over Venus,
    Vesta Struck By The Vertex
    [29 December 2022 11:27 pm CET / 5:27 pm EST]

    Having learned from studying the intricacies of judicial astrology on a more advanced level, after examining the Geneva charts circa the 13 July 2022 Super-Moon, the 25 October 2022 solar eclipse (which I.52 warns was prelude to an apocalyptic-type
    plague, such as one would hear about in church), and the discovery that the observed Oblong Box formation was likely the 'Ancient Urn,' depicted as a modern Cylindrical Vessel (shaped like a water-drinking glass), a definitive timing can be more
    effectively deduced.

    This contemporary augury has not occurred in an academic vacuum, but while acknowledging various major concurrent news events, such as the home invasion hammer attack on Paul Pelosi, the prisoner exchange whereby Brittney Griner was released, and so on,
    often predicted with confirmatory facts.

    The rectangular configuration being sustained except for a single corner makes the pattern completed at two points in the day for Geneva: with the Vertex around 11:15 am CET; and with the Ascendant and East Point around 11:15 pm CET. The morning
    condition places Venus incorrectly at an upper corner, so this is not consequential to the cataclysmic timing, while the near-midnight circumstances ominously comply.

    For the evening of 29 December 2022, there are two differences: first, following the Venus-Mercury conjunct, Mercury is now on the outside corner, with Venus close to Pluto (also called Hades); second, this is the instance in the cycle when the Saturn-
    Midheaven trine occurs closest to a Saturn-Fortune trine, doubling the effect of the 'Liquid-Level-Setting' line.

    For the evening of 29 December 2022 using Geneva coordinates and CET:

    11:13 pm - Saturn trine Fortune;

    11:18 pm - Pallas trine Ascendant;

    11:27 pm - Vesta conjunct Vertex, Descendant between Neptune and Juno (less than a degree apart);

    11:29 pm - Saturn trine Midheaven;

    11:32 pm - Pallas trine East Point;

    11:33 pm - Mercury trine Ascendant;

    11:42 pm - Mercury trine East Point.

    The Cylindrical-Vessel configuration appears formed from the 11:18 pm Pallas trine with the Ascendant; it is reconstituted using the East Point (as a conveniently nearby Ascendant backup) around 11:32 pm; the configuration breaks up around 11:40 pm (with
    Pallas then over four degrees from its East Point trine).

    Saturn is in its respective trine aspects with Fortune and East Point about fifteen minutes apart. Again the Saturn trine lines, now reinforced with Fortune added to the Midheaven aspect, indicate the Vessel Full and Overflowing onto Venus at the inside
    bottom-lip position.

    The Vesta conjunct with the Vertex appears to be the triggering factor, occurring just as the Descendant slips between Neptune and Juno, less than a degree apart. This precedes the first trine for Mercury to form the pattern, conforming with the II.92 of
    massive fatalities occurring by the time of the Great Nephew; the Revelation theme puts the spotlight on Venus as being the High-Born target struck, despite her implicit passivity in the critical chart.

    So the critical time is calculated for

    << 29 December 2022 11:27 pm CET / 5:27 pm EST / 2:37 pm PST >>

    The following day will present a less ominous circumstance, with the Saturn trines for Midheaven and Fortune over fifty minutes apart (11:26 pm and 12:17 am).

    The administering of Last Rites for Pope Emeritus Benedict XVI appears predicted, along with his initial rise to the papacy, using the codename Leopard - an article was found discussing Benedict as incoming pope with a title asking whether this Leopard
    could change his spots.

    Lors aura Rome un nouveau Leopard

    Then Rome will have a new Leopard...

    This line is from VI.20, a quatrain that actually begins regarding The Beatles' breakup in 1970 as a 'Make-Believe Union' of regrettably short duration.

    L'union feinte sera peu de duree

    The Make-Believe Union will not seem to last long enough

    The societal change they wrought is in the next line, as stimulating further progressive change -

    Des uns changes reformes la plupart

    From those changed the majority reformed

    The line about Benedict now is at the end of I.23 -

    Leopard lasse au ciel etend son oeil

    The tired Leopard extends his gaze heavenward

    The quatrain flashes back to the interregnum prior to the conclave for selection of a new pope after John Paul II in April 2005: the field of Mars was the interregnum mentioned in IX.50, remarking the red one becomes pale, confirming his prophecy through
    the Mars-Neptune conjunct of 13 April 2005.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Curtis Eagal@21:1/5 to pamel...@gmail.com on Thu Dec 29 04:49:23 2022
    On Wednesday, December 28, 2022 at 7:03:03 PM UTC-8, pamel...@gmail.com wrote:
    On Wednesday, December 28, 2022 at 8:20:15 PM UTC-6, eagali...@gmail.com wrote:
    On Wednesday, December 28, 2022 at 1:04:59 PM UTC-8, Curtis Eagal wrote:
    On Wednesday, December 28, 2022 at 7:11:08 AM UTC-8, Curtis Eagal wrote:
    On Tuesday, December 27, 2022 at 6:18:09 PM UTC-8, Curtis Eagal wrote:
    On Tuesday, December 27, 2022 at 9:44:42 AM UTC-8, Curtis Eagal wrote:
    On Sunday, December 25, 2022 at 11:04:03 AM UTC-8, Curtis Eagal wrote:
    In my book on the debut album by The Beatles, "The Comedy Of Eros," after the section for "Love Me Do," the B-Side "P.S. I Love You" had its analysis, covering the contrasting commitment factor, appending a postscript statement further
    justifying the lyrical command of the A-Side.

