• "... Modernist music's abandonment of structure and form presented

    From ggggg9271@gmail.com@21:1/5 to gggg...@gmail.com on Sun Oct 11 21:31:45 2020
    On Friday, March 27, 2020 at 1:34:01 AM UTC-7, gggg...@gmail.com wrote:
    http://www.od43.com/Entartete_Musik.html

    According to this:

    - The Nazi classification of much modernist art as Jewish, bolshevist and ‘degenerate’ enabled second-rate, conservative artists to rise to a certain prominence.

    https://www.historytoday.com/archive/review/buying-nazism

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  • From John W Kennedy@21:1/5 to ggggg9271@gmail.com on Mon Oct 12 16:02:31 2020
    On 10/12/20 12:31 AM, ggggg9271@gmail.com wrote:
    On Friday, March 27, 2020 at 1:34:01 AM UTC-7, gggg...@gmail.com wrote:
    http://www.od43.com/Entartete_Musik.html

    According to this:

    - The Nazi classification of much modernist art as Jewish, bolshevist and ‘degenerate’ enabled second-rate, conservative artists to rise to a certain prominence.

    https://www.historytoday.com/archive/review/buying-nazism

    It was sixty years later that Kálmán’s operetta, “The Duchess of Chicago”, finally made it to New York. It involves a ridiculously rich
    young American lady whose romance with a Ruritanian prince is troubled
    by the fact that she hates the Waltz and he hates the Charleston.

    Charleston! Charleston! Tanzt man heut’.
    Charleston! Charleston! Alles schreit.
    Bobby, Jimmy, ihr seid die Herr’n.
    Vielleicht schon Morgen ist was andres modern....


    --
    John W. Kennedy
    "The blind rulers of Logres
    Nourished the land on a fallacy of rational virtue."
    -- Charles Williams. "Taliessin through Logres: Prelude"

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