[continued from previous message]

Then Paul starts ad-lib singing, "Yeah, yeah," etc. So the Blue Moon inference (presumably for 31 May 1969) was built into the tune at that point. [Our most recent Blue Moon was 31 October 2020, days before the election that was more than contested.]
An episode of "Gilligan's Island" had a character posing as a medium to raise morale, predicting a boat to rescue the Castaways would appear when the Moon was blue - discovering Madame Ginger was a fraud allowed them to ignore when there was a boat on
the horizon while the Moon had a bluish tinge (not the real meaning of a Blue Moon).

The energetic backing vocals also seem to carry a message beyond the obvious variation on the title, aurally twisting for this tangent into,

'A Wicked
Hybrid
Co-HORT!'

In the stereo version the strong vocal punch of the last syllable is subdued in the mix beneath the lead vocal commencing its next line. And the sustained harmonic backing first suggests an incredulous 'How?!' then repeats that into a full phrase with,

'How -
Out-
LAW!'

After the first solo (described before) there are a few bars of the verse, then a second, faster electric guitar solo, elaborating on the same theme (after the lyric "Make you"), transcribed as,

'THE
Visit will CARRY
The Nephilim
Hybrid-
Cohort!'

The word 'Carry' is bent as if being sung; the word 'Cohort' is delivered quickly at the end.

The coda is where the two versions diverge most significantly. For the mono mix, there are strong notes with a weird pitch, suggesting,

'PUR-
I-
FI-
CA-
TIONNN...'

The final note protracts into sustained distortion. Ringo Starr drums something (with greater energy than in the stereo alternate) implying,

'That's The Day -
When We're Truly
"Going BIB-LICAL!"'

In the wake of this break, the sound landscape has become trodden by otherworldly groaning strains, lumbering about like dinosaurs: these seem to be conveying,

'PUR-i-FY...
CLEANSE The Earth,
PURE...'

That is how the mono mix concludes in fade-out; the stereo version has a different instrumental break into the coda. Instead of using the term 'Purification,' they use a parallel term 'Preparation': The Hopi speak of Purification Day; Conchita of
Garabandal said The Warning event could better be called The Preparation, or The Purification. It would be a time when everyone would become conscious of their personal sins simultaneously, however more is involved since there would be a lethality
factor. Once people were purified spiritually by this experience they could perceive The Miracle placed at the site of their visions.

Stipulations for The Miracle were met 13 May 2021, Ascension Thursday, feast day for Blessed Imelda dying at First Communion, with a Mercury lunar conjunct at the critical 8:30 pm local time. Nostradamus has something marvelous appearing after the world
trembles.

The stereo coda has the longer loud instrumental break, sounding like,

'UN-TIL
PREP-A-RATION
DAYYY...'

Then Ringo drums the more sedate equivalent to the mono version, implying,

'That's The Day -
When It Truly
Gets Biblical'

The ensuing sounds include the previous fade-out; except the stereo mix had a fade-in, with same otherworldly groaning guitar sounds, implying,

'Re-Storing
Ba-LANCE...'

The music settles sublimely on a sustained, expectant note suggesting,

'Clean -'

Then the electric guitar loudly screams,

'THE EARTH!!'

The double-shot on the drum added could merely indicate a double-exclamation point, but the sound is close to,

'- FROM
SIN!'

There Ringo makes the comment about 'blisters,' which in reverse says,

'Saviour
From Potential
Fire!'

The stereo version offers the hope that the Nephilim augmentation can be dealt with through the action of a specific date, however this probably does not involve returning them to the Moon. In Enoch's prophecy, an Abyss should open in both dimensions,
which would not only facilitate the Nephilim being banished to a subterranean Inferno, but also become the backdrop for the judgment of Humanity: he foresaw no dazzling Miracle, but instead a powerful Sword that could eventually drive the unrighteous
into the same Abyss.

The scenario of the Scarlet Beast has a fateful rise to power after the Abyss has opened. The Nephilim character that McCartney is role-playing has likely already attached to that leader, bent on sorting out who might escape execution by branding
themselves with signs of blasphemous worship of himself.

*

The Carter radio show replayed the outtake mentioned earlier, there was more to it, including Lennon referring to Jesus Christ as having given 'His Only Begotten Bread," mixing religious concepts.

Lennon could facetiously pretend he did not know what onomatopoeia was, saying he misheard it as 'Automatic pier,' yet the use of it is as simple as the "Beep beep"s of "Drive My Car." John was quite sophisticated, having used an old song from the '
Twenties' for the fade chant of "I Am The Walrus" - but he claimed that part was original,

'Got one, got one,
Ev'rybody's Got One'

There was an unmistakable similarity to the old tune with its,

'Oompah, umpah.
Stick it up your jumpah!'

When they were staging The Love Show, that documentary showed the remaining Beatles confused about how to deal with that, and Yoko settled it by suggesting they have singers simultaneously dedicated to either version, getting both together.

Lennon might have agreed to keep the group going for another cycle if McCartney had floated the notion of a real band name change: every time someone called them The Beatles, they could have corrected,

"No, we're not 'The Beatles' anymore - We're 'Beatles: The Second Go,' see you didn't get it the first time, so now we're repeating the whole thing."

--- SoupGate-Win32 v1.05
* Origin: fsxNet Usenet Gateway (21:1/5)

[continued from previous message]

Following the Moon-Nephilim tangent for "Helter Skelter" yielded something unexpected between the mono and stereo versions, which were known to end differently.

Firstly, the high-pitched guitar after the deeper-toned rambling riff only has the sequence given in the second iteration: the first time it is simpler (no "Silv'ry" invocation) -

'FROM

The MOON!'

The third time there is no screeching guitar part following the riff, only the deep bass tone, suggesting

'- FROM -...'

But instead of finishing the thought, a similar note follows implying,

'THE -'

This provides the proper grammatic article to introduce the circular repetition of the riff as 'an official thing' ('THE - Return Of The Nephilim, Return of the...'). As this is repeating into the coda, there are some oddly intrusive guitar notes

descending (after the vocalization, "Yes, she is"), sounding like

'When -
The -
Moon -
Turns -
Blue'

Then Paul starts ad-lib singing, "Yeah, yeah," etc. So the Blue Moon inference (presumably for 31 May 1969) was built into the tune at that point. [Our most recent Blue Moon was 31 October 2020, days before the election that was more than contested.]

An episode of "Gilligan's Island" had a character posing as a medium to raise morale, predicting a boat to rescue the Castaways would appear when the Moon was blue - discovering Madame Ginger was a fraud allowed them to ignore when there was a boat on
the horizon while the Moon had a bluish tinge (not the real meaning of a Blue Moon).

The energetic backing vocals also seem to carry a message beyond the obvious variation on the title, aurally twisting for this tangent into,

'A Wicked
Hybrid
Co-HORT!'

In the stereo version the strong vocal punch of the last syllable is subdued in the mix beneath the lead vocal commencing its next line. And the sustained harmonic backing first suggests an incredulous 'How?!' then repeats that into a full phrase with,

'How -
Out-
LAW!'

After the first solo (described before) there are a few bars of the verse, then a second, faster electric guitar solo, elaborating on the same theme (after the lyric "Make you"), transcribed as,

'THE
Visit will CARRY
The Nephilim
Hybrid-
Cohort!'

The word 'Carry' is bent as if being sung; the word 'Cohort' is delivered quickly at the end.

The coda is where the two versions diverge most significantly. For the mono mix, there are strong notes with a weird pitch, suggesting,

'PUR-
I-
FI-
CA-
TIONNN...'

The final note protracts into sustained distortion. Ringo Starr drums something (with greater energy than in the stereo alternate) implying,

'That's The Day -
When We're Truly
"Going BIB-LICAL!"'

In the wake of this break, the sound landscape has become trodden by otherworldly groaning strains, lumbering about like dinosaurs: these seem to be conveying,

'PUR-i-FY...
CLEANSE The Earth,
PURE...'

That is how the mono mix concludes in fade-out; the stereo version has a different instrumental break into the coda. Instead of using the term 'Purification,' they use a parallel term 'Preparation': The Hopi speak of Purification Day; Conchita of

Garabandal said The Warning event could better be called The Preparation, or The Purification. It would be a time when everyone would become conscious of their personal sins simultaneously, however more is involved since there would be a lethality factor.
Once people were purified spiritually by this experience they could perceive The Miracle placed at the site of their visions.

Stipulations for The Miracle were met 13 May 2021, Ascension Thursday, feast day for Blessed Imelda dying at First Communion, with a Mercury lunar conjunct at the critical 8:30 pm local time. Nostradamus has something marvelous appearing after the

world trembles.

The stereo coda has the longer loud instrumental break, sounding like,

'UN-TIL
PREP-A-RATION
DAYYY...'

Then Ringo drums the more sedate equivalent to the mono version, implying,

'That's The Day -
When It Truly
Gets Biblical'

The ensuing sounds include the previous fade-out; except the stereo mix had a fade-in, with same otherworldly groaning guitar sounds, implying,

'Re-Storing
Ba-LANCE...'

The music settles sublimely on a sustained, expectant note suggesting,

'Clean -'

Then the electric guitar loudly screams,

'THE EARTH!!'

The double-shot on the drum added could merely indicate a double-exclamation point, but the sound is close to,

'- FROM
SIN!'

There Ringo makes the comment about 'blisters,' which in reverse says,

'Saviour
From Potential
Fire!'

The stereo version offers the hope that the Nephilim augmentation can be dealt with through the action of a specific date, however this probably does not involve returning them to the Moon. In Enoch's prophecy, an Abyss should open in both dimensions,

which would not only facilitate the Nephilim being banished to a subterranean Inferno, but also become the backdrop for the judgment of Humanity: he foresaw no dazzling Miracle, but instead a powerful Sword that could eventually drive the unrighteous
into the same Abyss.

The scenario of the Scarlet Beast has a fateful rise to power after the Abyss has opened. The Nephilim character that McCartney is role-playing has likely already attached to that leader, bent on sorting out who might escape execution by branding

themselves with signs of blasphemous worship of himself.

*

The Carter radio show replayed the outtake mentioned earlier, there was more to it, including Lennon referring to Jesus Christ as having given 'His Only Begotten Bread," mixing religious concepts.

Lennon could facetiously pretend he did not know what onomatopoeia was, saying he misheard it as 'Automatic pier,' yet the use of it is as simple as the "Beep beep"s of "Drive My Car." John was quite sophisticated, having used an old song from the '

Twenties' for the fade chant of "I Am The Walrus" - but he claimed that part was original,

'Got one, got one,
Ev'rybody's Got One'

There was an unmistakable similarity to the old tune with its,

'Oompah, umpah.
Stick it up your jumpah!'

When they were staging The Love Show, that documentary showed the remaining Beatles confused about how to deal with that, and Yoko settled it by suggesting they have singers simultaneously dedicated to either version, getting both together.

Lennon might have agreed to keep the group going for another cycle if McCartney had floated the notion of a real band name change: every time someone called them The Beatles, they could have corrected,

"No, we're not 'The Beatles' anymore - We're 'Beatles: The Second Go,' see you didn't get it the first time, so now we're repeating the whole thing."

One possibility I heard is that Manson went to.the Cielo Drive house house formerly inhabited by Melcher, and encountered Sharon Tate instead. The possibility is that he mistook the beautiful blonde Tate for the beautiful blonde Candace Bergen (Melcher'
s girlfriend), and thought she was lying about not knowing where Melcher was..

Then again, I've also heard Manson was well aware that Melcher had moved to his mother Doris day's Mibu Beach house. He sent some of his followers there t 'creepy crawl' the place.

--- SoupGate-Win32 v1.05
* Origin: fsxNet Usenet Gateway (21:1/5)

[continued from previous message]

Manson was infuriated with Terry Melcher, Doris Day's son who was a music executive; he did not know who was inhabiting the house subsequent to Melcher, but thought they would be high-profile victims. The scene was littered with wallets stolen from

black men. The Manson cult had the delusion that black people would win a race war, but be unable to govern without their own bomb-sheltered white help, a sort of 'Wakanda Never' attitude. While Manson made a series of apparent miscalculations, the
malevolency that had taken control of him had a cold unwavering sense of being gratified.

Following the Moon-Nephilim tangent for "Helter Skelter" yielded something unexpected between the mono and stereo versions, which were known to end differently.

Firstly, the high-pitched guitar after the deeper-toned rambling riff only has the sequence given in the second iteration: the first time it is simpler (no "Silv'ry" invocation) -

'FROM

The MOON!'

The third time there is no screeching guitar part following the riff, only the deep bass tone, suggesting

'- FROM -...'

But instead of finishing the thought, a similar note follows implying,

'THE -'

This provides the proper grammatic article to introduce the circular repetition of the riff as 'an official thing' ('THE - Return Of The Nephilim, Return of the...'). As this is repeating into the coda, there are some oddly intrusive guitar notes

descending (after the vocalization, "Yes, she is"), sounding like

'When -
The -
Moon -
Turns -
Blue'

Then Paul starts ad-lib singing, "Yeah, yeah," etc. So the Blue Moon inference (presumably for 31 May 1969) was built into the tune at that point. [Our most recent Blue Moon was 31 October 2020, days before the election that was more than contested.]

An episode of "Gilligan's Island" had a character posing as a medium to raise morale, predicting a boat to rescue the Castaways would appear when the Moon was blue - discovering Madame Ginger was a fraud allowed them to ignore when there was a boat on
the horizon while the Moon had a bluish tinge (not the real meaning of a Blue Moon).

The energetic backing vocals also seem to carry a message beyond the obvious variation on the title, aurally twisting for this tangent into,

'A Wicked
Hybrid
Co-HORT!'

In the stereo version the strong vocal punch of the last syllable is subdued in the mix beneath the lead vocal commencing its next line. And the sustained harmonic backing first suggests an incredulous 'How?!' then repeats that into a full phrase

with,

'How -
Out-
LAW!'

After the first solo (described before) there are a few bars of the verse, then a second, faster electric guitar solo, elaborating on the same theme (after the lyric "Make you"), transcribed as,

'THE
Visit will CARRY
The Nephilim
Hybrid-
Cohort!'

The word 'Carry' is bent as if being sung; the word 'Cohort' is delivered quickly at the end.

The coda is where the two versions diverge most significantly. For the mono mix, there are strong notes with a weird pitch, suggesting,

'PUR-
I-
FI-
CA-
TIONNN...'

The final note protracts into sustained distortion. Ringo Starr drums something (with greater energy than in the stereo alternate) implying,

'That's The Day -
When We're Truly
"Going BIB-LICAL!"'

In the wake of this break, the sound landscape has become trodden by otherworldly groaning strains, lumbering about like dinosaurs: these seem to be conveying,

'PUR-i-FY...
CLEANSE The Earth,
PURE...'

