You should hear the outtake where John Lennon gets the group to rally in a session by reminding them the reason they are all there is Jesus Christ, albeit in a funny voice - it was played on the Carter radio show.deconstructing of that, so it is a cerebral approach to demystify the creative process. It is highly disingenuous to discard a perfect solution capriciously and with malice - if all we need is Love, that is not it.
Perhaps I'm just so far ahead that it is impossible for someone like yourself to appreciate anything that presents as so complex, which was the trick of The Beatles, concealing their advanced intellect into something accessible. This is the
I left out what the riff is actually saying, at a couple of points it matches the vocal line, but carries a different message.own as their Faith, because most obviously could not.
The band was being criticized for meaningless platitudes, superficial romantic scenarios, and general noise: of course you would object to the set of facts that turns that around, and puts the onus on the audience to recognize what many collectively
Being ahead of the curve with musical analysis is subjective, but doing so with prophecy is more conclusive. I did not realize it, but I focused on a quatrain with a line about the recent school shooting in Texas, in late November 2020.
23 November 2020
https://groups.google.com/g/alt.prophecies.nostradamus/c/AfnDRGPJxeg/m/D02MdlD3AwAJ
Le gouverneur du regne bien savantwhich would uphold the tradition of a peaceful transfer of power as performed by prior temporal 'kings,' whereas the alternative bears an unseemly tyrannical aspect. The latter portion of VI.45 suggests a karmic response. Melilla is an autonomous Spanish
Ne consenter voulant au fait Royal
Mellile classe par le contraire vent
Le remettra à son plus déloyal
The thoroughly crafty governor of the realm
Not intending to consent to the Royal deed;
Melilla fleet through the contrary wind
Will consign him to his most disloyal
<<
Despite a document newly advancing superficial features of a transition, it is no secret efforts to overturn the result of the recent election remain underway; apparently a concession would be the Regal move that is being avoided according to line 2,
which happened in the aftermath on 26 May 2022. I was thinking of an opposition which was not the meaning, many months early: but the collection of elements, a town associated with honey, a classroom setting, the timing with the Lilith celestial wind
The untranslated word 'classe' oddly fits better than switching to 'fleet' with Latin; Uvalde is known as a major producer of honey. When the shooting occurred, asteroid Lilith, named for a Wind Succubus, was about half a degree from a conjunction,
It is the same with The Beatles: I have presented a clear confluence with a detailed musical contemplation on each stage of the Christian story given in reverse order, which to be coincidental would be astronomically improbable; that each song can befurther illuminated to demonstrate that is the genuine theme may be infuriating, but if it could not be done by someone else then their invented form of communication actually would have failed.
albums, closing and opening sides with strong material. The next song opening Side Two is "Good Day Sunshine," where the piano bit in the middle deftly continues the story with how some other Apostles had not caught the betrayal hint, and believed JudasIt is a musical dramatization of Iscariot mocking the Savior's most controversial teachings, as Satan is entering him to perform the damnable task of the actual betrayal. John Lennon spoke about how concerned they were with song sequencing on
deconstructing of that, so it is a cerebral approach to demystify the creative process. It is highly disingenuous to discard a perfect solution capriciously and with malice - if all we need is Love, that is not it.Do you get professional help for this ? Should be covered if you have medical insurance.
geoffYou should hear the outtake where John Lennon gets the group to rally in a session by reminding them the reason they are all there is Jesus Christ, albeit in a funny voice - it was played on the Carter radio show.
Perhaps I'm just so far ahead that it is impossible for someone like yourself to appreciate anything that presents as so complex, which was the trick of The Beatles, concealing their advanced intellect into something accessible. This is the
own as their Faith, because most obviously could not.I left out what the riff is actually saying, at a couple of points it matches the vocal line, but carries a different message.
The band was being criticized for meaningless platitudes, superficial romantic scenarios, and general noise: of course you would object to the set of facts that turns that around, and puts the onus on the audience to recognize what many collectively
Being ahead of the curve with musical analysis is subjective, but doing so with prophecy is more conclusive. I did not realize it, but I focused on a quatrain with a line about the recent school shooting in Texas, in late November 2020.
23 November 2020
https://groups.google.com/g/alt.prophecies.nostradamus/c/AfnDRGPJxeg/m/D02MdlD3AwAJ
which would uphold the tradition of a peaceful transfer of power as performed by prior temporal 'kings,' whereas the alternative bears an unseemly tyrannical aspect. The latter portion of VI.45 suggests a karmic response. Melilla is an autonomous SpanishLe gouverneur du regne bien savant
Ne consenter voulant au fait Royal
Mellile classe par le contraire vent
Le remettra à son plus déloyal
The thoroughly crafty governor of the realm
Not intending to consent to the Royal deed;
Melilla fleet through the contrary wind
Will consign him to his most disloyal
<<
Despite a document newly advancing superficial features of a transition, it is no secret efforts to overturn the result of the recent election remain underway; apparently a concession would be the Regal move that is being avoided according to line 2,
which happened in the aftermath on 26 May 2022. I was thinking of an opposition which was not the meaning, many months early: but the collection of elements, a town associated with honey, a classroom setting, the timing with the Lilith celestial wind
The untranslated word 'classe' oddly fits better than switching to 'fleet' with Latin; Uvalde is known as a major producer of honey. When the shooting occurred, asteroid Lilith, named for a Wind Succubus, was about half a degree from a conjunction,
further illuminated to demonstrate that is the genuine theme may be infuriating, but if it could not be done by someone else then their invented form of communication actually would have failed.It is the same with The Beatles: I have presented a clear confluence with a detailed musical contemplation on each stage of the Christian story given in reverse order, which to be coincidental would be astronomically improbable; that each song can be
If people paid attention to what things sounded like, they could have just as easily heard "She Loves You" as a homage to Tolkien's fantasy novels. Journalists would write the mania caused crowds to scream when The Beatles walked onstage as if theywere seeing an eight-legged arachnoid of superhuman proportions. The repetition of "Yeah" three times was followed by a final "Yeah" with an added sixth harmony. Paul's father did not understand why "Yes" would not be a proper substitute. George Martin
The key is knowing about the spider character Shelob, so the refrain resembles,
'Shelob Grew -
A
GREAT
PAIR
Shelob Grew -
A
GREAT
PAIR
Shelob Grew -
A
GREAT
FANG
-PAIR!'
The shifting tonality resets how the mind would perceive the verbalization. In a special that never aired McCartney said he liked to be doing two things at once in his music.
Each musical element that I've ascribed to an incident towards the end of John's gospel has a parallel transcription along the fantasy secular tangent. The three guitar chords struck distinctively suggest,
'From -
TOL -
Kien'
And the brief growling passage played between verses by George Harrison sustains the sinister mental picture, articulated like,
'GI-ant
Ta-RAN-tula!'
The song was always constructed with those features, my pointing it out is merely a superfluous consequence.
"Therefore speak I to them in parables: because they seeing see not; and hearing they hear not, neither do they understand."
(Matthew 13:13)
There is no omniscient personage beyond the Godhead, servants would play roles with relatively limited knowledge. Shakespeare warned us in "Macbeth" that outlandish prophecies should not be dismissed as impossible, because their equally outlandishfulfillments are inevitable if the augury is genuine.
Any Power that can orchestrate human events on a celestial schedule could also add into the mix foretelling whatever reactions are to manifest, in a pre-Judgment that is both perfectly fair and absolutely accurate. Whoever attains a higher level ofinsight would be consequently more accountable than when they were uninformed.
The resistance to the Beatle-Christ realization is motivated by the subconscious knowledge it would manifest The Great Mourning that precedes The Uplifting of the Second Coming Messiah, so persisting in that resistance is an attempt to stave offSalvation Itself, in favor of Oblivion.
fulfillments are inevitable if the augury is genuine.October 20, 1940 at 12 degrees 28 minutes Taurus, both Jupiter and Saturn in retrograde - this was eleven days after the birth of John Lennon: 20 October 1969 was the release date of John and Yoko's "Wedding Album."
February 15, 1941 at 9 degrees 7 minutes Taurus: February 15, 1964 was the date The Beatles reached number one in the US album charts for "Meet The Beatles."
There is no omniscient personage beyond the Godhead, servants would play roles with relatively limited knowledge. Shakespeare warned us in "Macbeth" that outlandish prophecies should not be dismissed as impossible, because their equally outlandish
insight would be consequently more accountable than when they were uninformed.Any Power that can orchestrate human events on a celestial schedule could also add into the mix foretelling whatever reactions are to manifest, in a pre-Judgment that is both perfectly fair and absolutely accurate. Whoever attains a higher level of
Salvation Itself, in favor of Oblivion.The resistance to the Beatle-Christ realization is motivated by the subconscious knowledge it would manifest The Great Mourning that precedes The Uplifting of the Second Coming Messiah, so persisting in that resistance is an attempt to stave off
In my 2011 book "Not Full So Black" from page 100 this particular William Mann review episode is recounted - summarizing excerpts:wavered between insulting Mann with "He uses a whole lot of musical terminology, and he's a twit," and being grateful with "He made us acceptable to intellectuals - it worked, and we were flattered."
"I can't help having a quiet giggle when straight-faced critics start feeding all sorts of hidden meanings into the stuff we write" was a quote, while Lennon got the song wrong, thinking it was "It Won't Be Long" instead of "Not A Second Time." John
Probably for the song in question John's inspiration was the style of Smokey Robinson. Quoted passage:the vi chord in its minor mode. >>
<< The Aeolian observation regards a song that is in a major key resolving on the VI chord, the sixth harmonic step from the tonic; it has further been noted the song appears in G Major, while the bridge-like portion seems to be in the key of e minor,
There is nothing about the musicology, or lack thereof, that impacts the subliminal import of the song: an Aeolian cadence is merely a categorization based on a specific harmonic progression, which Lennon happened to use intuitively. Beyond the vocaltwist, there is a piano solo by George Martin that is thematic predicate to the half-speed guitar solo of "A Hard Day's Night" - restatement of similar ideas presented on a different instrument is a completely new experience.
It was a tremendous feat for producer George Martin to include many double-tracked vocals while still using twin-track mono on their second album. John joked they nearly double-tracked themselves off the record, knowing it was for 'spectral' vocal-texture effect. But a quote like "It was just chords, like any other chords" implies it was never the chords, or even the beat, that was the dominant focus: those were part of the rhythm track structure for the intros, outros, hooks, solos, and of course
fulfillments are inevitable if the augury is genuine.John was born during the time of a triple conjunction of Jupiter and Saturn, which is extremely rare and signifies major social change - a previous instance was 6 BCE, associated with The Nativity. A similar condition existed circa 1980.
The three dates of the circa 1940 conjunctions would take on significance later.
August 8, 1940 at 14 degrees 27 minutes Taurus: 8 August 1969 was the date the "Abbey Road" cover photograph was taken.
October 20, 1940 at 12 degrees 28 minutes Taurus, both Jupiter and Saturn in retrograde - this was eleven days after the birth of John Lennon: 20 October 1969 was the release date of John and Yoko's "Wedding Album."
February 15, 1941 at 9 degrees 7 minutes Taurus: February 15, 1964 was the date The Beatles reached number one in the US album charts for "Meet The Beatles."
There is no omniscient personage beyond the Godhead, servants would play roles with relatively limited knowledge. Shakespeare warned us in "Macbeth" that outlandish prophecies should not be dismissed as impossible, because their equally outlandish
insight would be consequently more accountable than when they were uninformed.Any Power that can orchestrate human events on a celestial schedule could also add into the mix foretelling whatever reactions are to manifest, in a pre-Judgment that is both perfectly fair and absolutely accurate. Whoever attains a higher level of
Salvation Itself, in favor of Oblivion.The resistance to the Beatle-Christ realization is motivated by the subconscious knowledge it would manifest The Great Mourning that precedes The Uplifting of the Second Coming Messiah, so persisting in that resistance is an attempt to stave off
wavered between insulting Mann with "He uses a whole lot of musical terminology, and he's a twit," and being grateful with "He made us acceptable to intellectuals - it worked, and we were flattered."In my 2011 book "Not Full So Black" from page 100 this particular William Mann review episode is recounted - summarizing excerpts:
"I can't help having a quiet giggle when straight-faced critics start feeding all sorts of hidden meanings into the stuff we write" was a quote, while Lennon got the song wrong, thinking it was "It Won't Be Long" instead of "Not A Second Time." John
the vi chord in its minor mode. >>Probably for the song in question John's inspiration was the style of Smokey Robinson. Quoted passage:
<< The Aeolian observation regards a song that is in a major key resolving on the VI chord, the sixth harmonic step from the tonic; it has further been noted the song appears in G Major, while the bridge-like portion seems to be in the key of e minor,
twist, there is a piano solo by George Martin that is thematic predicate to the half-speed guitar solo of "A Hard Day's Night" - restatement of similar ideas presented on a different instrument is a completely new experience.There is nothing about the musicology, or lack thereof, that impacts the subliminal import of the song: an Aeolian cadence is merely a categorization based on a specific harmonic progression, which Lennon happened to use intuitively. Beyond the vocal
texture effect. But a quote like "It was just chords, like any other chords" implies it was never the chords, or even the beat, that was the dominant focus: those were part of the rhythm track structure for the intros, outros, hooks, solos, and of courseIt was a tremendous feat for producer George Martin to include many double-tracked vocals while still using twin-track mono on their second album. John joked they nearly double-tracked themselves off the record, knowing it was for 'spectral' vocal-
'They're just chords, like any other chords,' eh? It's a classic John (in interview mode) type of line.
But was that his attitude while forming and recording those chords? He'll, no! Otherwise why would there be so much innovation in the band's music?
John just liked to be irreverent in public
opinion of 'Jesus' - but he was not seen again, by anyone, supposedly vanished from the studio without exiting. That was 9 February 1967, three years after their Ed Sullivan debut (when I first saw them), which was three years after their Cavern ClubMcCartney had a visitor at his home claiming to be Jesus, Paul invited him to the session for "Fixing A Hole" at Regent Studios (not EMI), thinking he was a strung-out hippie. The session progressed to final playback, whereupon they wanted the
outlandish fulfillments are inevitable if the augury is genuine.John was born during the time of a triple conjunction of Jupiter and Saturn, which is extremely rare and signifies major social change - a previous instance was 6 BCE, associated with The Nativity. A similar condition existed circa 1980.
The three dates of the circa 1940 conjunctions would take on significance later.
August 8, 1940 at 14 degrees 27 minutes Taurus: 8 August 1969 was the date the "Abbey Road" cover photograph was taken.
October 20, 1940 at 12 degrees 28 minutes Taurus, both Jupiter and Saturn in retrograde - this was eleven days after the birth of John Lennon: 20 October 1969 was the release date of John and Yoko's "Wedding Album."
February 15, 1941 at 9 degrees 7 minutes Taurus: February 15, 1964 was the date The Beatles reached number one in the US album charts for "Meet The Beatles."
There is no omniscient personage beyond the Godhead, servants would play roles with relatively limited knowledge. Shakespeare warned us in "Macbeth" that outlandish prophecies should not be dismissed as impossible, because their equally
of insight would be consequently more accountable than when they were uninformed.Any Power that can orchestrate human events on a celestial schedule could also add into the mix foretelling whatever reactions are to manifest, in a pre-Judgment that is both perfectly fair and absolutely accurate. Whoever attains a higher level
Salvation Itself, in favor of Oblivion.The resistance to the Beatle-Christ realization is motivated by the subconscious knowledge it would manifest The Great Mourning that precedes The Uplifting of the Second Coming Messiah, so persisting in that resistance is an attempt to stave off
John wavered between insulting Mann with "He uses a whole lot of musical terminology, and he's a twit," and being grateful with "He made us acceptable to intellectuals - it worked, and we were flattered."In my 2011 book "Not Full So Black" from page 100 this particular William Mann review episode is recounted - summarizing excerpts:
"I can't help having a quiet giggle when straight-faced critics start feeding all sorts of hidden meanings into the stuff we write" was a quote, while Lennon got the song wrong, thinking it was "It Won't Be Long" instead of "Not A Second Time."
minor, the vi chord in its minor mode. >>Probably for the song in question John's inspiration was the style of Smokey Robinson. Quoted passage:
<< The Aeolian observation regards a song that is in a major key resolving on the VI chord, the sixth harmonic step from the tonic; it has further been noted the song appears in G Major, while the bridge-like portion seems to be in the key of e
vocal twist, there is a piano solo by George Martin that is thematic predicate to the half-speed guitar solo of "A Hard Day's Night" - restatement of similar ideas presented on a different instrument is a completely new experience.There is nothing about the musicology, or lack thereof, that impacts the subliminal import of the song: an Aeolian cadence is merely a categorization based on a specific harmonic progression, which Lennon happened to use intuitively. Beyond the
texture effect. But a quote like "It was just chords, like any other chords" implies it was never the chords, or even the beat, that was the dominant focus: those were part of the rhythm track structure for the intros, outros, hooks, solos, and of courseIt was a tremendous feat for producer George Martin to include many double-tracked vocals while still using twin-track mono on their second album. John joked they nearly double-tracked themselves off the record, knowing it was for 'spectral' vocal-
now, "which quite a good trick. It has interesting chords. It goes C, F, which is all normal, the normal thing might be going to F minor, but to go to B-flat was quite good. It was a sophisticated little tune." During the analysis I explain it is the'They're just chords, like any other chords,' eh? It's a classic John (in interview mode) type of line.
But was that his attitude while forming and recording those chords? He'll, no! Otherwise why would there be so much innovation in the band's music?
John just liked to be irreverent in publicIt is a strange comment from a musician, they had sought out people who knew special chords in the early days. The chords played a significant role in "Things We Said Today": McCartney called it "future nostalgia," looking forward to looking back to
John was nicknamed 'The Weird Beatle' by the press, undercutting pretentiousness was his hallmark. When a fellow art student was getting praise for abstract art, John completed a roomful of canvases overnight in a similar style: the instructor,thinking it was the work of his pet pupil, immediately praised the new artwork - until learning the identity of the actual artist. So even if an academic type were correct, Lennon would tend to challenge them. He was obviously overwhelmed by whatever
In a college auditorium class, a young woman sat next to me and struck up a unsolicited conversation about how much she hated John Lennon. He was a polarizing figure. But I think even people who actively dislike him have a least one song by him theyabsolutely love. People who otherwise are disinterested in The Beatles have told me their exceptions: the altruistic concept of "All You Need Is Love"; the elegiac tune "In My Life"; the danceable rhythm of "Ob-La-Di, Ob-La-Da"; the whimsically macabre
I had the experience of playing "Day Tripper" while showing my transcriptions to a now-late uncle who would go to Rome for the priesthood - the reaction was typically eyes widening and jaw dropping, which he exhibited, agreeing it sounded like what Ihad written. I have played "Here Comes The Sun" for a blind woman near death, and seen a look of delight on her face. I wish I could privately enlighten everyone in a way that is personal to them, and observe the physical reaction, but that is not
There is a line in "Nobody Told Me" where John sings, "They're starving back in China, so finish what you've got" - I believe that was his way of saying The Beatles put a lot on our plate collectively, very little of which has been properly 'consumed'by adequate comprehension. We might presume Lennon also inquired about Ono's natal chart, and knew that their Saturn situations were a perfect match: he might have acknowledged that in his song "Woman" with the line,
"After all,
It is written in the stars"
that could change things with avant-garde aural communication. But with transference the reaction was 'Who Needs HIM When We Have YOU?!' So John lashed out at Paul for 'granny music,' faced with a problem he could not fix. Harrison had said the group wasJohn seemed to believe in the power of rock and roll through The Beatles to advance Christ's real agenda, until the project was completed without the conscious acknowledgment: it was the message in the music together, a 'Remembrance of Him,'
opinion of 'Jesus' - but he was not seen again, by anyone, supposedly vanished from the studio without exiting. That was 9 February 1967, three years after their Ed Sullivan debut (when I first saw them), which was three years after their Cavern ClubAnother story that has been told repeatedly on Carter's radio show is how Jesus attended a Beatles recording session.
McCartney had a visitor at his home claiming to be Jesus, Paul invited him to the session for "Fixing A Hole" at Regent Studios (not EMI), thinking he was a strung-out hippie. The session progressed to final playback, whereupon they wanted the
outlandish fulfillments are inevitable if the augury is genuine.John was born during the time of a triple conjunction of Jupiter and Saturn, which is extremely rare and signifies major social change - a previous instance was 6 BCE, associated with The Nativity. A similar condition existed circa 1980.
The three dates of the circa 1940 conjunctions would take on significance later.
August 8, 1940 at 14 degrees 27 minutes Taurus: 8 August 1969 was the date the "Abbey Road" cover photograph was taken.
October 20, 1940 at 12 degrees 28 minutes Taurus, both Jupiter and Saturn in retrograde - this was eleven days after the birth of John Lennon: 20 October 1969 was the release date of John and Yoko's "Wedding Album."
February 15, 1941 at 9 degrees 7 minutes Taurus: February 15, 1964 was the date The Beatles reached number one in the US album charts for "Meet The Beatles."
There is no omniscient personage beyond the Godhead, servants would play roles with relatively limited knowledge. Shakespeare warned us in "Macbeth" that outlandish prophecies should not be dismissed as impossible, because their equally
level of insight would be consequently more accountable than when they were uninformed.Any Power that can orchestrate human events on a celestial schedule could also add into the mix foretelling whatever reactions are to manifest, in a pre-Judgment that is both perfectly fair and absolutely accurate. Whoever attains a higher
off Salvation Itself, in favor of Oblivion.The resistance to the Beatle-Christ realization is motivated by the subconscious knowledge it would manifest The Great Mourning that precedes The Uplifting of the Second Coming Messiah, so persisting in that resistance is an attempt to stave
John wavered between insulting Mann with "He uses a whole lot of musical terminology, and he's a twit," and being grateful with "He made us acceptable to intellectuals - it worked, and we were flattered."In my 2011 book "Not Full So Black" from page 100 this particular William Mann review episode is recounted - summarizing excerpts:
"I can't help having a quiet giggle when straight-faced critics start feeding all sorts of hidden meanings into the stuff we write" was a quote, while Lennon got the song wrong, thinking it was "It Won't Be Long" instead of "Not A Second Time."
minor, the vi chord in its minor mode. >>Probably for the song in question John's inspiration was the style of Smokey Robinson. Quoted passage:
<< The Aeolian observation regards a song that is in a major key resolving on the VI chord, the sixth harmonic step from the tonic; it has further been noted the song appears in G Major, while the bridge-like portion seems to be in the key of e
vocal twist, there is a piano solo by George Martin that is thematic predicate to the half-speed guitar solo of "A Hard Day's Night" - restatement of similar ideas presented on a different instrument is a completely new experience.There is nothing about the musicology, or lack thereof, that impacts the subliminal import of the song: an Aeolian cadence is merely a categorization based on a specific harmonic progression, which Lennon happened to use intuitively. Beyond the
vocal-texture effect. But a quote like "It was just chords, like any other chords" implies it was never the chords, or even the beat, that was the dominant focus: those were part of the rhythm track structure for the intros, outros, hooks, solos, and ofIt was a tremendous feat for producer George Martin to include many double-tracked vocals while still using twin-track mono on their second album. John joked they nearly double-tracked themselves off the record, knowing it was for 'spectral'
now, "which quite a good trick. It has interesting chords. It goes C, F, which is all normal, the normal thing might be going to F minor, but to go to B-flat was quite good. It was a sophisticated little tune." During the analysis I explain it is the'They're just chords, like any other chords,' eh? It's a classic John (in interview mode) type of line.
But was that his attitude while forming and recording those chords? He'll, no! Otherwise why would there be so much innovation in the band's music?
John just liked to be irreverent in publicIt is a strange comment from a musician, they had sought out people who knew special chords in the early days. The chords played a significant role in "Things We Said Today": McCartney called it "future nostalgia," looking forward to looking back to
thinking it was the work of his pet pupil, immediately praised the new artwork - until learning the identity of the actual artist. So even if an academic type were correct, Lennon would tend to challenge them. He was obviously overwhelmed by whateverJohn was nicknamed 'The Weird Beatle' by the press, undercutting pretentiousness was his hallmark. When a fellow art student was getting praise for abstract art, John completed a roomful of canvases overnight in a similar style: the instructor,
absolutely love. People who otherwise are disinterested in The Beatles have told me their exceptions: the altruistic concept of "All You Need Is Love"; the elegiac tune "In My Life"; the danceable rhythm of "Ob-La-Di, Ob-La-Da"; the whimsically macabreIn a college auditorium class, a young woman sat next to me and struck up a unsolicited conversation about how much she hated John Lennon. He was a polarizing figure. But I think even people who actively dislike him have a least one song by him they
had written. I have played "Here Comes The Sun" for a blind woman near death, and seen a look of delight on her face. I wish I could privately enlighten everyone in a way that is personal to them, and observe the physical reaction, but that is notI had the experience of playing "Day Tripper" while showing my transcriptions to a now-late uncle who would go to Rome for the priesthood - the reaction was typically eyes widening and jaw dropping, which he exhibited, agreeing it sounded like what I
by adequate comprehension. We might presume Lennon also inquired about Ono's natal chart, and knew that their Saturn situations were a perfect match: he might have acknowledged that in his song "Woman" with the line,There is a line in "Nobody Told Me" where John sings, "They're starving back in China, so finish what you've got" - I believe that was his way of saying The Beatles put a lot on our plate collectively, very little of which has been properly 'consumed'
"After all,Who did they turn to for knowledge of chords, if you don't mind my asking? I know that McCartney knew more than Lennon when they met. And supposedly George knew more than Paul in the very beginning.
It is written in the stars"
I read or heard that John didn't even know how to tune his guitar until he met Paul.
headed' about the tunes, prompting Harrison to protest that the interviewer merely asked if they liked their own songs. The results John wanted would not be forthcoming, and he soured on the artifice towards getting to the 'nitty-gritty.'George Harrison saying they had thrown boulders into the waters and were waiting for a tsunami-like ripple does not seem like a non-serious expectation. Lennon chided the others for saying good things about their own songs, calling them 'big-
that could change things with avant-garde aural communication. But with transference the reaction was 'Who Needs HIM When We Have YOU?!' So John lashed out at Paul for 'granny music,' faced with a problem he could not fix. Harrison had said the group wasJohn seemed to believe in the power of rock and roll through The Beatles to advance Christ's real agenda, until the project was completed without the conscious acknowledgment: it was the message in the music together, a 'Remembrance of Him,'
the opinion of 'Jesus' - but he was not seen again, by anyone, supposedly vanished from the studio without exiting. That was 9 February 1967, three years after their Ed Sullivan debut (when I first saw them), which was three years after their Cavern ClubAnother story that has been told repeatedly on Carter's radio show is how Jesus attended a Beatles recording session.
McCartney had a visitor at his home claiming to be Jesus, Paul invited him to the session for "Fixing A Hole" at Regent Studios (not EMI), thinking he was a strung-out hippie. The session progressed to final playback, whereupon they wanted
outlandish fulfillments are inevitable if the augury is genuine.John was born during the time of a triple conjunction of Jupiter and Saturn, which is extremely rare and signifies major social change - a previous instance was 6 BCE, associated with The Nativity. A similar condition existed circa 1980.
The three dates of the circa 1940 conjunctions would take on significance later.
August 8, 1940 at 14 degrees 27 minutes Taurus: 8 August 1969 was the date the "Abbey Road" cover photograph was taken.
October 20, 1940 at 12 degrees 28 minutes Taurus, both Jupiter and Saturn in retrograde - this was eleven days after the birth of John Lennon: 20 October 1969 was the release date of John and Yoko's "Wedding Album."
February 15, 1941 at 9 degrees 7 minutes Taurus: February 15, 1964 was the date The Beatles reached number one in the US album charts for "Meet The Beatles."
There is no omniscient personage beyond the Godhead, servants would play roles with relatively limited knowledge. Shakespeare warned us in "Macbeth" that outlandish prophecies should not be dismissed as impossible, because their equally
level of insight would be consequently more accountable than when they were uninformed.Any Power that can orchestrate human events on a celestial schedule could also add into the mix foretelling whatever reactions are to manifest, in a pre-Judgment that is both perfectly fair and absolutely accurate. Whoever attains a higher
off Salvation Itself, in favor of Oblivion.The resistance to the Beatle-Christ realization is motivated by the subconscious knowledge it would manifest The Great Mourning that precedes The Uplifting of the Second Coming Messiah, so persisting in that resistance is an attempt to stave
John wavered between insulting Mann with "He uses a whole lot of musical terminology, and he's a twit," and being grateful with "He made us acceptable to intellectuals - it worked, and we were flattered."In my 2011 book "Not Full So Black" from page 100 this particular William Mann review episode is recounted - summarizing excerpts:
"I can't help having a quiet giggle when straight-faced critics start feeding all sorts of hidden meanings into the stuff we write" was a quote, while Lennon got the song wrong, thinking it was "It Won't Be Long" instead of "Not A Second Time."
minor, the vi chord in its minor mode. >>Probably for the song in question John's inspiration was the style of Smokey Robinson. Quoted passage:
<< The Aeolian observation regards a song that is in a major key resolving on the VI chord, the sixth harmonic step from the tonic; it has further been noted the song appears in G Major, while the bridge-like portion seems to be in the key of e
vocal twist, there is a piano solo by George Martin that is thematic predicate to the half-speed guitar solo of "A Hard Day's Night" - restatement of similar ideas presented on a different instrument is a completely new experience.There is nothing about the musicology, or lack thereof, that impacts the subliminal import of the song: an Aeolian cadence is merely a categorization based on a specific harmonic progression, which Lennon happened to use intuitively. Beyond the
vocal-texture effect. But a quote like "It was just chords, like any other chords" implies it was never the chords, or even the beat, that was the dominant focus: those were part of the rhythm track structure for the intros, outros, hooks, solos, and ofIt was a tremendous feat for producer George Martin to include many double-tracked vocals while still using twin-track mono on their second album. John joked they nearly double-tracked themselves off the record, knowing it was for 'spectral'
to now, "which quite a good trick. It has interesting chords. It goes C, F, which is all normal, the normal thing might be going to F minor, but to go to B-flat was quite good. It was a sophisticated little tune." During the analysis I explain it is the'They're just chords, like any other chords,' eh? It's a classic John (in interview mode) type of line.
But was that his attitude while forming and recording those chords? He'll, no! Otherwise why would there be so much innovation in the band's music?
John just liked to be irreverent in publicIt is a strange comment from a musician, they had sought out people who knew special chords in the early days. The chords played a significant role in "Things We Said Today": McCartney called it "future nostalgia," looking forward to looking back
thinking it was the work of his pet pupil, immediately praised the new artwork - until learning the identity of the actual artist. So even if an academic type were correct, Lennon would tend to challenge them. He was obviously overwhelmed by whateverJohn was nicknamed 'The Weird Beatle' by the press, undercutting pretentiousness was his hallmark. When a fellow art student was getting praise for abstract art, John completed a roomful of canvases overnight in a similar style: the instructor,
they absolutely love. People who otherwise are disinterested in The Beatles have told me their exceptions: the altruistic concept of "All You Need Is Love"; the elegiac tune "In My Life"; the danceable rhythm of "Ob-La-Di, Ob-La-Da"; the whimsicallyIn a college auditorium class, a young woman sat next to me and struck up a unsolicited conversation about how much she hated John Lennon. He was a polarizing figure. But I think even people who actively dislike him have a least one song by him
I had written. I have played "Here Comes The Sun" for a blind woman near death, and seen a look of delight on her face. I wish I could privately enlighten everyone in a way that is personal to them, and observe the physical reaction, but that is notI had the experience of playing "Day Tripper" while showing my transcriptions to a now-late uncle who would go to Rome for the priesthood - the reaction was typically eyes widening and jaw dropping, which he exhibited, agreeing it sounded like what
consumed' by adequate comprehension. We might presume Lennon also inquired about Ono's natal chart, and knew that their Saturn situations were a perfect match: he might have acknowledged that in his song "Woman" with the line,There is a line in "Nobody Told Me" where John sings, "They're starving back in China, so finish what you've got" - I believe that was his way of saying The Beatles put a lot on our plate collectively, very little of which has been properly '
immaterial: playing by ear, musicians can find the sounds they want, chords are note combinations that have harmonious resonance which can be learnt. In the Get Back film Paul especially can be seen singing the chord letters rather than lyrics to guide"After all,Who did they turn to for knowledge of chords, if you don't mind my asking? I know that McCartney knew more than Lennon when they met. And supposedly George knew more than Paul in the very beginning.
It is written in the stars"
I read or heard that John didn't even know how to tune his guitar until he met Paul.I was recalling an anecdote about John and Paul traveling to meet such a person, not sure if that story is related to overhearing a drummer who would be used for awhile. John's mother Julia knew banjo chords, so how those were adapted to guitar is
McCartney did impress Lennon at their first meeting with knowing how to tune the guitar and playing through songs knowing all the words, but Lennon had to teach himself using a mirror, since Paul was left-handed. Paul and George were schoolmates,Harrison was interested in the guitar from an early age: so Paul tried to bring George in because of his instrumental prowess, but Lennon was reluctant at first because of George being so young at the time.
As his brother said, Paul's interest in the guitar began when his mother died from cancer (31 October 1956), since she had bought him one he had not used. Mary McCartney was a midwife who wore an official uniform that resembled a nun's habit.family dynamic as one of three siblings was happening.)
Aunt Mimi's husband, George Toogood Smith, died of a liver hemorrhage in early June 1955. George Smith had given John his first harmonica. Lennon gave some of the clothes belonging to his late uncle to Harrison. (The post-1955 period was when my own
Julia Lennon was the group's first musical director, following their bookings enthusiastically. On 15 July 1958, an off-duty drunk-driving policeman struck her in view of one of John's friends - Lennon was never told the exact place the incidentoccurred, since he was known to pass it often.
During the Garabandal 'Night of Screams' where the young girl visionaries were being shown something too horrific to describe, John was getting backstage advice on how to play the harmonica from someone who had impressed him on a favorite recording.film they become intrigued with a small electronic device that could be manipulated to produce various sounds, and George even attempts to play his own nose.
Chords are mathematical inventions, The Beatles were interested in sound-crafting, beyond normal instrumentation: the feedback opening of "I Feel Fine" was a discovery they experimented with before trying to pass off as spontaneous. In the Get Back
There is also the piano work, at first done by George Martin, then with McCartney flourishing, as when he provided incredible electric guitar solos for the others. That astonishing array of talent from McCartney is more prominent than any special chord.When critics called Sgt Pepper an album by producer Martin, Paul was quick to correct, "It's OUR album."