    John Lennon said Paul McCartney was attempting to write a song in a mode like "Soldier Boy," by The Shirelles. McCartney refuted rumors: "It's not based in reality, nor did I write it to my girlfriend from Hamburg, which some people think."

    There is no bargaining for a relationship here, one already exists threatened by the physical separation of distance - "Keep all my love forever" from "I'll always be true"; there is a reunion promised at a mutual Home.

    In a sort of brisk calypso Latin-Rock style, they used a cha-cha beat, with session drummer Andy White providing subtle percussion while Ringo Starr rattled a maraca.

    << ...The bridge is more traditional in structure and chord choices than the verse, but the tune relies on unexpected tonalities, mixing familiar chords with ones more appropriate to jazz...

    The backing vocals by Lennon and Harrison highlight certain syllables in the lyrical phrases of the verse, starting with first syllable, concluding with the final two syllables.

    The tune derives some drama from variations in these backing vocals: in the intro and first appearance of the bridge, they seem to be in unison with the lead vocal - but when the bridge returns, the backing vocalists have taken over the
    lead role, and Paul scats around them for an exhilarating twist; and in the final, fourth instance of the verse, the backing vocals come in slightly sooner than the lead, and the syllabic emphasis diminishes, so it sounds more like the unison singing in
    the first bridge.

    After a triple repeat of the "You, you, you" line, there is some rhythmic strumming, a final invocation of "I love you," and the tune simply halts with a cessation of the rhythm.

    The title nearly intones,

    "P-X,
    I love you,"

    which could be a subtly hidden reference to the Christian symbol for Jesus consisting of an elongated letter "P" with an "X" crossing its shaft, representing the Greek letters Chi and Rho respectively, since that is how they began to spell
    the word "Christ" - this notion was probably conscious, because it seems pivotally hinted by the first line,

    "As I write this
    *Letter*"

    ...the protracted scat-crooning of "you, you, you" in the lead vocal resembles,

    'You -
    Re-
    New!'


    The band joked in a Christmas message recorded for fans about their early hit "From Me To You" having become a standard; they would look back on their early phases as a sort of rut, full of personal pronouns to engage listeners, yearning
    for some exotic chords or rhythms to avoid any impression of monotony, despite the pop song-crafting inherently utilizing repetition.

    There is no substitute to actually hearing the music for getting intended deeper messages, since they would not be apparent in the overt lyrical content, but how it is treated, and not in the instrumental notation, but in how those
    performances were meant to strike the ear.

    John Lennon would later explain The Beatles as a unified group was about forging ahead and getting the collective task accomplished, while being aware it might take well into the next century for people to process what was produced. George
    Harrison wrote The Beatles had thrown boulders into the collective consciousness with the ripples yet to manifest.

    Lennon commented on the unconscious Christ-transference, earning him the so-called apology interview, where he responded to aggressive journalists with thoughtful contemplations of how Jesus of the gospels would perceive what they were
    experiencing at their concerts. The seeds of that conflict between Faith-Based-Art and Faith-Lacking-Base were evident even in the B-Side of their first vinyl release from 5 October 1962.

    https://www.amazon.com/Comedy-Eros-Beating-Time/dp/1549657755
    Venus At Its Saturnin Nadir
    With Relics Exuding Myrrh

    Reviewing the hagiology, 16 November 2022 for Saint Gratia (for the Isle de Graye hint) could hold because of the US House chamber partisan majority announcement with Venus at the Geneva Nadir: the quatrain was V.16, whose numeration matches
    the date.

    The theme of smoke as from Frankincense due to burning human flesh in V.16 presents one of the Magi gifts as an aspect of cataclysmic horror; the 'Fire color of Gold' in II.92 presents another.

    As for the third Magi Gift of Myrrh, this is associated with Smyrna, and there is a near anagram through Syrmium, Pannonia, for Saint Artaxus, martyr in a group circa 3rd or 4th century, with a 2 January feast.

    A more likely possibility is the 28 December date being inferred by omission through Saint Simon of Athos, whose relics purportedly exude myrrh.

    https://www.oca.org/saints/lives/2022/12/28/103680-venerable-simon-the-myrrh-gusher-of-mount-athos

    << Saint Simon the Myrrh-Gusher lived an ascetical life on Mt Athos, and was glorified by many miracles. He was the founder of the New Bethlehem monastery, now known as Simonopetra. One night, he saw a star of such brightness that he thought
    it must be the Star of Bethlehem. Seeing the star remain motionless for several nights, he thought at first that it was a demonic temptation. On the eve of the Lord’s Nativity the star stood over a high rock, and Saint Simon heard a voice say, “Here,
    O Simon, you must lay the foundations of your monastery for the salvation of souls.” He built the monastery and called it New Bethlehem.