That is how the mono mix concludes in fade-out; the stereo version has a different instrumental break into the coda. Instead of using the term 'Purification,' they use a parallel term 'Preparation': The Hopi speak of Purification Day; Conchita of

Garabandal said The Warning event could better be called The Preparation, or The Purification. It would be a time when everyone would become conscious of their personal sins simultaneously, however more is involved since there would be a lethality factor.
Once people were purified spiritually by this experience they could perceive The Miracle placed at the site of their visions.

Stipulations for The Miracle were met 13 May 2021, Ascension Thursday, feast day for Blessed Imelda dying at First Communion, with a Mercury lunar conjunct at the critical 8:30 pm local time. Nostradamus has something marvelous appearing after the

world trembles.

The stereo coda has the longer loud instrumental break, sounding like,

'UN-TIL
PREP-A-RATION
DAYYY...'

Then Ringo drums the more sedate equivalent to the mono version, implying,

'That's The Day -
When It Truly
Gets Biblical'

The ensuing sounds include the previous fade-out; except the stereo mix had a fade-in, with same otherworldly groaning guitar sounds, implying,

'Re-Storing
Ba-LANCE...'

The music settles sublimely on a sustained, expectant note suggesting,

'Clean -'

Then the electric guitar loudly screams,

'THE EARTH!!'

The double-shot on the drum added could merely indicate a double-exclamation point, but the sound is close to,

'- FROM
SIN!'

There Ringo makes the comment about 'blisters,' which in reverse says,

'Saviour
From Potential
Fire!'

The stereo version offers the hope that the Nephilim augmentation can be dealt with through the action of a specific date, however this probably does not involve returning them to the Moon. In Enoch's prophecy, an Abyss should open in both dimensions,

which would not only facilitate the Nephilim being banished to a subterranean Inferno, but also become the backdrop for the judgment of Humanity: he foresaw no dazzling Miracle, but instead a powerful Sword that could eventually drive the unrighteous
into the same Abyss.

The scenario of the Scarlet Beast has a fateful rise to power after the Abyss has opened. The Nephilim character that McCartney is role-playing has likely already attached to that leader, bent on sorting out who might escape execution by branding

themselves with signs of blasphemous worship of himself.

*

The Carter radio show replayed the outtake mentioned earlier, there was more to it, including Lennon referring to Jesus Christ as having given 'His Only Begotten Bread," mixing religious concepts.

Lennon could facetiously pretend he did not know what onomatopoeia was, saying he misheard it as 'Automatic pier,' yet the use of it is as simple as the "Beep beep"s of "Drive My Car." John was quite sophisticated, having used an old song from the '

Twenties' for the fade chant of "I Am The Walrus" - but he claimed that part was original,

'Got one, got one,
Ev'rybody's Got One'

There was an unmistakable similarity to the old tune with its,

'Oompah, umpah.
Stick it up your jumpah!'

When they were staging The Love Show, that documentary showed the remaining Beatles confused about how to deal with that, and Yoko settled it by suggesting they have singers simultaneously dedicated to either version, getting both together.

Lennon might have agreed to keep the group going for another cycle if McCartney had floated the notion of a real band name change: every time someone called them The Beatles, they could have corrected,

"No, we're not 'The Beatles' anymore - We're 'Beatles: The Second Go,' see you didn't get it the first time, so now we're repeating the whole thing."

One possibility I heard is that Manson went to.the Cielo Drive house house formerly inhabited by Melcher, and encountered Sharon Tate instead. The possibility is that he mistook the beautiful blonde Tate for the beautiful blonde Candace Bergen (Melcher'

s girlfriend), and thought she was lying about not knowing where Melcher was..

Then again, I've also heard Manson was well aware that Melcher had moved to his mother Doris day's Mibu Beach house. He sent some of his followers there t 'creepy crawl' the place.

The only scenario that could make it less bizarre is if Manson consciously intended to victimize people associated with the "Rosemary's Baby" film. He had visited the property, but would have to research exact circumstances regarding any possible
meeting with Tate. Terry Melcher was just someone unimpressed by his music.

It is clear Manson did not know who was in the house where he sent his kill squad (was only aware Melcher had left), but cosmic irony suggests some malevolent entity had that knowledge and was somehow manipulating these events.

--- SoupGate-Win32 v1.05
* Origin: fsxNet Usenet Gateway (21:1/5)

[continued from previous message]

LOL, the Disney 'Haunted Mansion' ride was carried through on 'Doom Buggies'. Manson would have liked that name. But the timing of the Tate murders and opening of the Disney ride was as you say a coincidence. Manson & his followers were hanging

out in secluded spots IIRC...

I left out the sequence of what happened after Gary Hinman was murdered on 27 July 1969 (this was reported on a Dateline episode). With complete nonchalance, Beausoleil not only used Hinman's car, but was found asleep in it and arrested 6 August;

because they had tried to implicate the Black Panthers at the scene, Manson hatched the plan that by having a high profile murder with similar indications would make the police believe Beausoleil was falsely accused and release him. The Tate murders were
not immediately connected to Hinman, so Manson went with them for the La Bianca killings to try again, with the result that the police then connected the Tate and La Bianca murders, with Beausoleil still in jail.

The "Abbey Road" cover image photo was taken the morning of 8 August, briefly stopping traffic to no fanfare. It was only after the day ended with midnight in Los Angeles that the kill squad advanced to do, as they announced to their victims, 'the

devil's business.'

Manson was infuriated with Terry Melcher, Doris Day's son who was a music executive; he did not know who was inhabiting the house subsequent to Melcher, but thought they would be high-profile victims. The scene was littered with wallets stolen from

black men. The Manson cult had the delusion that black people would win a race war, but be unable to govern without their own bomb-sheltered white help, a sort of 'Wakanda Never' attitude. While Manson made a series of apparent miscalculations, the
malevolency that had taken control of him had a cold unwavering sense of being gratified.

Following the Moon-Nephilim tangent for "Helter Skelter" yielded something unexpected between the mono and stereo versions, which were known to end differently.

Firstly, the high-pitched guitar after the deeper-toned rambling riff only has the sequence given in the second iteration: the first time it is simpler (no "Silv'ry" invocation) -

'FROM

The MOON!'

The third time there is no screeching guitar part following the riff, only the deep bass tone, suggesting

'- FROM -...'

But instead of finishing the thought, a similar note follows implying,

'THE -'

This provides the proper grammatic article to introduce the circular repetition of the riff as 'an official thing' ('THE - Return Of The Nephilim, Return of the...'). As this is repeating into the coda, there are some oddly intrusive guitar notes

descending (after the vocalization, "Yes, she is"), sounding like

'When -
The -
Moon -
Turns -
Blue'

Then Paul starts ad-lib singing, "Yeah, yeah," etc. So the Blue Moon inference (presumably for 31 May 1969) was built into the tune at that point. [Our most recent Blue Moon was 31 October 2020, days before the election that was more than contested.

] An episode of "Gilligan's Island" had a character posing as a medium to raise morale, predicting a boat to rescue the Castaways would appear when the Moon was blue - discovering Madame Ginger was a fraud allowed them to ignore when there was a boat on
the horizon while the Moon had a bluish tinge (not the real meaning of a Blue Moon).

The energetic backing vocals also seem to carry a message beyond the obvious variation on the title, aurally twisting for this tangent into,

'A Wicked
Hybrid
Co-HORT!'

In the stereo version the strong vocal punch of the last syllable is subdued in the mix beneath the lead vocal commencing its next line. And the sustained harmonic backing first suggests an incredulous 'How?!' then repeats that into a full phrase

with,

'How -
Out-
LAW!'

After the first solo (described before) there are a few bars of the verse, then a second, faster electric guitar solo, elaborating on the same theme (after the lyric "Make you"), transcribed as,

'THE
Visit will CARRY
The Nephilim
Hybrid-
Cohort!'

The word 'Carry' is bent as if being sung; the word 'Cohort' is delivered quickly at the end.

The coda is where the two versions diverge most significantly. For the mono mix, there are strong notes with a weird pitch, suggesting,

'PUR-
I-
FI-
CA-
TIONNN...'

The final note protracts into sustained distortion. Ringo Starr drums something (with greater energy than in the stereo alternate) implying,

'That's The Day -
When We're Truly
"Going BIB-LICAL!"'

In the wake of this break, the sound landscape has become trodden by otherworldly groaning strains, lumbering about like dinosaurs: these seem to be conveying,

'PUR-i-FY...
CLEANSE The Earth,
PURE...'

That is how the mono mix concludes in fade-out; the stereo version has a different instrumental break into the coda. Instead of using the term 'Purification,' they use a parallel term 'Preparation': The Hopi speak of Purification Day; Conchita of

Garabandal said The Warning event could better be called The Preparation, or The Purification. It would be a time when everyone would become conscious of their personal sins simultaneously, however more is involved since there would be a lethality factor.
Once people were purified spiritually by this experience they could perceive The Miracle placed at the site of their visions.

Stipulations for The Miracle were met 13 May 2021, Ascension Thursday, feast day for Blessed Imelda dying at First Communion, with a Mercury lunar conjunct at the critical 8:30 pm local time. Nostradamus has something marvelous appearing after the

world trembles.

The stereo coda has the longer loud instrumental break, sounding like,

'UN-TIL
PREP-A-RATION
DAYYY...'

Then Ringo drums the more sedate equivalent to the mono version, implying,

'That's The Day -
When It Truly
Gets Biblical'

The ensuing sounds include the previous fade-out; except the stereo mix had a fade-in, with same otherworldly groaning guitar sounds, implying,

'Re-Storing
Ba-LANCE...'

The music settles sublimely on a sustained, expectant note suggesting,

'Clean -'

Then the electric guitar loudly screams,

'THE EARTH!!'

The double-shot on the drum added could merely indicate a double-exclamation point, but the sound is close to,

'- FROM
SIN!'

There Ringo makes the comment about 'blisters,' which in reverse says,

'Saviour
From Potential
Fire!'

The stereo version offers the hope that the Nephilim augmentation can be dealt with through the action of a specific date, however this probably does not involve returning them to the Moon. In Enoch's prophecy, an Abyss should open in both

dimensions, which would not only facilitate the Nephilim being banished to a subterranean Inferno, but also become the backdrop for the judgment of Humanity: he foresaw no dazzling Miracle, but instead a powerful Sword that could eventually drive the
unrighteous into the same Abyss.

The scenario of the Scarlet Beast has a fateful rise to power after the Abyss has opened. The Nephilim character that McCartney is role-playing has likely already attached to that leader, bent on sorting out who might escape execution by branding

themselves with signs of blasphemous worship of himself.

*

The Carter radio show replayed the outtake mentioned earlier, there was more to it, including Lennon referring to Jesus Christ as having given 'His Only Begotten Bread," mixing religious concepts.

Lennon could facetiously pretend he did not know what onomatopoeia was, saying he misheard it as 'Automatic pier,' yet the use of it is as simple as the "Beep beep"s of "Drive My Car." John was quite sophisticated, having used an old song from the '

Twenties' for the fade chant of "I Am The Walrus" - but he claimed that part was original,

'Got one, got one,
Ev'rybody's Got One'

There was an unmistakable similarity to the old tune with its,

'Oompah, umpah.
Stick it up your jumpah!'

When they were staging The Love Show, that documentary showed the remaining Beatles confused about how to deal with that, and Yoko settled it by suggesting they have singers simultaneously dedicated to either version, getting both together.

Lennon might have agreed to keep the group going for another cycle if McCartney had floated the notion of a real band name change: every time someone called them The Beatles, they could have corrected,

"No, we're not 'The Beatles' anymore - We're 'Beatles: The Second Go,' see you didn't get it the first time, so now we're repeating the whole thing."

One possibility I heard is that Manson went to.the Cielo Drive house house formerly inhabited by Melcher, and encountered Sharon Tate instead. The possibility is that he mistook the beautiful blonde Tate for the beautiful blonde Candace Bergen (

Melcher's girlfriend), and thought she was lying about not knowing where Melcher was..

Then again, I've also heard Manson was well aware that Melcher had moved to his mother Doris day's Mibu Beach house. He sent some of his followers there t 'creepy crawl' the place.

The only scenario that could make it less bizarre is if Manson consciously intended to victimize people associated with the "Rosemary's Baby" film. He had visited the property, but would have to research exact circumstances regarding any possible

meeting with Tate. Terry Melcher was just someone unimpressed by his music.

It is clear Manson did not know who was in the house where he sent his kill squad (was only aware Melcher had left), but cosmic irony suggests some malevolent entity had that knowledge and was somehow manipulating these events.

https://radaronline.com/p/charles-manson-knew-sharon-tate-murder-book/#:~:text=But%20a%20book%20by%20investigative,several%20times%20before%20the%20murders.

The missing character is Rudi Altobelli who owned the property, and was at the party where Manson came along when Brian Wilson brought Terry Melcher home. That was the summer of 1968.

Then Manson arrived uninvited on 23 May 1969, prowling until he was confronted by an Iranian photojournalist (S Hatami) visiting a resident, who figured Manson knew Altobelli. Manson knew a lot of people in the hip local circle. Sharon Tate was there
then, and briefly stared at Manson with nothing being said. Returning later that day he found Altobelli, who reminded him they had only met at a party last summer, and was preparing to leave for Rome with Tate.

Hatami probably told Manson that Polanski lived there. But no one knew what Manson was capable of then, and he was involved in the sort of underworld activity that was prevalent in the counterculture; so there is the insinuation that there could be some
illicit connection that might never emerge.

Even if there had been an unknown personal connection with Tate, with jealousy over her jet-setting lifestyle, that applies to his motive; if there was an inhuman presence it would be more interested in the film director's family.

The timing was prompted by the 6 August arrest of Beausoleil, and arrived directly after midnight of 8 August for the "Abbey Road" image. Also the 1 August 1969 Pluto conjunction with the South Node adds to the esoteric chronology, since it is extremely
infrequent (particularly with the Moon positioned as it was at the North Node). Their motive was to recreate the Black Panther hoax of the Hinman murder scene, so Beausoleil would be released by ignorant police, but the subsequent murders never cleared
him as Manson hoped.

One article said if the cult had heard "Abbey Road" it would have broken the sinister spell they cast upon themselves with the White Album, but that is misplacing the blame - of course they could have focused instead on the whimsical track about a serial
killer using a hammer. One can focus on the violence in Shakespeare's plays, or the ethical dilemmas.
There is a little moment in the fade-in of the stereo coda in "Helter Skelter" where there is some quiet chattering that is instrumental, just before the 'Clean - The Earth' climax, appearing to paraphrase a line from "Hamlet,"

'The
Yet-Un-Discover'd
Country'

It is a very subtle insinuation of the astral plane, like the horns after the lyric "See how they fly" at the airfield scene of "I Am The Walrus":

'On an -
Astral -
PLANE!'

