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Leon Russell, the longhaired, scratchy-voiced pianist, guitarist, songwriter and bandleader who moved from playing countless recording sessions to making hits on his own, died on Saturday in Nashville, Tenn. He was 74.
His death was announced on his website, which said that he had died in his sleep but gave no specific cause.
Mr. Russell had significant health difficulties over the past five years. In 2010, he underwent surgery for a brain fluid leak and was treated for heart failure. In July of this year, Mr. Russell suffered a heart attack, and was scheduled for further
surgery, according to a news release from the historical society of Oklahoma, his home state.
With a top hat on his head, hair well past his shoulders, a long beard, an Oklahoma drawl in his voice and his fingers splashing two-fisted barrelhouse piano chords, Mr. Russell cut a flamboyant figure in the early 1970s. He led Joe Cocker’s band Mad
Dogs & Englishmen, appeared at George Harrison’s 1971 Concert for Bangladesh and had hits of his own, including “Tight Rope.” His songs also became hits for others, among them “Superstar” (written with Bonnie Bramlett) for the Carpenters, “
Delta Lady” for Joe Cocker and “This Masquerade” for George Benson. More than 100 acts have recorded “A Song for You,” a song Mr. Russell said he wrote in 10 minutes.
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By the time Mr. Russell released his first solo album in 1970, he had already played on hundreds of songs as one of the top studio musicians in Los Angeles. Mr. Russell was in Phil Spector’s Wall of Sound Orchestra, and he played sessions for Frank
Sinatra, Sam Cooke, Aretha Franklin, the Ventures and the Monkees, among many others. He is heard on “Mr. Tambourine Man” by the Byrds, “A Taste of Honey” by Herb Alpert, “Live With Me” by the Rolling Stones and all of the Beach Boys’ early
albums, including “Pet Sounds.”
The music Mr. Russell made on his own put a scruffy, casual surface on rich musical hybrids, interweaving soul, country, blues, jazz, gospel, pop and classical music. Like Willie Nelson, who would collaborate with him, and Ray Charles, whose 1993
recording of “A Song for You” won a Grammy Award, Mr. Russell made a broad, sophisticated palette of American music sound down-home and natural.
After Mr. Russell’s peak of popularity in the 1970s, he shied away from self-promotion and largely set aside rock, though he kept on performing. But he was prized as a musicians’ musician, collaborating with Elvis Costello and Elton John among others.
In 2011, after making a duet album with Mr. John, “The Union,” he was inducted into the Rock and Roll Hall of Fame. At the ceremony, Mr. John called him “the master of space and time” and added, “He sang, he wrote and he played just how I
wanted to do it.”
Leon Russell was born Claude Russell Bridges in Lawton, Okla., on April 2, 1941. An injury to his upper vertebrae at birth caused a slight paralysis on his right side that would shape his music, since a delayed reaction time forced him to think ahead
about what his right hand would play. “It gave me a very strong sense of duality,” he said last year in a Public Radio International interview.
He started classical piano lessons when he was 4 years old, played baritone horn in his high school marching band and also learned trumpet. At 14 he started gigging in Oklahoma; since it was a dry state at the time, he could play clubs without being old
enough to drink. Soon after he graduated from high school, Jerry Lee Lewis hired him and his band to back him on tour for two months.
He moved to Los Angeles in the late 1950s and found club work and then studio work; he also learned to play guitar. Calling himself Leon Russell — the name Leon came from a friend who lent him an ID so he could play California club dates while underage
— he drew on both his classical training and his Southern roots, playing everything from standards to surf-rock, from million-sellers to pop throwaways. He was glimpsed on television as a member of the house band for the prime-time rock show “Shindig!
,” the Shindogs, in the mid-1960s.
In 1967, he built a home studio and began working with the guitarist Marc Benno as the Asylum Choir, which released its debut album in 1968. He also started a record label, Shelter, in 1969 with the producer Denny Cordell. Mr. Russell drew more
recognition as a co-producer, arranger and musician on Joe Cocker’s second album, “Joe Cocker!,” which included Mr. Russell’s song “Delta Lady.”
When Mr. Cocker’s Grease Band fell apart days before an American tour, Mr. Russell assembled the big, boisterous band — including three drummers and a 10-member choir — that was named Mad Dogs & Englishmen. Its 1970 double live album and a tour
film became a showcase for Mr. Russell as well as Mr. Cocker; the album reached No. 2 on the Billboard album chart. Mr. Russell also released his first solo album in 1970; it included “A Song for You” and had studio appearances from Mr. Cocker, Eric
Clapton, two Beatles and three Rolling Stones. But Mr. Russell’s second album, “Leon Russell and the Shelter People,” fared better commercially; it reached No. 17 on the Billboard chart.
Mr. Russell had his widest visibility as the 1970s began. He played the 1971 Concert for Bangladesh at Madison Square Garden with George Harrison and Bob Dylan; he produced and played on Mr. Dylan’s songs “When I Paint My Masterpiece” and “
Watching the River Flow.” He toured with the Rolling Stones and with his own band. His third album, “Carney,” went to No. 2 with the hit “Tight Rope.” In 1973 his “Leon Live” album reached the Top 10; he also recorded his first album of
country songs under the pseudonym Hank Wilson. The fledgling Gap Band, also from Oklahoma, backed Mr. Russell in 1974 on his album “Stop All That Jazz.” His 1975 album “Will O’ the Wisp” included what would be his last Top 20 pop hit, “Lady
But he continued to work. He made duet albums with his wife at the time, Mary Russell (formerly Mary McCreary). And he collaborated with Willie Nelson for a double LP in 1979 of pop and country standards, “One for the Road,” which sold half a million
In 1979 Mr. Russell married Janet Lee Constantine, who survives him along with six children: Blue, Teddy Jack, Tina Rose, Sugaree, Honey and Coco.
For the next decades, Mr. Russell delved into various idioms, mostly recording for independent labels. He toured and recorded with the New Grass Revival, adding his piano and voice to their string-band lineup. He made more country albums as Hank Wilson.
He recorded blues, Christmas songs, gospel songs and instrumentals. In 1992 the songwriter and pianist Bruce Hornsby, who had long cited Mr. Russell’s influence, sought to rejuvenate Mr. Russell’s rock career by producing the album “Anything Can
Happen,” but it drew little notice. Mr. Russell continued to tour for die-hard fans who called themselves Leon Lifers.
A call in 2009 from Elton John, whom Mr. Russell had supported in the early 1970s, led to the making of “The Union” — which also had guest appearances by Neil Young and Brian Wilson — and a 10-date tour together in 2010. Mr. Russell also sat in
on Mr. Costello’s 2010 album, “National Ransom.” Then Mr. Russell, who had bought a new bus, returned to the road on his own.