In "A Day In The Life," McCartney's section in the middle has the piano, seeming to add some ragtime tension for the hustle-and-bustle of reality - yet it is another subliminal bit, just like the expressive drum fills augmented by acoustic guitar. Andwhen that final Chord is struck using three pianos, it still could only have a single-syllable transcription, with the harmonic depth carrying the resonant meaning: an utterable mono-syllabic word used with semantic ambiguity in the relevant gospel
headed' about the tunes, prompting Harrison to protest that the interviewer merely asked if they liked their own songs. The results John wanted would not be forthcoming, and he soured on the artifice towards getting to the 'nitty-gritty.'George Harrison saying they had thrown boulders into the waters and were waiting for a tsunami-like ripple does not seem like a non-serious expectation. Lennon chided the others for saying good things about their own songs, calling them 'big-
that could change things with avant-garde aural communication. But with transference the reaction was 'Who Needs HIM When We Have YOU?!' So John lashed out at Paul for 'granny music,' faced with a problem he could not fix. Harrison had said the group wasJohn seemed to believe in the power of rock and roll through The Beatles to advance Christ's real agenda, until the project was completed without the conscious acknowledgment: it was the message in the music together, a 'Remembrance of Him,'
the opinion of 'Jesus' - but he was not seen again, by anyone, supposedly vanished from the studio without exiting. That was 9 February 1967, three years after their Ed Sullivan debut (when I first saw them), which was three years after their Cavern ClubAnother story that has been told repeatedly on Carter's radio show is how Jesus attended a Beatles recording session.
McCartney had a visitor at his home claiming to be Jesus, Paul invited him to the session for "Fixing A Hole" at Regent Studios (not EMI), thinking he was a strung-out hippie. The session progressed to final playback, whereupon they wanted
outlandish fulfillments are inevitable if the augury is genuine.John was born during the time of a triple conjunction of Jupiter and Saturn, which is extremely rare and signifies major social change - a previous instance was 6 BCE, associated with The Nativity. A similar condition existed circa 1980.
The three dates of the circa 1940 conjunctions would take on significance later.
August 8, 1940 at 14 degrees 27 minutes Taurus: 8 August 1969 was the date the "Abbey Road" cover photograph was taken.
October 20, 1940 at 12 degrees 28 minutes Taurus, both Jupiter and Saturn in retrograde - this was eleven days after the birth of John Lennon: 20 October 1969 was the release date of John and Yoko's "Wedding Album."
February 15, 1941 at 9 degrees 7 minutes Taurus: February 15, 1964 was the date The Beatles reached number one in the US album charts for "Meet The Beatles."
There is no omniscient personage beyond the Godhead, servants would play roles with relatively limited knowledge. Shakespeare warned us in "Macbeth" that outlandish prophecies should not be dismissed as impossible, because their equally
level of insight would be consequently more accountable than when they were uninformed.Any Power that can orchestrate human events on a celestial schedule could also add into the mix foretelling whatever reactions are to manifest, in a pre-Judgment that is both perfectly fair and absolutely accurate. Whoever attains a higher
off Salvation Itself, in favor of Oblivion.The resistance to the Beatle-Christ realization is motivated by the subconscious knowledge it would manifest The Great Mourning that precedes The Uplifting of the Second Coming Messiah, so persisting in that resistance is an attempt to stave
John wavered between insulting Mann with "He uses a whole lot of musical terminology, and he's a twit," and being grateful with "He made us acceptable to intellectuals - it worked, and we were flattered."In my 2011 book "Not Full So Black" from page 100 this particular William Mann review episode is recounted - summarizing excerpts:
"I can't help having a quiet giggle when straight-faced critics start feeding all sorts of hidden meanings into the stuff we write" was a quote, while Lennon got the song wrong, thinking it was "It Won't Be Long" instead of "Not A Second Time."
minor, the vi chord in its minor mode. >>Probably for the song in question John's inspiration was the style of Smokey Robinson. Quoted passage:
<< The Aeolian observation regards a song that is in a major key resolving on the VI chord, the sixth harmonic step from the tonic; it has further been noted the song appears in G Major, while the bridge-like portion seems to be in the key of e
vocal twist, there is a piano solo by George Martin that is thematic predicate to the half-speed guitar solo of "A Hard Day's Night" - restatement of similar ideas presented on a different instrument is a completely new experience.There is nothing about the musicology, or lack thereof, that impacts the subliminal import of the song: an Aeolian cadence is merely a categorization based on a specific harmonic progression, which Lennon happened to use intuitively. Beyond the
vocal-texture effect. But a quote like "It was just chords, like any other chords" implies it was never the chords, or even the beat, that was the dominant focus: those were part of the rhythm track structure for the intros, outros, hooks, solos, and ofIt was a tremendous feat for producer George Martin to include many double-tracked vocals while still using twin-track mono on their second album. John joked they nearly double-tracked themselves off the record, knowing it was for 'spectral'
to now, "which quite a good trick. It has interesting chords. It goes C, F, which is all normal, the normal thing might be going to F minor, but to go to B-flat was quite good. It was a sophisticated little tune." During the analysis I explain it is the'They're just chords, like any other chords,' eh? It's a classic John (in interview mode) type of line.
But was that his attitude while forming and recording those chords? He'll, no! Otherwise why would there be so much innovation in the band's music?
John just liked to be irreverent in publicIt is a strange comment from a musician, they had sought out people who knew special chords in the early days. The chords played a significant role in "Things We Said Today": McCartney called it "future nostalgia," looking forward to looking back
thinking it was the work of his pet pupil, immediately praised the new artwork - until learning the identity of the actual artist. So even if an academic type were correct, Lennon would tend to challenge them. He was obviously overwhelmed by whateverJohn was nicknamed 'The Weird Beatle' by the press, undercutting pretentiousness was his hallmark. When a fellow art student was getting praise for abstract art, John completed a roomful of canvases overnight in a similar style: the instructor,
they absolutely love. People who otherwise are disinterested in The Beatles have told me their exceptions: the altruistic concept of "All You Need Is Love"; the elegiac tune "In My Life"; the danceable rhythm of "Ob-La-Di, Ob-La-Da"; the whimsicallyIn a college auditorium class, a young woman sat next to me and struck up a unsolicited conversation about how much she hated John Lennon. He was a polarizing figure. But I think even people who actively dislike him have a least one song by him
I had written. I have played "Here Comes The Sun" for a blind woman near death, and seen a look of delight on her face. I wish I could privately enlighten everyone in a way that is personal to them, and observe the physical reaction, but that is notI had the experience of playing "Day Tripper" while showing my transcriptions to a now-late uncle who would go to Rome for the priesthood - the reaction was typically eyes widening and jaw dropping, which he exhibited, agreeing it sounded like what
consumed' by adequate comprehension. We might presume Lennon also inquired about Ono's natal chart, and knew that their Saturn situations were a perfect match: he might have acknowledged that in his song "Woman" with the line,There is a line in "Nobody Told Me" where John sings, "They're starving back in China, so finish what you've got" - I believe that was his way of saying The Beatles put a lot on our plate collectively, very little of which has been properly '
immaterial: playing by ear, musicians can find the sounds they want, chords are note combinations that have harmonious resonance which can be learnt. In the Get Back film Paul especially can be seen singing the chord letters rather than lyrics to guide"After all,Who did they turn to for knowledge of chords, if you don't mind my asking? I know that McCartney knew more than Lennon when they met. And supposedly George knew more than Paul in the very beginning.
It is written in the stars"
I read or heard that John didn't even know how to tune his guitar until he met Paul.I was recalling an anecdote about John and Paul traveling to meet such a person, not sure if that story is related to overhearing a drummer who would be used for awhile. John's mother Julia knew banjo chords, so how those were adapted to guitar is
McCartney did impress Lennon at their first meeting with knowing how to tune the guitar and playing through songs knowing all the words, but Lennon had to teach himself using a mirror, since Paul was left-handed. Paul and George were schoolmates,Harrison was interested in the guitar from an early age: so Paul tried to bring George in because of his instrumental prowess, but Lennon was reluctant at first because of George being so young at the time.
As his brother said, Paul's interest in the guitar began when his mother died from cancer (31 October 1956), since she had bought him one he had not used. Mary McCartney was a midwife who wore an official uniform that resembled a nun's habit.family dynamic as one of three siblings was happening.)
Aunt Mimi's husband, George Toogood Smith, died of a liver hemorrhage in early June 1955. George Smith had given John his first harmonica. Lennon gave some of the clothes belonging to his late uncle to Harrison. (The post-1955 period was when my own
Julia Lennon was the group's first musical director, following their bookings enthusiastically. On 15 July 1958, an off-duty drunk-driving policeman struck her in view of one of John's friends - Lennon was never told the exact place the incidentoccurred, since he was known to pass it often.
During the Garabandal 'Night of Screams' where the young girl visionaries were being shown something too horrific to describe, John was getting backstage advice on how to play the harmonica from someone who had impressed him on a favorite recording.film they become intrigued with a small electronic device that could be manipulated to produce various sounds, and George even attempts to play his own nose.
Chords are mathematical inventions, The Beatles were interested in sound-crafting, beyond normal instrumentation: the feedback opening of "I Feel Fine" was a discovery they experimented with before trying to pass off as spontaneous. In the Get Back
There is also the piano work, at first done by George Martin, then with McCartney flourishing, as when he provided incredible electric guitar solos for the others. That astonishing array of talent from McCartney is more prominent than any special chord.When critics called Sgt Pepper an album by producer Martin, Paul was quick to correct, "It's OUR album."
In "A Day In The Life," McCartney's section in the middle has the piano, seeming to add some ragtime tension for the hustle-and-bustle of reality - yet it is another subliminal bit, just like the expressive drum fills augmented by acoustic guitar. Andwhen that final Chord is struck using three pianos, it still could only have a single-syllable transcription, with the harmonic depth carrying the resonant meaning: an utterable mono-syllabic word used with semantic ambiguity in the relevant gospel
for you. Lennon blurted out the 'subliminal' answer when Tom Snyder asked how such innocuous stuff as Beatles music could have so powerful a cultural effect.The group collectively said they knew what they meant by their songs, eventually people would figure it out, but things take on millions of meanings in an incomprehensible process, and to elaborate further would be like hearing it their way
big-headed' about the tunes, prompting Harrison to protest that the interviewer merely asked if they liked their own songs. The results John wanted would not be forthcoming, and he soured on the artifice towards getting to the 'nitty-gritty.'George Harrison saying they had thrown boulders into the waters and were waiting for a tsunami-like ripple does not seem like a non-serious expectation. Lennon chided the others for saying good things about their own songs, calling them '
that could change things with avant-garde aural communication. But with transference the reaction was 'Who Needs HIM When We Have YOU?!' So John lashed out at Paul for 'granny music,' faced with a problem he could not fix. Harrison had said the groupJohn seemed to believe in the power of rock and roll through The Beatles to advance Christ's real agenda, until the project was completed without the conscious acknowledgment: it was the message in the music together, a 'Remembrance of Him,'
the opinion of 'Jesus' - but he was not seen again, by anyone, supposedly vanished from the studio without exiting. That was 9 February 1967, three years after their Ed Sullivan debut (when I first saw them), which was three years after their Cavern ClubAnother story that has been told repeatedly on Carter's radio show is how Jesus attended a Beatles recording session.
McCartney had a visitor at his home claiming to be Jesus, Paul invited him to the session for "Fixing A Hole" at Regent Studios (not EMI), thinking he was a strung-out hippie. The session progressed to final playback, whereupon they wanted
outlandish fulfillments are inevitable if the augury is genuine.John was born during the time of a triple conjunction of Jupiter and Saturn, which is extremely rare and signifies major social change - a previous instance was 6 BCE, associated with The Nativity. A similar condition existed circa 1980.
The three dates of the circa 1940 conjunctions would take on significance later.
August 8, 1940 at 14 degrees 27 minutes Taurus: 8 August 1969 was the date the "Abbey Road" cover photograph was taken.
October 20, 1940 at 12 degrees 28 minutes Taurus, both Jupiter and Saturn in retrograde - this was eleven days after the birth of John Lennon: 20 October 1969 was the release date of John and Yoko's "Wedding Album."
February 15, 1941 at 9 degrees 7 minutes Taurus: February 15, 1964 was the date The Beatles reached number one in the US album charts for "Meet The Beatles."
There is no omniscient personage beyond the Godhead, servants would play roles with relatively limited knowledge. Shakespeare warned us in "Macbeth" that outlandish prophecies should not be dismissed as impossible, because their equally
level of insight would be consequently more accountable than when they were uninformed.Any Power that can orchestrate human events on a celestial schedule could also add into the mix foretelling whatever reactions are to manifest, in a pre-Judgment that is both perfectly fair and absolutely accurate. Whoever attains a higher
stave off Salvation Itself, in favor of Oblivion.The resistance to the Beatle-Christ realization is motivated by the subconscious knowledge it would manifest The Great Mourning that precedes The Uplifting of the Second Coming Messiah, so persisting in that resistance is an attempt to
" John wavered between insulting Mann with "He uses a whole lot of musical terminology, and he's a twit," and being grateful with "He made us acceptable to intellectuals - it worked, and we were flattered."In my 2011 book "Not Full So Black" from page 100 this particular William Mann review episode is recounted - summarizing excerpts:
"I can't help having a quiet giggle when straight-faced critics start feeding all sorts of hidden meanings into the stuff we write" was a quote, while Lennon got the song wrong, thinking it was "It Won't Be Long" instead of "Not A Second Time.
e minor, the vi chord in its minor mode. >>Probably for the song in question John's inspiration was the style of Smokey Robinson. Quoted passage:
<< The Aeolian observation regards a song that is in a major key resolving on the VI chord, the sixth harmonic step from the tonic; it has further been noted the song appears in G Major, while the bridge-like portion seems to be in the key of
the vocal twist, there is a piano solo by George Martin that is thematic predicate to the half-speed guitar solo of "A Hard Day's Night" - restatement of similar ideas presented on a different instrument is a completely new experience.There is nothing about the musicology, or lack thereof, that impacts the subliminal import of the song: an Aeolian cadence is merely a categorization based on a specific harmonic progression, which Lennon happened to use intuitively. Beyond
vocal-texture effect. But a quote like "It was just chords, like any other chords" implies it was never the chords, or even the beat, that was the dominant focus: those were part of the rhythm track structure for the intros, outros, hooks, solos, and ofIt was a tremendous feat for producer George Martin to include many double-tracked vocals while still using twin-track mono on their second album. John joked they nearly double-tracked themselves off the record, knowing it was for 'spectral'
to now, "which quite a good trick. It has interesting chords. It goes C, F, which is all normal, the normal thing might be going to F minor, but to go to B-flat was quite good. It was a sophisticated little tune." During the analysis I explain it is the'They're just chords, like any other chords,' eh? It's a classic John (in interview mode) type of line.
But was that his attitude while forming and recording those chords? He'll, no! Otherwise why would there be so much innovation in the band's music?
John just liked to be irreverent in publicIt is a strange comment from a musician, they had sought out people who knew special chords in the early days. The chords played a significant role in "Things We Said Today": McCartney called it "future nostalgia," looking forward to looking back
thinking it was the work of his pet pupil, immediately praised the new artwork - until learning the identity of the actual artist. So even if an academic type were correct, Lennon would tend to challenge them. He was obviously overwhelmed by whateverJohn was nicknamed 'The Weird Beatle' by the press, undercutting pretentiousness was his hallmark. When a fellow art student was getting praise for abstract art, John completed a roomful of canvases overnight in a similar style: the instructor,
they absolutely love. People who otherwise are disinterested in The Beatles have told me their exceptions: the altruistic concept of "All You Need Is Love"; the elegiac tune "In My Life"; the danceable rhythm of "Ob-La-Di, Ob-La-Da"; the whimsicallyIn a college auditorium class, a young woman sat next to me and struck up a unsolicited conversation about how much she hated John Lennon. He was a polarizing figure. But I think even people who actively dislike him have a least one song by him
what I had written. I have played "Here Comes The Sun" for a blind woman near death, and seen a look of delight on her face. I wish I could privately enlighten everyone in a way that is personal to them, and observe the physical reaction, but that is notI had the experience of playing "Day Tripper" while showing my transcriptions to a now-late uncle who would go to Rome for the priesthood - the reaction was typically eyes widening and jaw dropping, which he exhibited, agreeing it sounded like
consumed' by adequate comprehension. We might presume Lennon also inquired about Ono's natal chart, and knew that their Saturn situations were a perfect match: he might have acknowledged that in his song "Woman" with the line,There is a line in "Nobody Told Me" where John sings, "They're starving back in China, so finish what you've got" - I believe that was his way of saying The Beatles put a lot on our plate collectively, very little of which has been properly '
immaterial: playing by ear, musicians can find the sounds they want, chords are note combinations that have harmonious resonance which can be learnt. In the Get Back film Paul especially can be seen singing the chord letters rather than lyrics to guide"After all,Who did they turn to for knowledge of chords, if you don't mind my asking? I know that McCartney knew more than Lennon when they met. And supposedly George knew more than Paul in the very beginning.
It is written in the stars"
I read or heard that John didn't even know how to tune his guitar until he met Paul.I was recalling an anecdote about John and Paul traveling to meet such a person, not sure if that story is related to overhearing a drummer who would be used for awhile. John's mother Julia knew banjo chords, so how those were adapted to guitar is
Harrison was interested in the guitar from an early age: so Paul tried to bring George in because of his instrumental prowess, but Lennon was reluctant at first because of George being so young at the time.McCartney did impress Lennon at their first meeting with knowing how to tune the guitar and playing through songs knowing all the words, but Lennon had to teach himself using a mirror, since Paul was left-handed. Paul and George were schoolmates,
family dynamic as one of three siblings was happening.)As his brother said, Paul's interest in the guitar began when his mother died from cancer (31 October 1956), since she had bought him one he had not used. Mary McCartney was a midwife who wore an official uniform that resembled a nun's habit.
Aunt Mimi's husband, George Toogood Smith, died of a liver hemorrhage in early June 1955. George Smith had given John his first harmonica. Lennon gave some of the clothes belonging to his late uncle to Harrison. (The post-1955 period was when my own
occurred, since he was known to pass it often.Julia Lennon was the group's first musical director, following their bookings enthusiastically. On 15 July 1958, an off-duty drunk-driving policeman struck her in view of one of John's friends - Lennon was never told the exact place the incident
film they become intrigued with a small electronic device that could be manipulated to produce various sounds, and George even attempts to play his own nose.During the Garabandal 'Night of Screams' where the young girl visionaries were being shown something too horrific to describe, John was getting backstage advice on how to play the harmonica from someone who had impressed him on a favorite recording.
Chords are mathematical inventions, The Beatles were interested in sound-crafting, beyond normal instrumentation: the feedback opening of "I Feel Fine" was a discovery they experimented with before trying to pass off as spontaneous. In the Get Back
chord. When critics called Sgt Pepper an album by producer Martin, Paul was quick to correct, "It's OUR album."There is also the piano work, at first done by George Martin, then with McCartney flourishing, as when he provided incredible electric guitar solos for the others. That astonishing array of talent from McCartney is more prominent than any special
And when that final Chord is struck using three pianos, it still could only have a single-syllable transcription, with the harmonic depth carrying the resonant meaning: an utterable mono-syllabic word used with semantic ambiguity in the relevant gospelIn "A Day In The Life," McCartney's section in the middle has the piano, seeming to add some ragtime tension for the hustle-and-bustle of reality - yet it is another subliminal bit, just like the expressive drum fills augmented by acoustic guitar.
Thanks for all the info.
Right. Lennon was proud of the feedback in 'I Feel Fine' even in the later interviews, pointing out that the Beatles incorporated feedback into a song before the Who or Hendrix.
which is gibberish to those untrained in the theory, so he was unaware whether it applied to his song thus his ridicule is irrelevant. Their level at "Not A Second Time" was interjecting 'Ave and Hallelu- yeah' into an empty measure, most critics wouldn'They were very interested in what critics would say at first, seeming to be amused by how futile it would be to apply the mathematical observations of musicology to what they produced. You are referring to the 'Aeolian cadences' remark,
way for you. Lennon blurted out the 'subliminal' answer when Tom Snyder asked how such innocuous stuff as Beatles music could have so powerful a cultural effect.The group collectively said they knew what they meant by their songs, eventually people would figure it out, but things take on millions of meanings in an incomprehensible process, and to elaborate further would be like hearing it their
big-headed' about the tunes, prompting Harrison to protest that the interviewer merely asked if they liked their own songs. The results John wanted would not be forthcoming, and he soured on the artifice towards getting to the 'nitty-gritty.'George Harrison saying they had thrown boulders into the waters and were waiting for a tsunami-like ripple does not seem like a non-serious expectation. Lennon chided the others for saying good things about their own songs, calling them '
Him,' that could change things with avant-garde aural communication. But with transference the reaction was 'Who Needs HIM When We Have YOU?!' So John lashed out at Paul for 'granny music,' faced with a problem he could not fix. Harrison had said theJohn seemed to believe in the power of rock and roll through The Beatles to advance Christ's real agenda, until the project was completed without the conscious acknowledgment: it was the message in the music together, a 'Remembrance of
wanted the opinion of 'Jesus' - but he was not seen again, by anyone, supposedly vanished from the studio without exiting. That was 9 February 1967, three years after their Ed Sullivan debut (when I first saw them), which was three years after theirAnother story that has been told repeatedly on Carter's radio show is how Jesus attended a Beatles recording session.
McCartney had a visitor at his home claiming to be Jesus, Paul invited him to the session for "Fixing A Hole" at Regent Studios (not EMI), thinking he was a strung-out hippie. The session progressed to final playback, whereupon they
outlandish fulfillments are inevitable if the augury is genuine.John was born during the time of a triple conjunction of Jupiter and Saturn, which is extremely rare and signifies major social change - a previous instance was 6 BCE, associated with The Nativity. A similar condition existed circa 1980.
The three dates of the circa 1940 conjunctions would take on significance later.
August 8, 1940 at 14 degrees 27 minutes Taurus: 8 August 1969 was the date the "Abbey Road" cover photograph was taken.
October 20, 1940 at 12 degrees 28 minutes Taurus, both Jupiter and Saturn in retrograde - this was eleven days after the birth of John Lennon: 20 October 1969 was the release date of John and Yoko's "Wedding Album."
February 15, 1941 at 9 degrees 7 minutes Taurus: February 15, 1964 was the date The Beatles reached number one in the US album charts for "Meet The Beatles."
There is no omniscient personage beyond the Godhead, servants would play roles with relatively limited knowledge. Shakespeare warned us in "Macbeth" that outlandish prophecies should not be dismissed as impossible, because their equally
higher level of insight would be consequently more accountable than when they were uninformed.Any Power that can orchestrate human events on a celestial schedule could also add into the mix foretelling whatever reactions are to manifest, in a pre-Judgment that is both perfectly fair and absolutely accurate. Whoever attains a
stave off Salvation Itself, in favor of Oblivion.The resistance to the Beatle-Christ realization is motivated by the subconscious knowledge it would manifest The Great Mourning that precedes The Uplifting of the Second Coming Messiah, so persisting in that resistance is an attempt to
Time." John wavered between insulting Mann with "He uses a whole lot of musical terminology, and he's a twit," and being grateful with "He made us acceptable to intellectuals - it worked, and we were flattered."In my 2011 book "Not Full So Black" from page 100 this particular William Mann review episode is recounted - summarizing excerpts:
"I can't help having a quiet giggle when straight-faced critics start feeding all sorts of hidden meanings into the stuff we write" was a quote, while Lennon got the song wrong, thinking it was "It Won't Be Long" instead of "Not A Second
of e minor, the vi chord in its minor mode. >>Probably for the song in question John's inspiration was the style of Smokey Robinson. Quoted passage:
<< The Aeolian observation regards a song that is in a major key resolving on the VI chord, the sixth harmonic step from the tonic; it has further been noted the song appears in G Major, while the bridge-like portion seems to be in the key
the vocal twist, there is a piano solo by George Martin that is thematic predicate to the half-speed guitar solo of "A Hard Day's Night" - restatement of similar ideas presented on a different instrument is a completely new experience.There is nothing about the musicology, or lack thereof, that impacts the subliminal import of the song: an Aeolian cadence is merely a categorization based on a specific harmonic progression, which Lennon happened to use intuitively. Beyond
vocal-texture effect. But a quote like "It was just chords, like any other chords" implies it was never the chords, or even the beat, that was the dominant focus: those were part of the rhythm track structure for the intros, outros, hooks, solos, and ofIt was a tremendous feat for producer George Martin to include many double-tracked vocals while still using twin-track mono on their second album. John joked they nearly double-tracked themselves off the record, knowing it was for 'spectral'
back to now, "which quite a good trick. It has interesting chords. It goes C, F, which is all normal, the normal thing might be going to F minor, but to go to B-flat was quite good. It was a sophisticated little tune." During the analysis I explain it is'They're just chords, like any other chords,' eh? It's a classic John (in interview mode) type of line.
But was that his attitude while forming and recording those chords? He'll, no! Otherwise why would there be so much innovation in the band's music?
John just liked to be irreverent in publicIt is a strange comment from a musician, they had sought out people who knew special chords in the early days. The chords played a significant role in "Things We Said Today": McCartney called it "future nostalgia," looking forward to looking
thinking it was the work of his pet pupil, immediately praised the new artwork - until learning the identity of the actual artist. So even if an academic type were correct, Lennon would tend to challenge them. He was obviously overwhelmed by whateverJohn was nicknamed 'The Weird Beatle' by the press, undercutting pretentiousness was his hallmark. When a fellow art student was getting praise for abstract art, John completed a roomful of canvases overnight in a similar style: the instructor,
they absolutely love. People who otherwise are disinterested in The Beatles have told me their exceptions: the altruistic concept of "All You Need Is Love"; the elegiac tune "In My Life"; the danceable rhythm of "Ob-La-Di, Ob-La-Da"; the whimsicallyIn a college auditorium class, a young woman sat next to me and struck up a unsolicited conversation about how much she hated John Lennon. He was a polarizing figure. But I think even people who actively dislike him have a least one song by him
what I had written. I have played "Here Comes The Sun" for a blind woman near death, and seen a look of delight on her face. I wish I could privately enlighten everyone in a way that is personal to them, and observe the physical reaction, but that is notI had the experience of playing "Day Tripper" while showing my transcriptions to a now-late uncle who would go to Rome for the priesthood - the reaction was typically eyes widening and jaw dropping, which he exhibited, agreeing it sounded like
consumed' by adequate comprehension. We might presume Lennon also inquired about Ono's natal chart, and knew that their Saturn situations were a perfect match: he might have acknowledged that in his song "Woman" with the line,There is a line in "Nobody Told Me" where John sings, "They're starving back in China, so finish what you've got" - I believe that was his way of saying The Beatles put a lot on our plate collectively, very little of which has been properly '
immaterial: playing by ear, musicians can find the sounds they want, chords are note combinations that have harmonious resonance which can be learnt. In the Get Back film Paul especially can be seen singing the chord letters rather than lyrics to guide"After all,Who did they turn to for knowledge of chords, if you don't mind my asking? I know that McCartney knew more than Lennon when they met. And supposedly George knew more than Paul in the very beginning.
It is written in the stars"
I read or heard that John didn't even know how to tune his guitar until he met Paul.I was recalling an anecdote about John and Paul traveling to meet such a person, not sure if that story is related to overhearing a drummer who would be used for awhile. John's mother Julia knew banjo chords, so how those were adapted to guitar is
Harrison was interested in the guitar from an early age: so Paul tried to bring George in because of his instrumental prowess, but Lennon was reluctant at first because of George being so young at the time.McCartney did impress Lennon at their first meeting with knowing how to tune the guitar and playing through songs knowing all the words, but Lennon had to teach himself using a mirror, since Paul was left-handed. Paul and George were schoolmates,
own family dynamic as one of three siblings was happening.)As his brother said, Paul's interest in the guitar began when his mother died from cancer (31 October 1956), since she had bought him one he had not used. Mary McCartney was a midwife who wore an official uniform that resembled a nun's habit.
Aunt Mimi's husband, George Toogood Smith, died of a liver hemorrhage in early June 1955. George Smith had given John his first harmonica. Lennon gave some of the clothes belonging to his late uncle to Harrison. (The post-1955 period was when my
occurred, since he was known to pass it often.Julia Lennon was the group's first musical director, following their bookings enthusiastically. On 15 July 1958, an off-duty drunk-driving policeman struck her in view of one of John's friends - Lennon was never told the exact place the incident
During the Garabandal 'Night of Screams' where the young girl visionaries were being shown something too horrific to describe, John was getting backstage advice on how to play the harmonica from someone who had impressed him on a favorite recording.
film they become intrigued with a small electronic device that could be manipulated to produce various sounds, and George even attempts to play his own nose.Chords are mathematical inventions, The Beatles were interested in sound-crafting, beyond normal instrumentation: the feedback opening of "I Feel Fine" was a discovery they experimented with before trying to pass off as spontaneous. In the Get Back
chord. When critics called Sgt Pepper an album by producer Martin, Paul was quick to correct, "It's OUR album."There is also the piano work, at first done by George Martin, then with McCartney flourishing, as when he provided incredible electric guitar solos for the others. That astonishing array of talent from McCartney is more prominent than any special
And when that final Chord is struck using three pianos, it still could only have a single-syllable transcription, with the harmonic depth carrying the resonant meaning: an utterable mono-syllabic word used with semantic ambiguity in the relevant gospelIn "A Day In The Life," McCartney's section in the middle has the piano, seeming to add some ragtime tension for the hustle-and-bustle of reality - yet it is another subliminal bit, just like the expressive drum fills augmented by acoustic guitar.
was more Smokey Robinson, heavy metal formulated for "Ticket To Ride." The feedback trick relied on actually triggering a sympathetic reaction creating a synthetic audio loop, very difficult to accidentally use properly the first time in a creativeThanks for all the info.
Right. Lennon was proud of the feedback in 'I Feel Fine' even in the later interviews, pointing out that the Beatles incorporated feedback into a song before the Who or Hendrix.I reconstructed the feedback incident for "The Quality Of Mersey" (July 2020). It is true that Lennon felt most comfortable justifying his guitar work on a stylistic basis, so "You Can't Do That" was his Wilson Pickett impersonation, "Not A Second Time"
The purpose was to get a certain sound, in that case an 'O' long vowel sound, as part of an intro. The song had some sophistication, beyond the subliminal guitar riff and solo elements, as an urbane contrast to the rustic presentation of "She's A Woman"on the flip side of the single. John and Paul had an ongoing contest to compose the A-side of the next hit single, and Lennon prevailed with a tune written around the fast-paced riff. There were cryptic utterances in the opening as well, and a single
The dissonance and electronic distortion would be developed during the psychedelic era in some yet-unexplored ways, however precise further use of feedback specifically is not certain. Performances like McCartney's of "Taxman" and "Good Morning GoodMorning" rival or surpass some of Hendrix's best electric guitar work in my opinion, with searing power under masterful control. There are parts of "Yer Blues" and "She's So Heavy" that are played in an extremely complex fashion, aside from more '
Certainly they used the reverse technique more than feedback, abetted by George Martin, who was filmed in an early era explaining how sounds could be manipulated after they were recorded, saying this a cymbal, then asking have you heard it backwards.The way Martin edited the end of "Rain" indicated he not only comprehended what the reverse-lyrics were, but how to cleverly alter the message with a slight change of the backwards vocal track. John would mimic what his voice sounded like in the coda
The participation of Martin was crucial to "Strawberry Fields Forever," combining two takes in different keys and tempos, by finding they had a convergence point with the speed changed on each. There are reversed cymbals on that track.
which is gibberish to those untrained in the theory, so he was unaware whether it applied to his song thus his ridicule is irrelevant. Their level at "Not A Second Time" was interjecting 'Ave and Hallelu- yeah' into an empty measure, most critics wouldn'They were very interested in what critics would say at first, seeming to be amused by how futile it would be to apply the mathematical observations of musicology to what they produced. You are referring to the 'Aeolian cadences' remark,
way for you. Lennon blurted out the 'subliminal' answer when Tom Snyder asked how such innocuous stuff as Beatles music could have so powerful a cultural effect.The group collectively said they knew what they meant by their songs, eventually people would figure it out, but things take on millions of meanings in an incomprehensible process, and to elaborate further would be like hearing it their
'big-headed' about the tunes, prompting Harrison to protest that the interviewer merely asked if they liked their own songs. The results John wanted would not be forthcoming, and he soured on the artifice towards getting to the 'nitty-gritty.'George Harrison saying they had thrown boulders into the waters and were waiting for a tsunami-like ripple does not seem like a non-serious expectation. Lennon chided the others for saying good things about their own songs, calling them
Him,' that could change things with avant-garde aural communication. But with transference the reaction was 'Who Needs HIM When We Have YOU?!' So John lashed out at Paul for 'granny music,' faced with a problem he could not fix. Harrison had said theJohn seemed to believe in the power of rock and roll through The Beatles to advance Christ's real agenda, until the project was completed without the conscious acknowledgment: it was the message in the music together, a 'Remembrance of
wanted the opinion of 'Jesus' - but he was not seen again, by anyone, supposedly vanished from the studio without exiting. That was 9 February 1967, three years after their Ed Sullivan debut (when I first saw them), which was three years after theirAnother story that has been told repeatedly on Carter's radio show is how Jesus attended a Beatles recording session.
McCartney had a visitor at his home claiming to be Jesus, Paul invited him to the session for "Fixing A Hole" at Regent Studios (not EMI), thinking he was a strung-out hippie. The session progressed to final playback, whereupon they
John was born during the time of a triple conjunction of Jupiter and Saturn, which is extremely rare and signifies major social change - a previous instance was 6 BCE, associated with The Nativity. A similar condition existed circa 1980.
outlandish fulfillments are inevitable if the augury is genuine.The three dates of the circa 1940 conjunctions would take on significance later.
August 8, 1940 at 14 degrees 27 minutes Taurus: 8 August 1969 was the date the "Abbey Road" cover photograph was taken.
October 20, 1940 at 12 degrees 28 minutes Taurus, both Jupiter and Saturn in retrograde - this was eleven days after the birth of John Lennon: 20 October 1969 was the release date of John and Yoko's "Wedding Album."
February 15, 1941 at 9 degrees 7 minutes Taurus: February 15, 1964 was the date The Beatles reached number one in the US album charts for "Meet The Beatles."