--- SoupGate-Win32 v1.05
* Origin: fsxNet Usenet Gateway (21:1/5)

[continued from previous message]

The August 1969 sequence implies a secret pageant having been smoothly coordinated by patiently malevolent forces intending an eventual consummation of humanity with its most sinister historic impulses, avoiding the path of Christian

Salvation

LOL, the Disney 'Haunted Mansion' ride was carried through on 'Doom Buggies'. Manson would have liked that name. But the timing of the Tate murders and opening of the Disney ride was as you say a coincidence. Manson & his followers were hanging

out in secluded spots IIRC...

I left out the sequence of what happened after Gary Hinman was murdered on 27 July 1969 (this was reported on a Dateline episode). With complete nonchalance, Beausoleil not only used Hinman's car, but was found asleep in it and arrested 6 August;

because they had tried to implicate the Black Panthers at the scene, Manson hatched the plan that by having a high profile murder with similar indications would make the police believe Beausoleil was falsely accused and release him. The Tate murders were
not immediately connected to Hinman, so Manson went with them for the La Bianca killings to try again, with the result that the police then connected the Tate and La Bianca murders, with Beausoleil still in jail.

The "Abbey Road" cover image photo was taken the morning of 8 August, briefly stopping traffic to no fanfare. It was only after the day ended with midnight in Los Angeles that the kill squad advanced to do, as they announced to their victims, '

the devil's business.'

Manson was infuriated with Terry Melcher, Doris Day's son who was a music executive; he did not know who was inhabiting the house subsequent to Melcher, but thought they would be high-profile victims. The scene was littered with wallets stolen

from black men. The Manson cult had the delusion that black people would win a race war, but be unable to govern without their own bomb-sheltered white help, a sort of 'Wakanda Never' attitude. While Manson made a series of apparent miscalculations, the
malevolency that had taken control of him had a cold unwavering sense of being gratified.

Following the Moon-Nephilim tangent for "Helter Skelter" yielded something unexpected between the mono and stereo versions, which were known to end differently.

Firstly, the high-pitched guitar after the deeper-toned rambling riff only has the sequence given in the second iteration: the first time it is simpler (no "Silv'ry" invocation) -

'FROM

The MOON!'

The third time there is no screeching guitar part following the riff, only the deep bass tone, suggesting

'- FROM -...'

But instead of finishing the thought, a similar note follows implying,

'THE -'

This provides the proper grammatic article to introduce the circular repetition of the riff as 'an official thing' ('THE - Return Of The Nephilim, Return of the...'). As this is repeating into the coda, there are some oddly intrusive guitar notes

descending (after the vocalization, "Yes, she is"), sounding like

'When -
The -
Moon -
Turns -
Blue'

Then Paul starts ad-lib singing, "Yeah, yeah," etc. So the Blue Moon inference (presumably for 31 May 1969) was built into the tune at that point. [Our most recent Blue Moon was 31 October 2020, days before the election that was more than

contested.] An episode of "Gilligan's Island" had a character posing as a medium to raise morale, predicting a boat to rescue the Castaways would appear when the Moon was blue - discovering Madame Ginger was a fraud allowed them to ignore when there was
a boat on the horizon while the Moon had a bluish tinge (not the real meaning of a Blue Moon).

The energetic backing vocals also seem to carry a message beyond the obvious variation on the title, aurally twisting for this tangent into,

'A Wicked
Hybrid
Co-HORT!'

In the stereo version the strong vocal punch of the last syllable is subdued in the mix beneath the lead vocal commencing its next line. And the sustained harmonic backing first suggests an incredulous 'How?!' then repeats that into a full phrase

with,

'How -
Out-
LAW!'

After the first solo (described before) there are a few bars of the verse, then a second, faster electric guitar solo, elaborating on the same theme (after the lyric "Make you"), transcribed as,

'THE
Visit will CARRY
The Nephilim
Hybrid-
Cohort!'

The word 'Carry' is bent as if being sung; the word 'Cohort' is delivered quickly at the end.

The coda is where the two versions diverge most significantly. For the mono mix, there are strong notes with a weird pitch, suggesting,

'PUR-
I-
FI-
CA-
TIONNN...'

The final note protracts into sustained distortion. Ringo Starr drums something (with greater energy than in the stereo alternate) implying,

'That's The Day -
When We're Truly
"Going BIB-LICAL!"'

In the wake of this break, the sound landscape has become trodden by otherworldly groaning strains, lumbering about like dinosaurs: these seem to be conveying,

'PUR-i-FY...
CLEANSE The Earth,
PURE...'

That is how the mono mix concludes in fade-out; the stereo version has a different instrumental break into the coda. Instead of using the term 'Purification,' they use a parallel term 'Preparation': The Hopi speak of Purification Day; Conchita of

Garabandal said The Warning event could better be called The Preparation, or The Purification. It would be a time when everyone would become conscious of their personal sins simultaneously, however more is involved since there would be a lethality factor.
Once people were purified spiritually by this experience they could perceive The Miracle placed at the site of their visions.

Stipulations for The Miracle were met 13 May 2021, Ascension Thursday, feast day for Blessed Imelda dying at First Communion, with a Mercury lunar conjunct at the critical 8:30 pm local time. Nostradamus has something marvelous appearing after

the world trembles.

The stereo coda has the longer loud instrumental break, sounding like,

'UN-TIL
PREP-A-RATION
DAYYY...'

Then Ringo drums the more sedate equivalent to the mono version, implying,

'That's The Day -
When It Truly
Gets Biblical'

The ensuing sounds include the previous fade-out; except the stereo mix had a fade-in, with same otherworldly groaning guitar sounds, implying,

'Re-Storing
Ba-LANCE...'

The music settles sublimely on a sustained, expectant note suggesting,

'Clean -'

Then the electric guitar loudly screams,

'THE EARTH!!'

The double-shot on the drum added could merely indicate a double-exclamation point, but the sound is close to,

'- FROM
SIN!'

There Ringo makes the comment about 'blisters,' which in reverse says,

'Saviour
From Potential
Fire!'

The stereo version offers the hope that the Nephilim augmentation can be dealt with through the action of a specific date, however this probably does not involve returning them to the Moon. In Enoch's prophecy, an Abyss should open in both

dimensions, which would not only facilitate the Nephilim being banished to a subterranean Inferno, but also become the backdrop for the judgment of Humanity: he foresaw no dazzling Miracle, but instead a powerful Sword that could eventually drive the
unrighteous into the same Abyss.

The scenario of the Scarlet Beast has a fateful rise to power after the Abyss has opened. The Nephilim character that McCartney is role-playing has likely already attached to that leader, bent on sorting out who might escape execution by branding

themselves with signs of blasphemous worship of himself.

*

The Carter radio show replayed the outtake mentioned earlier, there was more to it, including Lennon referring to Jesus Christ as having given 'His Only Begotten Bread," mixing religious concepts.

Lennon could facetiously pretend he did not know what onomatopoeia was, saying he misheard it as 'Automatic pier,' yet the use of it is as simple as the "Beep beep"s of "Drive My Car." John was quite sophisticated, having used an old song from

the 'Twenties' for the fade chant of "I Am The Walrus" - but he claimed that part was original,

'Got one, got one,
Ev'rybody's Got One'

There was an unmistakable similarity to the old tune with its,

'Oompah, umpah.
Stick it up your jumpah!'

When they were staging The Love Show, that documentary showed the remaining Beatles confused about how to deal with that, and Yoko settled it by suggesting they have singers simultaneously dedicated to either version, getting both together.

Lennon might have agreed to keep the group going for another cycle if McCartney had floated the notion of a real band name change: every time someone called them The Beatles, they could have corrected,

"No, we're not 'The Beatles' anymore - We're 'Beatles: The Second Go,' see you didn't get it the first time, so now we're repeating the whole thing."

One possibility I heard is that Manson went to.the Cielo Drive house house formerly inhabited by Melcher, and encountered Sharon Tate instead. The possibility is that he mistook the beautiful blonde Tate for the beautiful blonde Candace Bergen (

Melcher's girlfriend), and thought she was lying about not knowing where Melcher was..

Then again, I've also heard Manson was well aware that Melcher had moved to his mother Doris day's Mibu Beach house. He sent some of his followers there t 'creepy crawl' the place.

The only scenario that could make it less bizarre is if Manson consciously intended to victimize people associated with the "Rosemary's Baby" film. He had visited the property, but would have to research exact circumstances regarding any possible

meeting with Tate. Terry Melcher was just someone unimpressed by his music.

It is clear Manson did not know who was in the house where he sent his kill squad (was only aware Melcher had left), but cosmic irony suggests some malevolent entity had that knowledge and was somehow manipulating these events.

https://radaronline.com/p/charles-manson-knew-sharon-tate-murder-book/#:~:text=But%20a%20book%20by%20investigative,several%20times%20before%20the%20murders.

The missing character is Rudi Altobelli who owned the property, and was at the party where Manson came along when Brian Wilson brought Terry Melcher home. That was the summer of 1968.

Then Manson arrived uninvited on 23 May 1969, prowling until he was confronted by an Iranian photojournalist (S Hatami) visiting a resident, who figured Manson knew Altobelli. Manson knew a lot of people in the hip local circle. Sharon Tate was there

then, and briefly stared at Manson with nothing being said. Returning later that day he found Altobelli, who reminded him they had only met at a party last summer, and was preparing to leave for Rome with Tate.

Hatami probably told Manson that Polanski lived there. But no one knew what Manson was capable of then, and he was involved in the sort of underworld activity that was prevalent in the counterculture; so there is the insinuation that there could be

some illicit connection that might never emerge.

Even if there had been an unknown personal connection with Tate, with jealousy over her jet-setting lifestyle, that applies to his motive; if there was an inhuman presence it would be more interested in the film director's family.

The timing was prompted by the 6 August arrest of Beausoleil, and arrived directly after midnight of 8 August for the "Abbey Road" image. Also the 1 August 1969 Pluto conjunction with the South Node adds to the esoteric chronology, since it is

extremely infrequent (particularly with the Moon positioned as it was at the North Node). Their motive was to recreate the Black Panther hoax of the Hinman murder scene, so Beausoleil would be released by ignorant police, but the subsequent murders never
cleared him as Manson hoped.

One article said if the cult had heard "Abbey Road" it would have broken the sinister spell they cast upon themselves with the White Album, but that is misplacing the blame - of course they could have focused instead on the whimsical track about a

serial killer using a hammer. One can focus on the violence in Shakespeare's plays, or the ethical dilemmas.

There is a little moment in the fade-in of the stereo coda in "Helter Skelter" where there is some quiet chattering that is instrumental, just before the 'Clean - The Earth' climax, appearing to paraphrase a line from "Hamlet,"

'The
Yet-Un-Discover'd
Country'

It is a very subtle insinuation of the astral plane, like the horns after the lyric "See how they fly" at the airfield scene of "I Am The Walrus":

'On an -
Astral -
PLANE!

www.bobbybeausoleil.com

--- SoupGate-Win32 v1.05
* Origin: fsxNet Usenet Gateway (21:1/5)

[continued from previous message]

Following the Moon-Nephilim tangent for "Helter Skelter" yielded something unexpected between the mono and stereo versions, which were known to end differently.

Firstly, the high-pitched guitar after the deeper-toned rambling riff only has the sequence given in the second iteration: the first time it is simpler (no "Silv'ry" invocation) -

'FROM

The MOON!'

The third time there is no screeching guitar part following the riff, only the deep bass tone, suggesting

'- FROM -...'

But instead of finishing the thought, a similar note follows implying,

'THE -'

This provides the proper grammatic article to introduce the circular repetition of the riff as 'an official thing' ('THE - Return Of The Nephilim, Return of the...'). As this is repeating into the coda, there are some oddly intrusive guitar notes

descending (after the vocalization, "Yes, she is"), sounding like

'When -
The -
Moon -
Turns -
Blue'

Then Paul starts ad-lib singing, "Yeah, yeah," etc. So the Blue Moon inference (presumably for 31 May 1969) was built into the tune at that point. [Our most recent Blue Moon was 31 October 2020, days before the election that was more than contested.]

An episode of "Gilligan's Island" had a character posing as a medium to raise morale, predicting a boat to rescue the Castaways would appear when the Moon was blue - discovering Madame Ginger was a fraud allowed them to ignore when there was a boat on
the horizon while the Moon had a bluish tinge (not the real meaning of a Blue Moon).

The energetic backing vocals also seem to carry a message beyond the obvious variation on the title, aurally twisting for this tangent into,

'A Wicked
Hybrid
Co-HORT!'

In the stereo version the strong vocal punch of the last syllable is subdued in the mix beneath the lead vocal commencing its next line. And the sustained harmonic backing first suggests an incredulous 'How?!' then repeats that into a full phrase with,

'How -
Out-
LAW!'

After the first solo (described before) there are a few bars of the verse, then a second, faster electric guitar solo, elaborating on the same theme (after the lyric "Make you"), transcribed as,

'THE
Visit will CARRY
The Nephilim
Hybrid-
Cohort!'

The word 'Carry' is bent as if being sung; the word 'Cohort' is delivered quickly at the end.

The coda is where the two versions diverge most significantly. For the mono mix, there are strong notes with a weird pitch, suggesting,

'PUR-
I-
FI-
CA-
TIONNN...'

The final note protracts into sustained distortion. Ringo Starr drums something (with greater energy than in the stereo alternate) implying,

'That's The Day -
When We're Truly
"Going BIB-LICAL!"'

In the wake of this break, the sound landscape has become trodden by otherworldly groaning strains, lumbering about like dinosaurs: these seem to be conveying,

'PUR-i-FY...
CLEANSE The Earth,
PURE...'

That is how the mono mix concludes in fade-out; the stereo version has a different instrumental break into the coda. Instead of using the term 'Purification,' they use a parallel term 'Preparation': The Hopi speak of Purification Day; Conchita of

Garabandal said The Warning event could better be called The Preparation, or The Purification. It would be a time when everyone would become conscious of their personal sins simultaneously, however more is involved since there would be a lethality factor.
Once people were purified spiritually by this experience they could perceive The Miracle placed at the site of their visions.

Stipulations for The Miracle were met 13 May 2021, Ascension Thursday, feast day for Blessed Imelda dying at First Communion, with a Mercury lunar conjunct at the critical 8:30 pm local time. Nostradamus has something marvelous appearing after the

world trembles.

The stereo coda has the longer loud instrumental break, sounding like,

'UN-TIL
PREP-A-RATION
DAYYY...'

