• Re: What are they saying in "Old Brown Shoe"?

    From Keith Woods@21:1/5 to Nil on Wed Jan 19 03:39:47 2022
    On Sunday, March 14, 2010 at 4:57:55 PM UTC-5, Nil wrote:
    What are the chanting vocals saying in the ending fadeout of "Old Brown Shoe"? It's so indistinct that my imagination can impose a number of different possibilities, but it really sounds most like nonsense
    syllables, something like "do-la, do-lay-do". The version sung by Gary
    Booker from the Concert for George sounds like of like "Too late, too
    late doll", but that doesn't really make much sense in the context of
    the song. Am I missing something obvious?
    It sounds like "Ooh Lord, too late now" to me.

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  • From Norbert K@21:1/5 to Nil on Wed Jan 19 04:39:48 2022
    On Sunday, March 14, 2010 at 5:57:55 PM UTC-4, Nil wrote:
    What are the chanting vocals saying in the ending fadeout of "Old Brown Shoe"? It's so indistinct that my imagination can impose a number of different possibilities, but it really sounds most like nonsense
    syllables, something like "do-la, do-lay-do". The version sung by Gary
    Booker from the Concert for George sounds like of like "Too late, too
    late doll", but that doesn't really make much sense in the context of
    the song. Am I missing something obvious?

    I'll go with nonsense syllables: "Do-lah, do-lay-do."

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  • From Heath Filmore II@21:1/5 to Norbert K on Thu Jul 7 09:49:02 2022
    On Wednesday, January 19, 2022 at 7:39:50 AM UTC-5, Norbert K wrote:
    On Sunday, March 14, 2010 at 5:57:55 PM UTC-4, Nil wrote:
    What are the chanting vocals saying in the ending fadeout of "Old Brown Shoe"? It's so indistinct that my imagination can impose a number of different possibilities, but it really sounds most like nonsense
    syllables, something like "do-la, do-lay-do". The version sung by Gary Booker from the Concert for George sounds like of like "Too late, too
    late doll", but that doesn't really make much sense in the context of
    the song. Am I missing something obvious?
    I'll go with nonsense syllables: "Do-lah, do-lay-do."
    It's "You know, who loves you." Heavily phased.

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  • From RJKellog@yahoo.com@21:1/5 to Heath Filmore II on Sun Jul 10 10:09:23 2022
    On Thursday, July 7, 2022 at 12:49:04 PM UTC-4, Heath Filmore II wrote:
    On Wednesday, January 19, 2022 at 7:39:50 AM UTC-5, Norbert K wrote:
    On Sunday, March 14, 2010 at 5:57:55 PM UTC-4, Nil wrote:
    What are the chanting vocals saying in the ending fadeout of "Old Brown Shoe"? It's so indistinct that my imagination can impose a number of different possibilities, but it really sounds most like nonsense syllables, something like "do-la, do-lay-do". The version sung by Gary Booker from the Concert for George sounds like of like "Too late, too late doll", but that doesn't really make much sense in the context of
    the song. Am I missing something obvious?
    I'll go with nonsense syllables: "Do-lah, do-lay-do."
    It's "You know, who loves you." Heavily phased.


    I'll buy that. It makes sense in the context of the song, and I think I hear it.

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  • From Rex Mundi@21:1/5 to RJKellog@yahoo.com on Tue Jul 12 06:28:28 2022
    On Georges 1992 Live In Japan album it sounds more like do-la,
    do-lay-do than any words.

    On Sun, 10 Jul 2022 10:09:23 -0700 (PDT), "RJKe...@yahoo.com" <RJKellog@yahoo.com> wrote:

    On Thursday, July 7, 2022 at 12:49:04 PM UTC-4, Heath Filmore II wrote:
    On Wednesday, January 19, 2022 at 7:39:50 AM UTC-5, Norbert K wrote:
    On Sunday, March 14, 2010 at 5:57:55 PM UTC-4, Nil wrote:
    What are the chanting vocals saying in the ending fadeout of "Old Brown >> > > Shoe"? It's so indistinct that my imagination can impose a number of
    different possibilities, but it really sounds most like nonsense
    syllables, something like "do-la, do-lay-do". The version sung by Gary >> > > Booker from the Concert for George sounds like of like "Too late, too
    late doll", but that doesn't really make much sense in the context of
    the song. Am I missing something obvious?
    I'll go with nonsense syllables: "Do-lah, do-lay-do."
    It's "You know, who loves you." Heavily phased.


    I'll buy that. It makes sense in the context of the song, and I think I hear it.






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  • From Curtis Eagal@21:1/5 to Nil on Wed Jul 13 06:52:54 2022
    On Sunday, March 14, 2010 at 2:57:55 PM UTC-7, Nil wrote:
    What are the chanting vocals saying in the ending fadeout of "Old Brown Shoe"? It's so indistinct that my imagination can impose a number of different possibilities, but it really sounds most like nonsense
    syllables, something like "do-la, do-lay-do". The version sung by Gary
    Booker from the Concert for George sounds like of like "Too late, too
    late doll", but that doesn't really make much sense in the context of
    the song. Am I missing something obvious?