There is no omniscient personage beyond the Godhead, servants would play roles with relatively limited knowledge. Shakespeare warned us in "Macbeth" that outlandish prophecies should not be dismissed as impossible, because their equally
higher level of insight would be consequently more accountable than when they were uninformed.Any Power that can orchestrate human events on a celestial schedule could also add into the mix foretelling whatever reactions are to manifest, in a pre-Judgment that is both perfectly fair and absolutely accurate. Whoever attains a
stave off Salvation Itself, in favor of Oblivion.The resistance to the Beatle-Christ realization is motivated by the subconscious knowledge it would manifest The Great Mourning that precedes The Uplifting of the Second Coming Messiah, so persisting in that resistance is an attempt to
Time." John wavered between insulting Mann with "He uses a whole lot of musical terminology, and he's a twit," and being grateful with "He made us acceptable to intellectuals - it worked, and we were flattered."In my 2011 book "Not Full So Black" from page 100 this particular William Mann review episode is recounted - summarizing excerpts:
"I can't help having a quiet giggle when straight-faced critics start feeding all sorts of hidden meanings into the stuff we write" was a quote, while Lennon got the song wrong, thinking it was "It Won't Be Long" instead of "Not A Second
key of e minor, the vi chord in its minor mode. >>Probably for the song in question John's inspiration was the style of Smokey Robinson. Quoted passage:
<< The Aeolian observation regards a song that is in a major key resolving on the VI chord, the sixth harmonic step from the tonic; it has further been noted the song appears in G Major, while the bridge-like portion seems to be in the
Beyond the vocal twist, there is a piano solo by George Martin that is thematic predicate to the half-speed guitar solo of "A Hard Day's Night" - restatement of similar ideas presented on a different instrument is a completely new experience.There is nothing about the musicology, or lack thereof, that impacts the subliminal import of the song: an Aeolian cadence is merely a categorization based on a specific harmonic progression, which Lennon happened to use intuitively.
spectral' vocal-texture effect. But a quote like "It was just chords, like any other chords" implies it was never the chords, or even the beat, that was the dominant focus: those were part of the rhythm track structure for the intros, outros, hooks,It was a tremendous feat for producer George Martin to include many double-tracked vocals while still using twin-track mono on their second album. John joked they nearly double-tracked themselves off the record, knowing it was for '
back to now, "which quite a good trick. It has interesting chords. It goes C, F, which is all normal, the normal thing might be going to F minor, but to go to B-flat was quite good. It was a sophisticated little tune." During the analysis I explain it is'They're just chords, like any other chords,' eh? It's a classic John (in interview mode) type of line.
But was that his attitude while forming and recording those chords? He'll, no! Otherwise why would there be so much innovation in the band's music?
John just liked to be irreverent in publicIt is a strange comment from a musician, they had sought out people who knew special chords in the early days. The chords played a significant role in "Things We Said Today": McCartney called it "future nostalgia," looking forward to looking
instructor, thinking it was the work of his pet pupil, immediately praised the new artwork - until learning the identity of the actual artist. So even if an academic type were correct, Lennon would tend to challenge them. He was obviously overwhelmed byJohn was nicknamed 'The Weird Beatle' by the press, undercutting pretentiousness was his hallmark. When a fellow art student was getting praise for abstract art, John completed a roomful of canvases overnight in a similar style: the
him they absolutely love. People who otherwise are disinterested in The Beatles have told me their exceptions: the altruistic concept of "All You Need Is Love"; the elegiac tune "In My Life"; the danceable rhythm of "Ob-La-Di, Ob-La-Da"; the whimsicallyIn a college auditorium class, a young woman sat next to me and struck up a unsolicited conversation about how much she hated John Lennon. He was a polarizing figure. But I think even people who actively dislike him have a least one song by
like what I had written. I have played "Here Comes The Sun" for a blind woman near death, and seen a look of delight on her face. I wish I could privately enlighten everyone in a way that is personal to them, and observe the physical reaction, but thatI had the experience of playing "Day Tripper" while showing my transcriptions to a now-late uncle who would go to Rome for the priesthood - the reaction was typically eyes widening and jaw dropping, which he exhibited, agreeing it sounded
consumed' by adequate comprehension. We might presume Lennon also inquired about Ono's natal chart, and knew that their Saturn situations were a perfect match: he might have acknowledged that in his song "Woman" with the line,There is a line in "Nobody Told Me" where John sings, "They're starving back in China, so finish what you've got" - I believe that was his way of saying The Beatles put a lot on our plate collectively, very little of which has been properly '
is immaterial: playing by ear, musicians can find the sounds they want, chords are note combinations that have harmonious resonance which can be learnt. In the Get Back film Paul especially can be seen singing the chord letters rather than lyrics to"After all,Who did they turn to for knowledge of chords, if you don't mind my asking? I know that McCartney knew more than Lennon when they met. And supposedly George knew more than Paul in the very beginning.
It is written in the stars"
I read or heard that John didn't even know how to tune his guitar until he met Paul.I was recalling an anecdote about John and Paul traveling to meet such a person, not sure if that story is related to overhearing a drummer who would be used for awhile. John's mother Julia knew banjo chords, so how those were adapted to guitar
Harrison was interested in the guitar from an early age: so Paul tried to bring George in because of his instrumental prowess, but Lennon was reluctant at first because of George being so young at the time.McCartney did impress Lennon at their first meeting with knowing how to tune the guitar and playing through songs knowing all the words, but Lennon had to teach himself using a mirror, since Paul was left-handed. Paul and George were schoolmates,
own family dynamic as one of three siblings was happening.)As his brother said, Paul's interest in the guitar began when his mother died from cancer (31 October 1956), since she had bought him one he had not used. Mary McCartney was a midwife who wore an official uniform that resembled a nun's habit.
Aunt Mimi's husband, George Toogood Smith, died of a liver hemorrhage in early June 1955. George Smith had given John his first harmonica. Lennon gave some of the clothes belonging to his late uncle to Harrison. (The post-1955 period was when my
occurred, since he was known to pass it often.Julia Lennon was the group's first musical director, following their bookings enthusiastically. On 15 July 1958, an off-duty drunk-driving policeman struck her in view of one of John's friends - Lennon was never told the exact place the incident
recording.During the Garabandal 'Night of Screams' where the young girl visionaries were being shown something too horrific to describe, John was getting backstage advice on how to play the harmonica from someone who had impressed him on a favorite
Back film they become intrigued with a small electronic device that could be manipulated to produce various sounds, and George even attempts to play his own nose.Chords are mathematical inventions, The Beatles were interested in sound-crafting, beyond normal instrumentation: the feedback opening of "I Feel Fine" was a discovery they experimented with before trying to pass off as spontaneous. In the Get
chord. When critics called Sgt Pepper an album by producer Martin, Paul was quick to correct, "It's OUR album."There is also the piano work, at first done by George Martin, then with McCartney flourishing, as when he provided incredible electric guitar solos for the others. That astonishing array of talent from McCartney is more prominent than any special
And when that final Chord is struck using three pianos, it still could only have a single-syllable transcription, with the harmonic depth carrying the resonant meaning: an utterable mono-syllabic word used with semantic ambiguity in the relevant gospelIn "A Day In The Life," McCartney's section in the middle has the piano, seeming to add some ragtime tension for the hustle-and-bustle of reality - yet it is another subliminal bit, just like the expressive drum fills augmented by acoustic guitar.
Time" was more Smokey Robinson, heavy metal formulated for "Ticket To Ride." The feedback trick relied on actually triggering a sympathetic reaction creating a synthetic audio loop, very difficult to accidentally use properly the first time in a creativeThanks for all the info.
Right. Lennon was proud of the feedback in 'I Feel Fine' even in the later interviews, pointing out that the Beatles incorporated feedback into a song before the Who or Hendrix.I reconstructed the feedback incident for "The Quality Of Mersey" (July 2020). It is true that Lennon felt most comfortable justifying his guitar work on a stylistic basis, so "You Can't Do That" was his Wilson Pickett impersonation, "Not A Second
Woman" on the flip side of the single. John and Paul had an ongoing contest to compose the A-side of the next hit single, and Lennon prevailed with a tune written around the fast-paced riff. There were cryptic utterances in the opening as well, and aThe purpose was to get a certain sound, in that case an 'O' long vowel sound, as part of an intro. The song had some sophistication, beyond the subliminal guitar riff and solo elements, as an urbane contrast to the rustic presentation of "She's A
Morning" rival or surpass some of Hendrix's best electric guitar work in my opinion, with searing power under masterful control. There are parts of "Yer Blues" and "She's So Heavy" that are played in an extremely complex fashion, aside from more 'The dissonance and electronic distortion would be developed during the psychedelic era in some yet-unexplored ways, however precise further use of feedback specifically is not certain. Performances like McCartney's of "Taxman" and "Good Morning Good
The way Martin edited the end of "Rain" indicated he not only comprehended what the reverse-lyrics were, but how to cleverly alter the message with a slight change of the backwards vocal track. John would mimic what his voice sounded like in the codaCertainly they used the reverse technique more than feedback, abetted by George Martin, who was filmed in an early era explaining how sounds could be manipulated after they were recorded, saying this a cymbal, then asking have you heard it backwards.
scheduled times like 5:16, seemingly derived from astrology.The participation of Martin was crucial to "Strawberry Fields Forever," combining two takes in different keys and tempos, by finding they had a convergence point with the speed changed on each. There are reversed cymbals on that track.
The "Can You Take Me Back" brief song fragment bridging "Cry Baby Cry" and "Revolution 9" has a distinctly Native American sound. During the Apple era, there was someone tasked with casting the I Ching for important decisions; events were given surreal
Looking at the triple conjunction of Jupiter and Saturn commencing past three weeks after Lennon's assassination, using the same method of recognizing significant dates, it functions as a review of his particular specific decisions that could beperceived negatively. This sequence began 31 December 1980, which in 1970 was the date Paul McCartney would file to legally dissolve The Beatles, since Lennon would not go public with his decision to end the group. These coincidences are on the
The second was on 4 March 1981, which in 1966 was the date the London Evening Standard article by Maureen Cleave was released, which stirred opposite controversies on either side of the Atlantic, because John was relentlessly honest without beingexplicitly demonstrative about the subliminal transference issue.
The third union of Jupiter and Saturn in that cycle was on 24 July 1981, which in 1967 was the date of publication for anyou want me to love you," "Tell me, Tell me, Tell me the Answer": this is a binary thinker, a narcissist with a huge ego seeking to obsessively attach to a demagogic leader (or several), insisting to know who is for or against him personally, towards a
advertisement in The London Times where The Beatles added their names to a list denouncing cannabis prohibition.
https://www.beatlesbible.com/1967/07/24/the-beatles-call-for-the-legalisation-of-marijuana/
As for the lyrics of "Helter Skelter" implying the Moon-Stowaway theme, "miles above you" is only literally true in an outer space context, and the role-playing for this character may come from 'prior experience.' "Will you, won't you," "Do you don't
"Well, You MAY Be A Lover,I always assumed the 'Can you Take me back' piece was a sortt of surprise ending to 'Cry Baby Cry'..
But You AIN'T No Dance
Also I feel that John would have been scornful of any serious musical analysis. Remember the reference to 'exotic birds'? I think he wanted people to like his music. Or at least buy it. But not take it too seriously.Did John want his fans to take the songs seriously? I'm not sure. Didn't he tell the homeless guy (I'm thinking of that footage in the "'Imagine: John Lennon' film ) that one interpretation of the lyrics was as good as any other?
remark, which is gibberish to those untrained in the theory, so he was unaware whether it applied to his song thus his ridicule is irrelevant. Their level at "Not A Second Time" was interjecting 'Ave and Hallelu- yeah' into an empty measure, most criticsThey were very interested in what critics would say at first, seeming to be amused by how futile it would be to apply the mathematical observations of musicology to what they produced. You are referring to the 'Aeolian cadences'
their way for you. Lennon blurted out the 'subliminal' answer when Tom Snyder asked how such innocuous stuff as Beatles music could have so powerful a cultural effect.The group collectively said they knew what they meant by their songs, eventually people would figure it out, but things take on millions of meanings in an incomprehensible process, and to elaborate further would be like hearing it
them 'big-headed' about the tunes, prompting Harrison to protest that the interviewer merely asked if they liked their own songs. The results John wanted would not be forthcoming, and he soured on the artifice towards getting to the 'nitty-gritty.'George Harrison saying they had thrown boulders into the waters and were waiting for a tsunami-like ripple does not seem like a non-serious expectation. Lennon chided the others for saying good things about their own songs, calling
of Him,' that could change things with avant-garde aural communication. But with transference the reaction was 'Who Needs HIM When We Have YOU?!' So John lashed out at Paul for 'granny music,' faced with a problem he could not fix. Harrison had said theJohn seemed to believe in the power of rock and roll through The Beatles to advance Christ's real agenda, until the project was completed without the conscious acknowledgment: it was the message in the music together, a 'Remembrance
wanted the opinion of 'Jesus' - but he was not seen again, by anyone, supposedly vanished from the studio without exiting. That was 9 February 1967, three years after their Ed Sullivan debut (when I first saw them), which was three years after theirAnother story that has been told repeatedly on Carter's radio show is how Jesus attended a Beatles recording session.
McCartney had a visitor at his home claiming to be Jesus, Paul invited him to the session for "Fixing A Hole" at Regent Studios (not EMI), thinking he was a strung-out hippie. The session progressed to final playback, whereupon they
1980.John was born during the time of a triple conjunction of Jupiter and Saturn, which is extremely rare and signifies major social change - a previous instance was 6 BCE, associated with The Nativity. A similar condition existed circa
equally outlandish fulfillments are inevitable if the augury is genuine.The three dates of the circa 1940 conjunctions would take on significance later.
August 8, 1940 at 14 degrees 27 minutes Taurus: 8 August 1969 was the date the "Abbey Road" cover photograph was taken.
October 20, 1940 at 12 degrees 28 minutes Taurus, both Jupiter and Saturn in retrograde - this was eleven days after the birth of John Lennon: 20 October 1969 was the release date of John and Yoko's "Wedding Album."
February 15, 1941 at 9 degrees 7 minutes Taurus: February 15, 1964 was the date The Beatles reached number one in the US album charts for "Meet The Beatles."
There is no omniscient personage beyond the Godhead, servants would play roles with relatively limited knowledge. Shakespeare warned us in "Macbeth" that outlandish prophecies should not be dismissed as impossible, because their
higher level of insight would be consequently more accountable than when they were uninformed.Any Power that can orchestrate human events on a celestial schedule could also add into the mix foretelling whatever reactions are to manifest, in a pre-Judgment that is both perfectly fair and absolutely accurate. Whoever attains a
to stave off Salvation Itself, in favor of Oblivion.The resistance to the Beatle-Christ realization is motivated by the subconscious knowledge it would manifest The Great Mourning that precedes The Uplifting of the Second Coming Messiah, so persisting in that resistance is an attempt
Second Time." John wavered between insulting Mann with "He uses a whole lot of musical terminology, and he's a twit," and being grateful with "He made us acceptable to intellectuals - it worked, and we were flattered."In my 2011 book "Not Full So Black" from page 100 this particular William Mann review episode is recounted - summarizing excerpts:
"I can't help having a quiet giggle when straight-faced critics start feeding all sorts of hidden meanings into the stuff we write" was a quote, while Lennon got the song wrong, thinking it was "It Won't Be Long" instead of "Not A
key of e minor, the vi chord in its minor mode. >>Probably for the song in question John's inspiration was the style of Smokey Robinson. Quoted passage:
<< The Aeolian observation regards a song that is in a major key resolving on the VI chord, the sixth harmonic step from the tonic; it has further been noted the song appears in G Major, while the bridge-like portion seems to be in the
Beyond the vocal twist, there is a piano solo by George Martin that is thematic predicate to the half-speed guitar solo of "A Hard Day's Night" - restatement of similar ideas presented on a different instrument is a completely new experience.There is nothing about the musicology, or lack thereof, that impacts the subliminal import of the song: an Aeolian cadence is merely a categorization based on a specific harmonic progression, which Lennon happened to use intuitively.
spectral' vocal-texture effect. But a quote like "It was just chords, like any other chords" implies it was never the chords, or even the beat, that was the dominant focus: those were part of the rhythm track structure for the intros, outros, hooks,It was a tremendous feat for producer George Martin to include many double-tracked vocals while still using twin-track mono on their second album. John joked they nearly double-tracked themselves off the record, knowing it was for '
looking back to now, "which quite a good trick. It has interesting chords. It goes C, F, which is all normal, the normal thing might be going to F minor, but to go to B-flat was quite good. It was a sophisticated little tune." During the analysis I'They're just chords, like any other chords,' eh? It's a classic John (in interview mode) type of line.
But was that his attitude while forming and recording those chords? He'll, no! Otherwise why would there be so much innovation in the band's music?
John just liked to be irreverent in publicIt is a strange comment from a musician, they had sought out people who knew special chords in the early days. The chords played a significant role in "Things We Said Today": McCartney called it "future nostalgia," looking forward to
instructor, thinking it was the work of his pet pupil, immediately praised the new artwork - until learning the identity of the actual artist. So even if an academic type were correct, Lennon would tend to challenge them. He was obviously overwhelmed byJohn was nicknamed 'The Weird Beatle' by the press, undercutting pretentiousness was his hallmark. When a fellow art student was getting praise for abstract art, John completed a roomful of canvases overnight in a similar style: the
him they absolutely love. People who otherwise are disinterested in The Beatles have told me their exceptions: the altruistic concept of "All You Need Is Love"; the elegiac tune "In My Life"; the danceable rhythm of "Ob-La-Di, Ob-La-Da"; the whimsicallyIn a college auditorium class, a young woman sat next to me and struck up a unsolicited conversation about how much she hated John Lennon. He was a polarizing figure. But I think even people who actively dislike him have a least one song by
like what I had written. I have played "Here Comes The Sun" for a blind woman near death, and seen a look of delight on her face. I wish I could privately enlighten everyone in a way that is personal to them, and observe the physical reaction, but thatI had the experience of playing "Day Tripper" while showing my transcriptions to a now-late uncle who would go to Rome for the priesthood - the reaction was typically eyes widening and jaw dropping, which he exhibited, agreeing it sounded
'consumed' by adequate comprehension. We might presume Lennon also inquired about Ono's natal chart, and knew that their Saturn situations were a perfect match: he might have acknowledged that in his song "Woman" with the line,There is a line in "Nobody Told Me" where John sings, "They're starving back in China, so finish what you've got" - I believe that was his way of saying The Beatles put a lot on our plate collectively, very little of which has been properly
is immaterial: playing by ear, musicians can find the sounds they want, chords are note combinations that have harmonious resonance which can be learnt. In the Get Back film Paul especially can be seen singing the chord letters rather than lyrics to"After all,Who did they turn to for knowledge of chords, if you don't mind my asking? I know that McCartney knew more than Lennon when they met. And supposedly George knew more than Paul in the very beginning.
It is written in the stars"
I read or heard that John didn't even know how to tune his guitar until he met Paul.I was recalling an anecdote about John and Paul traveling to meet such a person, not sure if that story is related to overhearing a drummer who would be used for awhile. John's mother Julia knew banjo chords, so how those were adapted to guitar
schoolmates, Harrison was interested in the guitar from an early age: so Paul tried to bring George in because of his instrumental prowess, but Lennon was reluctant at first because of George being so young at the time.McCartney did impress Lennon at their first meeting with knowing how to tune the guitar and playing through songs knowing all the words, but Lennon had to teach himself using a mirror, since Paul was left-handed. Paul and George were
my own family dynamic as one of three siblings was happening.)As his brother said, Paul's interest in the guitar began when his mother died from cancer (31 October 1956), since she had bought him one he had not used. Mary McCartney was a midwife who wore an official uniform that resembled a nun's habit.
Aunt Mimi's husband, George Toogood Smith, died of a liver hemorrhage in early June 1955. George Smith had given John his first harmonica. Lennon gave some of the clothes belonging to his late uncle to Harrison. (The post-1955 period was when
incident occurred, since he was known to pass it often.Julia Lennon was the group's first musical director, following their bookings enthusiastically. On 15 July 1958, an off-duty drunk-driving policeman struck her in view of one of John's friends - Lennon was never told the exact place the
recording.During the Garabandal 'Night of Screams' where the young girl visionaries were being shown something too horrific to describe, John was getting backstage advice on how to play the harmonica from someone who had impressed him on a favorite
Back film they become intrigued with a small electronic device that could be manipulated to produce various sounds, and George even attempts to play his own nose.Chords are mathematical inventions, The Beatles were interested in sound-crafting, beyond normal instrumentation: the feedback opening of "I Feel Fine" was a discovery they experimented with before trying to pass off as spontaneous. In the Get
special chord. When critics called Sgt Pepper an album by producer Martin, Paul was quick to correct, "It's OUR album."There is also the piano work, at first done by George Martin, then with McCartney flourishing, as when he provided incredible electric guitar solos for the others. That astonishing array of talent from McCartney is more prominent than any
guitar. And when that final Chord is struck using three pianos, it still could only have a single-syllable transcription, with the harmonic depth carrying the resonant meaning: an utterable mono-syllabic word used with semantic ambiguity in the relevantIn "A Day In The Life," McCartney's section in the middle has the piano, seeming to add some ragtime tension for the hustle-and-bustle of reality - yet it is another subliminal bit, just like the expressive drum fills augmented by acoustic
Time" was more Smokey Robinson, heavy metal formulated for "Ticket To Ride." The feedback trick relied on actually triggering a sympathetic reaction creating a synthetic audio loop, very difficult to accidentally use properly the first time in a creativeThanks for all the info.
Right. Lennon was proud of the feedback in 'I Feel Fine' even in the later interviews, pointing out that the Beatles incorporated feedback into a song before the Who or Hendrix.I reconstructed the feedback incident for "The Quality Of Mersey" (July 2020). It is true that Lennon felt most comfortable justifying his guitar work on a stylistic basis, so "You Can't Do That" was his Wilson Pickett impersonation, "Not A Second
Woman" on the flip side of the single. John and Paul had an ongoing contest to compose the A-side of the next hit single, and Lennon prevailed with a tune written around the fast-paced riff. There were cryptic utterances in the opening as well, and aThe purpose was to get a certain sound, in that case an 'O' long vowel sound, as part of an intro. The song had some sophistication, beyond the subliminal guitar riff and solo elements, as an urbane contrast to the rustic presentation of "She's A
Good Morning" rival or surpass some of Hendrix's best electric guitar work in my opinion, with searing power under masterful control. There are parts of "Yer Blues" and "She's So Heavy" that are played in an extremely complex fashion, aside from more 'The dissonance and electronic distortion would be developed during the psychedelic era in some yet-unexplored ways, however precise further use of feedback specifically is not certain. Performances like McCartney's of "Taxman" and "Good Morning
backwards. The way Martin edited the end of "Rain" indicated he not only comprehended what the reverse-lyrics were, but how to cleverly alter the message with a slight change of the backwards vocal track. John would mimic what his voice sounded like inCertainly they used the reverse technique more than feedback, abetted by George Martin, who was filmed in an early era explaining how sounds could be manipulated after they were recorded, saying this a cymbal, then asking have you heard it
surreal scheduled times like 5:16, seemingly derived from astrology.The participation of Martin was crucial to "Strawberry Fields Forever," combining two takes in different keys and tempos, by finding they had a convergence point with the speed changed on each. There are reversed cymbals on that track.
The "Can You Take Me Back" brief song fragment bridging "Cry Baby Cry" and "Revolution 9" has a distinctly Native American sound. During the Apple era, there was someone tasked with casting the I Ching for important decisions; events were given
perceived negatively. This sequence began 31 December 1980, which in 1970 was the date Paul McCartney would file to legally dissolve The Beatles, since Lennon would not go public with his decision to end the group. These coincidences are on theLooking at the triple conjunction of Jupiter and Saturn commencing past three weeks after Lennon's assassination, using the same method of recognizing significant dates, it functions as a review of his particular specific decisions that could be
explicitly demonstrative about the subliminal transference issue.The second was on 4 March 1981, which in 1966 was the date the London Evening Standard article by Maureen Cleave was released, which stirred opposite controversies on either side of the Atlantic, because John was relentlessly honest without being
you want me to love you," "Tell me, Tell me, Tell me the Answer": this is a binary thinker, a narcissist with a huge ego seeking to obsessively attach to a demagogic leader (or several), insisting to know who is for or against him personally, towards aThe third union of Jupiter and Saturn in that cycle was on 24 July 1981, which in 1967 was the date of publication for an
advertisement in The London Times where The Beatles added their names to a list denouncing cannabis prohibition.
https://www.beatlesbible.com/1967/07/24/the-beatles-call-for-the-legalisation-of-marijuana/
As for the lyrics of "Helter Skelter" implying the Moon-Stowaway theme, "miles above you" is only literally true in an outer space context, and the role-playing for this character may come from 'prior experience.' "Will you, won't you," "Do you don't
"Well, You MAY Be A Lover,I always assumed the 'Can you Take me back' piece was a sortt of surprise ending to 'Cry Baby Cry'..
But You AIN'T No Dance
Whatever the intention, it's beautiful and mysterious.
Also I feel that John would have been scornful of any serious musical analysis. Remember the reference to 'exotic birds'? I think he wanted people to like his music. Or at least buy it. But not take it too seriously.Did John want his fans to take the songs seriously? I'm not sure. Didn't he tell the homeless guy (I'm thinking of that footage in the "'Imagine: John Lennon' film ) that one interpretation of the lyrics was as good as any other?
remark, which is gibberish to those untrained in the theory, so he was unaware whether it applied to his song thus his ridicule is irrelevant. Their level at "Not A Second Time" was interjecting 'Ave and Hallelu- yeah' into an empty measure, most criticsThey were very interested in what critics would say at first, seeming to be amused by how futile it would be to apply the mathematical observations of musicology to what they produced. You are referring to the 'Aeolian cadences'
their way for you. Lennon blurted out the 'subliminal' answer when Tom Snyder asked how such innocuous stuff as Beatles music could have so powerful a cultural effect.The group collectively said they knew what they meant by their songs, eventually people would figure it out, but things take on millions of meanings in an incomprehensible process, and to elaborate further would be like hearing it
them 'big-headed' about the tunes, prompting Harrison to protest that the interviewer merely asked if they liked their own songs. The results John wanted would not be forthcoming, and he soured on the artifice towards getting to the 'nitty-gritty.'George Harrison saying they had thrown boulders into the waters and were waiting for a tsunami-like ripple does not seem like a non-serious expectation. Lennon chided the others for saying good things about their own songs, calling
of Him,' that could change things with avant-garde aural communication. But with transference the reaction was 'Who Needs HIM When We Have YOU?!' So John lashed out at Paul for 'granny music,' faced with a problem he could not fix. Harrison had said theJohn seemed to believe in the power of rock and roll through The Beatles to advance Christ's real agenda, until the project was completed without the conscious acknowledgment: it was the message in the music together, a 'Remembrance
wanted the opinion of 'Jesus' - but he was not seen again, by anyone, supposedly vanished from the studio without exiting. That was 9 February 1967, three years after their Ed Sullivan debut (when I first saw them), which was three years after theirAnother story that has been told repeatedly on Carter's radio show is how Jesus attended a Beatles recording session.
McCartney had a visitor at his home claiming to be Jesus, Paul invited him to the session for "Fixing A Hole" at Regent Studios (not EMI), thinking he was a strung-out hippie. The session progressed to final playback, whereupon they
1980.John was born during the time of a triple conjunction of Jupiter and Saturn, which is extremely rare and signifies major social change - a previous instance was 6 BCE, associated with The Nativity. A similar condition existed circa
equally outlandish fulfillments are inevitable if the augury is genuine.The three dates of the circa 1940 conjunctions would take on significance later.
August 8, 1940 at 14 degrees 27 minutes Taurus: 8 August 1969 was the date the "Abbey Road" cover photograph was taken.
October 20, 1940 at 12 degrees 28 minutes Taurus, both Jupiter and Saturn in retrograde - this was eleven days after the birth of John Lennon: 20 October 1969 was the release date of John and Yoko's "Wedding Album."
February 15, 1941 at 9 degrees 7 minutes Taurus: February 15, 1964 was the date The Beatles reached number one in the US album charts for "Meet The Beatles."
There is no omniscient personage beyond the Godhead, servants would play roles with relatively limited knowledge. Shakespeare warned us in "Macbeth" that outlandish prophecies should not be dismissed as impossible, because their
higher level of insight would be consequently more accountable than when they were uninformed.Any Power that can orchestrate human events on a celestial schedule could also add into the mix foretelling whatever reactions are to manifest, in a pre-Judgment that is both perfectly fair and absolutely accurate. Whoever attains a
to stave off Salvation Itself, in favor of Oblivion.The resistance to the Beatle-Christ realization is motivated by the subconscious knowledge it would manifest The Great Mourning that precedes The Uplifting of the Second Coming Messiah, so persisting in that resistance is an attempt
Second Time." John wavered between insulting Mann with "He uses a whole lot of musical terminology, and he's a twit," and being grateful with "He made us acceptable to intellectuals - it worked, and we were flattered."In my 2011 book "Not Full So Black" from page 100 this particular William Mann review episode is recounted - summarizing excerpts:
"I can't help having a quiet giggle when straight-faced critics start feeding all sorts of hidden meanings into the stuff we write" was a quote, while Lennon got the song wrong, thinking it was "It Won't Be Long" instead of "Not A
key of e minor, the vi chord in its minor mode. >>Probably for the song in question John's inspiration was the style of Smokey Robinson. Quoted passage:
<< The Aeolian observation regards a song that is in a major key resolving on the VI chord, the sixth harmonic step from the tonic; it has further been noted the song appears in G Major, while the bridge-like portion seems to be in the
Beyond the vocal twist, there is a piano solo by George Martin that is thematic predicate to the half-speed guitar solo of "A Hard Day's Night" - restatement of similar ideas presented on a different instrument is a completely new experience.There is nothing about the musicology, or lack thereof, that impacts the subliminal import of the song: an Aeolian cadence is merely a categorization based on a specific harmonic progression, which Lennon happened to use intuitively.
spectral' vocal-texture effect. But a quote like "It was just chords, like any other chords" implies it was never the chords, or even the beat, that was the dominant focus: those were part of the rhythm track structure for the intros, outros, hooks,It was a tremendous feat for producer George Martin to include many double-tracked vocals while still using twin-track mono on their second album. John joked they nearly double-tracked themselves off the record, knowing it was for '
looking back to now, "which quite a good trick. It has interesting chords. It goes C, F, which is all normal, the normal thing might be going to F minor, but to go to B-flat was quite good. It was a sophisticated little tune." During the analysis I'They're just chords, like any other chords,' eh? It's a classic John (in interview mode) type of line.
But was that his attitude while forming and recording those chords? He'll, no! Otherwise why would there be so much innovation in the band's music?
John just liked to be irreverent in publicIt is a strange comment from a musician, they had sought out people who knew special chords in the early days. The chords played a significant role in "Things We Said Today": McCartney called it "future nostalgia," looking forward to
instructor, thinking it was the work of his pet pupil, immediately praised the new artwork - until learning the identity of the actual artist. So even if an academic type were correct, Lennon would tend to challenge them. He was obviously overwhelmed byJohn was nicknamed 'The Weird Beatle' by the press, undercutting pretentiousness was his hallmark. When a fellow art student was getting praise for abstract art, John completed a roomful of canvases overnight in a similar style: the
him they absolutely love. People who otherwise are disinterested in The Beatles have told me their exceptions: the altruistic concept of "All You Need Is Love"; the elegiac tune "In My Life"; the danceable rhythm of "Ob-La-Di, Ob-La-Da"; the whimsicallyIn a college auditorium class, a young woman sat next to me and struck up a unsolicited conversation about how much she hated John Lennon. He was a polarizing figure. But I think even people who actively dislike him have a least one song by
like what I had written. I have played "Here Comes The Sun" for a blind woman near death, and seen a look of delight on her face. I wish I could privately enlighten everyone in a way that is personal to them, and observe the physical reaction, but thatI had the experience of playing "Day Tripper" while showing my transcriptions to a now-late uncle who would go to Rome for the priesthood - the reaction was typically eyes widening and jaw dropping, which he exhibited, agreeing it sounded
'consumed' by adequate comprehension. We might presume Lennon also inquired about Ono's natal chart, and knew that their Saturn situations were a perfect match: he might have acknowledged that in his song "Woman" with the line,There is a line in "Nobody Told Me" where John sings, "They're starving back in China, so finish what you've got" - I believe that was his way of saying The Beatles put a lot on our plate collectively, very little of which has been properly
is immaterial: playing by ear, musicians can find the sounds they want, chords are note combinations that have harmonious resonance which can be learnt. In the Get Back film Paul especially can be seen singing the chord letters rather than lyrics to"After all,Who did they turn to for knowledge of chords, if you don't mind my asking? I know that McCartney knew more than Lennon when they met. And supposedly George knew more than Paul in the very beginning.
It is written in the stars"
I read or heard that John didn't even know how to tune his guitar until he met Paul.I was recalling an anecdote about John and Paul traveling to meet such a person, not sure if that story is related to overhearing a drummer who would be used for awhile. John's mother Julia knew banjo chords, so how those were adapted to guitar
schoolmates, Harrison was interested in the guitar from an early age: so Paul tried to bring George in because of his instrumental prowess, but Lennon was reluctant at first because of George being so young at the time.McCartney did impress Lennon at their first meeting with knowing how to tune the guitar and playing through songs knowing all the words, but Lennon had to teach himself using a mirror, since Paul was left-handed. Paul and George were
my own family dynamic as one of three siblings was happening.)As his brother said, Paul's interest in the guitar began when his mother died from cancer (31 October 1956), since she had bought him one he had not used. Mary McCartney was a midwife who wore an official uniform that resembled a nun's habit.
Aunt Mimi's husband, George Toogood Smith, died of a liver hemorrhage in early June 1955. George Smith had given John his first harmonica. Lennon gave some of the clothes belonging to his late uncle to Harrison. (The post-1955 period was when
incident occurred, since he was known to pass it often.Julia Lennon was the group's first musical director, following their bookings enthusiastically. On 15 July 1958, an off-duty drunk-driving policeman struck her in view of one of John's friends - Lennon was never told the exact place the
recording.During the Garabandal 'Night of Screams' where the young girl visionaries were being shown something too horrific to describe, John was getting backstage advice on how to play the harmonica from someone who had impressed him on a favorite
Back film they become intrigued with a small electronic device that could be manipulated to produce various sounds, and George even attempts to play his own nose.Chords are mathematical inventions, The Beatles were interested in sound-crafting, beyond normal instrumentation: the feedback opening of "I Feel Fine" was a discovery they experimented with before trying to pass off as spontaneous. In the Get
special chord. When critics called Sgt Pepper an album by producer Martin, Paul was quick to correct, "It's OUR album."There is also the piano work, at first done by George Martin, then with McCartney flourishing, as when he provided incredible electric guitar solos for the others. That astonishing array of talent from McCartney is more prominent than any
guitar. And when that final Chord is struck using three pianos, it still could only have a single-syllable transcription, with the harmonic depth carrying the resonant meaning: an utterable mono-syllabic word used with semantic ambiguity in the relevantIn "A Day In The Life," McCartney's section in the middle has the piano, seeming to add some ragtime tension for the hustle-and-bustle of reality - yet it is another subliminal bit, just like the expressive drum fills augmented by acoustic
Time" was more Smokey Robinson, heavy metal formulated for "Ticket To Ride." The feedback trick relied on actually triggering a sympathetic reaction creating a synthetic audio loop, very difficult to accidentally use properly the first time in a creativeThanks for all the info.