    He reposed in the year 1287, and his holy relics exude myrrh. >>

    The Second of January has a Lombardy connection, through Saint Martinian (aka Maternian), bishop of Milan; consecrated in 423, Martinian attended the Council of Ephesus, and opposed the heresy of Nestorianism denying Mary the title 'Mother of
    God.'

    Also for 2 January, Saint Basil the Great (d. 379) is a very likely candidate for the Bible-reading person of renown in V.83: a learned and eloquent orator, Basil was bishop of Caesaria, opposing simony and Arianism; called Great in life, and
    declared a Doctor of the Church in death, Basil appears to simultaneously be the character from VI.78 line 4 whose feast perhaps marks the initial cultural stirrings towards spiritual Redemption.

    Puis par eux-memes Basil grand reclame

    Translating Basil as Lord and presuming the Second Coming Christ is being reclaimed goes too far.

    Then through Great Basil themselves reclaimed

    It is a simple matter of rearranging the poetic syntax into something esoterically plausible.

    The Lady honored through force of terror (I.94) could indicate the feast for Blessed Virgin Mary on January First.

    There is a Saint Rhodes with a 3 January feast, which V.16 line 4 could make the 2023 date for the first sighting of the Garabandal Miracle for its 'Lasting Phantom.' Garabandal is in the same time zone as Geneva, using CET, with a shift of
    coordinates. Venus will commence a new reign entering Aquarius 3 January 2023 3:10 am CET; this Venusian reign ends about 31 hours later when Venus exceeds the relative location of Jupiter 4 January 2023 10:09 am CET.

    The Miracle stipulations were met 13 May 2021, the foretold 8:30 pm CEST local Garabandal time was synchronized with a Mercury lunar conjunction (Fortune was opposing Venus about ten minutes later): this was an Ascension Thursday; and the
    story of concurrently-honored Blessed Imelda matches as an unusual martyr of the Eucharist, dying from her first Communion, after a spectral Host appearing over her persuaded the priest to let her receive the Sacrament earlier than planned.

    On 3 January 2022, there will be a Mars lunar conjunct also in the evening, at 8:47 pm CET; Fortune conjoins Neptune two minutes later. The vision of the Miracle was shared by a young priest (story retold in "A Temple Of Many Mansions") who
    was ecstatic, yet died hours later (the young girl visionaries said he would be found incorrupt, but he was later exhumed and this was not the case). The coincidence of these two dates having major planetary lunar conjunctions in the evening for
    Garabandal may be significant, so it can be presumed the Miracle would be first visible in this scenario shortly before 3 January 2022 9 pm CET. Garabandal is directly below Liverpool, with the apparitions beginning on 18 June 1961 (Paul McCartney's
    nineteenth birthday); Hamburg is directly east of Liverpool.

    As the world was mystified by the unexplained phenomenon at Garabandal, The Beatles were honing their craft at Hamburg nightclubs, and evolving into their collective long-haired personas. Returning to Liverpool, the band found new success
    when being promoted as 'Direct From Hamburg,' causing the British audience to presume they were an unfamiliar foreign act.

    https://www.amazon.com/Temple-Many-Mansions-Standard-Exploits/dp/1549656449

    The text explains how the Israelis regaining Jerusalem in June 1967 was a key factor in both the prophecy of Daniel and the Revelation vision, occurring within a seven-year period whose significance was not widely comprehended.

    The Miracle as Henoch's Sword would not be a static Metaphysical Monument, but activate as hinted in V.42 at a later date (using Mars for a timing clue), driving the wicked into an Abyss that opens simultaneously in two dimensions, as Charles
    VIII drove the Savoyards from France to Turin, Italy, circa 1495.

    So if the Saturnin interval has been properly defined for lunar conjunctions, the Moon subsequently reaching Vesta would be the limiting temporal parameter. The judicial astrology for the remainder of the Saturnin interval in Geneva shows
    several elements previously observed, however the precise details are unique (using CET):

    27 December 2022 6:40 pm - Neptune conjunct Juno;

    10:28 pm to 10:39 pm - The Moon and South Node form a Grand Trine with the Part of Fortune;

    28 December 2022 12:38 am - Sun at Nadir;

    1 am - Upright Grand Trine peaks with Midheaven-Apex, the Moon and South Node trine line forming the horizontal base;

    1:47 am - Venus at Nadir, Pallas at Midheaven (their opposition occurred 27 December 2022 8:28 pm) - this could be the cataclysmic onset time -

    << 28 December 2022 1:47 am CET / 27 December 2022 7:47 pm EST / 4:47 pm PST >>;

    1:55 am - Mercury at Nadir, Ouranos conjoined by the Vertex;

    3:29 am to 3:32 am - East Point forms a Grand Trine with Pallas and Neptune-Juno;

    3:47 am - Saturn at Nadir, South Node at Ascendant;

    4:48 am to 4:53 am - Ascendant forms a Grand Trine with Pallas and Neptune-Juno;

    5:18 am to 5:28 am - Grand Trine of Moon-Vesta with South Node and the Vertex;

    5:30 am - Vesta lunar conjunct (ends Saturnin interval).