Then Ringo drums the more sedate equivalent to the mono version, implying,

'That's The Day -
When It Truly
Gets Biblical'

The ensuing sounds include the previous fade-out; except the stereo mix had a fade-in, with same otherworldly groaning guitar sounds, implying,

'Re-Storing
Ba-LANCE...'

The music settles sublimely on a sustained, expectant note suggesting,

'Clean -'

Then the electric guitar loudly screams,

'THE EARTH!!'

The double-shot on the drum added could merely indicate a double-exclamation point, but the sound is close to,

'- FROM
SIN!'

There Ringo makes the comment about 'blisters,' which in reverse says,

'Saviour
From Potential
Fire!'

The stereo version offers the hope that the Nephilim augmentation can be dealt with through the action of a specific date, however this probably does not involve returning them to the Moon. In Enoch's prophecy, an Abyss should open in both dimensions,

which would not only facilitate the Nephilim being banished to a subterranean Inferno, but also become the backdrop for the judgment of Humanity: he foresaw no dazzling Miracle, but instead a powerful Sword that could eventually drive the unrighteous
into the same Abyss.

The scenario of the Scarlet Beast has a fateful rise to power after the Abyss has opened. The Nephilim character that McCartney is role-playing has likely already attached to that leader, bent on sorting out who might escape execution by branding

themselves with signs of blasphemous worship of himself.

*

The Carter radio show replayed the outtake mentioned earlier, there was more to it, including Lennon referring to Jesus Christ as having given 'His Only Begotten Bread," mixing religious concepts.

Lennon could facetiously pretend he did not know what onomatopoeia was, saying he misheard it as 'Automatic pier,' yet the use of it is as simple as the "Beep beep"s of "Drive My Car." John was quite sophisticated, having used an old song from the '

Twenties' for the fade chant of "I Am The Walrus" - but he claimed that part was original,

'Got one, got one,
Ev'rybody's Got One'

There was an unmistakable similarity to the old tune with its,

'Oompah, umpah.
Stick it up your jumpah!'

When they were staging The Love Show, that documentary showed the remaining Beatles confused about how to deal with that, and Yoko settled it by suggesting they have singers simultaneously dedicated to either version, getting both together.

Lennon might have agreed to keep the group going for another cycle if McCartney had floated the notion of a real band name change: every time someone called them The Beatles, they could have corrected,

"No, we're not 'The Beatles' anymore - We're 'Beatles: The Second Go,' see you didn't get it the first time, so now we're repeating the whole thing."

Reviewing other Blue Moon dates,

30 July 1958 - This was the Blue Moon over John's grief after his mother Julia was killed 15 July, which would surface in his music even when not overtly.

30 November 1963 - This Blue Moon ended the moth when the JFK assassination and second album release in the UK coincided; the previous day (29 November) the "I Want To Hold Your Hand" single was issued, which would be the key to initial success in the
American market.

The image of Paul McCartney grasping a "Ram" by the horns on his album cover was mocked by John Lennon holding a pig in similar fashion for an extra photograph with "Imagine." The non-esoteric impression is Lennon was ridiculing McCartney for rustic
domesticity; an esoteric view could be Paul anticipating the Ram with horns of faith to emerge as in the Henoch prophecy, with the visual response from Lennon that such Faith could not possibly develop among Swine.

31 December 1974 - McCartney started his band Wings with the album "Wild Life" earlier that month.

The six dates of the two triple Saturn-Jupiter conjunctions, circa 1940 and 1980, corresponded with obvious milestones specific to John Lennon as apparent karmic representative of the entire group, their true leader.

Jumping past several instances, the Double Blue Moon sequence ending 31 March 1999 foreshadowed the 20 April 1999 Columbine school shooting, a template for future copycat mass killings.

The 30 November 2001 Blue Moon marked the end of the first month when the US was embroiled in the Afghan War, immediately after the 9-11 attacks.

31 July 2004 shortly preceded the Chechen rebels taking a Beslan school hostage on 1 September 2004.

30 June 2007 was precursor for the Financial Crisis going international on 9 August 2007, as withdrawal was blocked from three hedge funds associated with sub-prime mortgages by a French bank operating in the UK.

31 December 2009 was eleven days after my debut installment of the series as Book 2, same chronology as X.74, prior to the Winter Olympics where a luge athlete lost his life as The Games of Sacrifice (with no Blue Moon mentioned).

31 August 2012 ended the month where the first section of Book 1 was released independently (as "White Versus Red"), along with the Saturn-Mars conjunct and 'foreign separation of gains' (polling results for the upcoming election) circa 15 August 2012.

31 July 2015 seems linked to a mid-June announcement.

There was a double Blue Moon in 2018, sequence ending 31 March - 7 April 2018, a chemical attack on Douma took the war in Syria to a level that provoked retaliation by France, the US and the UK on 14 April.

31 October 2020 was days before the apparently deliberately fateful US election.

31 August 2023 is close to the 30 October date when Mars and Mercury will be in opposition with Jupiter (and the Moon) which figures in IX.55 as the time when a war stirred up by the West inflicts fire, upon at least France.

*

An outtake of "Let It Be" was recently aired, bookended by comments from Lennon: before the take John facetiously asked, "Are we supposed to giggle in the solo?" joking about the 'Sunday Church' feeling; and at the end he congratulated, "I think that was
rather grand."

John wanted people to know The Beatles were not broken up because they didn't like each other, putting it in terms of young men who stop getting together so much because of greater attachment to their wives. However Lennon also admitted by the end they
were 'cutting each other down to size,' and his partnership with McCartney descended into the sort of historic creative conflict pattern they never anticipated themselves replicating.

Remarks from McCartney that he would compose thinking of two things at the same time, and that it would be folly to presume one simple thing could be their entire message, imply even the Christ tangent might not be the only conscious subliminal substance.
If "Helter Skelter" had esoteric-prophetic features refining the Hopi belief the Moon landing would carry back bad mojo, its continuation should be "She Came In Through The Bathroom Window," with the same 'dancer... answer" rhyme.

The Hopi Purification Day concept is accessible, yet Conchita of Garabandal only received information about The Warning (or Preparation) from January 1965 (long after experiences of the other visionaries had ceased). Surprisingly, when re-assessing the
first seven songs on the "Help!" album, which were used in the film soundtrack, some of them presented facets of the predicted phenomenon. There could be an inference of the Alpine setting used within some of the film scenes, where the song "Ticket To
Ride" is featured - this dovetails with the current-day Lombardy (encoding for 16 July 2022) in Nostradamus' VI.16 -

The villains of the Temple where stood the Black Forest
Will set up a tavern and hearth for Lombardy

Start with the B-side of a single, "Yes It Is": while the lyrics invoke the color red, the volume-pedal guitar plays at the intro and outro what could imply their only hidden thought is the scarlet robe used to mock Jesus as a condemned royal figure.
But another listen yields something profound on another topic, thereby potentially demonstrating that 'the testimony of Jesus is the spirit of prophecy.'

Leaving aside the precise Christ tangents (with one exception), this is how those songs could foretell the critical event.

The intro to "Yes It Is" sounds like,

'Full
TIME -
Warp'

The outro is phrased instead as,

'A
Rift
*O-PENED*'

The doubled descent on lead guitar prominent in the "Help!" tune suggests,

'Spin
The
Globe'

The faster passage that is played four times in succession, like the instrumental equivalent of the tongue-twisting "Anybody got a bit of money" refrain in a "Taxman" outtake, is recognizable as,

'Differently,
Differently,
Differently,
Differently'

The title of "The Night Before" obviously implies the peaceful evening in Gethsemane disrupted by the arrest; yet an alternate meaning emerges via the tonality of the backing vocals, which append the title with,

'Lord
Ar-*RI*-Val'

Along this tangent the punchy opening instrumental passage suggests,

"The Day-Light Will -
Get Ex-Tinguished -
Like A Candle -
*On The Night Of
PREPARATION!'*

A brief keyboard bit later affirms,

'A - Candle'

The guitar solo is doubled unambiguously, summarizing,

'The Daylight -
Will Go -
*Just Like You're Blowing A* -
Candle!'

The outro guitar flourish implies,

'Blow Out The
SUN!'

The message from the flute performance in the coda of "You've Got To Hide Your Love Away" hints at Revelation 14 material, beyond its role as a consecutive Station of the Cross. There are numerous variations and twists in the guitar parts from "Another
Girl," where the final flourish seems articulated as,

'An Experiment In -
*FORMER* Geneva!'

Harrison's "I Need You" is simple yet poignant, appearing in a scene set at ancient Stonehenge.

Director Lester compressed the actual studio recording process for "You're Gonna Lose That Girl," with Ringo switching from drums to bongos, the rhythm track being set and subjected to vocal overdubs. Soft-focus and monochrome color palettes take over,
as Ringo exhales clouds of smoke; John as lead singer is in a shadow rather than a spotlight, his facial features nearly indistinguishable in his single shot.

As the tune ends, the surreal visual atmosphere vanishes, with the institutional lighting of the likelier reality suddenly asserting itself as if someone had flipped a switch backstage. The number "5" visualized beforehand highlights that the song that
follows is the Sixth Station, where Saint Veronica wipes the face of Jesus, and the cloth assumed a hazy image. Putting aside how the Veronica story is indicated by the same sounds, the middle guitar solo nearly repeats, with a minor variation, implying,

'A CATa-CLYsm
Will Have Occurred -
'Fore They'll SEE -
A Miracle

A CATa-CLYsm
Will Have Occurred -
Before They'll See -
A Miracle'

Because the 9 September 2022 is extraordinarily likely to be the critical time, continuing the process with the actual song used in the Alpine Forest sequence of the 1965 film should be definitive. While Lennon associated it with 'heavy metal,' from the
French 'metal hurlant' or 'screaming metal,' the features for focus are the powerful, hypnotic riff, two brief guitar passages, a unique passage going into the coda, and the coda itself, where completely new material seems introduced going into the fade.

The riff suggests,

'A -
*DIF-FER-RENT*
Turning...'

The first guitar bit implies,

'Waiting For The World
To Return To Normal'

The second part alters to,

'Wondering When The World
Will Return To Normal'

The unique brief link to the coda is synchronized in the film with The Beatles appearing from chest-up on the crest of a snow-covered hill, quickly making various arm movements recalling the reverse-semaphore positions on the album cover image. In the
Christ tangent this heavy instrumentation suggests,

'For The
Second Time
He Fell'

Yet in the Preparation tangent this should be transcribed as,

'Found Another
Way To Turn'

Then the unorthodox, inventive coda ensues, appearing to convey,

'Turning -
A Way It SHOULDN'T Turn -

*IN* The WRONG Direction!

The World -
Turning A WAY It Shouldn't -

Around -

*FROM THE* -
*NORMAL* -
*PATTERN*...'

And of course, Jesus in condemnation had a 'Ticket To Rot,' which sometimes seems what is being expressed in the lead vocal.

--- SoupGate-Win32 v1.05
* Origin: fsxNet Usenet Gateway (21:1/5)

[continued from previous message]

Following the Moon-Nephilim tangent for "Helter Skelter" yielded something unexpected between the mono and stereo versions, which were known to end differently.

Firstly, the high-pitched guitar after the deeper-toned rambling riff only has the sequence given in the second iteration: the first time it is simpler (no "Silv'ry" invocation) -

'FROM

The MOON!'

The third time there is no screeching guitar part following the riff, only the deep bass tone, suggesting

'- FROM -...'

But instead of finishing the thought, a similar note follows implying,

'THE -'

This provides the proper grammatic article to introduce the circular repetition of the riff as 'an official thing' ('THE - Return Of The Nephilim, Return of the...'). As this is repeating into the coda, there are some oddly intrusive guitar notes

descending (after the vocalization, "Yes, she is"), sounding like

'When -
The -
Moon -
Turns -
Blue'

Then Paul starts ad-lib singing, "Yeah, yeah," etc. So the Blue Moon inference (presumably for 31 May 1969) was built into the tune at that point. [Our most recent Blue Moon was 31 October 2020, days before the election that was more than contested.]

An episode of "Gilligan's Island" had a character posing as a medium to raise morale, predicting a boat to rescue the Castaways would appear when the Moon was blue - discovering Madame Ginger was a fraud allowed them to ignore when there was a boat on
the horizon while the Moon had a bluish tinge (not the real meaning of a Blue Moon).

The energetic backing vocals also seem to carry a message beyond the obvious variation on the title, aurally twisting for this tangent into,

'A Wicked
Hybrid
Co-HORT!'

In the stereo version the strong vocal punch of the last syllable is subdued in the mix beneath the lead vocal commencing its next line. And the sustained harmonic backing first suggests an incredulous 'How?!' then repeats that into a full phrase with,

'How -
Out-
LAW!'

After the first solo (described before) there are a few bars of the verse, then a second, faster electric guitar solo, elaborating on the same theme (after the lyric "Make you"), transcribed as,

'THE
Visit will CARRY
The Nephilim
Hybrid-
Cohort!'

The word 'Carry' is bent as if being sung; the word 'Cohort' is delivered quickly at the end.

The coda is where the two versions diverge most significantly. For the mono mix, there are strong notes with a weird pitch, suggesting,

'PUR-
I-
FI-
CA-
TIONNN...'

The final note protracts into sustained distortion. Ringo Starr drums something (with greater energy than in the stereo alternate) implying,

'That's The Day -
When We're Truly
"Going BIB-LICAL!"'

In the wake of this break, the sound landscape has become trodden by otherworldly groaning strains, lumbering about like dinosaurs: these seem to be conveying,

'PUR-i-FY...
CLEANSE The Earth,
PURE...'

That is how the mono mix concludes in fade-out; the stereo version has a different instrumental break into the coda. Instead of using the term 'Purification,' they use a parallel term 'Preparation': The Hopi speak of Purification Day; Conchita of

Garabandal said The Warning event could better be called The Preparation, or The Purification. It would be a time when everyone would become conscious of their personal sins simultaneously, however more is involved since there would be a lethality factor.
Once people were purified spiritually by this experience they could perceive The Miracle placed at the site of their visions.

Stipulations for The Miracle were met 13 May 2021, Ascension Thursday, feast day for Blessed Imelda dying at First Communion, with a Mercury lunar conjunct at the critical 8:30 pm local time. Nostradamus has something marvelous appearing after the

world trembles.

The stereo coda has the longer loud instrumental break, sounding like,

'UN-TIL
PREP-A-RATION
DAYYY...'

Then Ringo drums the more sedate equivalent to the mono version, implying,

'That's The Day -
When It Truly
Gets Biblical'

The ensuing sounds include the previous fade-out; except the stereo mix had a fade-in, with same otherworldly groaning guitar sounds, implying,

'Re-Storing
Ba-LANCE...'