Right. Lennon was proud of the feedback in 'I Feel Fine' even in the later interviews, pointing out that the Beatles incorporated feedback into a song before the Who or Hendrix.I reconstructed the feedback incident for "The Quality Of Mersey" (July 2020). It is true that Lennon felt most comfortable justifying his guitar work on a stylistic basis, so "You Can't Do That" was his Wilson Pickett impersonation, "Not A Second
Woman" on the flip side of the single. John and Paul had an ongoing contest to compose the A-side of the next hit single, and Lennon prevailed with a tune written around the fast-paced riff. There were cryptic utterances in the opening as well, and aThe purpose was to get a certain sound, in that case an 'O' long vowel sound, as part of an intro. The song had some sophistication, beyond the subliminal guitar riff and solo elements, as an urbane contrast to the rustic presentation of "She's A
Good Morning" rival or surpass some of Hendrix's best electric guitar work in my opinion, with searing power under masterful control. There are parts of "Yer Blues" and "She's So Heavy" that are played in an extremely complex fashion, aside from more 'The dissonance and electronic distortion would be developed during the psychedelic era in some yet-unexplored ways, however precise further use of feedback specifically is not certain. Performances like McCartney's of "Taxman" and "Good Morning
backwards. The way Martin edited the end of "Rain" indicated he not only comprehended what the reverse-lyrics were, but how to cleverly alter the message with a slight change of the backwards vocal track. John would mimic what his voice sounded like inCertainly they used the reverse technique more than feedback, abetted by George Martin, who was filmed in an early era explaining how sounds could be manipulated after they were recorded, saying this a cymbal, then asking have you heard it
surreal scheduled times like 5:16, seemingly derived from astrology.The participation of Martin was crucial to "Strawberry Fields Forever," combining two takes in different keys and tempos, by finding they had a convergence point with the speed changed on each. There are reversed cymbals on that track.
The "Can You Take Me Back" brief song fragment bridging "Cry Baby Cry" and "Revolution 9" has a distinctly Native American sound. During the Apple era, there was someone tasked with casting the I Ching for important decisions; events were given
perceived negatively. This sequence began 31 December 1980, which in 1970 was the date Paul McCartney would file to legally dissolve The Beatles, since Lennon would not go public with his decision to end the group. These coincidences are on theLooking at the triple conjunction of Jupiter and Saturn commencing past three weeks after Lennon's assassination, using the same method of recognizing significant dates, it functions as a review of his particular specific decisions that could be
explicitly demonstrative about the subliminal transference issue.The second was on 4 March 1981, which in 1966 was the date the London Evening Standard article by Maureen Cleave was released, which stirred opposite controversies on either side of the Atlantic, because John was relentlessly honest without being
you want me to love you," "Tell me, Tell me, Tell me the Answer": this is a binary thinker, a narcissist with a huge ego seeking to obsessively attach to a demagogic leader (or several), insisting to know who is for or against him personally, towards aThe third union of Jupiter and Saturn in that cycle was on 24 July 1981, which in 1967 was the date of publication for an
advertisement in The London Times where The Beatles added their names to a list denouncing cannabis prohibition.
https://www.beatlesbible.com/1967/07/24/the-beatles-call-for-the-legalisation-of-marijuana/
As for the lyrics of "Helter Skelter" implying the Moon-Stowaway theme, "miles above you" is only literally true in an outer space context, and the role-playing for this character may come from 'prior experience.' "Will you, won't you," "Do you don't
"Well, You MAY Be A Lover,I always assumed the 'Can you Take me back' piece was a sortt of surprise ending to 'Cry Baby Cry'..
But You AIN'T No Dance
Whatever the intention, it's beautiful and mysterious.
without analyzing its subconscious import. The musical component of "Every Little Thing" resurfaced in the Get Back sessions, not because its message needed a reprise, but because of its haunting iconic quality. Sometimes the music and lyrics have closeThat Lennon was not 'getting deep' about the songs should not be the take-away, but that he was suggesting we should. Sure, "It's Only Love" could be considered a weak effort from his point of view; but we respond to music
Also I feel that John would have been scornful of any serious musical analysis. Remember the reference to 'exotic birds'? I think he wanted people to like his music. Or at least buy it. But not take it too seriously.e: JohnDid John want his fans to take the songs seriously? I'm not sure. Didn't he tell the homeless guy (I'm thinking of that footage in the "'Imagine: John Lennon' film ) that one interpretation of the lyrics was as good as any other?
'From Within...
From Within...
From Within...'
remark, which is gibberish to those untrained in the theory, so he was unaware whether it applied to his song thus his ridicule is irrelevant. Their level at "Not A Second Time" was interjecting 'Ave and Hallelu- yeah' into an empty measure, most criticsThey were very interested in what critics would say at first, seeming to be amused by how futile it would be to apply the mathematical observations of musicology to what they produced. You are referring to the 'Aeolian cadences'
their way for you. Lennon blurted out the 'subliminal' answer when Tom Snyder asked how such innocuous stuff as Beatles music could have so powerful a cultural effect.The group collectively said they knew what they meant by their songs, eventually people would figure it out, but things take on millions of meanings in an incomprehensible process, and to elaborate further would be like hearing it
them 'big-headed' about the tunes, prompting Harrison to protest that the interviewer merely asked if they liked their own songs. The results John wanted would not be forthcoming, and he soured on the artifice towards getting to the 'nitty-gritty.'George Harrison saying they had thrown boulders into the waters and were waiting for a tsunami-like ripple does not seem like a non-serious expectation. Lennon chided the others for saying good things about their own songs, calling
of Him,' that could change things with avant-garde aural communication. But with transference the reaction was 'Who Needs HIM When We Have YOU?!' So John lashed out at Paul for 'granny music,' faced with a problem he could not fix. Harrison had said theJohn seemed to believe in the power of rock and roll through The Beatles to advance Christ's real agenda, until the project was completed without the conscious acknowledgment: it was the message in the music together, a 'Remembrance
wanted the opinion of 'Jesus' - but he was not seen again, by anyone, supposedly vanished from the studio without exiting. That was 9 February 1967, three years after their Ed Sullivan debut (when I first saw them), which was three years after theirAnother story that has been told repeatedly on Carter's radio show is how Jesus attended a Beatles recording session.
McCartney had a visitor at his home claiming to be Jesus, Paul invited him to the session for "Fixing A Hole" at Regent Studios (not EMI), thinking he was a strung-out hippie. The session progressed to final playback, whereupon they
1980.John was born during the time of a triple conjunction of Jupiter and Saturn, which is extremely rare and signifies major social change - a previous instance was 6 BCE, associated with The Nativity. A similar condition existed circa
equally outlandish fulfillments are inevitable if the augury is genuine.The three dates of the circa 1940 conjunctions would take on significance later.
August 8, 1940 at 14 degrees 27 minutes Taurus: 8 August 1969 was the date the "Abbey Road" cover photograph was taken.
October 20, 1940 at 12 degrees 28 minutes Taurus, both Jupiter and Saturn in retrograde - this was eleven days after the birth of John Lennon: 20 October 1969 was the release date of John and Yoko's "Wedding Album."
February 15, 1941 at 9 degrees 7 minutes Taurus: February 15, 1964 was the date The Beatles reached number one in the US album charts for "Meet The Beatles."
There is no omniscient personage beyond the Godhead, servants would play roles with relatively limited knowledge. Shakespeare warned us in "Macbeth" that outlandish prophecies should not be dismissed as impossible, because their
higher level of insight would be consequently more accountable than when they were uninformed.Any Power that can orchestrate human events on a celestial schedule could also add into the mix foretelling whatever reactions are to manifest, in a pre-Judgment that is both perfectly fair and absolutely accurate. Whoever attains a
to stave off Salvation Itself, in favor of Oblivion.The resistance to the Beatle-Christ realization is motivated by the subconscious knowledge it would manifest The Great Mourning that precedes The Uplifting of the Second Coming Messiah, so persisting in that resistance is an attempt
Second Time." John wavered between insulting Mann with "He uses a whole lot of musical terminology, and he's a twit," and being grateful with "He made us acceptable to intellectuals - it worked, and we were flattered."In my 2011 book "Not Full So Black" from page 100 this particular William Mann review episode is recounted - summarizing excerpts:
"I can't help having a quiet giggle when straight-faced critics start feeding all sorts of hidden meanings into the stuff we write" was a quote, while Lennon got the song wrong, thinking it was "It Won't Be Long" instead of "Not A
the key of e minor, the vi chord in its minor mode. >>Probably for the song in question John's inspiration was the style of Smokey Robinson. Quoted passage:
<< The Aeolian observation regards a song that is in a major key resolving on the VI chord, the sixth harmonic step from the tonic; it has further been noted the song appears in G Major, while the bridge-like portion seems to be in
Beyond the vocal twist, there is a piano solo by George Martin that is thematic predicate to the half-speed guitar solo of "A Hard Day's Night" - restatement of similar ideas presented on a different instrument is a completely new experience.There is nothing about the musicology, or lack thereof, that impacts the subliminal import of the song: an Aeolian cadence is merely a categorization based on a specific harmonic progression, which Lennon happened to use intuitively.
spectral' vocal-texture effect. But a quote like "It was just chords, like any other chords" implies it was never the chords, or even the beat, that was the dominant focus: those were part of the rhythm track structure for the intros, outros, hooks,It was a tremendous feat for producer George Martin to include many double-tracked vocals while still using twin-track mono on their second album. John joked they nearly double-tracked themselves off the record, knowing it was for '
looking back to now, "which quite a good trick. It has interesting chords. It goes C, F, which is all normal, the normal thing might be going to F minor, but to go to B-flat was quite good. It was a sophisticated little tune." During the analysis I'They're just chords, like any other chords,' eh? It's a classic John (in interview mode) type of line.
But was that his attitude while forming and recording those chords? He'll, no! Otherwise why would there be so much innovation in the band's music?
John just liked to be irreverent in publicIt is a strange comment from a musician, they had sought out people who knew special chords in the early days. The chords played a significant role in "Things We Said Today": McCartney called it "future nostalgia," looking forward to
instructor, thinking it was the work of his pet pupil, immediately praised the new artwork - until learning the identity of the actual artist. So even if an academic type were correct, Lennon would tend to challenge them. He was obviously overwhelmed byJohn was nicknamed 'The Weird Beatle' by the press, undercutting pretentiousness was his hallmark. When a fellow art student was getting praise for abstract art, John completed a roomful of canvases overnight in a similar style: the
by him they absolutely love. People who otherwise are disinterested in The Beatles have told me their exceptions: the altruistic concept of "All You Need Is Love"; the elegiac tune "In My Life"; the danceable rhythm of "Ob-La-Di, Ob-La-Da"; theIn a college auditorium class, a young woman sat next to me and struck up a unsolicited conversation about how much she hated John Lennon. He was a polarizing figure. But I think even people who actively dislike him have a least one song
like what I had written. I have played "Here Comes The Sun" for a blind woman near death, and seen a look of delight on her face. I wish I could privately enlighten everyone in a way that is personal to them, and observe the physical reaction, but thatI had the experience of playing "Day Tripper" while showing my transcriptions to a now-late uncle who would go to Rome for the priesthood - the reaction was typically eyes widening and jaw dropping, which he exhibited, agreeing it sounded
properly 'consumed' by adequate comprehension. We might presume Lennon also inquired about Ono's natal chart, and knew that their Saturn situations were a perfect match: he might have acknowledged that in his song "Woman" with the line,There is a line in "Nobody Told Me" where John sings, "They're starving back in China, so finish what you've got" - I believe that was his way of saying The Beatles put a lot on our plate collectively, very little of which has been
guitar is immaterial: playing by ear, musicians can find the sounds they want, chords are note combinations that have harmonious resonance which can be learnt. In the Get Back film Paul especially can be seen singing the chord letters rather than lyrics"After all,Who did they turn to for knowledge of chords, if you don't mind my asking? I know that McCartney knew more than Lennon when they met. And supposedly George knew more than Paul in the very beginning.
It is written in the stars"
I read or heard that John didn't even know how to tune his guitar until he met Paul.I was recalling an anecdote about John and Paul traveling to meet such a person, not sure if that story is related to overhearing a drummer who would be used for awhile. John's mother Julia knew banjo chords, so how those were adapted to
schoolmates, Harrison was interested in the guitar from an early age: so Paul tried to bring George in because of his instrumental prowess, but Lennon was reluctant at first because of George being so young at the time.McCartney did impress Lennon at their first meeting with knowing how to tune the guitar and playing through songs knowing all the words, but Lennon had to teach himself using a mirror, since Paul was left-handed. Paul and George were
my own family dynamic as one of three siblings was happening.)As his brother said, Paul's interest in the guitar began when his mother died from cancer (31 October 1956), since she had bought him one he had not used. Mary McCartney was a midwife who wore an official uniform that resembled a nun's habit.
Aunt Mimi's husband, George Toogood Smith, died of a liver hemorrhage in early June 1955. George Smith had given John his first harmonica. Lennon gave some of the clothes belonging to his late uncle to Harrison. (The post-1955 period was when
incident occurred, since he was known to pass it often.Julia Lennon was the group's first musical director, following their bookings enthusiastically. On 15 July 1958, an off-duty drunk-driving policeman struck her in view of one of John's friends - Lennon was never told the exact place the
recording.During the Garabandal 'Night of Screams' where the young girl visionaries were being shown something too horrific to describe, John was getting backstage advice on how to play the harmonica from someone who had impressed him on a favorite
Get Back film they become intrigued with a small electronic device that could be manipulated to produce various sounds, and George even attempts to play his own nose.Chords are mathematical inventions, The Beatles were interested in sound-crafting, beyond normal instrumentation: the feedback opening of "I Feel Fine" was a discovery they experimented with before trying to pass off as spontaneous. In the
special chord. When critics called Sgt Pepper an album by producer Martin, Paul was quick to correct, "It's OUR album."There is also the piano work, at first done by George Martin, then with McCartney flourishing, as when he provided incredible electric guitar solos for the others. That astonishing array of talent from McCartney is more prominent than any
guitar. And when that final Chord is struck using three pianos, it still could only have a single-syllable transcription, with the harmonic depth carrying the resonant meaning: an utterable mono-syllabic word used with semantic ambiguity in the relevantIn "A Day In The Life," McCartney's section in the middle has the piano, seeming to add some ragtime tension for the hustle-and-bustle of reality - yet it is another subliminal bit, just like the expressive drum fills augmented by acoustic
Second Time" was more Smokey Robinson, heavy metal formulated for "Ticket To Ride." The feedback trick relied on actually triggering a sympathetic reaction creating a synthetic audio loop, very difficult to accidentally use properly the first time in aThanks for all the info.
Right. Lennon was proud of the feedback in 'I Feel Fine' even in the later interviews, pointing out that the Beatles incorporated feedback into a song before the Who or Hendrix.I reconstructed the feedback incident for "The Quality Of Mersey" (July 2020). It is true that Lennon felt most comfortable justifying his guitar work on a stylistic basis, so "You Can't Do That" was his Wilson Pickett impersonation, "Not A
Woman" on the flip side of the single. John and Paul had an ongoing contest to compose the A-side of the next hit single, and Lennon prevailed with a tune written around the fast-paced riff. There were cryptic utterances in the opening as well, and aThe purpose was to get a certain sound, in that case an 'O' long vowel sound, as part of an intro. The song had some sophistication, beyond the subliminal guitar riff and solo elements, as an urbane contrast to the rustic presentation of "She's A
Good Morning" rival or surpass some of Hendrix's best electric guitar work in my opinion, with searing power under masterful control. There are parts of "Yer Blues" and "She's So Heavy" that are played in an extremely complex fashion, aside from more 'The dissonance and electronic distortion would be developed during the psychedelic era in some yet-unexplored ways, however precise further use of feedback specifically is not certain. Performances like McCartney's of "Taxman" and "Good Morning
backwards. The way Martin edited the end of "Rain" indicated he not only comprehended what the reverse-lyrics were, but how to cleverly alter the message with a slight change of the backwards vocal track. John would mimic what his voice sounded like inCertainly they used the reverse technique more than feedback, abetted by George Martin, who was filmed in an early era explaining how sounds could be manipulated after they were recorded, saying this a cymbal, then asking have you heard it
surreal scheduled times like 5:16, seemingly derived from astrology.The participation of Martin was crucial to "Strawberry Fields Forever," combining two takes in different keys and tempos, by finding they had a convergence point with the speed changed on each. There are reversed cymbals on that track.
The "Can You Take Me Back" brief song fragment bridging "Cry Baby Cry" and "Revolution 9" has a distinctly Native American sound. During the Apple era, there was someone tasked with casting the I Ching for important decisions; events were given
perceived negatively. This sequence began 31 December 1980, which in 1970 was the date Paul McCartney would file to legally dissolve The Beatles, since Lennon would not go public with his decision to end the group. These coincidences are on theLooking at the triple conjunction of Jupiter and Saturn commencing past three weeks after Lennon's assassination, using the same method of recognizing significant dates, it functions as a review of his particular specific decisions that could be
explicitly demonstrative about the subliminal transference issue.The second was on 4 March 1981, which in 1966 was the date the London Evening Standard article by Maureen Cleave was released, which stirred opposite controversies on either side of the Atlantic, because John was relentlessly honest without being
t you want me to love you," "Tell me, Tell me, Tell me the Answer": this is a binary thinker, a narcissist with a huge ego seeking to obsessively attach to a demagogic leader (or several), insisting to know who is for or against him personally, towards aThe third union of Jupiter and Saturn in that cycle was on 24 July 1981, which in 1967 was the date of publication for an
advertisement in The London Times where The Beatles added their names to a list denouncing cannabis prohibition.
https://www.beatlesbible.com/1967/07/24/the-beatles-call-for-the-legalisation-of-marijuana/
As for the lyrics of "Helter Skelter" implying the Moon-Stowaway theme, "miles above you" is only literally true in an outer space context, and the role-playing for this character may come from 'prior experience.' "Will you, won't you," "Do you don'
a reaction that it was hypnotically inducing the state of 'going back,' a sense of primal return."Well, You MAY Be A Lover,I always assumed the 'Can you Take me back' piece was a sortt of surprise ending to 'Cry Baby Cry'..
But You AIN'T No Dance
Whatever the intention, it's beautiful and mysterious.https://www.youtube.com/watch?v=rNUF7wy9gpU
That is the entire first take, the used portion is towards the end. The rhythm and rattling sounds distinctly Native American. They put on something like the Hopi Kachina Mask with that one. I remember listening to it with a high school friend who had
bridge the lyrical ideas into new clarity, could not attain that level of appreciation even with a series of explanations. It was the sort of cluelessness that frustrated him, because he could not walk people through his thought processes: to do so wouldBut anyone feeling they could understand his music without doing as he advised, breaking down one's mental barriers to actually experience the sound-crafting he had achieved, allowing the instrumental factor to subliminally
without analyzing its subconscious import. The musical component of "Every Little Thing" resurfaced in the Get Back sessions, not because its message needed a reprise, but because of its haunting iconic quality. Sometimes the music and lyrics have closeThat Lennon was not 'getting deep' about the songs should not be the take-away, but that he was suggesting we should. Sure, "It's Only Love" could be considered a weak effort from his point of view; but we respond to music
Also I feel that John would have been scornful of any serious musical analysis. Remember the reference to 'exotic birds'? I think he wanted people to like his music. Or at least buy it. But not take it too seriously.e: JohnDid John want his fans to take the songs seriously? I'm not sure. Didn't he tell the homeless guy (I'm thinking of that footage in the "'Imagine: John Lennon' film ) that one interpretation of the lyrics was as good as any other?
'From Within...
From Within...
From Within...'
remark, which is gibberish to those untrained in the theory, so he was unaware whether it applied to his song thus his ridicule is irrelevant. Their level at "Not A Second Time" was interjecting 'Ave and Hallelu- yeah' into an empty measure, most criticsThey were very interested in what critics would say at first, seeming to be amused by how futile it would be to apply the mathematical observations of musicology to what they produced. You are referring to the 'Aeolian cadences'
their way for you. Lennon blurted out the 'subliminal' answer when Tom Snyder asked how such innocuous stuff as Beatles music could have so powerful a cultural effect.The group collectively said they knew what they meant by their songs, eventually people would figure it out, but things take on millions of meanings in an incomprehensible process, and to elaborate further would be like hearing it
calling them 'big-headed' about the tunes, prompting Harrison to protest that the interviewer merely asked if they liked their own songs. The results John wanted would not be forthcoming, and he soured on the artifice towards getting to the 'nitty-gritty.George Harrison saying they had thrown boulders into the waters and were waiting for a tsunami-like ripple does not seem like a non-serious expectation. Lennon chided the others for saying good things about their own songs,
Remembrance of Him,' that could change things with avant-garde aural communication. But with transference the reaction was 'Who Needs HIM When We Have YOU?!' So John lashed out at Paul for 'granny music,' faced with a problem he could not fix. HarrisonJohn seemed to believe in the power of rock and roll through The Beatles to advance Christ's real agenda, until the project was completed without the conscious acknowledgment: it was the message in the music together, a '
they wanted the opinion of 'Jesus' - but he was not seen again, by anyone, supposedly vanished from the studio without exiting. That was 9 February 1967, three years after their Ed Sullivan debut (when I first saw them), which was three years after theirAnother story that has been told repeatedly on Carter's radio show is how Jesus attended a Beatles recording session.
McCartney had a visitor at his home claiming to be Jesus, Paul invited him to the session for "Fixing A Hole" at Regent Studios (not EMI), thinking he was a strung-out hippie. The session progressed to final playback, whereupon
circa 1980.John was born during the time of a triple conjunction of Jupiter and Saturn, which is extremely rare and signifies major social change - a previous instance was 6 BCE, associated with The Nativity. A similar condition existed
equally outlandish fulfillments are inevitable if the augury is genuine.The three dates of the circa 1940 conjunctions would take on significance later.
August 8, 1940 at 14 degrees 27 minutes Taurus: 8 August 1969 was the date the "Abbey Road" cover photograph was taken.
October 20, 1940 at 12 degrees 28 minutes Taurus, both Jupiter and Saturn in retrograde - this was eleven days after the birth of John Lennon: 20 October 1969 was the release date of John and Yoko's "Wedding Album."
February 15, 1941 at 9 degrees 7 minutes Taurus: February 15, 1964 was the date The Beatles reached number one in the US album charts for "Meet The Beatles."
There is no omniscient personage beyond the Godhead, servants would play roles with relatively limited knowledge. Shakespeare warned us in "Macbeth" that outlandish prophecies should not be dismissed as impossible, because their
a higher level of insight would be consequently more accountable than when they were uninformed.Any Power that can orchestrate human events on a celestial schedule could also add into the mix foretelling whatever reactions are to manifest, in a pre-Judgment that is both perfectly fair and absolutely accurate. Whoever attains
attempt to stave off Salvation Itself, in favor of Oblivion.The resistance to the Beatle-Christ realization is motivated by the subconscious knowledge it would manifest The Great Mourning that precedes The Uplifting of the Second Coming Messiah, so persisting in that resistance is an
Second Time." John wavered between insulting Mann with "He uses a whole lot of musical terminology, and he's a twit," and being grateful with "He made us acceptable to intellectuals - it worked, and we were flattered."In my 2011 book "Not Full So Black" from page 100 this particular William Mann review episode is recounted - summarizing excerpts:
"I can't help having a quiet giggle when straight-faced critics start feeding all sorts of hidden meanings into the stuff we write" was a quote, while Lennon got the song wrong, thinking it was "It Won't Be Long" instead of "Not A
the key of e minor, the vi chord in its minor mode. >>Probably for the song in question John's inspiration was the style of Smokey Robinson. Quoted passage:
<< The Aeolian observation regards a song that is in a major key resolving on the VI chord, the sixth harmonic step from the tonic; it has further been noted the song appears in G Major, while the bridge-like portion seems to be in
Beyond the vocal twist, there is a piano solo by George Martin that is thematic predicate to the half-speed guitar solo of "A Hard Day's Night" - restatement of similar ideas presented on a different instrument is a completely new experience.There is nothing about the musicology, or lack thereof, that impacts the subliminal import of the song: an Aeolian cadence is merely a categorization based on a specific harmonic progression, which Lennon happened to use intuitively.
spectral' vocal-texture effect. But a quote like "It was just chords, like any other chords" implies it was never the chords, or even the beat, that was the dominant focus: those were part of the rhythm track structure for the intros, outros, hooks,It was a tremendous feat for producer George Martin to include many double-tracked vocals while still using twin-track mono on their second album. John joked they nearly double-tracked themselves off the record, knowing it was for '
looking back to now, "which quite a good trick. It has interesting chords. It goes C, F, which is all normal, the normal thing might be going to F minor, but to go to B-flat was quite good. It was a sophisticated little tune." During the analysis I'They're just chords, like any other chords,' eh? It's a classic John (in interview mode) type of line.
But was that his attitude while forming and recording those chords? He'll, no! Otherwise why would there be so much innovation in the band's music?
John just liked to be irreverent in publicIt is a strange comment from a musician, they had sought out people who knew special chords in the early days. The chords played a significant role in "Things We Said Today": McCartney called it "future nostalgia," looking forward to
instructor, thinking it was the work of his pet pupil, immediately praised the new artwork - until learning the identity of the actual artist. So even if an academic type were correct, Lennon would tend to challenge them. He was obviously overwhelmed byJohn was nicknamed 'The Weird Beatle' by the press, undercutting pretentiousness was his hallmark. When a fellow art student was getting praise for abstract art, John completed a roomful of canvases overnight in a similar style: the
song by him they absolutely love. People who otherwise are disinterested in The Beatles have told me their exceptions: the altruistic concept of "All You Need Is Love"; the elegiac tune "In My Life"; the danceable rhythm of "Ob-La-Di, Ob-La-Da"; theIn a college auditorium class, a young woman sat next to me and struck up a unsolicited conversation about how much she hated John Lennon. He was a polarizing figure. But I think even people who actively dislike him have a least one
sounded like what I had written. I have played "Here Comes The Sun" for a blind woman near death, and seen a look of delight on her face. I wish I could privately enlighten everyone in a way that is personal to them, and observe the physical reaction,I had the experience of playing "Day Tripper" while showing my transcriptions to a now-late uncle who would go to Rome for the priesthood - the reaction was typically eyes widening and jaw dropping, which he exhibited, agreeing it
properly 'consumed' by adequate comprehension. We might presume Lennon also inquired about Ono's natal chart, and knew that their Saturn situations were a perfect match: he might have acknowledged that in his song "Woman" with the line,There is a line in "Nobody Told Me" where John sings, "They're starving back in China, so finish what you've got" - I believe that was his way of saying The Beatles put a lot on our plate collectively, very little of which has been
guitar is immaterial: playing by ear, musicians can find the sounds they want, chords are note combinations that have harmonious resonance which can be learnt. In the Get Back film Paul especially can be seen singing the chord letters rather than lyrics"After all,Who did they turn to for knowledge of chords, if you don't mind my asking? I know that McCartney knew more than Lennon when they met. And supposedly George knew more than Paul in the very beginning.
It is written in the stars"
I read or heard that John didn't even know how to tune his guitar until he met Paul.I was recalling an anecdote about John and Paul traveling to meet such a person, not sure if that story is related to overhearing a drummer who would be used for awhile. John's mother Julia knew banjo chords, so how those were adapted to
schoolmates, Harrison was interested in the guitar from an early age: so Paul tried to bring George in because of his instrumental prowess, but Lennon was reluctant at first because of George being so young at the time.McCartney did impress Lennon at their first meeting with knowing how to tune the guitar and playing through songs knowing all the words, but Lennon had to teach himself using a mirror, since Paul was left-handed. Paul and George were
habit.As his brother said, Paul's interest in the guitar began when his mother died from cancer (31 October 1956), since she had bought him one he had not used. Mary McCartney was a midwife who wore an official uniform that resembled a nun's
when my own family dynamic as one of three siblings was happening.)Aunt Mimi's husband, George Toogood Smith, died of a liver hemorrhage in early June 1955. George Smith had given John his first harmonica. Lennon gave some of the clothes belonging to his late uncle to Harrison. (The post-1955 period was
incident occurred, since he was known to pass it often.Julia Lennon was the group's first musical director, following their bookings enthusiastically. On 15 July 1958, an off-duty drunk-driving policeman struck her in view of one of John's friends - Lennon was never told the exact place the
recording.During the Garabandal 'Night of Screams' where the young girl visionaries were being shown something too horrific to describe, John was getting backstage advice on how to play the harmonica from someone who had impressed him on a favorite
Get Back film they become intrigued with a small electronic device that could be manipulated to produce various sounds, and George even attempts to play his own nose.Chords are mathematical inventions, The Beatles were interested in sound-crafting, beyond normal instrumentation: the feedback opening of "I Feel Fine" was a discovery they experimented with before trying to pass off as spontaneous. In the
special chord. When critics called Sgt Pepper an album by producer Martin, Paul was quick to correct, "It's OUR album."There is also the piano work, at first done by George Martin, then with McCartney flourishing, as when he provided incredible electric guitar solos for the others. That astonishing array of talent from McCartney is more prominent than any
guitar. And when that final Chord is struck using three pianos, it still could only have a single-syllable transcription, with the harmonic depth carrying the resonant meaning: an utterable mono-syllabic word used with semantic ambiguity in the relevantIn "A Day In The Life," McCartney's section in the middle has the piano, seeming to add some ragtime tension for the hustle-and-bustle of reality - yet it is another subliminal bit, just like the expressive drum fills augmented by acoustic
Second Time" was more Smokey Robinson, heavy metal formulated for "Ticket To Ride." The feedback trick relied on actually triggering a sympathetic reaction creating a synthetic audio loop, very difficult to accidentally use properly the first time in aThanks for all the info.
Right. Lennon was proud of the feedback in 'I Feel Fine' even in the later interviews, pointing out that the Beatles incorporated feedback into a song before the Who or Hendrix.I reconstructed the feedback incident for "The Quality Of Mersey" (July 2020). It is true that Lennon felt most comfortable justifying his guitar work on a stylistic basis, so "You Can't Do That" was his Wilson Pickett impersonation, "Not A
A Woman" on the flip side of the single. John and Paul had an ongoing contest to compose the A-side of the next hit single, and Lennon prevailed with a tune written around the fast-paced riff. There were cryptic utterances in the opening as well, and aThe purpose was to get a certain sound, in that case an 'O' long vowel sound, as part of an intro. The song had some sophistication, beyond the subliminal guitar riff and solo elements, as an urbane contrast to the rustic presentation of "She's
Good Morning" rival or surpass some of Hendrix's best electric guitar work in my opinion, with searing power under masterful control. There are parts of "Yer Blues" and "She's So Heavy" that are played in an extremely complex fashion, aside from more 'The dissonance and electronic distortion would be developed during the psychedelic era in some yet-unexplored ways, however precise further use of feedback specifically is not certain. Performances like McCartney's of "Taxman" and "Good Morning
backwards. The way Martin edited the end of "Rain" indicated he not only comprehended what the reverse-lyrics were, but how to cleverly alter the message with a slight change of the backwards vocal track. John would mimic what his voice sounded like inCertainly they used the reverse technique more than feedback, abetted by George Martin, who was filmed in an early era explaining how sounds could be manipulated after they were recorded, saying this a cymbal, then asking have you heard it
surreal scheduled times like 5:16, seemingly derived from astrology.The participation of Martin was crucial to "Strawberry Fields Forever," combining two takes in different keys and tempos, by finding they had a convergence point with the speed changed on each. There are reversed cymbals on that track.
The "Can You Take Me Back" brief song fragment bridging "Cry Baby Cry" and "Revolution 9" has a distinctly Native American sound. During the Apple era, there was someone tasked with casting the I Ching for important decisions; events were given
perceived negatively. This sequence began 31 December 1980, which in 1970 was the date Paul McCartney would file to legally dissolve The Beatles, since Lennon would not go public with his decision to end the group. These coincidences are on theLooking at the triple conjunction of Jupiter and Saturn commencing past three weeks after Lennon's assassination, using the same method of recognizing significant dates, it functions as a review of his particular specific decisions that could be
explicitly demonstrative about the subliminal transference issue.The second was on 4 March 1981, which in 1966 was the date the London Evening Standard article by Maureen Cleave was released, which stirred opposite controversies on either side of the Atlantic, because John was relentlessly honest without being
don't you want me to love you," "Tell me, Tell me, Tell me the Answer": this is a binary thinker, a narcissist with a huge ego seeking to obsessively attach to a demagogic leader (or several), insisting to know who is for or against him personally,The third union of Jupiter and Saturn in that cycle was on 24 July 1981, which in 1967 was the date of publication for an
advertisement in The London Times where The Beatles added their names to a list denouncing cannabis prohibition.
https://www.beatlesbible.com/1967/07/24/the-beatles-call-for-the-legalisation-of-marijuana/
As for the lyrics of "Helter Skelter" implying the Moon-Stowaway theme, "miles above you" is only literally true in an outer space context, and the role-playing for this character may come from 'prior experience.' "Will you, won't you," "Do you
had a reaction that it was hypnotically inducing the state of 'going back,' a sense of primal return."Well, You MAY Be A Lover,I always assumed the 'Can you Take me back' piece was a sortt of surprise ending to 'Cry Baby Cry'..
But You AIN'T No Dance
Whatever the intention, it's beautiful and mysterious.https://www.youtube.com/watch?v=rNUF7wy9gpU
That is the entire first take, the used portion is towards the end. The rhythm and rattling sounds distinctly Native American. They put on something like the Hopi Kachina Mask with that one. I remember listening to it with a high school friend who
The splashdown of the Apollo 11 crew on 24 July 1969 was very close to the 25 July 1969 date, when after being told to merely frighten Gary Hinman out of a supposed $20,000 inheritance, Bobby Beausoleil witnessed as Manson suddenly arrived with asamurai sword, and sliced off Hinman's ear with it. Beausoleil had never seen this extreme violence before and asked why, getting a chilling reply: "To show you how to be a man!"
Others were left to stitch up Hinman with dental floss, ultimately only to torture him until he was killed on 27 July, while reciting a Buddhist prayer.
So there was a sudden super-malevolent change in the unstable criminal Manson that can be traced very close to the atmospheric re-entry of the Apollo 11 mission spacecraft.