    The Upright Lunar Grand Trine at 1 am CET appears particularly ominous, as though the Upturned Cup (with Venus beneath) and Divine Trinity concepts are visually merged, shortly before Venus reaches the Nadir position, which is technical
    debasement (X.28); the Moon involved somehow as Neptune consummates its union with Juno demonstrates further perplexity for III.3, beyond the two being in Pisces.

    The opposition of Venus and Pallas puts the latter at Midheaven, reminding of the theme from II.66 about being trapped from 'Palais' for Pallas.

    The eight-minute gap between Venus and Mercury reaching the Nadir should be critical, with X.79 calling Mercury Great perhaps ironically for positioning at the Nadir: High-Born Venus would mark the onset, with the massive fatalities occurring
    by Mercury's time, as the Great Nephew of II.92.

    The most compelling factor for fixing the date of this double fire-and-water catastrophe at 28 December 2022 is the honoring of Saint Simon of Mount Athos, whose relics exude myrrh: this would complete the Magi Gift Attack scenario, when
    supplied with the horrific manifestations of Frankincense-like smoke and Golden fire.
    Looking slightly past the Vesta lunar conjunct, while still in 28 December 2022 for the Myrrh connection with Saint Simon of Mount Athos, the Geneva chart shows circumstances potentially complying for the Saturn-Vesta shift applied to their
    consecutive risings at the Ascendant, when a moment unequivocally focuses a spotlight on planet Venus, in yet another Grand Trine.

    Saturn rises 10:47 am CET; Vesta is at the Ascendant later, at 11:33 am CET.

    A Venusian Grand Trine forms with conceptual points the Vertex and Fortune acting in tandem at about 11:31 am CET, peaking around 11:35 am CET, then quickly disintegrating, just as Vesta is emerging on the horizon, like an actor making an
    entrance on cue.

    If Saturn and Vesta herald the double cataclysm in this way, the notable feature of the Grand Trine in the chart would point conclusively towards Venus, on the day to complete the Magi Gift theme with Myrrh, and the critical time would be -

    << 28 December 2022 11:31 am CET / 5:31 am EST / 2:31 am PST >>

    However for the projected Miracle Awareness Day of 3 January 2023, the Mars lunar conjunct under a Venusian Reign has Venus and Mars potentially alright that night for Garabandal.
    With the Neptune lunar conjunct on the 28 December 2022 date providing unequivocal perplexity for III.3, on the feast of Saint Simon of Mount Athos for the contribution of Myrrh to the Magi Gift Attack scenario (II.92, V.16), the judicial
    astrology should be approached with extreme flexibility.

    Using CET and Geneva coordinates for that date:

    5:30 am - Vesta lunar conjunct;

    4:39 pm to 4:44 pm - Vertex in Grand Trine position for Pallas and Neptune, Venus opposing Pallas;

    4:51 pm - Dusk brings jump for Fortune from lunar opposition (around 19 degrees Virgo) to nearly 25 degrees Aries;

    7:47 pm to 8:14 pm - Fortune moves through positions to form a Grand Trine with Ceres and Pluto - since Venus and Mercury are near Pluto, Venus seems poised beneath the lip of a tipping Cup;

    8:44 pm - Saturn reaches the Descendant;

    9:21 pm - Pallas lunar trine;

    10:35 pm - Vesta at Descendant (X.6);

    11:05 pm - Neptune lunar conjunct (III.3);

    11:28 pm - Neptune at Descendant;

    11:29 pm - Moonset, Fortune in Solar opposition, the Vertex at Vesta;

    11:31 pm - Juno at Descendant;

    11:32 pm - Saturn trine Midheaven (IX.44), as another 'Oblong Box' presentation appears, having the Ascendant trine Venus, with Pallas and Neptune-Moon also all around 22-23 degrees in their respective signs (II.66);

    11:53 pm - Juno lunar conjunct.

    Saturn falling at the Descendant precedes by about half an hour Venus joined by the Vertex, then three minutes later the Vertex has moved on to Mercury - yet the Vertex merely conjoining a celestial body appears too minor in itself to play a
    major role in the denouement of this elaborate scheme.

    The Vesta designation of X.6 would remain from its lunar conjunct of 5:30 am CET, until the Neptune lunar conjunct. Since Juno is very close to Neptune, the appearance of the rectangular configuration during the 48-minute gap between their lunar
    conjunctions appears ominous.

    The lunar conjunction sequence of Saturn, Vesta, Neptune may be indicated with isolated warnings for each, muddling things when precise clarity is sought: Saturn was joined by the Moon 26 December 2022 7:20 pm CET. However, the Saturn-Midheaven
    trine synchronized with the critical time potentially justifies the urgency of the Saturnin warnings on that basis alone. And Vesta falling at the Descendant precedes the critical Neptune-Moonset by less than an hour.

    The proximity of Neptune to Juno at the time of its lunar conjunct could provide the implied perplexity of III.3, spotlighting the period of less than an hour until the Moon reaches Juno.