The music settles sublimely on a sustained, expectant note suggesting,

'Clean -'

Then the electric guitar loudly screams,

'THE EARTH!!'

The double-shot on the drum added could merely indicate a double-exclamation point, but the sound is close to,

'- FROM
SIN!'

There Ringo makes the comment about 'blisters,' which in reverse says,

'Saviour
From Potential
Fire!'

The stereo version offers the hope that the Nephilim augmentation can be dealt with through the action of a specific date, however this probably does not involve returning them to the Moon. In Enoch's prophecy, an Abyss should open in both dimensions,

which would not only facilitate the Nephilim being banished to a subterranean Inferno, but also become the backdrop for the judgment of Humanity: he foresaw no dazzling Miracle, but instead a powerful Sword that could eventually drive the unrighteous
into the same Abyss.

The scenario of the Scarlet Beast has a fateful rise to power after the Abyss has opened. The Nephilim character that McCartney is role-playing has likely already attached to that leader, bent on sorting out who might escape execution by branding

themselves with signs of blasphemous worship of himself.

*

The Carter radio show replayed the outtake mentioned earlier, there was more to it, including Lennon referring to Jesus Christ as having given 'His Only Begotten Bread," mixing religious concepts.

Lennon could facetiously pretend he did not know what onomatopoeia was, saying he misheard it as 'Automatic pier,' yet the use of it is as simple as the "Beep beep"s of "Drive My Car." John was quite sophisticated, having used an old song from the '

Twenties' for the fade chant of "I Am The Walrus" - but he claimed that part was original,

'Got one, got one,
Ev'rybody's Got One'

There was an unmistakable similarity to the old tune with its,

'Oompah, umpah.
Stick it up your jumpah!'

When they were staging The Love Show, that documentary showed the remaining Beatles confused about how to deal with that, and Yoko settled it by suggesting they have singers simultaneously dedicated to either version, getting both together.

Lennon might have agreed to keep the group going for another cycle if McCartney had floated the notion of a real band name change: every time someone called them The Beatles, they could have corrected,

"No, we're not 'The Beatles' anymore - We're 'Beatles: The Second Go,' see you didn't get it the first time, so now we're repeating the whole thing."

Reviewing other Blue Moon dates,

30 July 1958 - This was the Blue Moon over John's grief after his mother Julia was killed 15 July, which would surface in his music even when not overtly.

30 November 1963 - This Blue Moon ended the month when the JFK assassination and second album release in the UK coincided; the previous day (29 November) the "I Want To Hold Your Hand" single was issued, which would be the key to initial success in the
American market.

The image of Paul McCartney grasping a "Ram" by the horns on his album cover was mocked by John Lennon holding a pig in similar fashion for an extra photograph with "Imagine." The non-esoteric impression is Lennon was ridiculing McCartney for rustic
domesticity; an esoteric view could be Paul anticipating the Ram with horns of faith to emerge as in the Henoch prophecy, with the visual response from Lennon that such Faith could not possibly develop among Swine.

31 December 1974 - McCartney started his band Wings with the album "Wild Life" earlier that month.

The six dates of the two triple Saturn-Jupiter conjunctions, circa 1940 and 1980, corresponded with obvious milestones specific to John Lennon as apparent karmic representative of the entire group, their true leader.

Jumping past several instances, the Double Blue Moon sequence ending 31 March 1999 foreshadowed the 20 April 1999 Columbine school shooting, a template for future copycat mass killings.

The 30 November 2001 Blue Moon marked the end of the first month when the US was embroiled in the Afghan War, immediately after the 9-11 attacks.

31 July 2004 shortly preceded the Chechen rebels taking a Beslan school hostage on 1 September 2004.

30 June 2007 was precursor for the Financial Crisis going international on 9 August 2007, as withdrawal was blocked from three hedge funds associated with sub-prime mortgages by a French bank operating in the UK.

31 December 2009 was eleven days after my debut installment of the series as Book 2, same chronology as X.74, prior to the Winter Olympics where a luge athlete lost his life as The Games of Sacrifice (with no Blue Moon mentioned).

31 August 2012 ended the month where the first section of Book 1 was released independently (as "White Versus Red"), along with the Saturn-Mars conjunct and 'foreign separation of gains' (polling results for the upcoming election) circa 15 August 2012.

31 July 2015 seems linked to a mid-June announcement.

There was a double Blue Moon in 2018, sequence ending 31 March - 7 April 2018, a chemical attack on Douma took the war in Syria to a level that provoked retaliation by France, the US and the UK on 14 April.

31 October 2020 was days before the apparently deliberately fateful US election.

31 August 2023 is close to the 30 October date when Mars and Mercury will be in opposition with Jupiter (and the Moon) which figures in IX.55 as the time when a war stirred up by the West inflicts fire, upon at least France.

*

An outtake of "Let It Be" was recently aired, bookended by comments from Lennon: before the take John facetiously asked, "Are we supposed to giggle in the solo?" joking about the 'Sunday Church' feeling; and at the end he congratulated, "I think that was
rather grand."

John wanted people to know The Beatles were not broken up because they didn't like each other, putting it in terms of young men who stop getting together so much because of greater attachment to their wives. However Lennon also admitted by the end they
were 'cutting each other down to size,' and his partnership with McCartney descended into the sort of historic creative conflict pattern they never anticipated themselves replicating.

Remarks from McCartney that he would compose thinking of two things at the same time, and that it would be folly to presume one simple thing could be their entire message, imply even the Christ tangent might not be the only conscious subliminal substance.
If "Helter Skelter" had esoteric-prophetic features refining the Hopi belief the Moon landing would carry back bad mojo, its continuation should be "She Came In Through The Bathroom Window," with the same 'dancer... answer" rhyme.

The Hopi Purification Day concept is accessible, yet Conchita of Garabandal only received information about The Warning (or Preparation) from January 1965 (long after experiences of the other visionaries had ceased). Surprisingly, when re-assessing the
first seven songs on the "Help!" album, which were used in the film soundtrack, some of them presented facets of the predicted phenomenon. There could be an inference of the Alpine setting used within some of the film scenes, where the song "Ticket To
Ride" is featured - this dovetails with the current-day Lombardy (encoding for 16 July 2022) in Nostradamus' VI.16 -

The villains of the Temple where stood the Black Forest
Will set up a tavern and hearth for Lombardy

Start with the B-side of a single, "Yes It Is": while the lyrics invoke the color red, the volume-pedal guitar plays at the intro and outro what could imply their only hidden thought is the scarlet robe used to mock Jesus as a condemned royal figure. But
another listen yields something profound on another topic, thereby potentially demonstrating that 'the testimony of Jesus is the spirit of prophecy.'

Leaving aside the precise Christ tangents (with one exception), this is how those songs could foretell the critical event.

The intro to "Yes It Is" sounds like,

'Full
TIME -
Warp'

The outro is phrased instead as,

'A
Rift
*O-PENED*'

The doubled descent on lead guitar prominent in the "Help!" tune suggests,

'Spin
The
Globe'

The faster passage that is played four times in succession, like the instrumental equivalent of the tongue-twisting "Anybody got a bit of money" refrain in a "Taxman" outtake, is recognizable as,

'Differently,
Differently,
Differently,
Differently'

The title of "The Night Before" obviously implies the peaceful evening in Gethsemane disrupted by the arrest; yet an alternate meaning emerges via the tonality of the backing vocals, which append the title with,

'Lord
Ar-*RI*-Val'

Along this tangent the punchy opening instrumental passage suggests,

"The Day-Light Will -
Get Ex-Tinguished -
Like A Candle -
*On The Night Of
PREPARATION!'*

A brief keyboard bit later subtly affirms,

'A - Candle'

The guitar solo is doubled unambiguously, summarizing,

'The Daylight -
Will Go -
*Just Like You're Blowing A* -
Candle!'

The outro guitar flourish implies,

'Blow Out The
SUN!'

The message from the flute performance in the coda of "You've Got To Hide Your Love Away" hints at Revelation 14 material, beyond its role as a consecutive Station of the Cross. There are numerous variations and twists in the guitar parts from "Another
Girl," where the final flourish seems articulated as,

'An Experiment In -
*FORMER* Geneva!'

Harrison's "I Need You" is simple yet poignant, appearing in a scene set at ancient Stonehenge; it has an allusion to the Eden story, parallel with Crucified Christ meeting His Mother.

Director Lester compressed the actual studio recording process for "You're Gonna Lose That Girl," with Ringo switching from drums to bongos, the rhythm track being set and subjected to vocal overdubs. Soft-focus and monochrome color palettes take over,
as Ringo exhales clouds of smoke; John as lead singer is in a shadow rather than a spotlight, his facial features nearly indistinguishable in his close-up shot.

As the tune ends, the surreal visual atmosphere vanishes, with the institutional lighting of the likelier reality suddenly asserting itself as if someone had flipped a switch backstage. The number "5" visualized beforehand highlights that the song that
follows is the Sixth Station, where Saint Veronica wipes the face of Jesus, and the cloth assumed a hazy image. Putting aside how the Veronica story is indicated by the same sounds, the middle guitar solo nearly repeats, with a minor variation, implying,

'A CATa-CLYsm
Will Have Occurred -
'Fore They'll SEE -
A Miracle

A CATa-CLYsm
Will Have Occurred -
Before They'll SEE -
A Miracle'

Because the 9 September 2022 is extraordinarily likely to be the critical time, continuing the process with the actual song used in the Alpine Forest sequence of the 1965 film should be definitive. While Lennon associated it with 'heavy metal,' from the
French 'metal hurlant' or 'screaming metal,' the features for focus are the powerful, hypnotic riff, two brief guitar passages, a unique passage going into the coda, and the coda itself, where completely new material seems introduced going into the fade.

The riff suggests,

'A -
*DIF-FER-RENT*
Turning...'

The first guitar bit implies,

'Waiting For The World
To Return To Normal'

The second part alters to,

'Wondering When The World
Will Return To Normal'

The unique brief link to the coda is synchronized in the film with The Beatles appearing from chest-up on the crest of a snow-covered hill, quickly making various arm movements recalling the reverse-semaphore positions on the album cover image. In the
Christ tangent this heavy instrumentation suggests,

'For The
Second Time
He Fell'

Yet in the Preparation tangent this should be transcribed as,

'Found Another
Way To Turn'

Then the unorthodox, inventive coda ensues, appearing to convey,

'Turning -
A Way It SHOULDN'T Turn -

IN The WRONG Direction!

The World -
Turning A *WAY* It Shouldn't -

Around -

*FROM THE* -
*NORMAL* -
*PATTERN*...'

Instead of "around," the word 'Awry' might be a better match. Of course, Jesus in condemnation had a 'Ticket To Rot,' which sometimes seems what is being expressed in the lead vocal.

--- SoupGate-Win32 v1.05
* Origin: fsxNet Usenet Gateway (21:1/5)

[continued from previous message]

Manson was infuriated with Terry Melcher, Doris Day's son who was a music executive; he did not know who was inhabiting the house subsequent to Melcher, but thought they would be high-profile victims. The scene was littered with wallets stolen from

black men. The Manson cult had the delusion that black people would win a race war, but be unable to govern without their own bomb-sheltered white help, a sort of 'Wakanda Never' attitude. While Manson made a series of apparent miscalculations, the
malevolency that had taken control of him had a cold unwavering sense of being gratified.

Following the Moon-Nephilim tangent for "Helter Skelter" yielded something unexpected between the mono and stereo versions, which were known to end differently.

Firstly, the high-pitched guitar after the deeper-toned rambling riff only has the sequence given in the second iteration: the first time it is simpler (no "Silv'ry" invocation) -

'FROM

The MOON!'

The third time there is no screeching guitar part following the riff, only the deep bass tone, suggesting

'- FROM -...'

But instead of finishing the thought, a similar note follows implying,

'THE -'

This provides the proper grammatic article to introduce the circular repetition of the riff as 'an official thing' ('THE - Return Of The Nephilim, Return of the...'). As this is repeating into the coda, there are some oddly intrusive guitar notes

descending (after the vocalization, "Yes, she is"), sounding like

'When -
The -
Moon -
Turns -
Blue'

Then Paul starts ad-lib singing, "Yeah, yeah," etc. So the Blue Moon inference (presumably for 31 May 1969) was built into the tune at that point. [Our most recent Blue Moon was 31 October 2020, days before the election that was more than contested.]

An episode of "Gilligan's Island" had a character posing as a medium to raise morale, predicting a boat to rescue the Castaways would appear when the Moon was blue - discovering Madame Ginger was a fraud allowed them to ignore when there was a boat on
the horizon while the Moon had a bluish tinge (not the real meaning of a Blue Moon).

The energetic backing vocals also seem to carry a message beyond the obvious variation on the title, aurally twisting for this tangent into,

'A Wicked
Hybrid
Co-HORT!'

In the stereo version the strong vocal punch of the last syllable is subdued in the mix beneath the lead vocal commencing its next line. And the sustained harmonic backing first suggests an incredulous 'How?!' then repeats that into a full phrase

with,

'How -
Out-
LAW!'

After the first solo (described before) there are a few bars of the verse, then a second, faster electric guitar solo, elaborating on the same theme (after the lyric "Make you"), transcribed as,

'THE
Visit will CARRY
The Nephilim
Hybrid-
Cohort!'

The word 'Carry' is bent as if being sung; the word 'Cohort' is delivered quickly at the end.

The coda is where the two versions diverge most significantly. For the mono mix, there are strong notes with a weird pitch, suggesting,

'PUR-
I-
FI-
CA-
TIONNN...'

The final note protracts into sustained distortion. Ringo Starr drums something (with greater energy than in the stereo alternate) implying,

'That's The Day -
When We're Truly
"Going BIB-LICAL!"'

In the wake of this break, the sound landscape has become trodden by otherworldly groaning strains, lumbering about like dinosaurs: these seem to be conveying,

'PUR-i-FY...
CLEANSE The Earth,
PURE...'

That is how the mono mix concludes in fade-out; the stereo version has a different instrumental break into the coda. Instead of using the term 'Purification,' they use a parallel term 'Preparation': The Hopi speak of Purification Day; Conchita of

Garabandal said The Warning event could better be called The Preparation, or The Purification. It would be a time when everyone would become conscious of their personal sins simultaneously, however more is involved since there would be a lethality factor.
Once people were purified spiritually by this experience they could perceive The Miracle placed at the site of their visions.

Stipulations for The Miracle were met 13 May 2021, Ascension Thursday, feast day for Blessed Imelda dying at First Communion, with a Mercury lunar conjunct at the critical 8:30 pm local time. Nostradamus has something marvelous appearing after the

world trembles.