The Hopi prophecies are common knowledge, with the Moon landing as an ominous prospect.
bridge the lyrical ideas into new clarity, could not attain that level of appreciation even with a series of explanations. It was the sort of cluelessness that frustrated him, because he could not walk people through his thought processes: to do so wouldBut anyone feeling they could understand his music without doing as he advised, breaking down one's mental barriers to actually experience the sound-crafting he had achieved, allowing the instrumental factor to subliminally
without analyzing its subconscious import. The musical component of "Every Little Thing" resurfaced in the Get Back sessions, not because its message needed a reprise, but because of its haunting iconic quality. Sometimes the music and lyrics have closeThat Lennon was not 'getting deep' about the songs should not be the take-away, but that he was suggesting we should. Sure, "It's Only Love" could be considered a weak effort from his point of view; but we respond to music
other? Also I feel that John would have been scornful of any serious musical analysis. Remember the reference to 'exotic birds'? I think he wanted people to like his music. Or at least buy it. But not take it too seriously.e: JohnDid John want his fans to take the songs seriously? I'm not sure. Didn't he tell the homeless guy (I'm thinking of that footage in the "'Imagine: John Lennon' film ) that one interpretation of the lyrics was as good as any
'From Within...
From Within...
From Within...'
remark, which is gibberish to those untrained in the theory, so he was unaware whether it applied to his song thus his ridicule is irrelevant. Their level at "Not A Second Time" was interjecting 'Ave and Hallelu- yeah' into an empty measure, most criticsThey were very interested in what critics would say at first, seeming to be amused by how futile it would be to apply the mathematical observations of musicology to what they produced. You are referring to the 'Aeolian cadences'
it their way for you. Lennon blurted out the 'subliminal' answer when Tom Snyder asked how such innocuous stuff as Beatles music could have so powerful a cultural effect.The group collectively said they knew what they meant by their songs, eventually people would figure it out, but things take on millions of meanings in an incomprehensible process, and to elaborate further would be like hearing
calling them 'big-headed' about the tunes, prompting Harrison to protest that the interviewer merely asked if they liked their own songs. The results John wanted would not be forthcoming, and he soured on the artifice towards getting to the 'nitty-gritty.George Harrison saying they had thrown boulders into the waters and were waiting for a tsunami-like ripple does not seem like a non-serious expectation. Lennon chided the others for saying good things about their own songs,
Remembrance of Him,' that could change things with avant-garde aural communication. But with transference the reaction was 'Who Needs HIM When We Have YOU?!' So John lashed out at Paul for 'granny music,' faced with a problem he could not fix. HarrisonJohn seemed to believe in the power of rock and roll through The Beatles to advance Christ's real agenda, until the project was completed without the conscious acknowledgment: it was the message in the music together, a '
they wanted the opinion of 'Jesus' - but he was not seen again, by anyone, supposedly vanished from the studio without exiting. That was 9 February 1967, three years after their Ed Sullivan debut (when I first saw them), which was three years after theirAnother story that has been told repeatedly on Carter's radio show is how Jesus attended a Beatles recording session.
McCartney had a visitor at his home claiming to be Jesus, Paul invited him to the session for "Fixing A Hole" at Regent Studios (not EMI), thinking he was a strung-out hippie. The session progressed to final playback, whereupon
circa 1980.John was born during the time of a triple conjunction of Jupiter and Saturn, which is extremely rare and signifies major social change - a previous instance was 6 BCE, associated with The Nativity. A similar condition existed
equally outlandish fulfillments are inevitable if the augury is genuine.The three dates of the circa 1940 conjunctions would take on significance later.
August 8, 1940 at 14 degrees 27 minutes Taurus: 8 August 1969 was the date the "Abbey Road" cover photograph was taken.
October 20, 1940 at 12 degrees 28 minutes Taurus, both Jupiter and Saturn in retrograde - this was eleven days after the birth of John Lennon: 20 October 1969 was the release date of John and Yoko's "Wedding Album."
February 15, 1941 at 9 degrees 7 minutes Taurus: February 15, 1964 was the date The Beatles reached number one in the US album charts for "Meet The Beatles."
There is no omniscient personage beyond the Godhead, servants would play roles with relatively limited knowledge. Shakespeare warned us in "Macbeth" that outlandish prophecies should not be dismissed as impossible, because their
attains a higher level of insight would be consequently more accountable than when they were uninformed.Any Power that can orchestrate human events on a celestial schedule could also add into the mix foretelling whatever reactions are to manifest, in a pre-Judgment that is both perfectly fair and absolutely accurate. Whoever
attempt to stave off Salvation Itself, in favor of Oblivion.The resistance to the Beatle-Christ realization is motivated by the subconscious knowledge it would manifest The Great Mourning that precedes The Uplifting of the Second Coming Messiah, so persisting in that resistance is an
Second Time." John wavered between insulting Mann with "He uses a whole lot of musical terminology, and he's a twit," and being grateful with "He made us acceptable to intellectuals - it worked, and we were flattered."In my 2011 book "Not Full So Black" from page 100 this particular William Mann review episode is recounted - summarizing excerpts:
"I can't help having a quiet giggle when straight-faced critics start feeding all sorts of hidden meanings into the stuff we write" was a quote, while Lennon got the song wrong, thinking it was "It Won't Be Long" instead of "Not A
in the key of e minor, the vi chord in its minor mode. >>Probably for the song in question John's inspiration was the style of Smokey Robinson. Quoted passage:
<< The Aeolian observation regards a song that is in a major key resolving on the VI chord, the sixth harmonic step from the tonic; it has further been noted the song appears in G Major, while the bridge-like portion seems to be
intuitively. Beyond the vocal twist, there is a piano solo by George Martin that is thematic predicate to the half-speed guitar solo of "A Hard Day's Night" - restatement of similar ideas presented on a different instrument is a completely new experience.There is nothing about the musicology, or lack thereof, that impacts the subliminal import of the song: an Aeolian cadence is merely a categorization based on a specific harmonic progression, which Lennon happened to use
'spectral' vocal-texture effect. But a quote like "It was just chords, like any other chords" implies it was never the chords, or even the beat, that was the dominant focus: those were part of the rhythm track structure for the intros, outros, hooks,It was a tremendous feat for producer George Martin to include many double-tracked vocals while still using twin-track mono on their second album. John joked they nearly double-tracked themselves off the record, knowing it was for
looking back to now, "which quite a good trick. It has interesting chords. It goes C, F, which is all normal, the normal thing might be going to F minor, but to go to B-flat was quite good. It was a sophisticated little tune." During the analysis I'They're just chords, like any other chords,' eh? It's a classic John (in interview mode) type of line.
But was that his attitude while forming and recording those chords? He'll, no! Otherwise why would there be so much innovation in the band's music?
John just liked to be irreverent in publicIt is a strange comment from a musician, they had sought out people who knew special chords in the early days. The chords played a significant role in "Things We Said Today": McCartney called it "future nostalgia," looking forward to
instructor, thinking it was the work of his pet pupil, immediately praised the new artwork - until learning the identity of the actual artist. So even if an academic type were correct, Lennon would tend to challenge them. He was obviously overwhelmed byJohn was nicknamed 'The Weird Beatle' by the press, undercutting pretentiousness was his hallmark. When a fellow art student was getting praise for abstract art, John completed a roomful of canvases overnight in a similar style: the
song by him they absolutely love. People who otherwise are disinterested in The Beatles have told me their exceptions: the altruistic concept of "All You Need Is Love"; the elegiac tune "In My Life"; the danceable rhythm of "Ob-La-Di, Ob-La-Da"; theIn a college auditorium class, a young woman sat next to me and struck up a unsolicited conversation about how much she hated John Lennon. He was a polarizing figure. But I think even people who actively dislike him have a least one
sounded like what I had written. I have played "Here Comes The Sun" for a blind woman near death, and seen a look of delight on her face. I wish I could privately enlighten everyone in a way that is personal to them, and observe the physical reaction,I had the experience of playing "Day Tripper" while showing my transcriptions to a now-late uncle who would go to Rome for the priesthood - the reaction was typically eyes widening and jaw dropping, which he exhibited, agreeing it
properly 'consumed' by adequate comprehension. We might presume Lennon also inquired about Ono's natal chart, and knew that their Saturn situations were a perfect match: he might have acknowledged that in his song "Woman" with the line,There is a line in "Nobody Told Me" where John sings, "They're starving back in China, so finish what you've got" - I believe that was his way of saying The Beatles put a lot on our plate collectively, very little of which has been
guitar is immaterial: playing by ear, musicians can find the sounds they want, chords are note combinations that have harmonious resonance which can be learnt. In the Get Back film Paul especially can be seen singing the chord letters rather than lyrics"After all,Who did they turn to for knowledge of chords, if you don't mind my asking? I know that McCartney knew more than Lennon when they met. And supposedly George knew more than Paul in the very beginning.
It is written in the stars"
I read or heard that John didn't even know how to tune his guitar until he met Paul.I was recalling an anecdote about John and Paul traveling to meet such a person, not sure if that story is related to overhearing a drummer who would be used for awhile. John's mother Julia knew banjo chords, so how those were adapted to
schoolmates, Harrison was interested in the guitar from an early age: so Paul tried to bring George in because of his instrumental prowess, but Lennon was reluctant at first because of George being so young at the time.McCartney did impress Lennon at their first meeting with knowing how to tune the guitar and playing through songs knowing all the words, but Lennon had to teach himself using a mirror, since Paul was left-handed. Paul and George were
habit.As his brother said, Paul's interest in the guitar began when his mother died from cancer (31 October 1956), since she had bought him one he had not used. Mary McCartney was a midwife who wore an official uniform that resembled a nun's
when my own family dynamic as one of three siblings was happening.)Aunt Mimi's husband, George Toogood Smith, died of a liver hemorrhage in early June 1955. George Smith had given John his first harmonica. Lennon gave some of the clothes belonging to his late uncle to Harrison. (The post-1955 period was
incident occurred, since he was known to pass it often.Julia Lennon was the group's first musical director, following their bookings enthusiastically. On 15 July 1958, an off-duty drunk-driving policeman struck her in view of one of John's friends - Lennon was never told the exact place the
recording.During the Garabandal 'Night of Screams' where the young girl visionaries were being shown something too horrific to describe, John was getting backstage advice on how to play the harmonica from someone who had impressed him on a favorite
the Get Back film they become intrigued with a small electronic device that could be manipulated to produce various sounds, and George even attempts to play his own nose.Chords are mathematical inventions, The Beatles were interested in sound-crafting, beyond normal instrumentation: the feedback opening of "I Feel Fine" was a discovery they experimented with before trying to pass off as spontaneous. In
special chord. When critics called Sgt Pepper an album by producer Martin, Paul was quick to correct, "It's OUR album."There is also the piano work, at first done by George Martin, then with McCartney flourishing, as when he provided incredible electric guitar solos for the others. That astonishing array of talent from McCartney is more prominent than any
acoustic guitar. And when that final Chord is struck using three pianos, it still could only have a single-syllable transcription, with the harmonic depth carrying the resonant meaning: an utterable mono-syllabic word used with semantic ambiguity in theIn "A Day In The Life," McCartney's section in the middle has the piano, seeming to add some ragtime tension for the hustle-and-bustle of reality - yet it is another subliminal bit, just like the expressive drum fills augmented by
Second Time" was more Smokey Robinson, heavy metal formulated for "Ticket To Ride." The feedback trick relied on actually triggering a sympathetic reaction creating a synthetic audio loop, very difficult to accidentally use properly the first time in aThanks for all the info.
Right. Lennon was proud of the feedback in 'I Feel Fine' even in the later interviews, pointing out that the Beatles incorporated feedback into a song before the Who or Hendrix.I reconstructed the feedback incident for "The Quality Of Mersey" (July 2020). It is true that Lennon felt most comfortable justifying his guitar work on a stylistic basis, so "You Can't Do That" was his Wilson Pickett impersonation, "Not A
s A Woman" on the flip side of the single. John and Paul had an ongoing contest to compose the A-side of the next hit single, and Lennon prevailed with a tune written around the fast-paced riff. There were cryptic utterances in the opening as well, and aThe purpose was to get a certain sound, in that case an 'O' long vowel sound, as part of an intro. The song had some sophistication, beyond the subliminal guitar riff and solo elements, as an urbane contrast to the rustic presentation of "She'
Morning Good Morning" rival or surpass some of Hendrix's best electric guitar work in my opinion, with searing power under masterful control. There are parts of "Yer Blues" and "She's So Heavy" that are played in an extremely complex fashion, aside fromThe dissonance and electronic distortion would be developed during the psychedelic era in some yet-unexplored ways, however precise further use of feedback specifically is not certain. Performances like McCartney's of "Taxman" and "Good
backwards. The way Martin edited the end of "Rain" indicated he not only comprehended what the reverse-lyrics were, but how to cleverly alter the message with a slight change of the backwards vocal track. John would mimic what his voice sounded like inCertainly they used the reverse technique more than feedback, abetted by George Martin, who was filmed in an early era explaining how sounds could be manipulated after they were recorded, saying this a cymbal, then asking have you heard it
surreal scheduled times like 5:16, seemingly derived from astrology.The participation of Martin was crucial to "Strawberry Fields Forever," combining two takes in different keys and tempos, by finding they had a convergence point with the speed changed on each. There are reversed cymbals on that track.
The "Can You Take Me Back" brief song fragment bridging "Cry Baby Cry" and "Revolution 9" has a distinctly Native American sound. During the Apple era, there was someone tasked with casting the I Ching for important decisions; events were given
be perceived negatively. This sequence began 31 December 1980, which in 1970 was the date Paul McCartney would file to legally dissolve The Beatles, since Lennon would not go public with his decision to end the group. These coincidences are on theLooking at the triple conjunction of Jupiter and Saturn commencing past three weeks after Lennon's assassination, using the same method of recognizing significant dates, it functions as a review of his particular specific decisions that could
being explicitly demonstrative about the subliminal transference issue.The second was on 4 March 1981, which in 1966 was the date the London Evening Standard article by Maureen Cleave was released, which stirred opposite controversies on either side of the Atlantic, because John was relentlessly honest without
don't you want me to love you," "Tell me, Tell me, Tell me the Answer": this is a binary thinker, a narcissist with a huge ego seeking to obsessively attach to a demagogic leader (or several), insisting to know who is for or against him personally,The third union of Jupiter and Saturn in that cycle was on 24 July 1981, which in 1967 was the date of publication for an
advertisement in The London Times where The Beatles added their names to a list denouncing cannabis prohibition.
https://www.beatlesbible.com/1967/07/24/the-beatles-call-for-the-legalisation-of-marijuana/
As for the lyrics of "Helter Skelter" implying the Moon-Stowaway theme, "miles above you" is only literally true in an outer space context, and the role-playing for this character may come from 'prior experience.' "Will you, won't you," "Do you
had a reaction that it was hypnotically inducing the state of 'going back,' a sense of primal return."Well, You MAY Be A Lover,I always assumed the 'Can you Take me back' piece was a sortt of surprise ending to 'Cry Baby Cry'..
But You AIN'T No Dance
Whatever the intention, it's beautiful and mysterious.https://www.youtube.com/watch?v=rNUF7wy9gpU
That is the entire first take, the used portion is towards the end. The rhythm and rattling sounds distinctly Native American. They put on something like the Hopi Kachina Mask with that one. I remember listening to it with a high school friend who
samurai sword, and sliced off Hinman's ear with it. Beausoleil had never seen this extreme violence before and asked why, getting a chilling reply: "To show you how to be a man!"The splashdown of the Apollo 11 crew on 24 July 1969 was very close to the 25 July 1969 date, when after being told to merely frighten Gary Hinman out of a supposed $20,000 inheritance, Bobby Beausoleil witnessed as Manson suddenly arrived with a
knew humans had become technologically capable of retrieving their ninety percent cohort trapped on the Moon, and impressed a false urgency for the prestige, inducing people to forget there was no discernible practical advantage.Others were left to stitch up Hinman with dental floss, ultimately only to torture him until he was killed on 27 July, while reciting a Buddhist prayer.
So there was a sudden super-malevolent change in the unstable criminal Manson that can be traced very close to the atmospheric re-entry of the Apollo 11 mission spacecraft.
The Hopi prophecies are common knowledge, with the Moon landing as an ominous prospect.The Blue Moon of 30 April 1961 was the harbinger for President John Kennedy's 25 May 1961 speech to a joint session of Congress where he prioritized landing on the Moon as a national goal. It could have been that the remnant Nephilim contingent here
There is also a probable reason that the new demonic reinforcements would immediately focus on Manson: what occurred with the infamous killings was a twisted karmic replay of The Slaughter Of The Innocents mass-killing scenario, suggesting he was areincarnation of King Herod who commanded it. There is a loop in "Revolution 9" that names Herod, which was not perceived consciously, apparently even when repeated. The wicked spirits seek to use known enemies of Christ (in reincarnations unknown to
There was a strange coincidence with the opening of the Haunted Mansion at Disneyland, during the period of the Tate and La Bianca murders --dark skull (a "skeleton key") which would be worn throughout the evening. They began the late night by being wined and dined at Club 33 and then Disneyland Ambassador Shari Bescos escorted them to the attraction.
https://www.mouseplanet.com/12973/Disneyland_Haunted_Mansion_1969#:~:text=The%20mansion%20officially%20opened%20as,of%20Disneyland%20guests%20experienced%20it.
<< Employee previews of the Mansion held on the nights of August 7 and 8 ran so smoothly that it was followed by unannounced "soft" openings on August 9 and 10, where limited numbers of park guests were allowed to ride.
The exterior of the Haunted Mansion was merely a shell -- requiring guests to enter the "stretching room."
A "Midnight" Press Event was held on the evening of August 11 from 10:30 pm to midnight. Fifty members of the press were given a special press package upon their arrival at the park that included a "Press Ghost" pass attached to a small glow-in-the-
The mansion officially opened as advertised in the newspapers and the park to all guests the morning of August 12, 1969. However, today, the Walt Disney Company claims that August 9 was the real opening of the attraction since that was the first timethat a handful of Disneyland guests experienced it.
Eerily, actress Sharon Tate was murdered along with others early Saturday morning, August 9, 1969 by the disciples of Charles Manson, and that event overshadowed all other news that weekend.first major Disney attraction to open without the direct supervision of Walt Disney.
While today, we just accept the Haunted Mansion as one of the iconic Disneyland attractions, it was quite a challenge getting to that official opening of the "Phantom Phantasy" as early Disney publicity called it in 1969.
While Walt reviewed many early concepts and previewed elements of the attraction on a 1965 episode entitled "Disneyland's Tenth Anniversary" on his weekly television show The Wonderful World of Color, he never saw the completed show and it was the
Associated Press writer Bob Thomas who would later author an acclaimed biography of Walt Disney wrote on August 19, 1969 for the San Diego Evening Tribune newspaper: "Many times I listened to [Walt Disney] spin ghostly tales he planned to dramatize ina Haunted Mansion at the Anaheim park. The project went through many states… but Walt was never satisfied with the illusions, and he died before his dream could be realized." >>
There was about a decade of planning for the dark ride, its completion synchronized so that at the time the actual 'Stowaway from Moon Prison' scenario was occurring, such an insidious notion was also being satirized as family fun at the foremostamusement park: the finale of the ride is a caution to be wary of ghosts that are hitchhiking to follow patrons home. Then the 'doom buggies' slide past a row of mirrors, where various luminous ghoulish characters can be seen with patrons in the
The August 1969 sequence implies a secret pageant having been smoothly coordinated by patiently malevolent forces intending an eventual consummation of humanity with its most sinister historic impulses, avoiding the path of Christian Salvation
that the grouping with Venus is below what would have been the Balance line oriented another way.The Great Mercury Reign ends when Venus enters Capricorn 10 December 2022 around 5 am CET.A further moment before the Saturnin-defined interval ends in less than an hour (10:40 pm CET / 4:40 pm EST) has Venus at the Fifth House cusp, and the Moon as vertical Apex of the vestiges of its Grand Trine with Pluto and Ceres, appearing Upright, so
The Mercury Reign cannot be the time of onset, when the Saturnin period precedes as when the worst happens.
considered that having the Vertex complete a Grand Trine in the natal chart could make Kirstie Alley the Lady of the Vertex whose life would be celebrated during the Hecatomb-Sacrifice.There is a slight difference between Vitrix and Vertex: Vitrix is translated as Conqueress, but the meaning is that Trinitarian Felix would die forlorn from grief about the Grand Trine employed in a mass slaughter prophecy. But it should be
so that the grouping with Venus is below what would have been the Balance line oriented another way.His Vertex Lady will be celebrated during the Sacrifice
The Victor of VI.70 would be Saint Victor of Piacenza with the 7 December feast.
In IV.95 line 4 the use of Victor is ambiguously followed by 'puine' which could indicate Mercury as solar cadet.
Victor puine en Armonique terre
Victor, cadet into Brittany territory
The same saint Victor of 7 December in 2022 is within the Great Mercury Reign, as would be 9 December as Brittany soil, via feast for Saint Boduc.
The Great Mercury Reign ends when Venus enters Capricorn 10 December 2022 around 5 am CET.A further moment before the Saturnin-defined interval ends in less than an hour (10:40 pm CET / 4:40 pm EST) has Venus at the Fifth House cusp, and the Moon as vertical Apex of the vestiges of its Grand Trine with Pluto and Ceres, appearing Upright,
the Grand Trine with Pluto and Ceres, eliminating need for the progressed Moon.The Mercury Reign cannot be the time of onset, when the Saturnin period precedes as when the worst happens.If eulogizing and bereavement for Kirstie Alley is part of the prophecy, the fire-&-flood catastrophe seems very close indeed.
The final line of VI.70 implies the event will not be satisfied with anything except the sole title 'Victor,' now implying the 7 December feast for Saint Victor of Piacenza.
So not far into the Great Mercury Reign for X.79, yet clearly beyond the immediately prior Saturnin interval.
Par Saturnins endurera le pire
By Saturnins the worst will be endured
[V.24]
Les Saturnins brules par les meuniers
The Saturnins burned by the millers
[VI.17]
So the early portion of the Great Mercury Reign, ensuing from the Saturnin period, appears to be the cataclysmic onset time - on 7 December 2022 specifically.
A little bit after Sunset in Geneva is when the critical sequence commences on that evening.
Sunset at 4:45 pm CET brings the Fortune jump from slightly below the Ecliptic to slightly above, not a big change due to the solar-lunar near opposition.
Saturn reaches the skewed Midheaven point at 5:02 pm CET, with Fortune then nearing Venus.
The critical triggering condition may be when Venus is conjoined by Fortune 7 December 2022 5:08 pm CET: not only is it strange timing, just before Venus falls beneath the horizon, but also the East Point comes into a position where it reconstitutes
As this East Point transitory Grand Trine forms at 5:09 pm CET, the Vertex is with the South Node - that sudden Grand Trine could be the 'Good Omen' that besieges a city in II.66.
The East Point connection is broken before Venus reaches the Descendant, happening at 5:30 pm CET.
So this particular prophecy was given in stages rather than focusing on a single moment, full of enigmatic remarks that seem sometimes conflicting or imprecise.
The Venus-Fortune conjunction is at 7 December 2022 11:08 am EST / 8:08 am PST.
considered that having the Vertex complete a Grand Trine in the natal chart could make Kirstie Alley the Lady of the Vertex whose life would be celebrated during the Hecatomb-Sacrifice.Then the Vertex slips through Scorpio to make a Grand Trine around 2:36 pm CST.
It is odd to notice the word 'Vitrix' in V.18, regarding the solution for Saint Felix of Valois --
Celebrera son Vitrix l'hecatombe
There is a slight difference between Vitrix and Vertex: Vitrix is translated as Conqueress, but the meaning is that Trinitarian Felix would die forlorn from grief about the Grand Trine employed in a mass slaughter prophecy. But it should be
so that the grouping with Venus is below what would have been the Balance line oriented another way.His Vertex Lady will be celebrated during the Sacrifice
The Victor of VI.70 would be Saint Victor of Piacenza with the 7 December feast.
In IV.95 line 4 the use of Victor is ambiguously followed by 'puine' which could indicate Mercury as solar cadet.
Victor puine en Armonique terre
Victor, cadet into Brittany territory
The same saint Victor of 7 December in 2022 is within the Great Mercury Reign, as would be 9 December as Brittany soil, via feast for Saint Boduc.
The Great Mercury Reign ends when Venus enters Capricorn 10 December 2022 around 5 am CET.A further moment before the Saturnin-defined interval ends in less than an hour (10:40 pm CET / 4:40 pm EST) has Venus at the Fifth House cusp, and the Moon as vertical Apex of the vestiges of its Grand Trine with Pluto and Ceres, appearing Upright,
the Grand Trine with Pluto and Ceres, eliminating need for the progressed Moon.The Mercury Reign cannot be the time of onset, when the Saturnin period precedes as when the worst happens.If eulogizing and bereavement for Kirstie Alley is part of the prophecy, the fire-&-flood catastrophe seems very close indeed.
The final line of VI.70 implies the event will not be satisfied with anything except the sole title 'Victor,' now implying the 7 December feast for Saint Victor of Piacenza.
So not far into the Great Mercury Reign for X.79, yet clearly beyond the immediately prior Saturnin interval.
Par Saturnins endurera le pire
By Saturnins the worst will be endured
[V.24]
Les Saturnins brules par les meuniers
The Saturnins burned by the millers
[VI.17]
So the early portion of the Great Mercury Reign, ensuing from the Saturnin period, appears to be the cataclysmic onset time - on 7 December 2022 specifically.
A little bit after Sunset in Geneva is when the critical sequence commences on that evening.
Sunset at 4:45 pm CET brings the Fortune jump from slightly below the Ecliptic to slightly above, not a big change due to the solar-lunar near opposition.
Saturn reaches the skewed Midheaven point at 5:02 pm CET, with Fortune then nearing Venus.
The critical triggering condition may be when Venus is conjoined by Fortune 7 December 2022 5:08 pm CET: not only is it strange timing, just before Venus falls beneath the horizon, but also the East Point comes into a position where it reconstitutes
to reach.As this East Point transitory Grand Trine forms at 5:09 pm CET, the Vertex is with the South Node - that sudden Grand Trine could be the 'Good Omen' that besieges a city in II.66.
The East Point connection is broken before Venus reaches the Descendant, happening at 5:30 pm CET.
So this particular prophecy was given in stages rather than focusing on a single moment, full of enigmatic remarks that seem sometimes conflicting or imprecise.
The Venus-Fortune conjunction is at 7 December 2022 11:08 am EST / 8:08 am PST.There seems to be a connection with the anniversary of the 8 December 1980 event that ended hopes for a reunion of The Beatles, foretold in I.57 as stated prior.
In VI.70 the seer guides through the 2-3 December 2022 lunar and solar aspects with Chiron, identifies the further lunar conjunct as Ouranos (Heavens) around 5 December, then alludes to the 7 December feast for Saint Victor Piacenza as a necessary date
In II.66 the opening line foretold the 28 October 2022 Pelosi home invasion hammer attack; then the 4 December 2022 situation at Geneva Dawn was described, when Fortune made a jump from the position of Pallas. The final line suggests finding an ironic 'Good Omen' by which the city would be besieged.
In V.18 Saint Felix of Valois as Trinitarian with 20 November feast was invoked, hinting at a woman with a Grand Trine involving the Vertex (Vitrix) in her natal chart: this suggests the recent passing of Kirstie Alley, with a Jupiter-Ouranos-VertexGrand Trine for Wichita 12 January 1951 2:36 pm CST, is the Lady honored or celebrated through the time of massive fatalities from the force of terror incident (I.94).
In V.66 the 25 October 2022 solar eclipse seems the subject of the 'gold engraving' in the final line, because it coincided with the feast of Trajan martyr Saint Minias of Florence. The 'Sun and Moon' in line 3 are associated with glittering metals,however this is not necessarily a conjunction; another Trajan martyr (from the same year 250) feast was found 5 December for Saint Bassus of Nice.
In V.42 the Revelation Cup of Wrath theme is revealed through the angels administering the dark task of delivering Divine Fury, with a focus on the Black Forest region (suggesting Geneva) for the building of a fire; the references to a Tavern andLombardy match the Colorado Springs nightclub shooting into 20 November 2022, via feast for Saint Benignus. Feast for Saint Mirocles of Milan made 3 December another Lombardy date.
The 4 December date corresponded with numerous potential matches: Saint Bernard degli Uberti for Parma in VII.5; Saint Clement of Alexandria as the Bible reader of V.83; Saint Apro for Lyons (VIII.34) and Gaul (X.58).degree, so they appear together; and the Sun will be at the East Point. The chart looks especially ominous, because Fortune is at the Descendant, reconstituting a Grand Trine with Pluto and Ceres (that originated as a Lunar Grand Trine). This is likely
The Saturnin period has been defined as a resumed Vestal Reign, leading into the supremacy of Great Mercury (X.79), which will last until Venus enters Capricorn 10 December 2022 4:55 am CET.
Of two notable anniversaries, the 7 December 1941 attack on Pearl Harbor, and the 8 December 1980 assassination of John Lennon, the latter seems more likely to be critically indicated, from observing the celestial movements.
Before Dawn for Geneva 8 December 2022 6:28 am CET there will be an augmented Sagittarius Sun - Gemini Mars opposition (both at 16 degrees 5 minutes): the Moon will have only surpassed Mars (the next lunar conjunct after Ouranos) by a fraction of a
When Dawn arrives for Geneva at 8:11 am CET, since the Sun and Moon are in opposition the jump for Fortune is a slight distance, staying in Gemini with a leap from around 3 degrees to the Moon's position past 17.5 degrees.with Aquarian Saturn past twenty degrees (IX.44, 72).
When Venus rises at 9:05 am CET, it is clearly not going to be replay of the 9-11 attacks, where Mercury was rising locally at event onset: nothing seems engaged then.
A different story emerges.
Those which had been perceived as Under The Balance 17 November 2022 12:47 am CET become background identification for V.42, meaning the Sun, Venus, and Mercury, will cross the Midheaven point in succession, as the Gemini Moon moves towards its trine
The Sun at Midheaven 12:28 pm CET does not appear very ominous.before the onset: and when Midheaven is midway between Venus and Mercury at 1:27 pm CET, the Vertex drops to the Descendant, as a possible secondary triggering condition nine minutes after Venus at Midheaven.
When Venus arrives at Midheaven 8 December 2022 1:18 pm CET [/ 7:18 am EST / 4:18 am PST], the Vertex and Fortune are clustered with Ceres at the Descendant; and the Moon is eleven minutes of a degree from its trine with Saturn.
The implication is the cataclysm occurs when Venus is at the Apex (non-skewed Prime Vertical), exalted over Geneva's celestial Vault, and the lunar trine with Saturn is the prominent fateful aspect. This timing precludes Mercury reaching Midheaven
Mercury reaching Midheaven in the seer's version is grouped along with Venus, although that incident at 1:38 pm CET would invalidate the 'Venus as Mystery Babylon' theme, if the fiery explosion happens subsequently.determined recently completes the 'newly-elected' portion of VI.21, with 'great sustained trembling' to follow; the remainder of VI.21 concerned the country of Georgia in an uprising circa August 2008.
Saturn has its lunar trine at 1:40 pm CET, with both Saturn and the Moon positioned at 20 degrees 21 minutes in their respective signs, coinciding closely with Mercury at the Midheaven point.
The next lunar aspect is a square with Neptune 8 December 2022 6:13 pm CET, suggesting the Corinth-Ephesus perplexity of III.3, presumably while the sustained trembling is an ongoing reality. The US state of Georgia runoff election having its result
The rulership of Great Mercury (X.79) terminates when Venus enters Capricorn 10 December 2022 4:55 am CET, yet that timing is not clearly associated with anything specifically. Applying the VII.5 scheduling for the two inexplicable nights that descendsuggests perhaps a full day of unusual vibrations and sensations, leading into an otherwise normal night when the sustained trembling finally subsides.
considered that having the Vertex complete a Grand Trine in the natal chart could make Kirstie Alley the Lady of the Vertex whose life would be celebrated during the Hecatomb-Sacrifice.Lady by force of terror honored
The report of the recent death of celebrity actress Kirstie Alley could be what was intended, in another real-world prediction unexpectedly fulfilled.One site gives Kirstie Alley's birth time as 2 pm local CST, on 12 January 1951, in Wichita, Kansas.
https://aaps.space/kundli/kirstie-alley/
I found a near-trine at 2 pm CST between Jupiter at 7 degrees Pisces, and Ouranos at 6 degrees 50 minutes Cancer.
Then the Vertex slips through Scorpio to make a Grand Trine around 2:36 pm CST.
It is odd to notice the word 'Vitrix' in V.18, regarding the solution for Saint Felix of Valois --
Celebrera son Vitrix l'hecatombe
There is a slight difference between Vitrix and Vertex: Vitrix is translated as Conqueress, but the meaning is that Trinitarian Felix would die forlorn from grief about the Grand Trine employed in a mass slaughter prophecy. But it should be
Upright, so that the grouping with Venus is below what would have been the Balance line oriented another way.His Vertex Lady will be celebrated during the Sacrifice
The Victor of VI.70 would be Saint Victor of Piacenza with the 7 December feast.
In IV.95 line 4 the use of Victor is ambiguously followed by 'puine' which could indicate Mercury as solar cadet.
Victor puine en Armonique terre
Victor, cadet into Brittany territory
The same saint Victor of 7 December in 2022 is within the Great Mercury Reign, as would be 9 December as Brittany soil, via feast for Saint Boduc.
The Great Mercury Reign ends when Venus enters Capricorn 10 December 2022 around 5 am CET.A further moment before the Saturnin-defined interval ends in less than an hour (10:40 pm CET / 4:40 pm EST) has Venus at the Fifth House cusp, and the Moon as vertical Apex of the vestiges of its Grand Trine with Pluto and Ceres, appearing
reconstitutes the Grand Trine with Pluto and Ceres, eliminating need for the progressed Moon.The Mercury Reign cannot be the time of onset, when the Saturnin period precedes as when the worst happens.If eulogizing and bereavement for Kirstie Alley is part of the prophecy, the fire-&-flood catastrophe seems very close indeed.
The final line of VI.70 implies the event will not be satisfied with anything except the sole title 'Victor,' now implying the 7 December feast for Saint Victor of Piacenza.
So not far into the Great Mercury Reign for X.79, yet clearly beyond the immediately prior Saturnin interval.
Par Saturnins endurera le pire
By Saturnins the worst will be endured
[V.24]
Les Saturnins brules par les meuniers
The Saturnins burned by the millers
[VI.17]
So the early portion of the Great Mercury Reign, ensuing from the Saturnin period, appears to be the cataclysmic onset time - on 7 December 2022 specifically.
A little bit after Sunset in Geneva is when the critical sequence commences on that evening.
Sunset at 4:45 pm CET brings the Fortune jump from slightly below the Ecliptic to slightly above, not a big change due to the solar-lunar near opposition.
Saturn reaches the skewed Midheaven point at 5:02 pm CET, with Fortune then nearing Venus.
The critical triggering condition may be when Venus is conjoined by Fortune 7 December 2022 5:08 pm CET: not only is it strange timing, just before Venus falls beneath the horizon, but also the East Point comes into a position where it
date to reach.As this East Point transitory Grand Trine forms at 5:09 pm CET, the Vertex is with the South Node - that sudden Grand Trine could be the 'Good Omen' that besieges a city in II.66.
