• =?UTF-8?Q?THE_GHOST_OF_EDGAR_ALLAN_POE=3F_=E2=80=93_DYLAN=E2=80=99S_=E2

    From Christopher Rollason@21:1/5 to All on Sun Apr 3 08:34:55 2022
    Published today on my blog at: https://rollason.wordpress.com/2022/04/03/the-ghost-of-edgar-allan-poe-bob-dylans-the-philosophy-of-modern-song/

    THE GHOST OF EDGAR ALLAN POE? – BOB DYLAN’S ‘THE PHILOSOPHY OF MODERN SONG’

    Bob Dylan’s followers will already know that 1 November 2022 will see the publication of a brand new book from the songwriter’s hand (his third extended prose work), entitled ‘The Philosophy of Modern Song’. The pre-publication blurb at www.
    bobdylan.com calls the volume a ‘momentous artistic achievement’, offering a ‘master class on the art and craft of songwriting’ and featuring in-depth analyses of over 60 songs by the likes of Stephen Foster, Hank Williams, Nina Simone, Elvis
    Costello and many more.

    Even before seeing the book, a thought occurs to me about the title. Bob Dylan is known to be an admirer of the work of Edgar Allan Poe (even naming him on his most recent album, 2020’s ‘Rough and Rowdy Ways’) – in the corpus of whose essays may
    be found the titles ‘Philosophy of Furniture’, from 1840 and, famously and from 1846, ‘The Philosophy of Composition’, Poe’s oft-cited account of how he wrote his best-known poem, ‘The Raven’.

    Could Dylan’s arresting title (‘philosophy’ might seem a surprising lexical choice for a book on song) be a conscious harkback to Edgar Allan Poe? More will be revealed in November!

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Just Walkin'@21:1/5 to Christopher Rollason on Sun Apr 3 20:47:28 2022
    On Sunday, April 3, 2022 at 10:34:57 AM UTC-5, Christopher Rollason wrote:
    Published today on my blog at: https://rollason.wordpress.com/2022/04/03/the-ghost-of-edgar-allan-poe-bob-dylans-the-philosophy-of-modern-song/

    THE GHOST OF EDGAR ALLAN POE? – BOB DYLAN’S ‘THE PHILOSOPHY OF MODERN SONG’

    Bob Dylan’s followers will already know that 1 November 2022 will see the publication of a brand new book from the songwriter’s hand (his third extended prose work), entitled ‘The Philosophy of Modern Song’. The pre-publication blurb at www.
    bobdylan.com calls the volume a ‘momentous artistic achievement’, offering a ‘master class on the art and craft of songwriting’ and featuring in-depth analyses of over 60 songs by the likes of Stephen Foster, Hank Williams, Nina Simone, Elvis
    Costello and many more.

    Even before seeing the book, a thought occurs to me about the title. Bob Dylan is known to be an admirer of the work of Edgar Allan Poe (even naming him on his most recent album, 2020’s ‘Rough and Rowdy Ways’) – in the corpus of whose essays
    may be found the titles ‘Philosophy of Furniture’, from 1840 and, famously and from 1846, ‘The Philosophy of Composition’, Poe’s oft-cited account of how he wrote his best-known poem, ‘The Raven’.

    Could Dylan’s arresting title (‘philosophy’ might seem a surprising lexical choice for a book on song) be a conscious harkback to Edgar Allan Poe? More will be revealed in November!
    Good thinking!

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Will Dockery@21:1/5 to Christopher Rollason on Mon Apr 4 03:01:14 2022
    On Sunday, April 3, 2022 at 11:34:57 AM UTC-4, Christopher Rollason wrote:

    Published today on my blog at: https://rollason.wordpress.com/2022/04/03/the-ghost-of-edgar-allan-poe-bob-dylans-the-philosophy-of-modern-song/

    THE GHOST OF EDGAR ALLAN POE? – BOB DYLAN’S ‘THE PHILOSOPHY OF MODERN SONG’

    Bob Dylan’s followers will already know that 1 November 2022 will see the publication of a brand new book from the songwriter’s hand (his third extended prose work), entitled ‘The Philosophy of Modern Song’. The pre-publication blurb at www.
    bobdylan.com calls the volume a ‘momentous artistic achievement’, offering a ‘master class on the art and craft of songwriting’ and featuring in-depth analyses of over 60 songs by the likes of Stephen Foster, Hank Williams, Nina Simone, Elvis
    Costello and many more.

    Even before seeing the book, a thought occurs to me about the title. Bob Dylan is known to be an admirer of the work of Edgar Allan Poe (even naming him on his most recent album, 2020’s ‘Rough and Rowdy Ways’) – in the corpus of whose essays
    may be found the titles ‘Philosophy of Furniture’, from 1840 and, famously and from 1846, ‘The Philosophy of Composition’, Poe’s oft-cited account of how he wrote his best-known poem, ‘The Raven’.

    Could Dylan’s arresting title (‘philosophy’ might seem a surprising lexical choice for a book on song) be a conscious harkback to Edgar Allan Poe? More will be revealed in November!

    Interest grows.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From General Zod@21:1/5 to Christopher Rollason on Mon Apr 4 14:17:17 2022
    On Sunday, April 3, 2022 at 11:34:57 AM UTC-4, Christopher Rollason wrote:

    Published today on my blog at: https://rollason.wordpress.com/2022/04/03/the-ghost-of-edgar-allan-poe-bob-dylans-the-philosophy-of-modern-song/

    THE GHOST OF EDGAR ALLAN POE? – BOB DYLAN’S ‘THE PHILOSOPHY OF MODERN SONG’

    Bob Dylan’s followers will already know that 1 November 2022 will see the publication of a brand new book from the songwriter’s hand (his third extended prose work), entitled ‘The Philosophy of Modern Song’. The pre-publication blurb at www.
    bobdylan.com calls the volume a ‘momentous artistic achievement’, offering a ‘master class on the art and craft of songwriting’ and featuring in-depth analyses of over 60 songs by the likes of Stephen Foster, Hank Williams, Nina Simone, Elvis
    Costello and many more.

    Even before seeing the book, a thought occurs to me about the title. Bob Dylan is known to be an admirer of the work of Edgar Allan Poe (even naming him on his most recent album, 2020’s ‘Rough and Rowdy Ways’) – in the corpus of whose essays
    may be found the titles ‘Philosophy of Furniture’, from 1840 and, famously and from 1846, ‘The Philosophy of Composition’, Poe’s oft-cited account of how he wrote his best-known poem, ‘The Raven’.

    Could Dylan’s arresting title (‘philosophy’ might seem a surprising lexical choice for a book on song) be a conscious harkback to Edgar Allan Poe? More will be revealed in November!

    very cool.....

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)