    The seer could have created the device of being trapped within the 'Pallas' of II.66 because the Revelation Cup symbolism was too temporally inexact for his illuminated version; the phrasing 'Chief pail of water' in IV.58 supports the theory
    Saint John's vision has been generically reprocessed. Venus seemed debased by being placed beneath Pallas at her Nadir 28 December 2022 1:47 am CET, as a condition of judicial astrology that should shortly precede the explosive onset, reigning Jupiter
    placing his wretched daughter Venus (as Mystery Babylon) in the 'Palace Basement Dungeon.'

    The Great Mercury of X.79 in this timing context would be the Venus-Mercury conjunct occurring 29 December 2022 2:55 pm CET.

    Presuming the Venusian trine with the Ascendant during the Oblong Box for setting Neptune-Moon will be the triggering aspect derives the critical time as

    << 28 December 2022 11:32 pm CET / 5:32 pm ST / 2:32 pm PST >>

    The rectangular configuration has proportions very similar to the yellow oblong area seen above The Beatles on their debut album sleeve cover photo, when they leaned over the balcony at EMI headquarters - the image was reprised later circa 1969,
    tentatively for the Get Back sessions, but was ultimately used for the latter half of the double vinyl career compilation (1966-1970) with a blue border.

    https://www.elsewhere.co.nz/culturalelsewhere/9161/angus-mcbean-photographer-the-first-iconic-beatles-album-cover-2019-a-snapper-making-it-snappy/
    The notion of the Oblong Box presenting a trapped circumstance, hinted by Pallas being involved with II.66, is one way of interpreting the judicial astrology imagery.

    Another approach would be to marvel at how the rectangular shape is potentially the side-view of a cylindrical modern drinking glass vessel.

    Then comparing the two appearances it can be observed how Venus could drink from the Glass, the contents of which are shown by respective Saturn trines.

    In the first case, Christmas Day 1:44 am CET, Venus was at the Nadir, and the rectangle's lowest point was Mercury near Venus, with Pallas, Neptune, and the fast-moving Part of Fortune; Saturn was in a trine with the East Point that cut across the
    lower portion of the Glass, suggesting a small amount of fluid sloshing at the bottom, with the open-end above between Pallas and Fortune.

    The Glass is neither full nor oriented to pour.

    For the second case, the Myrrh Day of 28 December 2022 11:32 pm CET, Venus herself is at the low point of the Glass, which is turned so Neptune with the Moon at the Ecliptic seems the upper lip of the open-end (the sextile line between the
    Ascendant and Pallas would be the upper, closed-end); the lengthier trine lines form the cylindrical walls of the conceptual Glass.

    Now Saturn in trine with the Midheaven point paints a different picture, bisecting the Neptune-Moon portion at an oblique angle: the Glass thus appears completely Full, with a small gap of air at the top as its contents implicitly gush out upon
    Venus.

    The Cup symbolism of Revelation was not outdated despite its ancient source, but too sophisticated (referring to line drawings in judicial astrology) to be perceived initially in its advanced form as the Modern Drinking Glass, far from being
    limited to the simpler appearances of the Grand Trines.
    Venus Drains The Cup With Saturn Marking Meager Dregs [29 December 2022 11:31 am CET / 5:31 am EST]

    The Draining Phase for the Cylindrical Vessel celestial manifestation was observed for Geneva charts following the Pouring Phase about twelve hours earlier when the Moon was between Neptune and Juno.

    This is preceded by Saturn rising 29 December 2022 10:43 am CET - continuing with similar parameters:

    11:21 am to 11:35 am - The Vertex moves into position in Virgo for the rectangular Cylindrical-Vessel, with Venus-Mercury around 24 degrees Capricorn, Neptune-Juno around 23 degrees Pisces, and Pallas nearing 22 degrees Cancer;

    11:30 am - Vesta at the Ascendant;

    11:31 am - Saturn sextile Midheaven bisects the upper section where Venus-Mercury seems to be up-ending the Cylinder, at a very slight angle so it visually suggests some remnant dregs that failed to pour out at the very upper-corner;

    11:50 am - As Neptune-Juno reaches the Ascendant, the Cylinder-Vessel impression is sustained as the Vertex progresses, finding a new connection with Lilith to replace Pallas at the lowest corner, in trine with the impending Jupiter-Moon union (by
    then the Saturn-Midheaven aspect is inconsequential, about 4.5 degrees off);

    1:12 pm - Jupiter lunar conjunct;

    1:49 pm - Venus and Mercury arrive at Midheaven;

    2:55 pm - Venus and Mercury have their conjunction (perhaps as the Great Mercury of X.79).

    Since Saturn is generally given as the agent of change, its Midheaven sextile during the Draining Vessel prodigy suggests the critical time should be -

    << 29 December 2022 11:31 am CET / 5:31 am EST / 2:31 am PST >>

    The reconstitution of the Vessel structure with Lilith as back-up for Pallas accentuates the feeling of tangibility, as well as functionally enacting the draining of every last drop from the Cup of Divine Wrath.

    *

    Lors aura Rome un nouveau Leopard

    Then Rome will have a new Leopard...