The East Point connection is broken before Venus reaches the Descendant, happening at 5:30 pm CET.
So this particular prophecy was given in stages rather than focusing on a single moment, full of enigmatic remarks that seem sometimes conflicting or imprecise.
The Venus-Fortune conjunction is at 7 December 2022 11:08 am EST / 8:08 am PST.There seems to be a connection with the anniversary of the 8 December 1980 event that ended hopes for a reunion of The Beatles, foretold in I.57 as stated prior.
In VI.70 the seer guides through the 2-3 December 2022 lunar and solar aspects with Chiron, identifies the further lunar conjunct as Ouranos (Heavens) around 5 December, then alludes to the 7 December feast for Saint Victor Piacenza as a necessary
ironic 'Good Omen' by which the city would be besieged.In II.66 the opening line foretold the 28 October 2022 Pelosi home invasion hammer attack; then the 4 December 2022 situation at Geneva Dawn was described, when Fortune made a jump from the position of Pallas. The final line suggests finding an
Grand Trine for Wichita 12 January 1951 2:36 pm CST, is the Lady honored or celebrated through the time of massive fatalities from the force of terror incident (I.94).In V.18 Saint Felix of Valois as Trinitarian with 20 November feast was invoked, hinting at a woman with a Grand Trine involving the Vertex (Vitrix) in her natal chart: this suggests the recent passing of Kirstie Alley, with a Jupiter-Ouranos-Vertex
however this is not necessarily a conjunction; another Trajan martyr (from the same year 250) feast was found 5 December for Saint Bassus of Nice.In V.66 the 25 October 2022 solar eclipse seems the subject of the 'gold engraving' in the final line, because it coincided with the feast of Trajan martyr Saint Minias of Florence. The 'Sun and Moon' in line 3 are associated with glittering metals,
Lombardy match the Colorado Springs nightclub shooting into 20 November 2022, via feast for Saint Benignus. Feast for Saint Mirocles of Milan made 3 December another Lombardy date.In V.42 the Revelation Cup of Wrath theme is revealed through the angels administering the dark task of delivering Divine Fury, with a focus on the Black Forest region (suggesting Geneva) for the building of a fire; the references to a Tavern and
degree, so they appear together; and the Sun will be at the East Point. The chart looks especially ominous, because Fortune is at the Descendant, reconstituting a Grand Trine with Pluto and Ceres (that originated as a Lunar Grand Trine). This is likelyThe 4 December date corresponded with numerous potential matches: Saint Bernard degli Uberti for Parma in VII.5; Saint Clement of Alexandria as the Bible reader of V.83; Saint Apro for Lyons (VIII.34) and Gaul (X.58).
The Saturnin period has been defined as a resumed Vestal Reign, leading into the supremacy of Great Mercury (X.79), which will last until Venus enters Capricorn 10 December 2022 4:55 am CET.
Of two notable anniversaries, the 7 December 1941 attack on Pearl Harbor, and the 8 December 1980 assassination of John Lennon, the latter seems more likely to be critically indicated, from observing the celestial movements.
Before Dawn for Geneva 8 December 2022 6:28 am CET there will be an augmented Sagittarius Sun - Gemini Mars opposition (both at 16 degrees 5 minutes): the Moon will have only surpassed Mars (the next lunar conjunct after Ouranos) by a fraction of a
with Aquarian Saturn past twenty degrees (IX.44, 72).When Dawn arrives for Geneva at 8:11 am CET, since the Sun and Moon are in opposition the jump for Fortune is a slight distance, staying in Gemini with a leap from around 3 degrees to the Moon's position past 17.5 degrees.
When Venus rises at 9:05 am CET, it is clearly not going to be replay of the 9-11 attacks, where Mercury was rising locally at event onset: nothing seems engaged then.
A different story emerges.
Those which had been perceived as Under The Balance 17 November 2022 12:47 am CET become background identification for V.42, meaning the Sun, Venus, and Mercury, will cross the Midheaven point in succession, as the Gemini Moon moves towards its trine
before the onset: and when Midheaven is midway between Venus and Mercury at 1:27 pm CET, the Vertex drops to the Descendant, as a possible secondary triggering condition nine minutes after Venus at Midheaven.The Sun at Midheaven 12:28 pm CET does not appear very ominous.
When Venus arrives at Midheaven 8 December 2022 1:18 pm CET [/ 7:18 am EST / 4:18 am PST], the Vertex and Fortune are clustered with Ceres at the Descendant; and the Moon is eleven minutes of a degree from its trine with Saturn.
The implication is the cataclysm occurs when Venus is at the Apex (non-skewed Prime Vertical), exalted over Geneva's celestial Vault, and the lunar trine with Saturn is the prominent fateful aspect. This timing precludes Mercury reaching Midheaven
determined recently completes the 'newly-elected' portion of VI.21, with 'great sustained trembling' to follow; the remainder of VI.21 concerned the country of Georgia in an uprising circa August 2008.Mercury reaching Midheaven in the seer's version is grouped along with Venus, although that incident at 1:38 pm CET would invalidate the 'Venus as Mystery Babylon' theme, if the fiery explosion happens subsequently.
Saturn has its lunar trine at 1:40 pm CET, with both Saturn and the Moon positioned at 20 degrees 21 minutes in their respective signs, coinciding closely with Mercury at the Midheaven point.
The next lunar aspect is a square with Neptune 8 December 2022 6:13 pm CET, suggesting the Corinth-Ephesus perplexity of III.3, presumably while the sustained trembling is an ongoing reality. The US state of Georgia runoff election having its result
descend suggests perhaps a full day of unusual vibrations and sensations, leading into an otherwise normal night when the sustained trembling finally subsides.The rulership of Great Mercury (X.79) terminates when Venus enters Capricorn 10 December 2022 4:55 am CET, yet that timing is not clearly associated with anything specifically. Applying the VII.5 scheduling for the two inexplicable nights that
The brief reappearance of the Grand Trine with Pluto and Ceres through Fortune being fortuitously positioned at the Descendant during the Mars solar opposition, augmented by the separate yet coordinated Moon and East point placements, as an isolatedincident clearly manifests the menacing 'Good Omen' for the final line of II.66, to restate the obvious.
The Sun-Mars opposition of 8 December 2022 is not itself the time of onset, but a short-term precursor that could be mistaken for an auspicious occurrence: a bad omen masquerading as a good one. The setup for the actual incident to debase Venus arrivesswiftly from that final sign.
The Mobile Sign of I.54 arrived earlier, with Venus at the Nadir under the Balance for Geneva during the partisan determination of the US House of Representatives; V.42 referred back to that 17 November 2022 situation, while looking forward to 8December with Venus at Midheaven.
My theory of the Saturnin-Vestal period does not seem to be necessary or correct: the Saturn lunar trine at the time of onset is sufficient for the 'Saturnin' term, having a timely connection. However the Great Mercury Reign does seem properly assessed.
The 8 December 2022 is the 42nd year since the 1980 assassination of John Lennon, which was the subject of I.57; it is also the feast of the Immaculate Conception, referring to the spiritual purity of Christ's Mother Mary.
Par grand discord la terre tremblera
Accord rompu dressant la tete au ciel
Bouche sanglante dans le sang nagera
Au sol la face ointe de lait and miel
The world's South Pacific to tremble from the great discord -
Harmony thus being broken, towards Heaven the head uplifting -
The mouth engulfed, swimming in blood, unable to speak a word -
The face on the ground anointed with Milk And Honey recording
considered that having the Vertex complete a Grand Trine in the natal chart could make Kirstie Alley the Lady of the Vertex whose life would be celebrated during the Hecatomb-Sacrifice.The sequence in the tune where the resonant bell alternates with George Martin playing clarinet suggests,
'The Changes Outlined In A Book -'
<Bell>
'Written -'
<Bell>
'...Back In China..'This timing being correct would explain why no female saint was convincingly derived for the final line of I.94 -
Dame par force de frayeur honoree
Lady by force of terror honored
The report of the recent death of celebrity actress Kirstie Alley could be what was intended, in another real-world prediction unexpectedly fulfilled.One site gives Kirstie Alley's birth time as 2 pm local CST, on 12 January 1951, in Wichita, Kansas.
https://aaps.space/kundli/kirstie-alley/
I found a near-trine at 2 pm CST between Jupiter at 7 degrees Pisces, and Ouranos at 6 degrees 50 minutes Cancer.
Then the Vertex slips through Scorpio to make a Grand Trine around 2:36 pm CST.
It is odd to notice the word 'Vitrix' in V.18, regarding the solution for Saint Felix of Valois --
Celebrera son Vitrix l'hecatombe
There is a slight difference between Vitrix and Vertex: Vitrix is translated as Conqueress, but the meaning is that Trinitarian Felix would die forlorn from grief about the Grand Trine employed in a mass slaughter prophecy. But it should be
Upright, so that the grouping with Venus is below what would have been the Balance line oriented another way.His Vertex Lady will be celebrated during the Sacrifice
The Victor of VI.70 would be Saint Victor of Piacenza with the 7 December feast.
In IV.95 line 4 the use of Victor is ambiguously followed by 'puine' which could indicate Mercury as solar cadet.
Victor puine en Armonique terre
Victor, cadet into Brittany territory
The same saint Victor of 7 December in 2022 is within the Great Mercury Reign, as would be 9 December as Brittany soil, via feast for Saint Boduc.
The Great Mercury Reign ends when Venus enters Capricorn 10 December 2022 around 5 am CET.A further moment before the Saturnin-defined interval ends in less than an hour (10:40 pm CET / 4:40 pm EST) has Venus at the Fifth House cusp, and the Moon as vertical Apex of the vestiges of its Grand Trine with Pluto and Ceres, appearing
reconstitutes the Grand Trine with Pluto and Ceres, eliminating need for the progressed Moon.The Mercury Reign cannot be the time of onset, when the Saturnin period precedes as when the worst happens.If eulogizing and bereavement for Kirstie Alley is part of the prophecy, the fire-&-flood catastrophe seems very close indeed.
The final line of VI.70 implies the event will not be satisfied with anything except the sole title 'Victor,' now implying the 7 December feast for Saint Victor of Piacenza.
So not far into the Great Mercury Reign for X.79, yet clearly beyond the immediately prior Saturnin interval.
Par Saturnins endurera le pire
By Saturnins the worst will be endured
[V.24]
Les Saturnins brules par les meuniers
The Saturnins burned by the millers
[VI.17]
So the early portion of the Great Mercury Reign, ensuing from the Saturnin period, appears to be the cataclysmic onset time - on 7 December 2022 specifically.
A little bit after Sunset in Geneva is when the critical sequence commences on that evening.
Sunset at 4:45 pm CET brings the Fortune jump from slightly below the Ecliptic to slightly above, not a big change due to the solar-lunar near opposition.
Saturn reaches the skewed Midheaven point at 5:02 pm CET, with Fortune then nearing Venus.
The critical triggering condition may be when Venus is conjoined by Fortune 7 December 2022 5:08 pm CET: not only is it strange timing, just before Venus falls beneath the horizon, but also the East Point comes into a position where it
date to reach.As this East Point transitory Grand Trine forms at 5:09 pm CET, the Vertex is with the South Node - that sudden Grand Trine could be the 'Good Omen' that besieges a city in II.66.
The East Point connection is broken before Venus reaches the Descendant, happening at 5:30 pm CET.
So this particular prophecy was given in stages rather than focusing on a single moment, full of enigmatic remarks that seem sometimes conflicting or imprecise.
The Venus-Fortune conjunction is at 7 December 2022 11:08 am EST / 8:08 am PST.There seems to be a connection with the anniversary of the 8 December 1980 event that ended hopes for a reunion of The Beatles, foretold in I.57 as stated prior.
In VI.70 the seer guides through the 2-3 December 2022 lunar and solar aspects with Chiron, identifies the further lunar conjunct as Ouranos (Heavens) around 5 December, then alludes to the 7 December feast for Saint Victor Piacenza as a necessary
ironic 'Good Omen' by which the city would be besieged.In II.66 the opening line foretold the 28 October 2022 Pelosi home invasion hammer attack; then the 4 December 2022 situation at Geneva Dawn was described, when Fortune made a jump from the position of Pallas. The final line suggests finding an
Vertex Grand Trine for Wichita 12 January 1951 2:36 pm CST, is the Lady honored or celebrated through the time of massive fatalities from the force of terror incident (I.94).In V.18 Saint Felix of Valois as Trinitarian with 20 November feast was invoked, hinting at a woman with a Grand Trine involving the Vertex (Vitrix) in her natal chart: this suggests the recent passing of Kirstie Alley, with a Jupiter-Ouranos-
however this is not necessarily a conjunction; another Trajan martyr (from the same year 250) feast was found 5 December for Saint Bassus of Nice.In V.66 the 25 October 2022 solar eclipse seems the subject of the 'gold engraving' in the final line, because it coincided with the feast of Trajan martyr Saint Minias of Florence. The 'Sun and Moon' in line 3 are associated with glittering metals,
Lombardy match the Colorado Springs nightclub shooting into 20 November 2022, via feast for Saint Benignus. Feast for Saint Mirocles of Milan made 3 December another Lombardy date.In V.42 the Revelation Cup of Wrath theme is revealed through the angels administering the dark task of delivering Divine Fury, with a focus on the Black Forest region (suggesting Geneva) for the building of a fire; the references to a Tavern and
degree, so they appear together; and the Sun will be at the East Point. The chart looks especially ominous, because Fortune is at the Descendant, reconstituting a Grand Trine with Pluto and Ceres (that originated as a Lunar Grand Trine). This is likelyThe 4 December date corresponded with numerous potential matches: Saint Bernard degli Uberti for Parma in VII.5; Saint Clement of Alexandria as the Bible reader of V.83; Saint Apro for Lyons (VIII.34) and Gaul (X.58).
The Saturnin period has been defined as a resumed Vestal Reign, leading into the supremacy of Great Mercury (X.79), which will last until Venus enters Capricorn 10 December 2022 4:55 am CET.
Of two notable anniversaries, the 7 December 1941 attack on Pearl Harbor, and the 8 December 1980 assassination of John Lennon, the latter seems more likely to be critically indicated, from observing the celestial movements.
Before Dawn for Geneva 8 December 2022 6:28 am CET there will be an augmented Sagittarius Sun - Gemini Mars opposition (both at 16 degrees 5 minutes): the Moon will have only surpassed Mars (the next lunar conjunct after Ouranos) by a fraction of a
trine with Aquarian Saturn past twenty degrees (IX.44, 72).When Dawn arrives for Geneva at 8:11 am CET, since the Sun and Moon are in opposition the jump for Fortune is a slight distance, staying in Gemini with a leap from around 3 degrees to the Moon's position past 17.5 degrees.
When Venus rises at 9:05 am CET, it is clearly not going to be replay of the 9-11 attacks, where Mercury was rising locally at event onset: nothing seems engaged then.
A different story emerges.
Those which had been perceived as Under The Balance 17 November 2022 12:47 am CET become background identification for V.42, meaning the Sun, Venus, and Mercury, will cross the Midheaven point in succession, as the Gemini Moon moves towards its
before the onset: and when Midheaven is midway between Venus and Mercury at 1:27 pm CET, the Vertex drops to the Descendant, as a possible secondary triggering condition nine minutes after Venus at Midheaven.The Sun at Midheaven 12:28 pm CET does not appear very ominous.
When Venus arrives at Midheaven 8 December 2022 1:18 pm CET [/ 7:18 am EST / 4:18 am PST], the Vertex and Fortune are clustered with Ceres at the Descendant; and the Moon is eleven minutes of a degree from its trine with Saturn.
The implication is the cataclysm occurs when Venus is at the Apex (non-skewed Prime Vertical), exalted over Geneva's celestial Vault, and the lunar trine with Saturn is the prominent fateful aspect. This timing precludes Mercury reaching Midheaven
result determined recently completes the 'newly-elected' portion of VI.21, with 'great sustained trembling' to follow; the remainder of VI.21 concerned the country of Georgia in an uprising circa August 2008.Mercury reaching Midheaven in the seer's version is grouped along with Venus, although that incident at 1:38 pm CET would invalidate the 'Venus as Mystery Babylon' theme, if the fiery explosion happens subsequently.
Saturn has its lunar trine at 1:40 pm CET, with both Saturn and the Moon positioned at 20 degrees 21 minutes in their respective signs, coinciding closely with Mercury at the Midheaven point.
The next lunar aspect is a square with Neptune 8 December 2022 6:13 pm CET, suggesting the Corinth-Ephesus perplexity of III.3, presumably while the sustained trembling is an ongoing reality. The US state of Georgia runoff election having its
descend suggests perhaps a full day of unusual vibrations and sensations, leading into an otherwise normal night when the sustained trembling finally subsides.The rulership of Great Mercury (X.79) terminates when Venus enters Capricorn 10 December 2022 4:55 am CET, yet that timing is not clearly associated with anything specifically. Applying the VII.5 scheduling for the two inexplicable nights that
incident clearly manifests the menacing 'Good Omen' for the final line of II.66, to restate the obvious.The brief reappearance of the Grand Trine with Pluto and Ceres through Fortune being fortuitously positioned at the Descendant during the Mars solar opposition, augmented by the separate yet coordinated Moon and East point placements, as an isolated
arrives swiftly from that final sign.The Sun-Mars opposition of 8 December 2022 is not itself the time of onset, but a short-term precursor that could be mistaken for an auspicious occurrence: a bad omen masquerading as a good one. The setup for the actual incident to debase Venus
December with Venus at Midheaven.The Mobile Sign of I.54 arrived earlier, with Venus at the Nadir under the Balance for Geneva during the partisan determination of the US House of Representatives; V.42 referred back to that 17 November 2022 situation, while looking forward to 8
assessed.My theory of the Saturnin-Vestal period does not seem to be necessary or correct: the Saturn lunar trine at the time of onset is sufficient for the 'Saturnin' term, having a timely connection. However the Great Mercury Reign does seem properly
The Sun and Mars remain roughly in opposition at a slightly different angle.The 8 December 2022 is the 42nd year since the 1980 assassination of John Lennon, which was the subject of I.57; it is also the feast of the Immaculate Conception, referring to the spiritual purity of Christ's Mother Mary.
Par grand discord la terre tremblera
Accord rompu dressant la tete au ciel
Bouche sanglante dans le sang nagera
Au sol la face ointe de lait and miel
The world's South Pacific to tremble from the great discord -The Mars lunar conjunct of 8 December 2022 was an occultation, so astronomically close it was a sort of eclipse.
Harmony thus being broken, towards Heaven the head uplifting -
The mouth engulfed, swimming in blood, unable to speak a word -
The face on the ground anointed with Milk And Honey recording
The Saturnin interval following the Saturn lunar trine ends with the Neptune lunar square (6:13 pm CET).
Dusk (4:45 pm CET) causes Fortune to leap from 21 degrees 39 minutes Sagittarius (slightly above the Ecliptic) to 11 degrees 8 minutes in the same sign, slightly below the Ecliptic.
Then Venus has its debasing moment reaching the Descendant 8 December 2022 5:32 pm CET [/ 11:32 am EST / 8:32 am PST]: this arrives when Fortune is at 22 degrees 28 minutes Sagittarius, in direct opposition with the Moon at 22 degrees 18 minutes Gemini.
So the Venus falling for Geneva 8 December 2022 5:32pm CET is the presumed triggering condition for the double cataclysm of fire and flood.
Also at that moment the Vertex opposes Ouranos along the Sixth and Twelfth House cusps.
It is not until the Neptune lunar square that the genuine Saturnin interval concludes.
to Warn' prophecy of V.83 to manifest.If the onset arrived with Saturn at the Geneva Descendant 6 December 2022 10:01 PM CET, the Neptune lunar square should present a time about 44 hours later, so the catastrophic sequence easily allows sufficient time for the three nights
numeric age is close to presumed retirement for the lyrical theme, the number 64 is also the total number of hexagrams in the I Ching Chinese divination method.*
Back to The Beatles, although Paul McCartney started writing "When I'm Sixty-Four" much earlier than the Sgt Pepper sessions, his father was turning the title age (born 7 July - same as Richard Starkey - in 1902) circa 1967. While the
considered that having the Vertex complete a Grand Trine in the natal chart could make Kirstie Alley the Lady of the Vertex whose life would be celebrated during the Hecatomb-Sacrifice.The sequence in the tune where the resonant bell alternates with George Martin playing clarinet suggests,
'The Changes Outlined In A Book -'
<Bell>
'Written -'
<Bell>
'...Back In China..'This timing being correct would explain why no female saint was convincingly derived for the final line of I.94 -
Dame par force de frayeur honoree
Lady by force of terror honored
The report of the recent death of celebrity actress Kirstie Alley could be what was intended, in another real-world prediction unexpectedly fulfilled.One site gives Kirstie Alley's birth time as 2 pm local CST, on 12 January 1951, in Wichita, Kansas.
https://aaps.space/kundli/kirstie-alley/
I found a near-trine at 2 pm CST between Jupiter at 7 degrees Pisces, and Ouranos at 6 degrees 50 minutes Cancer.
Then the Vertex slips through Scorpio to make a Grand Trine around 2:36 pm CST.
It is odd to notice the word 'Vitrix' in V.18, regarding the solution for Saint Felix of Valois --
Celebrera son Vitrix l'hecatombe
There is a slight difference between Vitrix and Vertex: Vitrix is translated as Conqueress, but the meaning is that Trinitarian Felix would die forlorn from grief about the Grand Trine employed in a mass slaughter prophecy. But it should be
Upright, so that the grouping with Venus is below what would have been the Balance line oriented another way.His Vertex Lady will be celebrated during the Sacrifice
The Victor of VI.70 would be Saint Victor of Piacenza with the 7 December feast.
In IV.95 line 4 the use of Victor is ambiguously followed by 'puine' which could indicate Mercury as solar cadet.
Victor puine en Armonique terre
Victor, cadet into Brittany territory
The same saint Victor of 7 December in 2022 is within the Great Mercury Reign, as would be 9 December as Brittany soil, via feast for Saint Boduc.
The Great Mercury Reign ends when Venus enters Capricorn 10 December 2022 around 5 am CET.A further moment before the Saturnin-defined interval ends in less than an hour (10:40 pm CET / 4:40 pm EST) has Venus at the Fifth House cusp, and the Moon as vertical Apex of the vestiges of its Grand Trine with Pluto and Ceres, appearing
reconstitutes the Grand Trine with Pluto and Ceres, eliminating need for the progressed Moon.The Mercury Reign cannot be the time of onset, when the Saturnin period precedes as when the worst happens.If eulogizing and bereavement for Kirstie Alley is part of the prophecy, the fire-&-flood catastrophe seems very close indeed.
The final line of VI.70 implies the event will not be satisfied with anything except the sole title 'Victor,' now implying the 7 December feast for Saint Victor of Piacenza.
So not far into the Great Mercury Reign for X.79, yet clearly beyond the immediately prior Saturnin interval.
Par Saturnins endurera le pire
By Saturnins the worst will be endured
[V.24]
Les Saturnins brules par les meuniers
The Saturnins burned by the millers
[VI.17]
So the early portion of the Great Mercury Reign, ensuing from the Saturnin period, appears to be the cataclysmic onset time - on 7 December 2022 specifically.
A little bit after Sunset in Geneva is when the critical sequence commences on that evening.
Sunset at 4:45 pm CET brings the Fortune jump from slightly below the Ecliptic to slightly above, not a big change due to the solar-lunar near opposition.
Saturn reaches the skewed Midheaven point at 5:02 pm CET, with Fortune then nearing Venus.
The critical triggering condition may be when Venus is conjoined by Fortune 7 December 2022 5:08 pm CET: not only is it strange timing, just before Venus falls beneath the horizon, but also the East Point comes into a position where it
necessary date to reach.As this East Point transitory Grand Trine forms at 5:09 pm CET, the Vertex is with the South Node - that sudden Grand Trine could be the 'Good Omen' that besieges a city in II.66.
The East Point connection is broken before Venus reaches the Descendant, happening at 5:30 pm CET.
So this particular prophecy was given in stages rather than focusing on a single moment, full of enigmatic remarks that seem sometimes conflicting or imprecise.
The Venus-Fortune conjunction is at 7 December 2022 11:08 am EST / 8:08 am PST.There seems to be a connection with the anniversary of the 8 December 1980 event that ended hopes for a reunion of The Beatles, foretold in I.57 as stated prior.
In VI.70 the seer guides through the 2-3 December 2022 lunar and solar aspects with Chiron, identifies the further lunar conjunct as Ouranos (Heavens) around 5 December, then alludes to the 7 December feast for Saint Victor Piacenza as a
ironic 'Good Omen' by which the city would be besieged.In II.66 the opening line foretold the 28 October 2022 Pelosi home invasion hammer attack; then the 4 December 2022 situation at Geneva Dawn was described, when Fortune made a jump from the position of Pallas. The final line suggests finding an
Vertex Grand Trine for Wichita 12 January 1951 2:36 pm CST, is the Lady honored or celebrated through the time of massive fatalities from the force of terror incident (I.94).In V.18 Saint Felix of Valois as Trinitarian with 20 November feast was invoked, hinting at a woman with a Grand Trine involving the Vertex (Vitrix) in her natal chart: this suggests the recent passing of Kirstie Alley, with a Jupiter-Ouranos-
metals, however this is not necessarily a conjunction; another Trajan martyr (from the same year 250) feast was found 5 December for Saint Bassus of Nice.In V.66 the 25 October 2022 solar eclipse seems the subject of the 'gold engraving' in the final line, because it coincided with the feast of Trajan martyr Saint Minias of Florence. The 'Sun and Moon' in line 3 are associated with glittering
Lombardy match the Colorado Springs nightclub shooting into 20 November 2022, via feast for Saint Benignus. Feast for Saint Mirocles of Milan made 3 December another Lombardy date.In V.42 the Revelation Cup of Wrath theme is revealed through the angels administering the dark task of delivering Divine Fury, with a focus on the Black Forest region (suggesting Geneva) for the building of a fire; the references to a Tavern and
a degree, so they appear together; and the Sun will be at the East Point. The chart looks especially ominous, because Fortune is at the Descendant, reconstituting a Grand Trine with Pluto and Ceres (that originated as a Lunar Grand Trine). This is likelyThe 4 December date corresponded with numerous potential matches: Saint Bernard degli Uberti for Parma in VII.5; Saint Clement of Alexandria as the Bible reader of V.83; Saint Apro for Lyons (VIII.34) and Gaul (X.58).
The Saturnin period has been defined as a resumed Vestal Reign, leading into the supremacy of Great Mercury (X.79), which will last until Venus enters Capricorn 10 December 2022 4:55 am CET.
Of two notable anniversaries, the 7 December 1941 attack on Pearl Harbor, and the 8 December 1980 assassination of John Lennon, the latter seems more likely to be critically indicated, from observing the celestial movements.
Before Dawn for Geneva 8 December 2022 6:28 am CET there will be an augmented Sagittarius Sun - Gemini Mars opposition (both at 16 degrees 5 minutes): the Moon will have only surpassed Mars (the next lunar conjunct after Ouranos) by a fraction of
trine with Aquarian Saturn past twenty degrees (IX.44, 72).When Dawn arrives for Geneva at 8:11 am CET, since the Sun and Moon are in opposition the jump for Fortune is a slight distance, staying in Gemini with a leap from around 3 degrees to the Moon's position past 17.5 degrees.
When Venus rises at 9:05 am CET, it is clearly not going to be replay of the 9-11 attacks, where Mercury was rising locally at event onset: nothing seems engaged then.
A different story emerges.
Those which had been perceived as Under The Balance 17 November 2022 12:47 am CET become background identification for V.42, meaning the Sun, Venus, and Mercury, will cross the Midheaven point in succession, as the Gemini Moon moves towards its
Midheaven before the onset: and when Midheaven is midway between Venus and Mercury at 1:27 pm CET, the Vertex drops to the Descendant, as a possible secondary triggering condition nine minutes after Venus at Midheaven.The Sun at Midheaven 12:28 pm CET does not appear very ominous.
When Venus arrives at Midheaven 8 December 2022 1:18 pm CET [/ 7:18 am EST / 4:18 am PST], the Vertex and Fortune are clustered with Ceres at the Descendant; and the Moon is eleven minutes of a degree from its trine with Saturn.
The implication is the cataclysm occurs when Venus is at the Apex (non-skewed Prime Vertical), exalted over Geneva's celestial Vault, and the lunar trine with Saturn is the prominent fateful aspect. This timing precludes Mercury reaching
result determined recently completes the 'newly-elected' portion of VI.21, with 'great sustained trembling' to follow; the remainder of VI.21 concerned the country of Georgia in an uprising circa August 2008.Mercury reaching Midheaven in the seer's version is grouped along with Venus, although that incident at 1:38 pm CET would invalidate the 'Venus as Mystery Babylon' theme, if the fiery explosion happens subsequently.
Saturn has its lunar trine at 1:40 pm CET, with both Saturn and the Moon positioned at 20 degrees 21 minutes in their respective signs, coinciding closely with Mercury at the Midheaven point.
The next lunar aspect is a square with Neptune 8 December 2022 6:13 pm CET, suggesting the Corinth-Ephesus perplexity of III.3, presumably while the sustained trembling is an ongoing reality. The US state of Georgia runoff election having its
descend suggests perhaps a full day of unusual vibrations and sensations, leading into an otherwise normal night when the sustained trembling finally subsides.The rulership of Great Mercury (X.79) terminates when Venus enters Capricorn 10 December 2022 4:55 am CET, yet that timing is not clearly associated with anything specifically. Applying the VII.5 scheduling for the two inexplicable nights that
isolated incident clearly manifests the menacing 'Good Omen' for the final line of II.66, to restate the obvious.The brief reappearance of the Grand Trine with Pluto and Ceres through Fortune being fortuitously positioned at the Descendant during the Mars solar opposition, augmented by the separate yet coordinated Moon and East point placements, as an
arrives swiftly from that final sign.The Sun-Mars opposition of 8 December 2022 is not itself the time of onset, but a short-term precursor that could be mistaken for an auspicious occurrence: a bad omen masquerading as a good one. The setup for the actual incident to debase Venus
December with Venus at Midheaven.The Mobile Sign of I.54 arrived earlier, with Venus at the Nadir under the Balance for Geneva during the partisan determination of the US House of Representatives; V.42 referred back to that 17 November 2022 situation, while looking forward to 8
assessed.My theory of the Saturnin-Vestal period does not seem to be necessary or correct: the Saturn lunar trine at the time of onset is sufficient for the 'Saturnin' term, having a timely connection. However the Great Mercury Reign does seem properly
Gemini. The Sun and Mars remain roughly in opposition at a slightly different angle.The 8 December 2022 is the 42nd year since the 1980 assassination of John Lennon, which was the subject of I.57; it is also the feast of the Immaculate Conception, referring to the spiritual purity of Christ's Mother Mary.
Par grand discord la terre tremblera
Accord rompu dressant la tete au ciel
Bouche sanglante dans le sang nagera
Au sol la face ointe de lait and miel
The world's South Pacific to tremble from the great discord -The Mars lunar conjunct of 8 December 2022 was an occultation, so astronomically close it was a sort of eclipse.
Harmony thus being broken, towards Heaven the head uplifting -
The mouth engulfed, swimming in blood, unable to speak a word -
The face on the ground anointed with Milk And Honey recording
The Saturnin interval following the Saturn lunar trine ends with the Neptune lunar square (6:13 pm CET).
Dusk (4:45 pm CET) causes Fortune to leap from 21 degrees 39 minutes Sagittarius (slightly above the Ecliptic) to 11 degrees 8 minutes in the same sign, slightly below the Ecliptic.
Then Venus has its debasing moment reaching the Descendant 8 December 2022 5:32 pm CET [/ 11:32 am EST / 8:32 am PST]: this arrives when Fortune is at 22 degrees 28 minutes Sagittarius, in direct opposition with the Moon at 22 degrees 18 minutes
So the Venus falling for Geneva 8 December 2022 5:32pm CET is the presumed triggering condition for the double cataclysm of fire and flood.
Also at that moment the Vertex opposes Ouranos along the Sixth and Twelfth House cusps.
It is not until the Neptune lunar square that the genuine Saturnin interval concludes.Since Brittney Griner was released in a swap for Russian arms dealer Viktor Bout, who had served eleven years of a twenty-five year sentence, this situation could apply to the theme of 'one captive eating the other' from III.13 and IV.38.
Viktor Bout could be the proud or conceited one who escapes captivity in II.92.
The female athlete (Gymnique) captive held as hostage from IV.41 seems applicable, unclear about line 2 where guards are deceived by night.
A captive lady is conducted through Turkey in IV.58, uncertain if that was the route.
In VII.18 there is a captive lady who had woven peace.
Perhaps relating to Bout, IX.92 has a freed captive speaking and acting falsely.
The details within each of these quatrains should be examined further for potential current confluences.
II.92
Fire color of gold in the sky viewed from land
Struck from the high-born, marvelous deed accomplished
Great human murder, the nephew of the great one taken
Deaths as spectacles, the conceited one escaped
The high-born one could be Jupiter at Geneva's Vault Apex. The nephew phrase is cryptic.
III.13
By lightning in the arc, gold and silver melted
Of the two captives one will consume the other
For the city the greatest extension
When submerged the fleet will swim
Again this presents the glittering metals theme of V.66, like II.92 - and -
IV.38
Before the assault one will eat the other
Melted metal will follow the trail of blood
Finally, a very clear picture of Brittney Griner as 'Gymnique' -
IV.41
Gymnique sexe captive par otage
Viendra de nuit custodes decevoir
Female athlete held captive as hostage
Custodians will come to be deceived by night
So the Griner release appears to be yet another precursor for the double cataclysm.
this should be the commencement of the third 'normal' night from VII.5.The Corinth-Ephesus perplexity of III.3 appears to suggest when the sustained trembling will finally cease, at the Neptune lunar square aspect of 8 December 2022 6:13 pm CET. Since this happens after Sunset (4:45 pm CET for Geneva),
nights to Warn' prophecy of V.83 to manifest.If the onset arrived with Saturn at the Geneva Descendant 6 December 2022 10:01 PM CET, the Neptune lunar square should present a time about 44 hours later, so the catastrophic sequence easily allows sufficient time for the three
numeric age is close to presumed retirement for the lyrical theme, the number 64 is also the total number of hexagrams in the I Ching Chinese divination method.*
Back to The Beatles, although Paul McCartney started writing "When I'm Sixty-Four" much earlier than the Sgt Pepper sessions, his father was turning the title age (born 7 July - same as Richard Starkey - in 1902) circa 1967. While the
be considered that having the Vertex complete a Grand Trine in the natal chart could make Kirstie Alley the Lady of the Vertex whose life would be celebrated during the Hecatomb-Sacrifice.The sequence in the tune where the resonant bell alternates with George Martin playing clarinet suggests,
'The Changes Outlined In A Book -'
<Bell>
'Written -'
<Bell>
'...Back In China..'This timing being correct would explain why no female saint was convincingly derived for the final line of I.94 -
Dame par force de frayeur honoree
Lady by force of terror honored
The report of the recent death of celebrity actress Kirstie Alley could be what was intended, in another real-world prediction unexpectedly fulfilled.One site gives Kirstie Alley's birth time as 2 pm local CST, on 12 January 1951, in Wichita, Kansas.
https://aaps.space/kundli/kirstie-alley/
I found a near-trine at 2 pm CST between Jupiter at 7 degrees Pisces, and Ouranos at 6 degrees 50 minutes Cancer.