    George Harrison might have been thinking of the Cole Porter song he covered later as a solo artist on "Thirty Three & 1/3," since the repetition sounds like,

    'TRUE LOVE!
    Truly True!'

    That seems simple, but try playing it backwards - there's a tie-in with an early idea for the title of "Abbey Road."

    The 1969 album was to be called something to do with Mount Everest, also associated with a brand of cigarettes so they scrapped that idea; McCartney has likened the title they went with to "Monastery Avenue."

    So in reverse the vocals in the coda of 'Old Brown Shoe' sound like repeating,

    'Higher -
    Than Mount Everest'

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  • From Norbert K@21:1/5 to eagali...@gmail.com on Wed Jul 13 09:13:14 2022
    On Wednesday, July 13, 2022 at 6:52:56 AM UTC-7, eagali...@gmail.com wrote:
    On Sunday, March 14, 2010 at 2:57:55 PM UTC-7, Nil wrote:
    What are the chanting vocals saying in the ending fadeout of "Old Brown Shoe"? It's so indistinct that my imagination can impose a number of different possibilities, but it really sounds most like nonsense
    syllables, something like "do-la, do-lay-do". The version sung by Gary Booker from the Concert for George sounds like of like "Too late, too
    late doll", but that doesn't really make much sense in the context of
    the song. Am I missing something obvious?
    George Harrison might have been thinking of the Cole Porter song he covered later as a solo artist on "Thirty Three & 1/3," since the repetition sounds like,

    'TRUE LOVE!
    Truly True!'

    That seems simple, but try playing it backwards - there's a tie-in with an early idea for the title of "Abbey Road."

    The 1969 album was to be called something to do with Mount Everest, also associated with a brand of cigarettes so they scrapped that idea; McCartney has likened the title they went with to "Monastery Avenue."

    So in reverse the vocals in the coda of 'Old Brown Shoe' sound like repeating,

    'Higher -
    Than Mount Everest'

    You lost me with the "Try playing it backwards" stuff.

    However, "True love, truly true" is the best suggestion I've heard. I was previously open to it being nonsense syllables.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Curtis Eagal@21:1/5 to Norbert K on Wed Jul 13 09:44:47 2022
    On Wednesday, July 13, 2022 at 9:13:16 AM UTC-7, Norbert K wrote:
    On Wednesday, July 13, 2022 at 6:52:56 AM UTC-7, eagali...@gmail.com wrote:
    On Sunday, March 14, 2010 at 2:57:55 PM UTC-7, Nil wrote:
    What are the chanting vocals saying in the ending fadeout of "Old Brown Shoe"? It's so indistinct that my imagination can impose a number of different possibilities, but it really sounds most like nonsense syllables, something like "do-la, do-lay-do". The version sung by Gary Booker from the Concert for George sounds like of like "Too late, too late doll", but that doesn't really make much sense in the context of the song. Am I missing something obvious?
    George Harrison might have been thinking of the Cole Porter song he covered later as a solo artist on "Thirty Three & 1/3," since the repetition sounds like,

    'TRUE LOVE!
    Truly True!'

    That seems simple, but try playing it backwards - there's a tie-in with an early idea for the title of "Abbey Road."

    The 1969 album was to be called something to do with Mount Everest, also associated with a brand of cigarettes so they scrapped that idea; McCartney has likened the title they went with to "Monastery Avenue."

    So in reverse the vocals in the coda of 'Old Brown Shoe' sound like repeating,

    'Higher -
    Than Mount Everest'
    You lost me with the "Try playing it backwards" stuff.

    However, "True love, truly true" is the best suggestion I've heard. I was previously open to it being nonsense syllables.

    Some source is giving the transcription prominently online as:

    "You know who loves you"

    The dvd captions for their film debut have the line in the title track "So why I love to come home" instead as "So why on earth should I moan?"

    Most people wouldn't think to try reversing anything, but I heard a live witness to a conference during a White Album session saying the subject was how a lyric change would affect the resulting reverse-composition in tandem. The sound engineers said
    after "Revolver" everything was played backwards before being okayed. A version of "Blue Jay Way" even has the reverse track running simultaneously mixed in at points.

    The song covers the same subliminal territory as "Hey Bulldog," which got cut from a version of the "Yellow Submarine" animated film: the "Bulldog" riff ends like ' - real nightmare'; the "Shoe" riff ends like '- had a dream.' Both songs work fine on
    their own, but slightly conflicting nuances when considered together. A similar situation with their cover versions of shelved "Leave My Kitten Alone" versus included "Honey Don't," a redundancy that fans would not have probably consciously noticed if
    both had been put on "Beatles For Sale."

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