    {VI.20 ... I.23}

    Leopard lasse au ciel etend son oeil

    The tired Leopard extends his gaze heavenward
    Papa Ratzinger?

    Saturn Line Doubles To Pour Over Venus,
    Vesta Struck By The Vertex
    [29 December 2022 11:27 pm CET / 5:27 pm EST]

    Having learned from studying the intricacies of judicial astrology on a more advanced level, after examining the Geneva charts circa the 13 July 2022 Super-Moon, the 25 October 2022 solar eclipse (which I.52 warns was prelude to an apocalyptic-type
    plague, such as one would hear about in church), and the discovery that the observed Oblong Box formation was likely the 'Ancient Urn,' depicted as a modern Cylindrical Vessel (shaped like a water-drinking glass), a definitive timing can be more
    effectively deduced.

    This contemporary augury has not occurred in an academic vacuum, but while acknowledging various major concurrent news events, such as the home invasion hammer attack on Paul Pelosi, the prisoner exchange whereby Brittney Griner was released, and so on,
    often predicted with confirmatory facts.

    The rectangular configuration being sustained except for a single corner makes the pattern completed at two points in the day for Geneva: with the Vertex around 11:15 am CET; and with the Ascendant and East Point around 11:15 pm CET. The morning
    condition places Venus incorrectly at an upper corner, so this is not consequential to the cataclysmic timing, while the near-midnight circumstances ominously comply.

    For the evening of 29 December 2022, there are two differences: first, following the Venus-Mercury conjunct, Mercury is now on the outside corner, with Venus close to Pluto (also called Hades); second, this is the instance in the cycle when the Saturn-
    Midheaven trine occurs closest to a Saturn-Fortune trine, doubling the effect of the 'Liquid-Level-Setting' line.

    For the evening of 29 December 2022 using Geneva coordinates and CET:

    11:13 pm - Saturn trine Fortune;

    11:18 pm - Pallas trine Ascendant;

    11:27 pm - Vesta conjunct Vertex, Descendant between Neptune and Juno (less than a degree apart);

    11:29 pm - Saturn trine Midheaven;

    11:32 pm - Pallas trine East Point;

    11:33 pm - Mercury trine Ascendant;

    11:42 pm - Mercury trine East Point.

    The Cylindrical-Vessel configuration appears formed from the 11:18 pm Pallas trine with the Ascendant; it is reconstituted using the East Point (as a conveniently nearby Ascendant backup) around 11:32 pm; the configuration breaks up around 11:40 pm (with
    Pallas then over four degrees from its East Point trine).

    Saturn is in its respective trine aspects with Fortune and East Point about fifteen minutes apart. Again the Saturn trine lines, now reinforced with Fortune added to the Midheaven aspect, indicate the Vessel Full and Overflowing onto Venus at the inside
    bottom-lip position.

    The Vesta conjunct with the Vertex appears to be the triggering factor, occurring just as the Descendant slips between Neptune and Juno, less than a degree apart. This precedes the first trine for Mercury to form the pattern, conforming with the II.92 of
    massive fatalities occurring by the time of the Great Nephew; the Revelation theme puts the spotlight on Venus as being the High-Born target struck, despite her implicit passivity in the critical chart.

    So the critical time is calculated for

    << 29 December 2022 11:27 pm CET / 5:27 pm EST / 2:27 pm PST >>

    The following day will present a less ominous circumstance, with the Saturn trines for Midheaven and Fortune over fifty minutes apart (11:26 pm and 12:17 am).

    The administering of Last Rites for Pope Emeritus Benedict XVI appears predicted, along with his initial rise to the papacy, using the codename Leopard - an article was found discussing Benedict as incoming pope with a title asking whether this Leopard
    could change his spots.

    Lors aura Rome un nouveau Leopard

    Then Rome will have a new Leopard...

    This line is from VI.20, a quatrain that actually begins regarding The Beatles' breakup in 1970 as a 'Make-Believe Union' of regrettably short duration.

    L'union feinte sera peu de duree

    The Make-Believe Union will not seem to last long enough

    The societal change they wrought is in the next line, as stimulating further progressive change -

    Des uns changes reformes la plupart

    From those changed the majority reformed

    The line about Benedict now is at the end of I.23 -

    Leopard lasse au ciel etend son oeil

    The tired Leopard extends his gaze heavenward

    The quatrain flashes back to the interregnum prior to the conclave for selection of a new pope after John Paul II in April 2005: the field of Mars was the interregnum mentioned in IX.50, remarking the red one becomes pale, confirming his prophecy through
    the Mars-Neptune conjunct of 13 April 2005.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Famous Amos@21:1/5 to eagali...@gmail.com on Fri Dec 30 07:03:36 2022
    On Sunday, December 25, 2022 at 2:04:03 PM UTC-5, eagali...@gmail.com wrote:
    In my book on the debut album by The Beatles, "The Comedy Of Eros," after the section for "Love Me Do," the B-Side "P.S. I Love You" had its analysis, covering the contrasting commitment factor, appending a postscript statement further justifying the
    lyrical command of the A-Side.