Then the Vertex slips through Scorpio to make a Grand Trine around 2:36 pm CST.
It is odd to notice the word 'Vitrix' in V.18, regarding the solution for Saint Felix of Valois --
Celebrera son Vitrix l'hecatombe
There is a slight difference between Vitrix and Vertex: Vitrix is translated as Conqueress, but the meaning is that Trinitarian Felix would die forlorn from grief about the Grand Trine employed in a mass slaughter prophecy. But it should
Upright, so that the grouping with Venus is below what would have been the Balance line oriented another way.His Vertex Lady will be celebrated during the Sacrifice
The Victor of VI.70 would be Saint Victor of Piacenza with the 7 December feast.
In IV.95 line 4 the use of Victor is ambiguously followed by 'puine' which could indicate Mercury as solar cadet.
Victor puine en Armonique terre
Victor, cadet into Brittany territory
The same saint Victor of 7 December in 2022 is within the Great Mercury Reign, as would be 9 December as Brittany soil, via feast for Saint Boduc.
The Great Mercury Reign ends when Venus enters Capricorn 10 December 2022 around 5 am CET.A further moment before the Saturnin-defined interval ends in less than an hour (10:40 pm CET / 4:40 pm EST) has Venus at the Fifth House cusp, and the Moon as vertical Apex of the vestiges of its Grand Trine with Pluto and Ceres, appearing
reconstitutes the Grand Trine with Pluto and Ceres, eliminating need for the progressed Moon.The Mercury Reign cannot be the time of onset, when the Saturnin period precedes as when the worst happens.If eulogizing and bereavement for Kirstie Alley is part of the prophecy, the fire-&-flood catastrophe seems very close indeed.
The final line of VI.70 implies the event will not be satisfied with anything except the sole title 'Victor,' now implying the 7 December feast for Saint Victor of Piacenza.
So not far into the Great Mercury Reign for X.79, yet clearly beyond the immediately prior Saturnin interval.
Par Saturnins endurera le pire
By Saturnins the worst will be endured
[V.24]
Les Saturnins brules par les meuniers
The Saturnins burned by the millers
[VI.17]
So the early portion of the Great Mercury Reign, ensuing from the Saturnin period, appears to be the cataclysmic onset time - on 7 December 2022 specifically.
A little bit after Sunset in Geneva is when the critical sequence commences on that evening.
Sunset at 4:45 pm CET brings the Fortune jump from slightly below the Ecliptic to slightly above, not a big change due to the solar-lunar near opposition.
Saturn reaches the skewed Midheaven point at 5:02 pm CET, with Fortune then nearing Venus.
The critical triggering condition may be when Venus is conjoined by Fortune 7 December 2022 5:08 pm CET: not only is it strange timing, just before Venus falls beneath the horizon, but also the East Point comes into a position where it
necessary date to reach.As this East Point transitory Grand Trine forms at 5:09 pm CET, the Vertex is with the South Node - that sudden Grand Trine could be the 'Good Omen' that besieges a city in II.66.
The East Point connection is broken before Venus reaches the Descendant, happening at 5:30 pm CET.
So this particular prophecy was given in stages rather than focusing on a single moment, full of enigmatic remarks that seem sometimes conflicting or imprecise.
The Venus-Fortune conjunction is at 7 December 2022 11:08 am EST / 8:08 am PST.There seems to be a connection with the anniversary of the 8 December 1980 event that ended hopes for a reunion of The Beatles, foretold in I.57 as stated prior.
In VI.70 the seer guides through the 2-3 December 2022 lunar and solar aspects with Chiron, identifies the further lunar conjunct as Ouranos (Heavens) around 5 December, then alludes to the 7 December feast for Saint Victor Piacenza as a
ironic 'Good Omen' by which the city would be besieged.In II.66 the opening line foretold the 28 October 2022 Pelosi home invasion hammer attack; then the 4 December 2022 situation at Geneva Dawn was described, when Fortune made a jump from the position of Pallas. The final line suggests finding an
Vertex Grand Trine for Wichita 12 January 1951 2:36 pm CST, is the Lady honored or celebrated through the time of massive fatalities from the force of terror incident (I.94).In V.18 Saint Felix of Valois as Trinitarian with 20 November feast was invoked, hinting at a woman with a Grand Trine involving the Vertex (Vitrix) in her natal chart: this suggests the recent passing of Kirstie Alley, with a Jupiter-Ouranos-
metals, however this is not necessarily a conjunction; another Trajan martyr (from the same year 250) feast was found 5 December for Saint Bassus of Nice.In V.66 the 25 October 2022 solar eclipse seems the subject of the 'gold engraving' in the final line, because it coincided with the feast of Trajan martyr Saint Minias of Florence. The 'Sun and Moon' in line 3 are associated with glittering
and Lombardy match the Colorado Springs nightclub shooting into 20 November 2022, via feast for Saint Benignus. Feast for Saint Mirocles of Milan made 3 December another Lombardy date.In V.42 the Revelation Cup of Wrath theme is revealed through the angels administering the dark task of delivering Divine Fury, with a focus on the Black Forest region (suggesting Geneva) for the building of a fire; the references to a Tavern
of a degree, so they appear together; and the Sun will be at the East Point. The chart looks especially ominous, because Fortune is at the Descendant, reconstituting a Grand Trine with Pluto and Ceres (that originated as a Lunar Grand Trine). This isThe 4 December date corresponded with numerous potential matches: Saint Bernard degli Uberti for Parma in VII.5; Saint Clement of Alexandria as the Bible reader of V.83; Saint Apro for Lyons (VIII.34) and Gaul (X.58).
The Saturnin period has been defined as a resumed Vestal Reign, leading into the supremacy of Great Mercury (X.79), which will last until Venus enters Capricorn 10 December 2022 4:55 am CET.
Of two notable anniversaries, the 7 December 1941 attack on Pearl Harbor, and the 8 December 1980 assassination of John Lennon, the latter seems more likely to be critically indicated, from observing the celestial movements.
Before Dawn for Geneva 8 December 2022 6:28 am CET there will be an augmented Sagittarius Sun - Gemini Mars opposition (both at 16 degrees 5 minutes): the Moon will have only surpassed Mars (the next lunar conjunct after Ouranos) by a fraction
trine with Aquarian Saturn past twenty degrees (IX.44, 72).When Dawn arrives for Geneva at 8:11 am CET, since the Sun and Moon are in opposition the jump for Fortune is a slight distance, staying in Gemini with a leap from around 3 degrees to the Moon's position past 17.5 degrees.
When Venus rises at 9:05 am CET, it is clearly not going to be replay of the 9-11 attacks, where Mercury was rising locally at event onset: nothing seems engaged then.
A different story emerges.
Those which had been perceived as Under The Balance 17 November 2022 12:47 am CET become background identification for V.42, meaning the Sun, Venus, and Mercury, will cross the Midheaven point in succession, as the Gemini Moon moves towards its
Midheaven before the onset: and when Midheaven is midway between Venus and Mercury at 1:27 pm CET, the Vertex drops to the Descendant, as a possible secondary triggering condition nine minutes after Venus at Midheaven.The Sun at Midheaven 12:28 pm CET does not appear very ominous.
When Venus arrives at Midheaven 8 December 2022 1:18 pm CET [/ 7:18 am EST / 4:18 am PST], the Vertex and Fortune are clustered with Ceres at the Descendant; and the Moon is eleven minutes of a degree from its trine with Saturn.
The implication is the cataclysm occurs when Venus is at the Apex (non-skewed Prime Vertical), exalted over Geneva's celestial Vault, and the lunar trine with Saturn is the prominent fateful aspect. This timing precludes Mercury reaching
result determined recently completes the 'newly-elected' portion of VI.21, with 'great sustained trembling' to follow; the remainder of VI.21 concerned the country of Georgia in an uprising circa August 2008.Mercury reaching Midheaven in the seer's version is grouped along with Venus, although that incident at 1:38 pm CET would invalidate the 'Venus as Mystery Babylon' theme, if the fiery explosion happens subsequently.
Saturn has its lunar trine at 1:40 pm CET, with both Saturn and the Moon positioned at 20 degrees 21 minutes in their respective signs, coinciding closely with Mercury at the Midheaven point.
The next lunar aspect is a square with Neptune 8 December 2022 6:13 pm CET, suggesting the Corinth-Ephesus perplexity of III.3, presumably while the sustained trembling is an ongoing reality. The US state of Georgia runoff election having its
descend suggests perhaps a full day of unusual vibrations and sensations, leading into an otherwise normal night when the sustained trembling finally subsides.The rulership of Great Mercury (X.79) terminates when Venus enters Capricorn 10 December 2022 4:55 am CET, yet that timing is not clearly associated with anything specifically. Applying the VII.5 scheduling for the two inexplicable nights that
isolated incident clearly manifests the menacing 'Good Omen' for the final line of II.66, to restate the obvious.The brief reappearance of the Grand Trine with Pluto and Ceres through Fortune being fortuitously positioned at the Descendant during the Mars solar opposition, augmented by the separate yet coordinated Moon and East point placements, as an
arrives swiftly from that final sign.The Sun-Mars opposition of 8 December 2022 is not itself the time of onset, but a short-term precursor that could be mistaken for an auspicious occurrence: a bad omen masquerading as a good one. The setup for the actual incident to debase Venus
December with Venus at Midheaven.The Mobile Sign of I.54 arrived earlier, with Venus at the Nadir under the Balance for Geneva during the partisan determination of the US House of Representatives; V.42 referred back to that 17 November 2022 situation, while looking forward to 8
assessed.My theory of the Saturnin-Vestal period does not seem to be necessary or correct: the Saturn lunar trine at the time of onset is sufficient for the 'Saturnin' term, having a timely connection. However the Great Mercury Reign does seem properly
Gemini. The Sun and Mars remain roughly in opposition at a slightly different angle.The 8 December 2022 is the 42nd year since the 1980 assassination of John Lennon, which was the subject of I.57; it is also the feast of the Immaculate Conception, referring to the spiritual purity of Christ's Mother Mary.
Par grand discord la terre tremblera
Accord rompu dressant la tete au ciel
Bouche sanglante dans le sang nagera
Au sol la face ointe de lait and miel
The world's South Pacific to tremble from the great discord -The Mars lunar conjunct of 8 December 2022 was an occultation, so astronomically close it was a sort of eclipse.
Harmony thus being broken, towards Heaven the head uplifting -
The mouth engulfed, swimming in blood, unable to speak a word -
The face on the ground anointed with Milk And Honey recording
The Saturnin interval following the Saturn lunar trine ends with the Neptune lunar square (6:13 pm CET).
Dusk (4:45 pm CET) causes Fortune to leap from 21 degrees 39 minutes Sagittarius (slightly above the Ecliptic) to 11 degrees 8 minutes in the same sign, slightly below the Ecliptic.
Then Venus has its debasing moment reaching the Descendant 8 December 2022 5:32 pm CET [/ 11:32 am EST / 8:32 am PST]: this arrives when Fortune is at 22 degrees 28 minutes Sagittarius, in direct opposition with the Moon at 22 degrees 18 minutes
So the Venus falling for Geneva 8 December 2022 5:32pm CET is the presumed triggering condition for the double cataclysm of fire and flood.
Also at that moment the Vertex opposes Ouranos along the Sixth and Twelfth House cusps.
It is not until the Neptune lunar square that the genuine Saturnin interval concludes.Since Brittney Griner was released in a swap for Russian arms dealer Viktor Bout, who had served eleven years of a twenty-five year sentence, this situation could apply to the theme of 'one captive eating the other' from III.13 and IV.38.
Viktor Bout could be the proud or conceited one who escapes captivity in II.92.
The female athlete (Gymnique) captive held as hostage from IV.41 seems applicable, unclear about line 2 where guards are deceived by night.
A captive lady is conducted through Turkey in IV.58, uncertain if that was the route.
In VII.18 there is a captive lady who had woven peace.
Perhaps relating to Bout, IX.92 has a freed captive speaking and acting falsely.
The details within each of these quatrains should be examined further for potential current confluences.
II.92
Fire color of gold in the sky viewed from land
Struck from the high-born, marvelous deed accomplished
Great human murder, the nephew of the great one taken
Deaths as spectacles, the conceited one escaped
The high-born one could be Jupiter at Geneva's Vault Apex. The nephew phrase is cryptic.
III.13
By lightning in the arc, gold and silver melted
Of the two captives one will consume the other
For the city the greatest extension
When submerged the fleet will swim
Again this presents the glittering metals theme of V.66, like II.92 - and -
IV.38
Before the assault one will eat the other
Melted metal will follow the trail of blood
Finally, a very clear picture of Brittney Griner as 'Gymnique' -
IV.41
Gymnique sexe captive par otage
Viendra de nuit custodes decevoir
Female athlete held captive as hostage
Custodians will come to be deceived by night
So the Griner release appears to be yet another precursor for the double cataclysm.Venus to be conjoined by Fortune 8 December 2022 5:58 pm CET, fifteen minutes before the genuine Saturnin period becomes the Corinth-Ephesus perplexity situation.
When reversing the name John Lennon, the result sounded like Men of Mars' - the Moon past the occultation conjunct with Mars seems ominous.
Three Grand Trines were found in the assassination scenario for John in 1980: before, during and after, in a short span of time with a planetary bucket configuration, using conceptual points and asteroid outliers.
An upright Grand Trine (during the murder) with the Midheaven point including the conjunction of Jupiter and Saturn as one of its base points, with the Vertex on the other side.
this should be the commencement of the third 'normal' night from VII.5.Saturn reaches the Descendant 6 December 2022 10:01 pm CET [/ 4:01 pm EST / 1:01 pm PST], with Vesta conjoined by Fortune: this is now expected to trigger the fire-and-flood double cataclysm, hinted by IX.44.
The Saturnin period gives way to the Great Mercury Reign (X.79) at 11:10 pm CET, as Mercury reaches Capricorn.
Vesta then follows at the Descendant 11:20 pm CET, for the 'sepulchral fire' prediction of X.6.
The Corinth-Ephesus perplexity of III.3 appears to suggest when the sustained trembling will finally cease, at the Neptune lunar square aspect of 8 December 2022 6:13 pm CET. Since this happens after Sunset (4:45 pm CET for Geneva),
nights to Warn' prophecy of V.83 to manifest.If the onset arrived with Saturn at the Geneva Descendant 6 December 2022 10:01 PM CET, the Neptune lunar square should present a time about 44 hours later, so the catastrophic sequence easily allows sufficient time for the three
the numeric age is close to presumed retirement for the lyrical theme, the number 64 is also the total number of hexagrams in the I Ching Chinese divination method.*
Back to The Beatles, although Paul McCartney started writing "When I'm Sixty-Four" much earlier than the Sgt Pepper sessions, his father was turning the title age (born 7 July - same as Richard Starkey - in 1902) circa 1967. While
should be considered that having the Vertex complete a Grand Trine in the natal chart could make Kirstie Alley the Lady of the Vertex whose life would be celebrated during the Hecatomb-Sacrifice.The sequence in the tune where the resonant bell alternates with George Martin playing clarinet suggests,
'The Changes Outlined In A Book -'
<Bell>
'Written -'
<Bell>
'...Back In China..'This timing being correct would explain why no female saint was convincingly derived for the final line of I.94 -
Dame par force de frayeur honoree
Lady by force of terror honored
The report of the recent death of celebrity actress Kirstie Alley could be what was intended, in another real-world prediction unexpectedly fulfilled.One site gives Kirstie Alley's birth time as 2 pm local CST, on 12 January 1951, in Wichita, Kansas.
https://aaps.space/kundli/kirstie-alley/
I found a near-trine at 2 pm CST between Jupiter at 7 degrees Pisces, and Ouranos at 6 degrees 50 minutes Cancer.
Then the Vertex slips through Scorpio to make a Grand Trine around 2:36 pm CST.
It is odd to notice the word 'Vitrix' in V.18, regarding the solution for Saint Felix of Valois --
Celebrera son Vitrix l'hecatombe
There is a slight difference between Vitrix and Vertex: Vitrix is translated as Conqueress, but the meaning is that Trinitarian Felix would die forlorn from grief about the Grand Trine employed in a mass slaughter prophecy. But it
appearing Upright, so that the grouping with Venus is below what would have been the Balance line oriented another way.His Vertex Lady will be celebrated during the Sacrifice
The Victor of VI.70 would be Saint Victor of Piacenza with the 7 December feast.
In IV.95 line 4 the use of Victor is ambiguously followed by 'puine' which could indicate Mercury as solar cadet.
Victor puine en Armonique terre
Victor, cadet into Brittany territory
The same saint Victor of 7 December in 2022 is within the Great Mercury Reign, as would be 9 December as Brittany soil, via feast for Saint Boduc.
The Great Mercury Reign ends when Venus enters Capricorn 10 December 2022 around 5 am CET.A further moment before the Saturnin-defined interval ends in less than an hour (10:40 pm CET / 4:40 pm EST) has Venus at the Fifth House cusp, and the Moon as vertical Apex of the vestiges of its Grand Trine with Pluto and Ceres,
reconstitutes the Grand Trine with Pluto and Ceres, eliminating need for the progressed Moon.The Mercury Reign cannot be the time of onset, when the Saturnin period precedes as when the worst happens.If eulogizing and bereavement for Kirstie Alley is part of the prophecy, the fire-&-flood catastrophe seems very close indeed.
The final line of VI.70 implies the event will not be satisfied with anything except the sole title 'Victor,' now implying the 7 December feast for Saint Victor of Piacenza.
So not far into the Great Mercury Reign for X.79, yet clearly beyond the immediately prior Saturnin interval.
Par Saturnins endurera le pire
By Saturnins the worst will be endured
[V.24]
Les Saturnins brules par les meuniers
The Saturnins burned by the millers
[VI.17]
So the early portion of the Great Mercury Reign, ensuing from the Saturnin period, appears to be the cataclysmic onset time - on 7 December 2022 specifically.
A little bit after Sunset in Geneva is when the critical sequence commences on that evening.
Sunset at 4:45 pm CET brings the Fortune jump from slightly below the Ecliptic to slightly above, not a big change due to the solar-lunar near opposition.
Saturn reaches the skewed Midheaven point at 5:02 pm CET, with Fortune then nearing Venus.
The critical triggering condition may be when Venus is conjoined by Fortune 7 December 2022 5:08 pm CET: not only is it strange timing, just before Venus falls beneath the horizon, but also the East Point comes into a position where it
necessary date to reach.As this East Point transitory Grand Trine forms at 5:09 pm CET, the Vertex is with the South Node - that sudden Grand Trine could be the 'Good Omen' that besieges a city in II.66.
The East Point connection is broken before Venus reaches the Descendant, happening at 5:30 pm CET.
So this particular prophecy was given in stages rather than focusing on a single moment, full of enigmatic remarks that seem sometimes conflicting or imprecise.
The Venus-Fortune conjunction is at 7 December 2022 11:08 am EST / 8:08 am PST.There seems to be a connection with the anniversary of the 8 December 1980 event that ended hopes for a reunion of The Beatles, foretold in I.57 as stated prior.
In VI.70 the seer guides through the 2-3 December 2022 lunar and solar aspects with Chiron, identifies the further lunar conjunct as Ouranos (Heavens) around 5 December, then alludes to the 7 December feast for Saint Victor Piacenza as a
an ironic 'Good Omen' by which the city would be besieged.In II.66 the opening line foretold the 28 October 2022 Pelosi home invasion hammer attack; then the 4 December 2022 situation at Geneva Dawn was described, when Fortune made a jump from the position of Pallas. The final line suggests finding
Vertex Grand Trine for Wichita 12 January 1951 2:36 pm CST, is the Lady honored or celebrated through the time of massive fatalities from the force of terror incident (I.94).In V.18 Saint Felix of Valois as Trinitarian with 20 November feast was invoked, hinting at a woman with a Grand Trine involving the Vertex (Vitrix) in her natal chart: this suggests the recent passing of Kirstie Alley, with a Jupiter-Ouranos-
metals, however this is not necessarily a conjunction; another Trajan martyr (from the same year 250) feast was found 5 December for Saint Bassus of Nice.In V.66 the 25 October 2022 solar eclipse seems the subject of the 'gold engraving' in the final line, because it coincided with the feast of Trajan martyr Saint Minias of Florence. The 'Sun and Moon' in line 3 are associated with glittering
and Lombardy match the Colorado Springs nightclub shooting into 20 November 2022, via feast for Saint Benignus. Feast for Saint Mirocles of Milan made 3 December another Lombardy date.In V.42 the Revelation Cup of Wrath theme is revealed through the angels administering the dark task of delivering Divine Fury, with a focus on the Black Forest region (suggesting Geneva) for the building of a fire; the references to a Tavern
fraction of a degree, so they appear together; and the Sun will be at the East Point. The chart looks especially ominous, because Fortune is at the Descendant, reconstituting a Grand Trine with Pluto and Ceres (that originated as a Lunar Grand Trine).The 4 December date corresponded with numerous potential matches: Saint Bernard degli Uberti for Parma in VII.5; Saint Clement of Alexandria as the Bible reader of V.83; Saint Apro for Lyons (VIII.34) and Gaul (X.58).
The Saturnin period has been defined as a resumed Vestal Reign, leading into the supremacy of Great Mercury (X.79), which will last until Venus enters Capricorn 10 December 2022 4:55 am CET.
Of two notable anniversaries, the 7 December 1941 attack on Pearl Harbor, and the 8 December 1980 assassination of John Lennon, the latter seems more likely to be critically indicated, from observing the celestial movements.
Before Dawn for Geneva 8 December 2022 6:28 am CET there will be an augmented Sagittarius Sun - Gemini Mars opposition (both at 16 degrees 5 minutes): the Moon will have only surpassed Mars (the next lunar conjunct after Ouranos) by a
its trine with Aquarian Saturn past twenty degrees (IX.44, 72).When Dawn arrives for Geneva at 8:11 am CET, since the Sun and Moon are in opposition the jump for Fortune is a slight distance, staying in Gemini with a leap from around 3 degrees to the Moon's position past 17.5 degrees.
When Venus rises at 9:05 am CET, it is clearly not going to be replay of the 9-11 attacks, where Mercury was rising locally at event onset: nothing seems engaged then.
A different story emerges.
Those which had been perceived as Under The Balance 17 November 2022 12:47 am CET become background identification for V.42, meaning the Sun, Venus, and Mercury, will cross the Midheaven point in succession, as the Gemini Moon moves towards
Midheaven before the onset: and when Midheaven is midway between Venus and Mercury at 1:27 pm CET, the Vertex drops to the Descendant, as a possible secondary triggering condition nine minutes after Venus at Midheaven.The Sun at Midheaven 12:28 pm CET does not appear very ominous.
When Venus arrives at Midheaven 8 December 2022 1:18 pm CET [/ 7:18 am EST / 4:18 am PST], the Vertex and Fortune are clustered with Ceres at the Descendant; and the Moon is eleven minutes of a degree from its trine with Saturn.
The implication is the cataclysm occurs when Venus is at the Apex (non-skewed Prime Vertical), exalted over Geneva's celestial Vault, and the lunar trine with Saturn is the prominent fateful aspect. This timing precludes Mercury reaching
result determined recently completes the 'newly-elected' portion of VI.21, with 'great sustained trembling' to follow; the remainder of VI.21 concerned the country of Georgia in an uprising circa August 2008.Mercury reaching Midheaven in the seer's version is grouped along with Venus, although that incident at 1:38 pm CET would invalidate the 'Venus as Mystery Babylon' theme, if the fiery explosion happens subsequently.
Saturn has its lunar trine at 1:40 pm CET, with both Saturn and the Moon positioned at 20 degrees 21 minutes in their respective signs, coinciding closely with Mercury at the Midheaven point.
The next lunar aspect is a square with Neptune 8 December 2022 6:13 pm CET, suggesting the Corinth-Ephesus perplexity of III.3, presumably while the sustained trembling is an ongoing reality. The US state of Georgia runoff election having its
that descend suggests perhaps a full day of unusual vibrations and sensations, leading into an otherwise normal night when the sustained trembling finally subsides.The rulership of Great Mercury (X.79) terminates when Venus enters Capricorn 10 December 2022 4:55 am CET, yet that timing is not clearly associated with anything specifically. Applying the VII.5 scheduling for the two inexplicable nights
isolated incident clearly manifests the menacing 'Good Omen' for the final line of II.66, to restate the obvious.The brief reappearance of the Grand Trine with Pluto and Ceres through Fortune being fortuitously positioned at the Descendant during the Mars solar opposition, augmented by the separate yet coordinated Moon and East point placements, as an
arrives swiftly from that final sign.The Sun-Mars opposition of 8 December 2022 is not itself the time of onset, but a short-term precursor that could be mistaken for an auspicious occurrence: a bad omen masquerading as a good one. The setup for the actual incident to debase Venus
8 December with Venus at Midheaven.The Mobile Sign of I.54 arrived earlier, with Venus at the Nadir under the Balance for Geneva during the partisan determination of the US House of Representatives; V.42 referred back to that 17 November 2022 situation, while looking forward to
assessed.My theory of the Saturnin-Vestal period does not seem to be necessary or correct: the Saturn lunar trine at the time of onset is sufficient for the 'Saturnin' term, having a timely connection. However the Great Mercury Reign does seem properly
Gemini. The Sun and Mars remain roughly in opposition at a slightly different angle.The 8 December 2022 is the 42nd year since the 1980 assassination of John Lennon, which was the subject of I.57; it is also the feast of the Immaculate Conception, referring to the spiritual purity of Christ's Mother Mary.
Par grand discord la terre tremblera
Accord rompu dressant la tete au ciel
Bouche sanglante dans le sang nagera
Au sol la face ointe de lait and miel
The world's South Pacific to tremble from the great discord - Harmony thus being broken, towards Heaven the head uplifting -The Mars lunar conjunct of 8 December 2022 was an occultation, so astronomically close it was a sort of eclipse.
The mouth engulfed, swimming in blood, unable to speak a word -
The face on the ground anointed with Milk And Honey recording
The Saturnin interval following the Saturn lunar trine ends with the Neptune lunar square (6:13 pm CET).
Dusk (4:45 pm CET) causes Fortune to leap from 21 degrees 39 minutes Sagittarius (slightly above the Ecliptic) to 11 degrees 8 minutes in the same sign, slightly below the Ecliptic.
Then Venus has its debasing moment reaching the Descendant 8 December 2022 5:32 pm CET [/ 11:32 am EST / 8:32 am PST]: this arrives when Fortune is at 22 degrees 28 minutes Sagittarius, in direct opposition with the Moon at 22 degrees 18 minutes
PST].So the Venus falling for Geneva 8 December 2022 5:32pm CET is the presumed triggering condition for the double cataclysm of fire and flood.
Also at that moment the Vertex opposes Ouranos along the Sixth and Twelfth House cusps.
It is not until the Neptune lunar square that the genuine Saturnin interval concludes.Since Brittney Griner was released in a swap for Russian arms dealer Viktor Bout, who had served eleven years of a twenty-five year sentence, this situation could apply to the theme of 'one captive eating the other' from III.13 and IV.38.
Viktor Bout could be the proud or conceited one who escapes captivity in II.92.
The female athlete (Gymnique) captive held as hostage from IV.41 seems applicable, unclear about line 2 where guards are deceived by night.
A captive lady is conducted through Turkey in IV.58, uncertain if that was the route.
In VII.18 there is a captive lady who had woven peace.
Perhaps relating to Bout, IX.92 has a freed captive speaking and acting falsely.
The details within each of these quatrains should be examined further for potential current confluences.
II.92
Fire color of gold in the sky viewed from land
Struck from the high-born, marvelous deed accomplished
Great human murder, the nephew of the great one taken
Deaths as spectacles, the conceited one escaped
The high-born one could be Jupiter at Geneva's Vault Apex. The nephew phrase is cryptic.
III.13
By lightning in the arc, gold and silver melted
Of the two captives one will consume the other
For the city the greatest extension
When submerged the fleet will swim
Again this presents the glittering metals theme of V.66, like II.92 - and -
IV.38
Before the assault one will eat the other
Melted metal will follow the trail of blood
Finally, a very clear picture of Brittney Griner as 'Gymnique' -
IV.41
Gymnique sexe captive par otage
Viendra de nuit custodes decevoir
Female athlete held captive as hostage
Custodians will come to be deceived by night
So the Griner release appears to be yet another precursor for the double cataclysm.Venus to be conjoined by Fortune 8 December 2022 5:58 pm CET, fifteen minutes before the genuine Saturnin period becomes the Corinth-Ephesus perplexity situation.
When reversing the name John Lennon, the result sounded like Men of Mars' - the Moon past the occultation conjunct with Mars seems ominous.
Three Grand Trines were found in the assassination scenario for John in 1980: before, during and after, in a short span of time with a planetary bucket configuration, using conceptual points and asteroid outliers.
An upright Grand Trine (during the murder) with the Midheaven point including the conjunction of Jupiter and Saturn as one of its base points, with the Vertex on the other side.Since this massively fatal cataclysmic incident is apparently imminent, last-minute reassessments have to take into account the actual circumstances.
The interval between the Neptune lunar square [8 December 2022 6:13 pm CET] and the Pallas lunar adjacency [9 December 2022 1:04 am CET] had Saturn reaching the Descendant 9:54 pm CET, however this did not involve Venus.
Reconsidering II.66, IX.44, III.3 and relevant quatrains brings a new scenario.
The Pallas lunar adjacency after the Neptune lunar square could be the 'Palace' by which people are trapped in II.66: so the perplexity of Corinth and Ephesus would be the prior condition that is disturbed.
Going beyond the Pallas adjacency is the fateful moment when Venus is debased at the Nadir in the Geneva chart, 9 December 2022 1:19 am CET (only fifteen minutes later).
The subsequent lunar aspect is an adjacency with Lilith (very near Pallas) at 1:59 am CET.
Venus at the Nadir does not find Saturn significantly engaged for IX.44 - however, since Fortune moves swiftly, it arrives into adjacency with Saturn (both at 20 degrees 24 minutes) 9 December 2022 1:25 am CET [/ 8 December 2022 7:25 pm EST / 4:25 pm
The Saturn-Fortune adjacency is a minor aspect that might be difficult to detect even with advanced programs.
And Venus will still be identifiably close to the Nadir, with only six minutes having elapsed from that point: Mercury does not reach the Nadir until 1:39 am CET, nearly fifteen minutes after the critical subtle participation of Saturn.
this should be the commencement of the third 'normal' night from VII.5.Saturn reaches the Descendant 6 December 2022 10:01 pm CET [/ 4:01 pm EST / 1:01 pm PST], with Vesta conjoined by Fortune: this is now expected to trigger the fire-and-flood double cataclysm, hinted by IX.44.
The Saturnin period gives way to the Great Mercury Reign (X.79) at 11:10 pm CET, as Mercury reaches Capricorn.
Vesta then follows at the Descendant 11:20 pm CET, for the 'sepulchral fire' prediction of X.6.
The Corinth-Ephesus perplexity of III.3 appears to suggest when the sustained trembling will finally cease, at the Neptune lunar square aspect of 8 December 2022 6:13 pm CET. Since this happens after Sunset (4:45 pm CET for Geneva),
nights to Warn' prophecy of V.83 to manifest.If the onset arrived with Saturn at the Geneva Descendant 6 December 2022 10:01 PM CET, the Neptune lunar square should present a time about 44 hours later, so the catastrophic sequence easily allows sufficient time for the three
the numeric age is close to presumed retirement for the lyrical theme, the number 64 is also the total number of hexagrams in the I Ching Chinese divination method.*
Back to The Beatles, although Paul McCartney started writing "When I'm Sixty-Four" much earlier than the Sgt Pepper sessions, his father was turning the title age (born 7 July - same as Richard Starkey - in 1902) circa 1967. While
should be considered that having the Vertex complete a Grand Trine in the natal chart could make Kirstie Alley the Lady of the Vertex whose life would be celebrated during the Hecatomb-Sacrifice.The sequence in the tune where the resonant bell alternates with George Martin playing clarinet suggests,
'The Changes Outlined In A Book -'
<Bell>
'Written -'
<Bell>
'...Back In China..'This timing being correct would explain why no female saint was convincingly derived for the final line of I.94 -
Dame par force de frayeur honoree
Lady by force of terror honored
The report of the recent death of celebrity actress Kirstie Alley could be what was intended, in another real-world prediction unexpectedly fulfilled.One site gives Kirstie Alley's birth time as 2 pm local CST, on 12 January 1951, in Wichita, Kansas.
https://aaps.space/kundli/kirstie-alley/
I found a near-trine at 2 pm CST between Jupiter at 7 degrees Pisces, and Ouranos at 6 degrees 50 minutes Cancer.
Then the Vertex slips through Scorpio to make a Grand Trine around 2:36 pm CST.
It is odd to notice the word 'Vitrix' in V.18, regarding the solution for Saint Felix of Valois --
Celebrera son Vitrix l'hecatombe
There is a slight difference between Vitrix and Vertex: Vitrix is translated as Conqueress, but the meaning is that Trinitarian Felix would die forlorn from grief about the Grand Trine employed in a mass slaughter prophecy. But it
appearing Upright, so that the grouping with Venus is below what would have been the Balance line oriented another way.His Vertex Lady will be celebrated during the Sacrifice
The Victor of VI.70 would be Saint Victor of Piacenza with the 7 December feast.
In IV.95 line 4 the use of Victor is ambiguously followed by 'puine' which could indicate Mercury as solar cadet.
Victor puine en Armonique terre
Victor, cadet into Brittany territory
The same saint Victor of 7 December in 2022 is within the Great Mercury Reign, as would be 9 December as Brittany soil, via feast for Saint Boduc.
The Great Mercury Reign ends when Venus enters Capricorn 10 December 2022 around 5 am CET.A further moment before the Saturnin-defined interval ends in less than an hour (10:40 pm CET / 4:40 pm EST) has Venus at the Fifth House cusp, and the Moon as vertical Apex of the vestiges of its Grand Trine with Pluto and Ceres,
reconstitutes the Grand Trine with Pluto and Ceres, eliminating need for the progressed Moon.The Mercury Reign cannot be the time of onset, when the Saturnin period precedes as when the worst happens.If eulogizing and bereavement for Kirstie Alley is part of the prophecy, the fire-&-flood catastrophe seems very close indeed.
