• Re: Lily Pons Late

    From gggg gggg@21:1/5 to REG on Sat Jan 29 01:39:24 2022
    On Friday, April 16, 2010 at 2:54:53 AM UTC-10, REG wrote:
    I had not realized there were a few You Tubes of Pons at her fabled
    (probably the right word in this case) appearance at Philharmonic Hall
    in her mid 70s.
    There is a bit of a television special here, but with extended
    excerpts, here
    http://www.youtube.com/watch?v=DRtIuK1GNss&feature=related

    As well as the Filles de Cadiz which dav mentioned earlier.
    This really was supposed to have been a spectacular concert - Sills
    mentions in her first autobiography about how difficult it was for her
    to get tickets, and Kostie, who conducted, has written about what it
    took to make the concert work - he apparently spent a lot of energy
    getting her to cut back what she wanted to sing, which had originally included The Bell Song.
    In the event, the result (getting her to focus on what she could still
    do) seems to really have paid off.
    I was never a big Pons fan - I won't take the time now to go through
    the list of flaws, even from an early point in her career (I think
    that by the mid 30s, whatever the virtues were, were increasingly
    outweighed by the limitations) - but I am more than happily surprised
    by what was left forty years later. There's no real wobble, the
    intonation is almost always true (not so much the case in the prior
    four decades!!), the voice production is clear, and without any hint
    of spreading, and most importantly, she really did have the style.
    In the excerpt narrated by Lorne Greene, you will hear a lengthy
    section of Marie's aria from Fille, and the style is so pure and so
    really French, that it puts both Damrau and, even more, Dessay, to
    shame. Every word is clear, all the notes are cleanly articulated and
    on the breath, there are no false slides into notes, and the vocal
    line isn't distended at any point - the singing is like a violinist
    playing, which is just what French style actually is (and which is why
    the Hamlet, among other reasons, didn't work for me).
    Quite impressive.

    In 1955, she appeared on the tv program WHAT'S MY LINE? (see the following Youtube upload):

    WHATS MY LINE 06 03 1955 with LILY PONS

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