    John Lennon said Paul McCartney was attempting to write a song in a mode like "Soldier Boy," by The Shirelles. McCartney refuted rumors: "It's not based in reality, nor did I write it to my girlfriend from Hamburg, which some people think."

    There is no bargaining for a relationship here, one already exists threatened by the physical separation of distance - "Keep all my love forever" from "I'll always be true"; there is a reunion promised at a mutual Home.

    In a sort of brisk calypso Latin-Rock style, they used a cha-cha beat, with session drummer Andy White providing subtle percussion while Ringo Starr rattled a maraca.

    << ...The bridge is more traditional in structure and chord choices than the verse, but the tune relies on unexpected tonalities, mixing familiar chords with ones more appropriate to jazz...

    The backing vocals by Lennon and Harrison highlight certain syllables in the lyrical phrases of the verse, starting with first syllable, concluding with the final two syllables.

    The tune derives some drama from variations in these backing vocals: in the intro and first appearance of the bridge, they seem to be in unison with the lead vocal - but when the bridge returns, the backing vocalists have taken over the lead role, and
    Paul scats around them for an exhilarating twist; and in the final, fourth instance of the verse, the backing vocals come in slightly sooner than the lead, and the syllabic emphasis diminishes, so it sounds more like the unison singing in the first
    bridge.

    After a triple repeat of the "You, you, you" line, there is some rhythmic strumming, a final invocation of "I love you," and the tune simply halts with a cessation of the rhythm.

    The title nearly intones,

    "P-X,
    I love you,"

    which could be a subtly hidden reference to the Christian symbol for Jesus consisting of an elongated letter "P" with an "X" crossing its shaft, representing the Greek letters Chi and Rho respectively, since that is how they began to spell the word "
    Christ" - this notion was probably conscious, because it seems pivotally hinted by the first line,

    "As I write this
    *Letter*"

    ...the protracted scat-crooning of "you, you, you" in the lead vocal resembles,

    'You -
    Re-
    New!'


    The band joked in a Christmas message recorded for fans about their early hit "From Me To You" having become a standard; they would look back on their early phases as a sort of rut, full of personal pronouns to engage listeners, yearning for some
    exotic chords or rhythms to avoid any impression of monotony, despite the pop song-crafting inherently utilizing repetition.

    There is no substitute to actually hearing the music for getting intended deeper messages, since they would not be apparent in the overt lyrical content, but how it is treated, and not in the instrumental notation, but in how those performances were
    meant to strike the ear.

    John Lennon would later explain The Beatles as a unified group was about forging ahead and getting the collective task accomplished, while being aware it might take well into the next century for people to process what was produced. George Harrison
    wrote The Beatles had thrown boulders into the collective consciousness with the ripples yet to manifest.

    Lennon commented on the unconscious Christ-transference, earning him the so-called apology interview, where he responded to aggressive journalists with thoughtful contemplations of how Jesus of the gospels would perceive what they were experiencing at
    their concerts. The seeds of that conflict between Faith-Based-Art and Faith-Lacking-Base were evident even in the B-Side of their first vinyl release from 5 October 1962.

    https://www.amazon.com/Comedy-Eros-Beating-Time/dp/1549657755





    Yo...how Manny cops of Trumps tradin Cod's have YUO odoured????

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Curtis Eagal@21:1/5 to amosfa...@gmail.com on Fri Dec 30 11:49:55 2022
    On Friday, December 30, 2022 at 7:03:38 AM UTC-8, amosfa...@gmail.com wrote:
    On Sunday, December 25, 2022 at 2:04:03 PM UTC-5, eagali...@gmail.com wrote:
    In my book on the debut album by The Beatles, "The Comedy Of Eros," after the section for "Love Me Do," the B-Side "P.S. I Love You" had its analysis, covering the contrasting commitment factor, appending a postscript statement further justifying the
    lyrical command of the A-Side.

    John Lennon said Paul McCartney was attempting to write a song in a mode like "Soldier Boy," by The Shirelles. McCartney refuted rumors: "It's not based in reality, nor did I write it to my girlfriend from Hamburg, which some people think."

    There is no bargaining for a relationship here, one already exists threatened by the physical separation of distance - "Keep all my love forever" from "I'll always be true"; there is a reunion promised at a mutual Home.

    In a sort of brisk calypso Latin-Rock style, they used a cha-cha beat, with session drummer Andy White providing subtle percussion while Ringo Starr rattled a maraca.

    << ...The bridge is more traditional in structure and chord choices than the verse, but the tune relies on unexpected tonalities, mixing familiar chords with ones more appropriate to jazz...

    The backing vocals by Lennon and Harrison highlight certain syllables in the lyrical phrases of the verse, starting with first syllable, concluding with the final two syllables.

    The tune derives some drama from variations in these backing vocals: in the intro and first appearance of the bridge, they seem to be in unison with the lead vocal - but when the bridge returns, the backing vocalists have taken over the lead role,
    and Paul scats around them for an exhilarating twist; and in the final, fourth instance of the verse, the backing vocals come in slightly sooner than the lead, and the syllabic emphasis diminishes, so it sounds more like the unison singing in the first
    bridge.