The final line of VI.70 implies the event will not be satisfied with anything except the sole title 'Victor,' now implying the 7 December feast for Saint Victor of Piacenza.
So not far into the Great Mercury Reign for X.79, yet clearly beyond the immediately prior Saturnin interval.
Par Saturnins endurera le pire
By Saturnins the worst will be endured
[V.24]
Les Saturnins brules par les meuniers
The Saturnins burned by the millers
[VI.17]
So the early portion of the Great Mercury Reign, ensuing from the Saturnin period, appears to be the cataclysmic onset time - on 7 December 2022 specifically.
A little bit after Sunset in Geneva is when the critical sequence commences on that evening.
Sunset at 4:45 pm CET brings the Fortune jump from slightly below the Ecliptic to slightly above, not a big change due to the solar-lunar near opposition.
Saturn reaches the skewed Midheaven point at 5:02 pm CET, with Fortune then nearing Venus.
The critical triggering condition may be when Venus is conjoined by Fortune 7 December 2022 5:08 pm CET: not only is it strange timing, just before Venus falls beneath the horizon, but also the East Point comes into a position where it
necessary date to reach.As this East Point transitory Grand Trine forms at 5:09 pm CET, the Vertex is with the South Node - that sudden Grand Trine could be the 'Good Omen' that besieges a city in II.66.
The East Point connection is broken before Venus reaches the Descendant, happening at 5:30 pm CET.
So this particular prophecy was given in stages rather than focusing on a single moment, full of enigmatic remarks that seem sometimes conflicting or imprecise.
The Venus-Fortune conjunction is at 7 December 2022 11:08 am EST / 8:08 am PST.There seems to be a connection with the anniversary of the 8 December 1980 event that ended hopes for a reunion of The Beatles, foretold in I.57 as stated prior.
In VI.70 the seer guides through the 2-3 December 2022 lunar and solar aspects with Chiron, identifies the further lunar conjunct as Ouranos (Heavens) around 5 December, then alludes to the 7 December feast for Saint Victor Piacenza as a
an ironic 'Good Omen' by which the city would be besieged.In II.66 the opening line foretold the 28 October 2022 Pelosi home invasion hammer attack; then the 4 December 2022 situation at Geneva Dawn was described, when Fortune made a jump from the position of Pallas. The final line suggests finding
Vertex Grand Trine for Wichita 12 January 1951 2:36 pm CST, is the Lady honored or celebrated through the time of massive fatalities from the force of terror incident (I.94).In V.18 Saint Felix of Valois as Trinitarian with 20 November feast was invoked, hinting at a woman with a Grand Trine involving the Vertex (Vitrix) in her natal chart: this suggests the recent passing of Kirstie Alley, with a Jupiter-Ouranos-
metals, however this is not necessarily a conjunction; another Trajan martyr (from the same year 250) feast was found 5 December for Saint Bassus of Nice.In V.66 the 25 October 2022 solar eclipse seems the subject of the 'gold engraving' in the final line, because it coincided with the feast of Trajan martyr Saint Minias of Florence. The 'Sun and Moon' in line 3 are associated with glittering
and Lombardy match the Colorado Springs nightclub shooting into 20 November 2022, via feast for Saint Benignus. Feast for Saint Mirocles of Milan made 3 December another Lombardy date.In V.42 the Revelation Cup of Wrath theme is revealed through the angels administering the dark task of delivering Divine Fury, with a focus on the Black Forest region (suggesting Geneva) for the building of a fire; the references to a Tavern
fraction of a degree, so they appear together; and the Sun will be at the East Point. The chart looks especially ominous, because Fortune is at the Descendant, reconstituting a Grand Trine with Pluto and Ceres (that originated as a Lunar Grand Trine).The 4 December date corresponded with numerous potential matches: Saint Bernard degli Uberti for Parma in VII.5; Saint Clement of Alexandria as the Bible reader of V.83; Saint Apro for Lyons (VIII.34) and Gaul (X.58).
The Saturnin period has been defined as a resumed Vestal Reign, leading into the supremacy of Great Mercury (X.79), which will last until Venus enters Capricorn 10 December 2022 4:55 am CET.
Of two notable anniversaries, the 7 December 1941 attack on Pearl Harbor, and the 8 December 1980 assassination of John Lennon, the latter seems more likely to be critically indicated, from observing the celestial movements.
Before Dawn for Geneva 8 December 2022 6:28 am CET there will be an augmented Sagittarius Sun - Gemini Mars opposition (both at 16 degrees 5 minutes): the Moon will have only surpassed Mars (the next lunar conjunct after Ouranos) by a
its trine with Aquarian Saturn past twenty degrees (IX.44, 72).When Dawn arrives for Geneva at 8:11 am CET, since the Sun and Moon are in opposition the jump for Fortune is a slight distance, staying in Gemini with a leap from around 3 degrees to the Moon's position past 17.5 degrees.
When Venus rises at 9:05 am CET, it is clearly not going to be replay of the 9-11 attacks, where Mercury was rising locally at event onset: nothing seems engaged then.
A different story emerges.
Those which had been perceived as Under The Balance 17 November 2022 12:47 am CET become background identification for V.42, meaning the Sun, Venus, and Mercury, will cross the Midheaven point in succession, as the Gemini Moon moves towards
Midheaven before the onset: and when Midheaven is midway between Venus and Mercury at 1:27 pm CET, the Vertex drops to the Descendant, as a possible secondary triggering condition nine minutes after Venus at Midheaven.The Sun at Midheaven 12:28 pm CET does not appear very ominous.
When Venus arrives at Midheaven 8 December 2022 1:18 pm CET [/ 7:18 am EST / 4:18 am PST], the Vertex and Fortune are clustered with Ceres at the Descendant; and the Moon is eleven minutes of a degree from its trine with Saturn.
The implication is the cataclysm occurs when Venus is at the Apex (non-skewed Prime Vertical), exalted over Geneva's celestial Vault, and the lunar trine with Saturn is the prominent fateful aspect. This timing precludes Mercury reaching
result determined recently completes the 'newly-elected' portion of VI.21, with 'great sustained trembling' to follow; the remainder of VI.21 concerned the country of Georgia in an uprising circa August 2008.Mercury reaching Midheaven in the seer's version is grouped along with Venus, although that incident at 1:38 pm CET would invalidate the 'Venus as Mystery Babylon' theme, if the fiery explosion happens subsequently.
Saturn has its lunar trine at 1:40 pm CET, with both Saturn and the Moon positioned at 20 degrees 21 minutes in their respective signs, coinciding closely with Mercury at the Midheaven point.
The next lunar aspect is a square with Neptune 8 December 2022 6:13 pm CET, suggesting the Corinth-Ephesus perplexity of III.3, presumably while the sustained trembling is an ongoing reality. The US state of Georgia runoff election having its
that descend suggests perhaps a full day of unusual vibrations and sensations, leading into an otherwise normal night when the sustained trembling finally subsides.The rulership of Great Mercury (X.79) terminates when Venus enters Capricorn 10 December 2022 4:55 am CET, yet that timing is not clearly associated with anything specifically. Applying the VII.5 scheduling for the two inexplicable nights
isolated incident clearly manifests the menacing 'Good Omen' for the final line of II.66, to restate the obvious.The brief reappearance of the Grand Trine with Pluto and Ceres through Fortune being fortuitously positioned at the Descendant during the Mars solar opposition, augmented by the separate yet coordinated Moon and East point placements, as an
arrives swiftly from that final sign.The Sun-Mars opposition of 8 December 2022 is not itself the time of onset, but a short-term precursor that could be mistaken for an auspicious occurrence: a bad omen masquerading as a good one. The setup for the actual incident to debase Venus
8 December with Venus at Midheaven.The Mobile Sign of I.54 arrived earlier, with Venus at the Nadir under the Balance for Geneva during the partisan determination of the US House of Representatives; V.42 referred back to that 17 November 2022 situation, while looking forward to
assessed.My theory of the Saturnin-Vestal period does not seem to be necessary or correct: the Saturn lunar trine at the time of onset is sufficient for the 'Saturnin' term, having a timely connection. However the Great Mercury Reign does seem properly
Gemini. The Sun and Mars remain roughly in opposition at a slightly different angle.The 8 December 2022 is the 42nd year since the 1980 assassination of John Lennon, which was the subject of I.57; it is also the feast of the Immaculate Conception, referring to the spiritual purity of Christ's Mother Mary.
Par grand discord la terre tremblera
Accord rompu dressant la tete au ciel
Bouche sanglante dans le sang nagera
Au sol la face ointe de lait and miel
The world's South Pacific to tremble from the great discord - Harmony thus being broken, towards Heaven the head uplifting -The Mars lunar conjunct of 8 December 2022 was an occultation, so astronomically close it was a sort of eclipse.
The mouth engulfed, swimming in blood, unable to speak a word -
The face on the ground anointed with Milk And Honey recording
The Saturnin interval following the Saturn lunar trine ends with the Neptune lunar square (6:13 pm CET).
Dusk (4:45 pm CET) causes Fortune to leap from 21 degrees 39 minutes Sagittarius (slightly above the Ecliptic) to 11 degrees 8 minutes in the same sign, slightly below the Ecliptic.
Then Venus has its debasing moment reaching the Descendant 8 December 2022 5:32 pm CET [/ 11:32 am EST / 8:32 am PST]: this arrives when Fortune is at 22 degrees 28 minutes Sagittarius, in direct opposition with the Moon at 22 degrees 18 minutes
PST].So the Venus falling for Geneva 8 December 2022 5:32pm CET is the presumed triggering condition for the double cataclysm of fire and flood.
Also at that moment the Vertex opposes Ouranos along the Sixth and Twelfth House cusps.
It is not until the Neptune lunar square that the genuine Saturnin interval concludes.Since Brittney Griner was released in a swap for Russian arms dealer Viktor Bout, who had served eleven years of a twenty-five year sentence, this situation could apply to the theme of 'one captive eating the other' from III.13 and IV.38.
Viktor Bout could be the proud or conceited one who escapes captivity in II.92.
The female athlete (Gymnique) captive held as hostage from IV.41 seems applicable, unclear about line 2 where guards are deceived by night.
A captive lady is conducted through Turkey in IV.58, uncertain if that was the route.
In VII.18 there is a captive lady who had woven peace.
Perhaps relating to Bout, IX.92 has a freed captive speaking and acting falsely.
The details within each of these quatrains should be examined further for potential current confluences.
II.92
Fire color of gold in the sky viewed from land
Struck from the high-born, marvelous deed accomplished
Great human murder, the nephew of the great one taken
Deaths as spectacles, the conceited one escaped
The high-born one could be Jupiter at Geneva's Vault Apex. The nephew phrase is cryptic.
III.13
By lightning in the arc, gold and silver melted
Of the two captives one will consume the other
For the city the greatest extension
When submerged the fleet will swim
Again this presents the glittering metals theme of V.66, like II.92 - and -
IV.38
Before the assault one will eat the other
Melted metal will follow the trail of blood
Finally, a very clear picture of Brittney Griner as 'Gymnique' -
IV.41
Gymnique sexe captive par otage
Viendra de nuit custodes decevoir
Female athlete held captive as hostage
Custodians will come to be deceived by night
So the Griner release appears to be yet another precursor for the double cataclysm.Venus to be conjoined by Fortune 8 December 2022 5:58 pm CET, fifteen minutes before the genuine Saturnin period becomes the Corinth-Ephesus perplexity situation.
When reversing the name John Lennon, the result sounded like Men of Mars' - the Moon past the occultation conjunct with Mars seems ominous.
Three Grand Trines were found in the assassination scenario for John in 1980: before, during and after, in a short span of time with a planetary bucket configuration, using conceptual points and asteroid outliers.
An upright Grand Trine (during the murder) with the Midheaven point including the conjunction of Jupiter and Saturn as one of its base points, with the Vertex on the other side.Since this massively fatal cataclysmic incident is apparently imminent, last-minute reassessments have to take into account the actual circumstances.
The interval between the Neptune lunar square [8 December 2022 6:13 pm CET] and the Pallas lunar adjacency [9 December 2022 1:04 am CET] had Saturn reaching the Descendant 9:54 pm CET, however this did not involve Venus.
Reconsidering II.66, IX.44, III.3 and relevant quatrains brings a new scenario.
The Pallas lunar adjacency after the Neptune lunar square could be the 'Palace' by which people are trapped in II.66: so the perplexity of Corinth and Ephesus would be the prior condition that is disturbed.
Going beyond the Pallas adjacency is the fateful moment when Venus is debased at the Nadir in the Geneva chart, 9 December 2022 1:19 am CET (only fifteen minutes later).
The subsequent lunar aspect is an adjacency with Lilith (very near Pallas) at 1:59 am CET.
Venus at the Nadir does not find Saturn significantly engaged for IX.44 - however, since Fortune moves swiftly, it arrives into adjacency with Saturn (both at 20 degrees 24 minutes) 9 December 2022 1:25 am CET [/ 8 December 2022 7:25 pm EST / 4:25 pm
The Saturn-Fortune adjacency is a minor aspect that might be difficult to detect even with advanced programs.
And Venus will still be identifiably close to the Nadir, with only six minutes having elapsed from that point: Mercury does not reach the Nadir until 1:39 am CET, nearly fifteen minutes after the critical subtle participation of Saturn.
-Vestal Reign, justifying the invented identification. The unique Saturnin interval terminates shortly, when Mercury enters Capricorn.Now that Venus fell at the Geneva Ascendant with the Lunar Grand Trine (including Pluto and Ceres) fully inverted 6 December 2022 5:28 pm CET, her relevant influence seems diminished.
Saturn and Vesta now appear to be the significant agents, but first the Moon progresses into Gemini at 9:49 pm CET - with Saturn poised near its fall at the Descendant, almost identically situated as at the outset of the 'Saturnin'
, this should be the commencement of the third 'normal' night from VII.5.Saturn reaches the Descendant 6 December 2022 10:01 pm CET [/ 4:01 pm EST / 1:01 pm PST], with Vesta conjoined by Fortune: this is now expected to trigger the fire-and-flood double cataclysm, hinted by IX.44.
The Saturnin period gives way to the Great Mercury Reign (X.79) at 11:10 pm CET, as Mercury reaches Capricorn.
Vesta then follows at the Descendant 11:20 pm CET, for the 'sepulchral fire' prediction of X.6.
The Corinth-Ephesus perplexity of III.3 appears to suggest when the sustained trembling will finally cease, at the Neptune lunar square aspect of 8 December 2022 6:13 pm CET. Since this happens after Sunset (4:45 pm CET for Geneva)
nights to Warn' prophecy of V.83 to manifest.If the onset arrived with Saturn at the Geneva Descendant 6 December 2022 10:01 PM CET, the Neptune lunar square should present a time about 44 hours later, so the catastrophic sequence easily allows sufficient time for the three
the numeric age is close to presumed retirement for the lyrical theme, the number 64 is also the total number of hexagrams in the I Ching Chinese divination method.*
Back to The Beatles, although Paul McCartney started writing "When I'm Sixty-Four" much earlier than the Sgt Pepper sessions, his father was turning the title age (born 7 July - same as Richard Starkey - in 1902) circa 1967. While
should be considered that having the Vertex complete a Grand Trine in the natal chart could make Kirstie Alley the Lady of the Vertex whose life would be celebrated during the Hecatomb-Sacrifice.The sequence in the tune where the resonant bell alternates with George Martin playing clarinet suggests,
'The Changes Outlined In A Book -'
<Bell>
'Written -'
<Bell>
'...Back In China..'This timing being correct would explain why no female saint was convincingly derived for the final line of I.94 -
Dame par force de frayeur honoree
Lady by force of terror honored
The report of the recent death of celebrity actress Kirstie Alley could be what was intended, in another real-world prediction unexpectedly fulfilled.One site gives Kirstie Alley's birth time as 2 pm local CST, on 12 January 1951, in Wichita, Kansas.
https://aaps.space/kundli/kirstie-alley/
I found a near-trine at 2 pm CST between Jupiter at 7 degrees Pisces, and Ouranos at 6 degrees 50 minutes Cancer.
Then the Vertex slips through Scorpio to make a Grand Trine around 2:36 pm CST.
It is odd to notice the word 'Vitrix' in V.18, regarding the solution for Saint Felix of Valois --
Celebrera son Vitrix l'hecatombe
There is a slight difference between Vitrix and Vertex: Vitrix is translated as Conqueress, but the meaning is that Trinitarian Felix would die forlorn from grief about the Grand Trine employed in a mass slaughter prophecy. But it
appearing Upright, so that the grouping with Venus is below what would have been the Balance line oriented another way.His Vertex Lady will be celebrated during the Sacrifice
The Victor of VI.70 would be Saint Victor of Piacenza with the 7 December feast.
In IV.95 line 4 the use of Victor is ambiguously followed by 'puine' which could indicate Mercury as solar cadet.
Victor puine en Armonique terre
Victor, cadet into Brittany territory
The same saint Victor of 7 December in 2022 is within the Great Mercury Reign, as would be 9 December as Brittany soil, via feast for Saint Boduc.
The Great Mercury Reign ends when Venus enters Capricorn 10 December 2022 around 5 am CET.A further moment before the Saturnin-defined interval ends in less than an hour (10:40 pm CET / 4:40 pm EST) has Venus at the Fifth House cusp, and the Moon as vertical Apex of the vestiges of its Grand Trine with Pluto and Ceres,
reconstitutes the Grand Trine with Pluto and Ceres, eliminating need for the progressed Moon.The Mercury Reign cannot be the time of onset, when the Saturnin period precedes as when the worst happens.If eulogizing and bereavement for Kirstie Alley is part of the prophecy, the fire-&-flood catastrophe seems very close indeed.
The final line of VI.70 implies the event will not be satisfied with anything except the sole title 'Victor,' now implying the 7 December feast for Saint Victor of Piacenza.
So not far into the Great Mercury Reign for X.79, yet clearly beyond the immediately prior Saturnin interval.
Par Saturnins endurera le pire
By Saturnins the worst will be endured
[V.24]
Les Saturnins brules par les meuniers
The Saturnins burned by the millers
[VI.17]
So the early portion of the Great Mercury Reign, ensuing from the Saturnin period, appears to be the cataclysmic onset time - on 7 December 2022 specifically.
A little bit after Sunset in Geneva is when the critical sequence commences on that evening.
Sunset at 4:45 pm CET brings the Fortune jump from slightly below the Ecliptic to slightly above, not a big change due to the solar-lunar near opposition.
Saturn reaches the skewed Midheaven point at 5:02 pm CET, with Fortune then nearing Venus.
The critical triggering condition may be when Venus is conjoined by Fortune 7 December 2022 5:08 pm CET: not only is it strange timing, just before Venus falls beneath the horizon, but also the East Point comes into a position where it
necessary date to reach.As this East Point transitory Grand Trine forms at 5:09 pm CET, the Vertex is with the South Node - that sudden Grand Trine could be the 'Good Omen' that besieges a city in II.66.
The East Point connection is broken before Venus reaches the Descendant, happening at 5:30 pm CET.
So this particular prophecy was given in stages rather than focusing on a single moment, full of enigmatic remarks that seem sometimes conflicting or imprecise.
The Venus-Fortune conjunction is at 7 December 2022 11:08 am EST / 8:08 am PST.There seems to be a connection with the anniversary of the 8 December 1980 event that ended hopes for a reunion of The Beatles, foretold in I.57 as stated prior.
In VI.70 the seer guides through the 2-3 December 2022 lunar and solar aspects with Chiron, identifies the further lunar conjunct as Ouranos (Heavens) around 5 December, then alludes to the 7 December feast for Saint Victor Piacenza as a
finding an ironic 'Good Omen' by which the city would be besieged.In II.66 the opening line foretold the 28 October 2022 Pelosi home invasion hammer attack; then the 4 December 2022 situation at Geneva Dawn was described, when Fortune made a jump from the position of Pallas. The final line suggests
Ouranos-Vertex Grand Trine for Wichita 12 January 1951 2:36 pm CST, is the Lady honored or celebrated through the time of massive fatalities from the force of terror incident (I.94).In V.18 Saint Felix of Valois as Trinitarian with 20 November feast was invoked, hinting at a woman with a Grand Trine involving the Vertex (Vitrix) in her natal chart: this suggests the recent passing of Kirstie Alley, with a Jupiter-
glittering metals, however this is not necessarily a conjunction; another Trajan martyr (from the same year 250) feast was found 5 December for Saint Bassus of Nice.In V.66 the 25 October 2022 solar eclipse seems the subject of the 'gold engraving' in the final line, because it coincided with the feast of Trajan martyr Saint Minias of Florence. The 'Sun and Moon' in line 3 are associated with
Tavern and Lombardy match the Colorado Springs nightclub shooting into 20 November 2022, via feast for Saint Benignus. Feast for Saint Mirocles of Milan made 3 December another Lombardy date.In V.42 the Revelation Cup of Wrath theme is revealed through the angels administering the dark task of delivering Divine Fury, with a focus on the Black Forest region (suggesting Geneva) for the building of a fire; the references to a
fraction of a degree, so they appear together; and the Sun will be at the East Point. The chart looks especially ominous, because Fortune is at the Descendant, reconstituting a Grand Trine with Pluto and Ceres (that originated as a Lunar Grand Trine).The 4 December date corresponded with numerous potential matches: Saint Bernard degli Uberti for Parma in VII.5; Saint Clement of Alexandria as the Bible reader of V.83; Saint Apro for Lyons (VIII.34) and Gaul (X.58).
The Saturnin period has been defined as a resumed Vestal Reign, leading into the supremacy of Great Mercury (X.79), which will last until Venus enters Capricorn 10 December 2022 4:55 am CET.
Of two notable anniversaries, the 7 December 1941 attack on Pearl Harbor, and the 8 December 1980 assassination of John Lennon, the latter seems more likely to be critically indicated, from observing the celestial movements.
Before Dawn for Geneva 8 December 2022 6:28 am CET there will be an augmented Sagittarius Sun - Gemini Mars opposition (both at 16 degrees 5 minutes): the Moon will have only surpassed Mars (the next lunar conjunct after Ouranos) by a
its trine with Aquarian Saturn past twenty degrees (IX.44, 72).When Dawn arrives for Geneva at 8:11 am CET, since the Sun and Moon are in opposition the jump for Fortune is a slight distance, staying in Gemini with a leap from around 3 degrees to the Moon's position past 17.5 degrees.
When Venus rises at 9:05 am CET, it is clearly not going to be replay of the 9-11 attacks, where Mercury was rising locally at event onset: nothing seems engaged then.
A different story emerges.
Those which had been perceived as Under The Balance 17 November 2022 12:47 am CET become background identification for V.42, meaning the Sun, Venus, and Mercury, will cross the Midheaven point in succession, as the Gemini Moon moves towards
Midheaven before the onset: and when Midheaven is midway between Venus and Mercury at 1:27 pm CET, the Vertex drops to the Descendant, as a possible secondary triggering condition nine minutes after Venus at Midheaven.The Sun at Midheaven 12:28 pm CET does not appear very ominous.
When Venus arrives at Midheaven 8 December 2022 1:18 pm CET [/ 7:18 am EST / 4:18 am PST], the Vertex and Fortune are clustered with Ceres at the Descendant; and the Moon is eleven minutes of a degree from its trine with Saturn.
The implication is the cataclysm occurs when Venus is at the Apex (non-skewed Prime Vertical), exalted over Geneva's celestial Vault, and the lunar trine with Saturn is the prominent fateful aspect. This timing precludes Mercury reaching
its result determined recently completes the 'newly-elected' portion of VI.21, with 'great sustained trembling' to follow; the remainder of VI.21 concerned the country of Georgia in an uprising circa August 2008.Mercury reaching Midheaven in the seer's version is grouped along with Venus, although that incident at 1:38 pm CET would invalidate the 'Venus as Mystery Babylon' theme, if the fiery explosion happens subsequently.
Saturn has its lunar trine at 1:40 pm CET, with both Saturn and the Moon positioned at 20 degrees 21 minutes in their respective signs, coinciding closely with Mercury at the Midheaven point.
The next lunar aspect is a square with Neptune 8 December 2022 6:13 pm CET, suggesting the Corinth-Ephesus perplexity of III.3, presumably while the sustained trembling is an ongoing reality. The US state of Georgia runoff election having
that descend suggests perhaps a full day of unusual vibrations and sensations, leading into an otherwise normal night when the sustained trembling finally subsides.The rulership of Great Mercury (X.79) terminates when Venus enters Capricorn 10 December 2022 4:55 am CET, yet that timing is not clearly associated with anything specifically. Applying the VII.5 scheduling for the two inexplicable nights
isolated incident clearly manifests the menacing 'Good Omen' for the final line of II.66, to restate the obvious.The brief reappearance of the Grand Trine with Pluto and Ceres through Fortune being fortuitously positioned at the Descendant during the Mars solar opposition, augmented by the separate yet coordinated Moon and East point placements, as an
Venus arrives swiftly from that final sign.The Sun-Mars opposition of 8 December 2022 is not itself the time of onset, but a short-term precursor that could be mistaken for an auspicious occurrence: a bad omen masquerading as a good one. The setup for the actual incident to debase
to 8 December with Venus at Midheaven.The Mobile Sign of I.54 arrived earlier, with Venus at the Nadir under the Balance for Geneva during the partisan determination of the US House of Representatives; V.42 referred back to that 17 November 2022 situation, while looking forward
properly assessed.My theory of the Saturnin-Vestal period does not seem to be necessary or correct: the Saturn lunar trine at the time of onset is sufficient for the 'Saturnin' term, having a timely connection. However the Great Mercury Reign does seem
minutes Gemini. The Sun and Mars remain roughly in opposition at a slightly different angle.The 8 December 2022 is the 42nd year since the 1980 assassination of John Lennon, which was the subject of I.57; it is also the feast of the Immaculate Conception, referring to the spiritual purity of Christ's Mother Mary.
Par grand discord la terre tremblera
Accord rompu dressant la tete au ciel
Bouche sanglante dans le sang nagera
Au sol la face ointe de lait and miel
The world's South Pacific to tremble from the great discord - Harmony thus being broken, towards Heaven the head uplifting -The Mars lunar conjunct of 8 December 2022 was an occultation, so astronomically close it was a sort of eclipse.
The mouth engulfed, swimming in blood, unable to speak a word - The face on the ground anointed with Milk And Honey recording
The Saturnin interval following the Saturn lunar trine ends with the Neptune lunar square (6:13 pm CET).
Dusk (4:45 pm CET) causes Fortune to leap from 21 degrees 39 minutes Sagittarius (slightly above the Ecliptic) to 11 degrees 8 minutes in the same sign, slightly below the Ecliptic.
Then Venus has its debasing moment reaching the Descendant 8 December 2022 5:32 pm CET [/ 11:32 am EST / 8:32 am PST]: this arrives when Fortune is at 22 degrees 28 minutes Sagittarius, in direct opposition with the Moon at 22 degrees 18
PST].So the Venus falling for Geneva 8 December 2022 5:32pm CET is the presumed triggering condition for the double cataclysm of fire and flood.
Also at that moment the Vertex opposes Ouranos along the Sixth and Twelfth House cusps.
It is not until the Neptune lunar square that the genuine Saturnin interval concludes.Since Brittney Griner was released in a swap for Russian arms dealer Viktor Bout, who had served eleven years of a twenty-five year sentence, this situation could apply to the theme of 'one captive eating the other' from III.13 and IV.38.
Viktor Bout could be the proud or conceited one who escapes captivity in II.92.
The female athlete (Gymnique) captive held as hostage from IV.41 seems applicable, unclear about line 2 where guards are deceived by night.
A captive lady is conducted through Turkey in IV.58, uncertain if that was the route.
In VII.18 there is a captive lady who had woven peace.
Perhaps relating to Bout, IX.92 has a freed captive speaking and acting falsely.
The details within each of these quatrains should be examined further for potential current confluences.
II.92
Fire color of gold in the sky viewed from land
Struck from the high-born, marvelous deed accomplished
Great human murder, the nephew of the great one taken
Deaths as spectacles, the conceited one escaped
The high-born one could be Jupiter at Geneva's Vault Apex. The nephew phrase is cryptic.
III.13
By lightning in the arc, gold and silver melted
Of the two captives one will consume the other
For the city the greatest extension
When submerged the fleet will swim
Again this presents the glittering metals theme of V.66, like II.92 - and -
IV.38
Before the assault one will eat the other
Melted metal will follow the trail of blood
Finally, a very clear picture of Brittney Griner as 'Gymnique' -
IV.41
Gymnique sexe captive par otage
Viendra de nuit custodes decevoir
Female athlete held captive as hostage
Custodians will come to be deceived by night
So the Griner release appears to be yet another precursor for the double cataclysm.Venus to be conjoined by Fortune 8 December 2022 5:58 pm CET, fifteen minutes before the genuine Saturnin period becomes the Corinth-Ephesus perplexity situation.
When reversing the name John Lennon, the result sounded like Men of Mars' - the Moon past the occultation conjunct with Mars seems ominous.
Three Grand Trines were found in the assassination scenario for John in 1980: before, during and after, in a short span of time with a planetary bucket configuration, using conceptual points and asteroid outliers.
An upright Grand Trine (during the murder) with the Midheaven point including the conjunction of Jupiter and Saturn as one of its base points, with the Vertex on the other side.Since this massively fatal cataclysmic incident is apparently imminent, last-minute reassessments have to take into account the actual circumstances.
The interval between the Neptune lunar square [8 December 2022 6:13 pm CET] and the Pallas lunar adjacency [9 December 2022 1:04 am CET] had Saturn reaching the Descendant 9:54 pm CET, however this did not involve Venus.
Reconsidering II.66, IX.44, III.3 and relevant quatrains brings a new scenario.
The Pallas lunar adjacency after the Neptune lunar square could be the 'Palace' by which people are trapped in II.66: so the perplexity of Corinth and Ephesus would be the prior condition that is disturbed.
Going beyond the Pallas adjacency is the fateful moment when Venus is debased at the Nadir in the Geneva chart, 9 December 2022 1:19 am CET (only fifteen minutes later).
The subsequent lunar aspect is an adjacency with Lilith (very near Pallas) at 1:59 am CET.
Venus at the Nadir does not find Saturn significantly engaged for IX.44 - however, since Fortune moves swiftly, it arrives into adjacency with Saturn (both at 20 degrees 24 minutes) 9 December 2022 1:25 am CET [/ 8 December 2022 7:25 pm EST / 4:25 pm
the entry of Venus into Capricorn 10 December 2022 4:55 am CET.The Saturn-Fortune adjacency is a minor aspect that might be difficult to detect even with advanced programs.
And Venus will still be identifiably close to the Nadir, with only six minutes having elapsed from that point: Mercury does not reach the Nadir until 1:39 am CET, nearly fifteen minutes after the critical subtle participation of Saturn.Current events (such as the death of Kirstie Alley, and release of Brittney Griner) have established the double cataclysm of fire and flood (the Anaxagoric Revolution from the Preface) will occur soon, before the Great Mercury Reign has concluded with
The amazing judicial astrology strongly indicates the evening of Friday, 9 December 2022 for Geneva, consulting animated local charts.way down.
Soon after 4 pm CET a Lunar Grand Trine forms with Vesta and the Vertex: this peaks around 4:30 pm CET, with Fortune conjoining Venus; it dissipates around 5 pm CET, as the Vertex joins the South Node. Vesta is at the Apex, tipping towards the right.
When Dusk arrives at 4:45 pm CET, the jump for Fortune is from the position of Mercury (3 degrees 12 minutes Capricorn) to 1 degree 23 minutes Sagittarius.
The extraordinary moment is synchronized with the perfected Mercury lunar opposition at 9 December 2022 4:55 pm CET:
Both the Cancer Moon and Mercury in Capricorn at 4 degrees 3 minutes in their respective signs;
Simultaneously, Saturn reaches the Midheaven point in trine with the Ascendant;
And a new Grand Trine materializes with the East Point augmenting the trine relationship of Pluto and Ceres, rejuvenating what had been observed initially as a Lunar Grand Trine previously.
It is as if Saturn passing the skewed Midheaven point creates an effect like cyclist Miss Gulch becoming the Wicked Witch riding a broomstick in the cyclone scene from "The Wizard Of Oz" -
Saturn itself will convert gold to sword
The innocuous Vertex Grand Trine vanishing as the sinister East Point Grand Trine suddenly becomes prominent happens while Venus-Babylon is still descending alone towards the Ecliptic, being made to receive the contents of the Cup of Divine Fury on her
Then Neptune ascends to the highest Apex of the celestial Vault, on the Eleventh House cusp, around 5 pm CET.briefly nearly achieves reinstating a Grand Trine between Neptune and the Lilith-Pallas pairing.
The East Point Grand Trine with Pluto and Ceres is pivoting on the Ceres-Fulcrum, tipping towards a balanced-level orientation for the top trine line.
This could be the Corinth perplexity, shortly following the Saturn at Midheaven moment; the Moon as Ephesus is itself occupied in Mercury opposition. Thus the perplexity has Neptune and the Moon separately engaged in different ways.
Since Ceres and Jupiter are in near opposition, Ceres reaches the False Nadir at 5:15 pm CET - by then the East Point Grand Trine has degraded into non-existence.
Jupiter follows Neptune at the Eleventh House cusp near-vertical Apex point at 5:20 pm CET, which may be the striking of the High-Born from II.92.
Venus descends beneath the Ecliptic at 5:34 pm CET.
So there seems to be close focus on a brief interval, alternating between which celestial bodies are crossing the actual Midheaven point versus the Eleventh House cusp false Prime Vertical, as Evening Star Venus sets for Geneva after Sunset.
The sequence appears to conclude when Vesta follows Saturn at the true Midheaven point 9 December 2022 5:53 pm CET: this moment is also Moonrise; it finds Mercury at the Descendant; and the Sun is conjoined by the Part of Fortune. Also the Vertex
The 'Tipping Urn' making its ominous phantom appearance once Saturn crossing Midheaven sets up Venus for an unpleasant fall below the horizon -Saturn reign condition from 18 December 2017, with the Sun progressing slightly before Saturn at the end of a lunar course).
So the critical time would be 9 December 2022 4:55 pm CET / 10:55 am EST / 7:55 am PST.
The Moon will not make a conjunction beyond Mars until 11 December 2022.
*
Car selon les signes celestes,
Le regne de Saturne sera de retour,
Que le tout calcule,
Le monde s'approche d'une anaragonique revolution
...Because according to the celestial signs,
The reign of Saturn will return -
So that all things being calculated,
The world will then be approaching an Anaxagoric revolution
The subtext to that Preface passage is that the 6 January 2021 Capitol rampage was during perhaps the critical initial reign of Saturn, whose astrological reprise will be 7 to 16 March 2023. (The preceding Preface sentence described the prior pre-
The Greek philosopher Anaxagoras predicted the world ending through a fire and flood cataclysm.
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