The stereo coda has the longer loud instrumental break, sounding like,

'UN-TIL
PREP-A-RATION
DAYYY...'

Then Ringo drums the more sedate equivalent to the mono version, implying,

'That's The Day -
When It Truly
Gets Biblical'

The ensuing sounds include the previous fade-out; except the stereo mix had a fade-in, with same otherworldly groaning guitar sounds, implying,

'Re-Storing
Ba-LANCE...'

The music settles sublimely on a sustained, expectant note suggesting,

'Clean -'

Then the electric guitar loudly screams,

'THE EARTH!!'

The double-shot on the drum added could merely indicate a double-exclamation point, but the sound is close to,

'- FROM
SIN!'

There Ringo makes the comment about 'blisters,' which in reverse says,

'Saviour
From Potential
Fire!'

The stereo version offers the hope that the Nephilim augmentation can be dealt with through the action of a specific date, however this probably does not involve returning them to the Moon. In Enoch's prophecy, an Abyss should open in both dimensions,

which would not only facilitate the Nephilim being banished to a subterranean Inferno, but also become the backdrop for the judgment of Humanity: he foresaw no dazzling Miracle, but instead a powerful Sword that could eventually drive the unrighteous
into the same Abyss.

The scenario of the Scarlet Beast has a fateful rise to power after the Abyss has opened. The Nephilim character that McCartney is role-playing has likely already attached to that leader, bent on sorting out who might escape execution by branding

themselves with signs of blasphemous worship of himself.

*

The Carter radio show replayed the outtake mentioned earlier, there was more to it, including Lennon referring to Jesus Christ as having given 'His Only Begotten Bread," mixing religious concepts.

Lennon could facetiously pretend he did not know what onomatopoeia was, saying he misheard it as 'Automatic pier,' yet the use of it is as simple as the "Beep beep"s of "Drive My Car." John was quite sophisticated, having used an old song from the '

Twenties' for the fade chant of "I Am The Walrus" - but he claimed that part was original,

'Got one, got one,
Ev'rybody's Got One'

There was an unmistakable similarity to the old tune with its,

'Oompah, umpah.
Stick it up your jumpah!'

When they were staging The Love Show, that documentary showed the remaining Beatles confused about how to deal with that, and Yoko settled it by suggesting they have singers simultaneously dedicated to either version, getting both together.

Lennon might have agreed to keep the group going for another cycle if McCartney had floated the notion of a real band name change: every time someone called them The Beatles, they could have corrected,

"No, we're not 'The Beatles' anymore - We're 'Beatles: The Second Go,' see you didn't get it the first time, so now we're repeating the whole thing."

Reviewing other Blue Moon dates,

30 July 1958 - This was the Blue Moon over John's grief after his mother Julia was killed 15 July, which would surface in his music even when not overtly.

30 November 1963 - This Blue Moon ended the month when the JFK assassination and second album release in the UK coincided; the previous day (29 November) the "I Want To Hold Your Hand" single was issued, which would be the key to initial success in the

American market.

The image of Paul McCartney grasping a "Ram" by the horns on his album cover was mocked by John Lennon holding a pig in similar fashion for an extra photograph with "Imagine." The non-esoteric impression is Lennon was ridiculing McCartney for rustic

domesticity; an esoteric view could be Paul anticipating the Ram with horns of faith to emerge as in the Henoch prophecy, with the visual response from Lennon that such Faith could not possibly develop among Swine.

31 December 1974 - McCartney started his band Wings with the album "Wild Life" earlier that month.

The six dates of the two triple Saturn-Jupiter conjunctions, circa 1940 and 1980, corresponded with obvious milestones specific to John Lennon as apparent karmic representative of the entire group, their true leader.

Jumping past several instances, the Double Blue Moon sequence ending 31 March 1999 foreshadowed the 20 April 1999 Columbine school shooting, a template for future copycat mass killings.

The 30 November 2001 Blue Moon marked the end of the first month when the US was embroiled in the Afghan War, immediately after the 9-11 attacks.

31 July 2004 shortly preceded the Chechen rebels taking a Beslan school hostage on 1 September 2004.

30 June 2007 was precursor for the Financial Crisis going international on 9 August 2007, as withdrawal was blocked from three hedge funds associated with sub-prime mortgages by a French bank operating in the UK.

31 December 2009 was eleven days after my debut installment of the series as Book 2, same chronology as X.74, prior to the Winter Olympics where a luge athlete lost his life as The Games of Sacrifice (with no Blue Moon mentioned).

31 August 2012 ended the month where the first section of Book 1 was released independently (as "White Versus Red"), along with the Saturn-Mars conjunct and 'foreign separation of gains' (polling results for the upcoming election) circa 15 August 2012.

31 July 2015 seems linked to a mid-June announcement.

There was a double Blue Moon in 2018, sequence ending 31 March - 7 April 2018, a chemical attack on Douma took the war in Syria to a level that provoked retaliation by France, the US and the UK on 14 April.

31 October 2020 was days before the apparently deliberately fateful US election.

31 August 2023 is close to the 30 October date when Mars and Mercury will be in opposition with Jupiter (and the Moon) which figures in IX.55 as the time when a war stirred up by the West inflicts fire, upon at least France.

*

An outtake of "Let It Be" was recently aired, bookended by comments from Lennon: before the take John facetiously asked, "Are we supposed to giggle in the solo?" joking about the 'Sunday Church' feeling; and at the end he congratulated, "I think that

was rather grand."

John wanted people to know The Beatles were not broken up because they didn't like each other, putting it in terms of young men who stop getting together so much because of greater attachment to their wives. However Lennon also admitted by the end they

were 'cutting each other down to size,' and his partnership with McCartney descended into the sort of historic creative conflict pattern they never anticipated themselves replicating.

Remarks from McCartney that he would compose thinking of two things at the same time, and that it would be folly to presume one simple thing could be their entire message, imply even the Christ tangent might not be the only conscious subliminal

substance. If "Helter Skelter" had esoteric-prophetic features refining the Hopi belief the Moon landing would carry back bad mojo, its continuation should be "She Came In Through The Bathroom Window," with the same 'dancer... answer" rhyme.

The Hopi Purification Day concept is accessible, yet Conchita of Garabandal only received information about The Warning (or Preparation) from January 1965 (long after experiences of the other visionaries had ceased). Surprisingly, when re-assessing the

first seven songs on the "Help!" album, which were used in the film soundtrack, some of them presented facets of the predicted phenomenon. There could be an inference of the Alpine setting used within some of the film scenes, where the song "Ticket To
Ride" is featured - this dovetails with the current-day Lombardy (encoding for 16 July 2022) in Nostradamus' VI.16 -

The villains of the Temple where stood the Black Forest
Will set up a tavern and hearth for Lombardy

Start with the B-side of a single, "Yes It Is": while the lyrics invoke the color red, the volume-pedal guitar plays at the intro and outro what could imply their only hidden thought is the scarlet robe used to mock Jesus as a condemned royal figure.

But another listen yields something profound on another topic, thereby potentially demonstrating that 'the testimony of Jesus is the spirit of prophecy.'

Leaving aside the precise Christ tangents (with one exception), this is how those songs could foretell the critical event.

The intro to "Yes It Is" sounds like,

'Full
TIME -
Warp'

The outro is phrased instead as,

'A
Rift
*O-PENED*'

The doubled descent on lead guitar prominent in the "Help!" tune suggests,

'Spin
The
Globe'

The faster passage that is played four times in succession, like the instrumental equivalent of the tongue-twisting "Anybody got a bit of money" refrain in a "Taxman" outtake, is recognizable as,

'Differently,
Differently,
Differently,
Differently'

The title of "The Night Before" obviously implies the peaceful evening in Gethsemane disrupted by the arrest; yet an alternate meaning emerges via the tonality of the backing vocals, which append the title with,

'Lord
Ar-*RI*-Val'

Along this tangent the punchy opening instrumental passage suggests,

"The Day-Light Will -
Get Ex-Tinguished -
Like A Candle -
*On The Night Of
PREPARATION!'*

A brief keyboard bit later subtly affirms,

'A - Candle'

The guitar solo is doubled unambiguously, summarizing,

'The Daylight -
Will Go -
*Just Like You're Blowing A* -
Candle!'

The outro guitar flourish implies,

'Blow Out The
SUN!'

The message from the flute performance in the coda of "You've Got To Hide Your Love Away" hints at Revelation 14 material, beyond its role as a consecutive Station of the Cross. There are numerous variations and twists in the guitar parts from "Another

Girl," where the final flourish seems articulated as,

'An Experiment In -
*FORMER* Geneva!'

Harrison's "I Need You" is simple yet poignant, appearing in a scene set at ancient Stonehenge; it has an allusion to the Eden story, parallel with Crucified Christ meeting His Mother.

Director Lester compressed the actual studio recording process for "You're Gonna Lose That Girl," with Ringo switching from drums to bongos, the rhythm track being set and subjected to vocal overdubs. Soft-focus and monochrome color palettes take over,

as Ringo exhales clouds of smoke; John as lead singer is in a shadow rather than a spotlight, his facial features nearly indistinguishable in his close-up shot.

As the tune ends, the surreal visual atmosphere vanishes, with the institutional lighting of the likelier reality suddenly asserting itself as if someone had flipped a switch backstage. The number "5" visualized beforehand highlights that the song that

follows is the Sixth Station, where Saint Veronica wipes the face of Jesus, and the cloth assumed a hazy image. Putting aside how the Veronica story is indicated by the same sounds, the middle guitar solo nearly repeats, with a minor variation, implying,

'A CATa-CLYsm
Will Have Occurred -
'Fore They'll SEE -
A Miracle

A CATa-CLYsm
Will Have Occurred -
Before They'll SEE -
A Miracle'

Because the 9 September 2022 is extraordinarily likely to be the critical time, continuing the process with the actual song used in the Alpine Forest sequence of the 1965 film should be definitive. While Lennon associated it with 'heavy metal,' from

the French 'metal hurlant' or 'screaming metal,' the features for focus are the powerful, hypnotic riff, two brief guitar passages, a unique passage going into the coda, and the coda itself, where completely new material seems introduced going into the
fade.

The riff suggests,

'A -
*DIF-FER-RENT*
Turning...'

The first guitar bit implies,

'Waiting For The World
To Return To Normal'

The second part alters to,

'Wondering When The World
Will Return To Normal'

The unique brief link to the coda is synchronized in the film with The Beatles appearing from chest-up on the crest of a snow-covered hill, quickly making various arm movements recalling the reverse-semaphore positions on the album cover image. In the

Christ tangent this heavy instrumentation suggests,

'For The
Second Time
He Fell'

Yet in the Preparation tangent this should be transcribed as,

'Found Another
Way To Turn'

Then the unorthodox, inventive coda ensues, appearing to convey,

'Turning -
A Way It SHOULDN'T Turn -

IN The WRONG Direction!

The World -
Turning A *WAY* It Shouldn't -

Around -

*FROM THE* -
*NORMAL* -
*PATTERN*...'

Instead of "around," the word 'Awry' might be a better match. Of course, Jesus in condemnation had a 'Ticket To Rot,' which sometimes seems what is being expressed in the lead vocal.

The phenomenon of an intentional Christian subliminal aural message having an unconscious prophetic element is suggested in Revelation 19 where an angel explains the testimony of Jesus 'is the spirit of prophecy': this is virtually restated in
Nostradamus V.53 quatrain, which has parallels with V.24, using Venus and the Sun in presumably identical context.

Strangely the rhymes in both verses work in English when the Sun gets translated with the '-Imitated' qualification - 'elevated' in V.24, and 'appropriated' in V.53. The esoteric meaning is that when the 'Sun-Imitated' process (referring to I.23 and the
cover imagery of "A Heard Dream's Rite") extends its progress back to the "Help!" album stage, identified by the Saturn-Venus opposition coincident with its August 1965 release, it will become evident the 'spirit of prophecy' has been appropriated - by
discerning parallel tangents confirming the angelic hint.

The law of the Sun with Venus extended
Finds the spirit of prophecy appropriated -
Neither one nor the other will be comprehended,
The Great Messiah's Law will hold through the Sun-Imitated

The third line acknowledges widespread ignorance of both tangents co-existing, one intentional and the other inexplicable. The final line insists that nonetheless, the process towards Messianic Judgment is already underway.

Pursuing the very critical theory that an "Abbey Road" track might continue the Nephilim story into the future (from the "Helter Skelter" discovery), the two lengthy guitar interludes on Side Two, after "Polythene Pam" and during "The End," whose
pertinent transcriptions will be given here, as Christian tangents were already provided in "A Temple Of Many Mansions."

Starting with the instrumental break in "Polythene Pam," three strong chords followed by a faster guitar bit implies,

'STRONG - IN - DEATH...'

'- The Nephilim!'

The guitar solo then commences an extended monologue articulated like,

'The Horrible SPIRITS
From The Moon -
Will Become Stronger In Death,
And Whatever Evil They Find In Humans,
They'll Work To Then Ampli-FY!

And The
NE-PHI-LIM

Will Provoke A Judgment:

A Great Number -
Will Be Guilty,

IN-NO-CENT
Are Few
In Number...'

The bass guitar is then played powerfully in a descending line suggesting the confirmation,

'FEW -
IN -
NUM-
BER!'

And as the next tune starts, the opening lead guitar it appears to add,

'Forgot About God!'

Skipping to "The End," for the so-called 'Guitar Battle,' it can be found the phrases played by John, Paul and George actually work together to comprise sections of a larger message. The new prophetic tangent is supported by parallel overtly Christian
tangents. The forward-looking channel combines the Nephilim, temporal rift and Revelation concepts too deftly to be deliberate in tandem with the other transcriptions, again supporting the notion of having appropriated the spirit of prophecy through
adhering to the testimony of Jesus. Separating each section would render,

'Whoever BELIEVES
The Lies About The ANCIENT Power -
Will Become DOOMED,
When We Go -
Through The Temporal RIFT:'

'MANY WILL BE MARTYRED
WHEN THEY HOLD
*TRUE*!'

'They'll Bear The Mark
Of A Living Devil
When Their Soul Will BURN'

'And The Earth Will OPEN UP
And SWALLOW Them Whole!'

'The Wicked COME TO JUDGMENT,
As Do THE CHILDREN OF GOD!'

'Those Who Have Worshipped
The Blasphemer -
Will Have Their Portion
Removed To Gehenna...'

'Where
They'll
Suf-*FER!* -
*FOR-EVER!*'

'AND THOSE WHO DON'T
WILL BECOME PILLARS IN
THE TEMPLE
OF THE LORD!'

The 'pillars of the Temple' promotion is a promise Spectral Jesus makes in Revelation 3:12.

As McCartney invokes the Karmic maxim or platitude in the coda, the musical accompaniment continues along this tangent, suggesting,

'PILLARS -
ALL!...'