    After a triple repeat of the "You, you, you" line, there is some rhythmic strumming, a final invocation of "I love you," and the tune simply halts with a cessation of the rhythm.

    The title nearly intones,

    "P-X,
    I love you,"

    which could be a subtly hidden reference to the Christian symbol for Jesus consisting of an elongated letter "P" with an "X" crossing its shaft, representing the Greek letters Chi and Rho respectively, since that is how they began to spell the word "
    Christ" - this notion was probably conscious, because it seems pivotally hinted by the first line,

    "As I write this
    *Letter*"

    ...the protracted scat-crooning of "you, you, you" in the lead vocal resembles,

    'You -
    Re-
    New!'


    The band joked in a Christmas message recorded for fans about their early hit "From Me To You" having become a standard; they would look back on their early phases as a sort of rut, full of personal pronouns to engage listeners, yearning for some
    exotic chords or rhythms to avoid any impression of monotony, despite the pop song-crafting inherently utilizing repetition.

    There is no substitute to actually hearing the music for getting intended deeper messages, since they would not be apparent in the overt lyrical content, but how it is treated, and not in the instrumental notation, but in how those performances were
    meant to strike the ear.

    John Lennon would later explain The Beatles as a unified group was about forging ahead and getting the collective task accomplished, while being aware it might take well into the next century for people to process what was produced. George Harrison
    wrote The Beatles had thrown boulders into the collective consciousness with the ripples yet to manifest.

    Lennon commented on the unconscious Christ-transference, earning him the so-called apology interview, where he responded to aggressive journalists with thoughtful contemplations of how Jesus of the gospels would perceive what they were experiencing
    at their concerts. The seeds of that conflict between Faith-Based-Art and Faith-Lacking-Base were evident even in the B-Side of their first vinyl release from 5 October 1962.

    https://www.amazon.com/Comedy-Eros-Beating-Time/dp/1549657755
    Yo...how Manny cops of Trumps tradin Cod's have YUO odoured????

    << Sir Paul McCartney has revealed he lambasted Donald Trump in his new solo album – branding the US president a "mad captain" in one of the songs.

    The Beatles star said he had climate change deniers such as Mr Trump in his mind when penning a song called “Despite Repeated Warnings” on Egypt Station, his 18th solo album which was released earlier this month.

    The track contains lyrics such as “despite repeated warnings of dangers up ahead, the captain won’t be listening to what’s been said”, and “those who shout the loudest, may not always be the smartest".

    Sir Paul revealed the thinking behind his song during an interview with the BBC on Thursday.

    The 76-year-old said he made the track to “basically say, 'occasionally, we’ve got a mad captain sailing this boat we’re all on and he is just going to take us to the iceberg [despite] being warned it's not a cool idea’.”

    When pressed about who he was thinking of when he dreamt up the words “mad captain”, Sir Paul said: “Well I mean, obviously it’s Trump.”

    He added: “But I don’t get too involved because there’s plenty of them about. He’s not the only one.” >>

    https://www.independent.co.uk/arts-entertainment/music/news/paul-mccartney-donald-trump-criticism-mad-captain-sailing-boat-egypt-station-album-a8539976.html

    << One of the biggest stars of last weekend’s Conservative Political Action Committee (CPAC) conference was a golden idol of Donald Trump. It was at least the shiniest. The stainless-steel sculpture is a life-size depiction of the 45th president,
    holding a copy of the Constitution and wearing shorts fashioned after the American flag.

    The work, titled We the People aka Trump and His Magic Wand (2019), is credited to artist and Trump fan Tommy Zegan. But while Trump campaigned on saving American jobs, it turns out that not only was the sculpture manufactured in China, it was conceived
    in part by a Mexican artist. Jose Mauricio Mendoza has revealed that he shares equal credit for the work, which was based on Trump bobblehead dolls, with Zegan.

    Mendoza just stayed in the shadows so his Mexican heritage wouldn’t detract from the sculpture, he has said. “I was the architect of this,” Mendoza told Politico’s Playbook. Racism would have prevented Trump fans from buying a sculpture made by a
    Mexican, he said. “No one is going to buy ‘Jose’ stuff, at least not a Donald Trump statue.” >>

    https://news.artnet.com/art-world/golden-trump-statue-cpac-1948607

    Proche a descendre l'armee Crucigere
    Sera guette par les Ismaelites

    As the Cross-bearing army approaches descent
    It will be ambushed by the Ishmaelites

    [IX.43]

    << A gold star family member as guest of the White House. A presidential call-out. The heartfelt applause and the raw emotions.

    The scene was a time-honored ritual, a public tribute to the price paid by a warrior and his family. What made it unusual, however, was how Ryan Owens died. His death came just days into the new administration, in a country virtually unknown to the
    American public, on a troubled mission approved and ordered by a team that had never worked together before, for a purpose that Owens' own father, a former special operator himself, questions.

    "It was a screw-up from the start that ended badly," Bill Owens told NBC News in an exclusive broadcast interview. >>

    https://www.nbcnews.com/news/us-news/how-trump-team-s-first-military-raid-went-wrong-n806246

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)