The bit resembling 'Pillars' repeats, with strings then appending,

'In The Temple FOR...'

At that point Paul is singing the lyric "you make," and an ascending celestial harp-like instrument is played as if to say,

'"Creating
Power"
That's
ANCIENT...'

Then sublime vocal harmonies take over with what implies,

'Our
*LORD!*'

The tune then has its sumptuous resolution suggesting,

'A Temple Pillar
Can
*LIVE*'

The choice presented is clear: Faith will be rewarded after enduring the most extreme test, with some form of Life rather than the unending torment of eternal punishment; and there will be no remedy for failure.

--- SoupGate-Win32 v1.05
* Origin: fsxNet Usenet Gateway (21:1/5)

[continued from previous message]

Then 'Emorte' presents a temporal disjuncture, leaping to 11 December for 2022: implying Merida in Spain, this corresponds with Saints Julia and Eulalia, who were martyred there with shared 11 December feast. On the same day Saint Fidweten (d. 888), a

Brittany (IV.95) monk is honored; also Saints Victorinus (VI.70), Fuscian and Gentian, martyrs of Gaul (X.58).

Our Lady of Guadalupe is honored 12 December, which could be the Lady honored by force of terror in I.94. And the next day is for Saint Lucy, perhaps the IX.68 context will somehow coalesce for 13 December 2022.

By finishing line 1 of X.61 with Scarbantia, there is the suggestion of the Roman elliptical wall built there, a strategic structure to defend the Empire from advancing hordes at the border formed by the Danube River - the seer was likely sarcastically

alluding to the Republican former-incumbent with the unfulfilled promise of building a wall at the border for a similar purpose.

The Greater Grand Trine of Perplexity manifesting 11 December 2022 for Lilith-Pallas-Moon interacting with Neptune-Jupiter through the shifting pairing of the Vertex and Fortune checks a lot of boxes towards the imminent cataclysm within the Venusian
Reign for her debasement. That explained how Corinth (Neptune) and Ephesus (the Moon) could be in perplexity when they are not in locations for typically aspecting, through the larger configuration. This was set up by the Moon's alignment, preceded by
Fortune jumping to the lunar position near its Pallas conjunct, explaining the remainder of II.66 from its 28 October 2022 beginning alluding to the Pelosi home invasion attack.

The 29 October 2022 Seoul Halloween crowd crush figured in X.28, promising a debasement of Venus, which had already been observed at the Geneva Nadir 17 November 2022 12:47 am CET, coincident with the US House of Representatives majority being announced
for the Republican party. [The first half of X.28 indicated 'two of three who make prime music' being honored at solar eclipses, foretelling the knighting of Sir Paul McCartney, and the prior Billboard Century Award given to George Harrison.] Venus
appeared with Mercury near the Sun as Fulcrum in an inverted, tipping Grand Trine with Lilith-Pallas aspecting with Neptune-Jupiter forming the top line, presenting the V.42 situation of being 'Under The Balance,' yet without the predicted terror.

The 2 November 2022 7:38 am CET Neptune lunar adjacency had Venus at the Ascendant, simultaneously providing both the situation where Corinth and Ephesus swim in two seas (Aquarius and Pisces) for II.52, and the 'false rapport with Venus' of X.28.

The Colorado Springs nightclub shooting occurred around midnight into 20 November 2022, feast for Saint Benignus of Lombardy, presenting the Tavern stage of a dual prophecy from V.42, inferring an apocalyptic fire cataclysm from a further Lombard saint.

Lunar and solar aspects with Chiron occurred around 3 December 2022 for VI.70, which suggested looking further beyond the lunar conjunct with Ouranos around 5 December, and mentioned a 'Victor.'

The 5 December 2022 death of Kirstie Alley recalled the subtle reference to Saint Felix of Valois in V.18 as a Trinitarian who would die forlorn of grief over the fatal use of the Grand Trine; however a female 'Vitrix' would be celebrated during the
sacrificial deaths - Alley born 12 January 1951 in Wichita has a natal chart with Grand Trine appearing 2:36 pm CST involving Jupiter, Ouramos and the Vertex (a near-anagram for Vitrix).

The 8 December 2022 lunar occultation of Mars happened with a Sun-Mars opposition at the forty-second year since the tragic assasination of John Lennon; it had been known his name reversed sounds like 'Men of Mars,' which meant nothing until these
ominous portents being evaluated when the Moon was past its astronomically-notable Mars conjunct.

Yet another precursor appeared with 8 December 2022 release of female athlete Brittney Griner, via a prisoner swap for Russian arms dealer Viktor Bout: in III.13 two captives 'eat' each other, creating a device to suggest the exchange of captives which
is repeated in IV.38, the event presented as prelude to some assault. Griner as a female athlete held captive as hostage is clear in the first line of IV.41; and she is likely the captive Lady who had woven Peace in VII.18 Duplicity from Bout after
release may be foretold in IX.92.

The second Lombardy saint for V.42 appears to be Syrus, thought to be the youth who presented Jesus with five loaves of bread for the feeding of the multitudes: he was later appointed the first bishop of Pavia, in the Lombard region of Italy - his feast
is 9 December.

https://www.travelitalyexpert.com/italian-saints/

The pivotal reference in X.61 was 'Emorte,' intended to jump from the 3 November 20220 US election day (using Vienne for Saint Domnus) to the feast for two female martyrs of Merida (i.e., Augusta Emerita), Spain, Saints Julia and Eulalia, on 11 December
for 2022. That is when the Greater Grand Trine of Perplexity materialized, after the Dawn Fortune jump for Geneva to the Moon nearing conjunct with Pallas, to fulfill II.66, as the menacing ironic 'Good Omen.' It ultimately settled into a Lunar Grand
Trine with Jupiter and the Vertex, yet it arrived as a final precursor.

What remains is for Venus to be debased at the Nadir during the 12 December 2022 cycle, corresponding with the feast for Our Lady of Guadalupe for I.94's 'Lady honored through force of terror,' calling for a subtle comparison with the 17 November 2022
situation, also in a briefer Venusian reign (about a day, versus about a week).

Looking closely at the Geneva charts when Venus reaches the Nadir on 12 December 2022 therefore should reveal the final triggering sequence - using CET time zone -

1:10 am - Jupiter at the Descendant

1:12 am - Jupiter conjunct Vertex {II.92 'The striking of the High-Born'}

1:22 am - Vesta reaches Sixth House cusp {X.6 'Vesta sepulchral fire'}

1:24 am - Venus at Nadir {X.28 debasement to be rendered for Venus}

1:29 am - Saturn conjoined by the Part of Fortune {IX.44 'Saturn itself will convert gold into sword'}

The close succession of these potentially-predicted fine-timing clues suggests the critical minute would be -

12 December 2022 1:29 am CET / 11 December 7:29 pm EST / 4:29 pm PST

The facts suggest this endeavor only required a few further insights to anticipate the actual fulfillment.

--- SoupGate-Win32 v1.05
* Origin: fsxNet Usenet Gateway (21:1/5)

[continued from previous message]

Then 'Emorte' presents a temporal disjuncture, leaping to 11 December for 2022: implying Merida in Spain, this corresponds with Saints Julia and Eulalia, who were martyred there with shared 11 December feast. On the same day Saint Fidweten (d. 888), a

Brittany (IV.95) monk is honored; also Saints Victorinus (VI.70), Fuscian and Gentian, martyrs of Gaul (X.58).

Our Lady of Guadalupe is honored 12 December, which could be the Lady honored by force of terror in I.94. And the next day is for Saint Lucy, perhaps the IX.68 context will somehow coalesce for 13 December 2022.

By finishing line 1 of X.61 with Scarbantia, there is the suggestion of the Roman elliptical wall built there, a strategic structure to defend the Empire from advancing hordes at the border formed by the Danube River - the seer was likely sarcastically

alluding to the Republican former-incumbent with the unfulfilled promise of building a wall at the border for a similar purpose.

The Greater Grand Trine of Perplexity manifesting 11 December 2022 for Lilith-Pallas-Moon interacting with Neptune-Jupiter through the shifting pairing of the Vertex and Fortune checks a lot of boxes towards the imminent cataclysm within the Venusian
Reign for her debasement. That explained how Corinth (Neptune) and Ephesus (the Moon) could be in perplexity when they are not in locations for a typical aspect, through the larger configuration. This was set up by the Moon's alignment, preceded by
Fortune jumping to the lunar position near its Pallas conjunct, explaining the remainder of II.66 from its 28 October 2022 beginning alluding to the Pelosi home invasion attack.

The 29 October 2022 Seoul Halloween crowd crush figured in X.28, promising a debasement of Venus, which was suggested by observation at the Geneva Nadir 17 November 2022 12:47 am CET, coincident with the US House of Representatives majority being
announced for the Republican party. [The first half of X.28 indicated 'two of three who make prime music' being honored at solar eclipses, foretelling the knighting of Sir Paul McCartney, and the prior Billboard Century Award given to George Harrison.]
Venus appeared with Mercury near the Sun as Fulcrum in an inverted, tipping Grand Trine with Lilith-Pallas in trine with Neptune-Jupiter forming the top line, presenting the V.42 situation of being 'Under The Balance,' yet without the predicted terror.

The 2 November 2022 7:38 am CET Neptune lunar adjacency had Venus at the Ascendant, simultaneously providing both the situation where Corinth and Ephesus swim in two seas (Aquarius and Pisces) for II.52, and the 'false rapport with Venus' of X.28.

The Colorado Springs nightclub shooting occurred around midnight into 20 November 2022, feast for Saint Benignus of Lombardy, presenting the Tavern stage of a dual prophecy from V.42, inferring an apocalyptic fire cataclysm from a further Lombard saint.

Lunar and solar aspects with Chiron occurred around 3 December 2022 for VI.70, which suggested looking further beyond the lunar conjunct with Ouranos around 5 December, and mentioned a 'Victor.'

The 5 December 2022 death of Kirstie Alley recalled the subtle reference to Saint Felix of Valois in V.18 as a Trinitarian who would die forlorn of grief over the fatal use of the Grand Trine; however a female 'Vitrix' would be celebrated during the
sacrificial deaths - Alley born 12 January 1951 in Wichita has a natal chart with Grand Trine appearing 2:36 pm CST involving Jupiter, Ouranos and the Vertex (a near-anagram for Vitrix).

The 8 December 2022 lunar occultation of Mars happened with a Sun-Mars opposition at the forty-second year since the tragic assassination of John Lennon; it had been known his name reversed sounds like 'Men of Mars,' which meant nothing until these
ominous portents being evaluated when the Moon was past its astronomically-notable Mars conjunct.

Yet another precursor appeared with 8 December 2022 release of female athlete Brittney Griner, via a prisoner swap for Russian arms dealer Viktor Bout: in III.13 two captives 'eat' each other, creating a device to suggest the exchange of captives which
is repeated in IV.38, the event presented as prelude to some assault. Griner as a female athlete held captive as hostage is clear in the first line of IV.41; and she is likely the captive Lady who had woven Peace in VII.18 Duplicity from Bout after
release may be foretold in IX.92.

The second Lombardy saint for V.42 appears to be Syrus, thought to be the youth who presented Jesus with five loaves of bread for the feeding of the multitudes: he was later appointed the first bishop of Pavia, in the Lombard region of Italy - his feast
is 9 December.

https://www.travelitalyexpert.com/italian-saints/

The pivotal reference in X.61 was 'Emorte,' intended to jump from the 3 November 20220 US election day (using Vienne for Saint Domnus) to the feast for two female martyrs of Merida (i.e., Augusta Emerita), Spain, Saints Julia and Eulalia, on 11 December
for 2022. That is when the Greater Grand Trine of Perplexity materialized, after the Dawn Fortune jump for Geneva to the Moon nearing conjunct with Pallas, to fulfill II.66, as the menacing ironic 'Good Omen.' It ultimately settled into a Lunar Grand
Trine with Jupiter and the Vertex, yet it arrived as a final precursor.

What remains is for Venus to be debased at the Nadir during the 12 December 2022 cycle, corresponding with the feast for Our Lady of Guadalupe for I.94's 'Lady honored through force of terror,' calling for a subtle comparison with the 17 November 2022
situation, also in a briefer Venusian reign (about a day, versus about a week).

Looking closely at the Geneva charts when Venus reaches the Nadir on 12 December 2022 therefore should reveal the final triggering sequence - using CET time zone -

1:10 am - Jupiter at the Descendant

1:12 am - Jupiter conjunct Vertex {II.92 'The striking of the High-Born'}

1:22 am - Vesta reaches Sixth House cusp {X.6 'Vesta sepulchral fire'}

1:24 am - Venus at Nadir {X.28 debasement to be rendered for Venus}

1:29 am - Saturn conjoined by the Part of Fortune {IX.44 'Saturn itself will convert gold into sword'}

The close succession of these potentially-predicted fine-timing clues suggests the critical minute would be -

12 December 2022 1:29 am CET / 11 December 7:29 pm EST / 4:29 pm PST

The facts suggest this endeavor only required a few further insights to anticipate the actual fulfillment.

--- SoupGate-Win32 v1.05
* Origin: fsxNet Usenet Gateway (21:1/5)

[continued from previous message]

Then 'Emorte' presents a temporal disjuncture, leaping to 11 December for 2022: implying Merida in Spain, this corresponds with Saints Julia and Eulalia, who were martyred there with shared 11 December feast. On the same day Saint Fidweten (d. 888), a

Brittany (IV.95) monk is honored; also Saints Victorinus (VI.70), Fuscian and Gentian, martyrs of Gaul (X.58).

Our Lady of Guadalupe is honored 12 December, which could be the Lady honored by force of terror in I.94. And the next day is for Saint Lucy, perhaps the IX.68 context will somehow coalesce for 13 December 2022.

By finishing line 1 of X.61 with Scarbantia, there is the suggestion of the Roman elliptical wall built there, a strategic structure to defend the Empire from advancing hordes at the border formed by the Danube River - the seer was likely sarcastically

alluding to the Republican former-incumbent with the unfulfilled promise of building a wall at the border for a similar purpose.

The Greater Grand Trine of Perplexity manifesting 11 December 2022 for Lilith-Pallas-Moon interacting with Neptune-Jupiter through the shifting pairing of the Vertex and Fortune checks a lot of boxes towards the imminent cataclysm within the Venusian
Reign for her debasement. That explained how Corinth (Neptune) and Ephesus (the Moon) could be in perplexity when they are not in locations for typically aspecting, through the larger configuration. This was set up by the Moon's alignment, preceded by
Fortune jumping to the lunar position near its Pallas conjunct, explaining the remainder of II.66 from its 28 October 2022 beginning alluding to the Pelosi home invasion attack.

The 29 October 2022 Seoul Halloween crowd crush figured in X.28, promising a debasement of Venus, which had already been observed at the Geneva Nadir 17 November 2022 12:47 am CET, coincident with the US House of Representatives majority being announced
for the Republican party. [The first half of X.28 indicated 'two of three who make prime music' being honored at solar eclipses, foretelling the knighting of Sir Paul McCartney, and the prior Billboard Century Award given to George Harrison.] Venus
appeared with Mercury near the Sun as Fulcrum in an inverted, tipping Grand Trine with Lilith-Pallas aspecting with Neptune-Jupiter forming the top line, presenting the V.42 situation of being 'Under The Balance,' yet without the predicted terror.

The 2 November 2022 7:38 am CET Neptune lunar adjacency had Venus at the Ascendant, simultaneously providing both the situation where Corinth and Ephesus swim in two seas (Aquarius and Pisces) for II.52, and the 'false rapport with Venus' of X.28.

The Colorado Springs nightclub shooting occurred around midnight into 20 November 2022, feast for Saint Benignus of Lombardy, presenting the Tavern stage of a dual prophecy from V.42, inferring an apocalyptic fire cataclysm from a further Lombard saint.

Lunar and solar aspects with Chiron occurred around 3 December 2022 for VI.70, which suggested looking further beyond the lunar conjunct with Ouranos around 5 December, and mentioned a 'Victor.'

The 5 December 2022 death of Kirstie Alley recalled the subtle reference to Saint Felix of Valois in V.18 as a Trinitarian who would die forlorn of grief over the fatal use of the Grand Trine; however a female 'Vitrix' would be celebrated during the
sacrificial deaths - Alley born 12 January 1951 in Wichita has a natal chart with Grand Trine appearing 2:36 pm CST involving Jupiter, Ouramos and the Vertex (a near-anagram for Vitrix).

The 8 December 2022 lunar occultation of Mars happened with a Sun-Mars opposition at the forty-second year since the tragic assasination of John Lennon; it had been known his name reversed sounds like 'Men of Mars,' which meant nothing until these
ominous portents being evaluated when the Moon was past its astronomically-notable Mars conjunct.

Yet another precursor appeared with 8 December 2022 release of female athlete Brittney Griner, via a prisoner swap for Russian arms dealer Viktor Bout: in III.13 two captives 'eat' each other, creating a device to suggest the exchange of captives which
is repeated in IV.38, the event presented as prelude to some assault. Griner as a female athlete held captive as hostage is clear in the first line of IV.41; and she is likely the captive Lady who had woven Peace in VII.18 Duplicity from Bout after
release may be foretold in IX.92.

The second Lombardy saint for V.42 appears to be Syrus, thought to be the youth who presented Jesus with five loaves of bread for the feeding of the multitudes: he was later appointed the first bishop of Pavia, in the Lombard region of Italy - his feast
is 9 December.

https://www.travelitalyexpert.com/italian-saints/

The pivotal reference in X.61 was 'Emorte,' intended to jump from the 3 November 20220 US election day (using Vienne for Saint Domnus) to the feast for two female martyrs of Merida (i.e., Augusta Emerita), Spain, Saints Julia and Eulalia, on 11 December
for 2022. That is when the Greater Grand Trine of Perplexity materialized, after the Dawn Fortune jump for Geneva to the Moon nearing conjunct with Pallas, to fulfill II.66, as the menacing ironic 'Good Omen.' It ultimately settled into a Lunar Grand
Trine with Jupiter and the Vertex, yet it arrived as a final precursor.

What remains is for Venus to be debased at the Nadir during the 12 December 2022 cycle, corresponding with the feast for Our Lady of Guadalupe for I.94's 'Lady honored through force of terror,' calling for a subtle comparison with the 17 November 2022
situation, also in a briefer Venusian reign (about a day, versus about a week).

Looking closely at the Geneva charts when Venus reaches the Nadir on 12 December 2022 therefore should reveal the final triggering sequence - using CET time zone -

1:10 am - Jupiter at the Descendant

1:12 am - Jupiter conjunct Vertex {II.92 'The striking of the High-Born'}

1:22 am - Vesta reaches Sixth House cusp {X.6 'Vesta sepulchral fire'}

1:24 am - Venus at Nadir {X.28 debasement to be rendered for Venus}

1:29 am - Saturn conjoined by the Part of Fortune {I.44 'Saturn itself will convert gold into sword'}

The close succession of these potentially-predicted fine-timing clues suggests the critical minute would be -

12 December 2022 1:29 am CET / 11 December 7:29 pm EST / 4:29 pm PST

The facts suggest this endeavor only required a few further insights to anticipate the actual fulfillment.

--- SoupGate-Win32 v1.05
* Origin: fsxNet Usenet Gateway (21:1/5)

[continued from previous message]

So this Augmented Grand Trine from the Pallas Fortune jump should be the Good Omen of II.66 line 4, and the Corinth-Ephesus perplexity of III.3. However IX.44 implicates Saturn as the instrument for activation, by crossing the Midheaven point, which

ushers in the Debasement Grand Trine pointing downwards, briefly utilizing the East Point - that is

11 December 2022 4:47 pm CET / 10:47 am EST / 7:47 am PST.

The Perplexity Grand Trine forms a few minutes before Venus falls at the Descendant, around 5:30 pm CET, and disintegrates around 6:45 pm CET.

Vesta reaches Midheaven 5:45 pm CET, then Mercury follows Venus at the Descendant around 6 pm CET.

The Venusian Reign continues until she exceeds the locational value of Vesta 16 December 2022 around 8 pm CET. The debasement of Venus in X.28 was not described, yet logically should occur within her own reign. Neither did the seer write specifically

about or describe a Grand Trine, yet the theme has clearly emerged as deliberately hidden.

An amendment to my interpretation for line 1 is related: Betta as Pettau for Saint Victorinus (d. 304), Pannonian bishop, has a 2 November feast, day before the 2020 US election; and bishop Saint Domnus (d. 657) for Vienne brings to the actual 3

November date.

Then 'Emorte' presents a temporal disjuncture, leaping to 11 December for 2022: implying Merida in Spain, this corresponds with Saints Julia and Eulalia, who were martyred there with shared 11 December feast. On the same day Saint Fidweten (d. 888),

a Brittany (IV.95) monk is honored; also Saints Victorinus (VI.70), Fuscian and Gentian, martyrs of Gaul (X.58).

Our Lady of Guadalupe is honored 12 December, which could be the Lady honored by force of terror in I.94. And the next day is for Saint Lucy, perhaps the IX.68 context will somehow coalesce for 13 December 2022.

By finishing line 1 of X.61 with Scarbantia, there is the suggestion of the Roman elliptical wall built there, a strategic structure to defend the Empire from advancing hordes at the border formed by the Danube River - the seer was likely

sarcastically alluding to the Republican former-incumbent with the unfulfilled promise of building a wall at the border for a similar purpose.

The Greater Grand Trine of Perplexity manifesting 11 December 2022 for Lilith-Pallas-Moon interacting with Neptune-Jupiter through the shifting pairing of the Vertex and Fortune checks a lot of boxes towards the imminent cataclysm within the Venusian

Reign for her debasement. That explained how Corinth (Neptune) and Ephesus (the Moon) could be in perplexity when they are not in locations for a typical aspect, through the larger configuration. This was set up by the Moon's alignment, preceded by
Fortune jumping to the lunar position near its Pallas conjunct, explaining the remainder of II.66 from its 28 October 2022 beginning alluding to the Pelosi home invasion attack.

The 29 October 2022 Seoul Halloween crowd crush figured in X.28, promising a debasement of Venus, which was suggested by observation at the Geneva Nadir 17 November 2022 12:47 am CET, coincident with the US House of Representatives majority being

announced for the Republican party. [The first half of X.28 indicated 'two of three who make prime music' being honored at solar eclipses, foretelling the knighting of Sir Paul McCartney, and the prior Billboard Century Award given to George Harrison.]
Venus appeared with Mercury near the Sun as Fulcrum in an inverted, tipping Grand Trine with Lilith-Pallas in trine with Neptune-Jupiter forming the top line, presenting the V.42 situation of being 'Under The Balance,' yet without the predicted terror.

The 2 November 2022 7:38 am CET Neptune lunar adjacency had Venus at the Ascendant, simultaneously providing both the situation where Corinth and Ephesus swim in two seas (Aquarius and Pisces) for II.52, and the 'false rapport with Venus' of X.28.

The Colorado Springs nightclub shooting occurred around midnight into 20 November 2022, feast for Saint Benignus of Lombardy, presenting the Tavern stage of a dual prophecy from V.42, inferring an apocalyptic fire cataclysm from a further Lombard saint.

Lunar and solar aspects with Chiron occurred around 3 December 2022 for VI.70, which suggested looking further beyond the lunar conjunct with Ouranos around 5 December, and mentioned a 'Victor.'

The 5 December 2022 death of Kirstie Alley recalled the subtle reference to Saint Felix of Valois in V.18 as a Trinitarian who would die forlorn of grief over the fatal use of the Grand Trine; however a female 'Vitrix' would be celebrated during the

sacrificial deaths - Alley born 12 January 1951 in Wichita has a natal chart with Grand Trine appearing 2:36 pm CST involving Jupiter, Ouranos and the Vertex (a near-anagram for Vitrix).

The 8 December 2022 lunar occultation of Mars happened with a Sun-Mars opposition at the forty-second year since the tragic assassination of John Lennon; it had been known his name reversed sounds like 'Men of Mars,' which meant nothing until these

ominous portents being evaluated when the Moon was past its astronomically-notable Mars conjunct.

Yet another precursor appeared with 8 December 2022 release of female athlete Brittney Griner, via a prisoner swap for Russian arms dealer Viktor Bout: in III.13 two captives 'eat' each other, creating a device to suggest the exchange of captives which

is repeated in IV.38, the event presented as prelude to some assault. Griner as a female athlete held captive as hostage is clear in the first line of IV.41; and she is likely the captive Lady who had woven Peace in VII.18 Duplicity from Bout after
release may be foretold in IX.92.

The second Lombardy saint for V.42 appears to be Syrus, thought to be the youth who presented Jesus with five loaves of bread for the feeding of the multitudes: he was later appointed the first bishop of Pavia, in the Lombard region of Italy - his

feast is 9 December.

https://www.travelitalyexpert.com/italian-saints/

The pivotal reference in X.61 was 'Emorte,' intended to jump from the 3 November 20220 US election day (using Vienne for Saint Domnus) to the feast for two female martyrs of Merida (i.e., Augusta Emerita), Spain, Saints Julia and Eulalia, on 11

December for 2022. That is when the Greater Grand Trine of Perplexity materialized, after the Dawn Fortune jump for Geneva to the Moon nearing conjunct with Pallas, to fulfill II.66, as the menacing ironic 'Good Omen.' It ultimately settled into a Lunar
Grand Trine with Jupiter and the Vertex, yet it arrived as a final precursor.

What remains is for Venus to be debased at the Nadir during the 12 December 2022 cycle, corresponding with the feast for Our Lady of Guadalupe for I.94's 'Lady honored through force of terror,' calling for a subtle comparison with the 17 November 2022

situation, also in a briefer Venusian reign (about a day, versus about a week).

Looking closely at the Geneva charts when Venus reaches the Nadir on 12 December 2022 therefore should reveal the final triggering sequence - using CET time zone -

1:10 am - Jupiter at the Descendant

1:12 am - Jupiter conjunct Vertex {II.92 'The striking of the High-Born'}

1:22 am - Vesta reaches Sixth House cusp {X.6 'Vesta sepulchral fire'}

1:24 am - Venus at Nadir {X.28 debasement to be rendered for Venus}

1:29 am - Saturn conjoined by the Part of Fortune {IX.44 'Saturn itself will convert gold into sword'}

The close succession of these potentially-predicted fine-timing clues suggests the critical minute would be -

12 December 2022 1:29 am CET / 11 December 7:29 pm EST / 4:29 pm PST

The facts suggest this endeavor only required a few further insights to anticipate the actual fulfillment.

The Venus-at-Nadir situation does not have the feature of Saturn passing Midheaven heralding a downward-pointing Grand Trine daily with the East Point in simultaneous trine with Pluto and Ceres (at the Fulcrum position). The ominous Down-Arrow appearing
with Saturn past the Prime Vertical above the Ecliptic repeating cannot be the triggering circumstance alone, and reviewing the judicial astrology shows the evening of 13 December 2022 potentially complies with the prophetic themes ominously.

Using CET for the Geneva charts for that date:

4:40 pm - Saturn at Midheaven, now conjoined with the Part of Fortune [IX.44];

4:45 pm - Sun at Descendant - Fortune jumps from Saturn at Midheaven to 21 degrees 39 minutes Libra, which puts it into a Surprise Grand Trine with both Saturn and the Ascendant [II.66, after the Pallas Grand Trine of Perplexity];

4:45 pm to 5 pm - Downward-Arrow Grand Trine with East Point, Pluto and Ceres-Fulcrum;

4:52 pm - Sagittarius Sun trine Leo Moon, both at 21 degrees 36 minutes [V.66];

5:05 pm - Jupiter at the Eleventh House cusp Vault Apex in near-opposition with Ceres [II.92] - the Leftward-Pointing Fortune-Ascendant-Midheaven Grand Trine is sustained without Saturn;

5:40 pm - Venus at Descendant;

5:45 pm - Vesta at Midheaven [X.6 'Vesta sepulchral fire'];

5:47 to 6 pm - The Vertex moves into Grand Trine position with Neptune and Lilith-Pallas;

6:02 pm - Two obliquely-angled trine lines (Lilith-Pallas trine Vertex, and Ascendant trine Fortune-South Node) appear to form a series of Grand Trines with a quintuple-peak of Jupiter, Neptune, Juno, Midheaven, and Vesta;

6:05 pm - Mercury at Descendant.

The critical time seems to be Jupiter reaching the Vault Apex cusp line, presenting the 'Draining The Cup' figurative image via the Left-Pointing Grand Trine for the descent of Venus-Babylon below the horizon. Saturn is a major participant in the
surprise Fortune jump Left-Ascendant Grand Trine at Sunset, yet the solar-lunar trine seems a final requirement, and things look very ominous with Overlord Deity Jupiter presiding at Heaven's Vault Apex as the strong proliferation of Grand Trines
manifests.

That is the feast day for Saint Lucy -

13 December 2022 5:05 pm CET / 11:05 am EST / 8:05 am CET

Dans bois caches soldats pour jour de Lucie
Qui ne fut onc si horrible trone

Soldiers hidden in the woods for the day of Lucy
For whom there never was such a horrible throne

[IX.68]

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