Why are Bob Dylan’s archives in Tulsa?holdings — located in Tulsa, Oklahoma, of all places?
The reasons the Bard chose Oklahoma as the home for his collection may have more to do with politics than money
By Seth Rogovoy, The Forward
May 03, 2022
Why Tulsa?
To be more precise: Why is the new Bob Dylan Center –which opens Tuesday, May 10, and will be home to the Nobel Prize laureate’s archive as well as gallery space that will perpetually play host to 16 revolving exhibitions based on the archive’s
As it turns out, there are many reasons. The city of 400,000 is already home to the Woody Guthrie Center, where the archives of the venerable 20th century folk singer (and Oklahoma native) who was a huge influence on Bob Dylan – one of whose veryfirst original compositions was entitled “Song to Woody” — are housed. When it came time to negotiate with Bob Dylan to entrust his archives, including memorabilia, notebooks, recordings and films, to a team of civic and academic suitors, Tulsa had
Or, just look at a map. Tulsa is smack dab in the center of the United States. Anyone looking for symbolism in where Bob Dylan’s legacy will be made available to generations of visitors and scholars will not overlook the fact that it is in theheartland of America, just where one might expect to find what will undoubtedly become ground zero of Dylan studies. Perhaps the greener pastures of Harvard University may have been more befitting a Nobel laureate. Maybe an NYU-based museum in Greenwich
Songwriter Bob Dylan’s childhood home in Duluth, Minnesota on October 14, 2016. On October 13, 2016, Dylan was awarded the Nobel Prize in Literature.first began performing in folk clubs while attending (or, more precisely, not attending) university, and where he first adopted the stage name by which the world has always known him (and which he made his legal name in August 1962).
Even Minneapolis may have been a more logical location, a nod to Dylan’s home state of Minnesota (he was born in Duluth and grew up in the iron-mining town of Hibbing near the Canadian border) and the city in which the teenage Robert Allen Zimmerman
No doubt the benevolence of Tulsa’s best-known billionaire – the civic-minded George Kaiser – whose eponymous Family Foundation has transformed the city’s early education efforts as well as its landscape, having underwritten a Central Park-style stretch of public garden called the Gathering Place — a 66-acre park believed to be the largest public park in the country built with private funds – went a significant way toward winning the Dylan archive for Tulsa.
According to Forbes magazine, Kaiser is worth over $10 billion, placing him in the top 200 of richest people on earth, and one of the top 25 most philanthropic billionaires in the United States. The check he reportedly wrote for $20 million to bringthe archive to Tulsa must have been enticing, even if it was a virtual steal: an original, handwritten sheet of lyrics for the song “Like a Rolling Stone” alone fetched $2 million at auction in 2014. There are approximately 100,000 items in the
Kaiser, who was born and raised in Tulsa by Holocaust refugee parents, once admitted to The New York Times that he was never a huge Bob Dylan fan, but more of an appreciator of his accomplishments in the pantheon of American music. The Harvard graduates musical taste tended more toward one of Dylan’s earliest champions. “I was taken by Joan Baez in college,” Kaiser told the Times, “when she was singing down the block,” presumably referring to the famed Club 47 in Cambridge’s Harvard
Like most fortunes made in Tulsa, Kaiser’s was built on oil in this one-time capital of the U.S. oil industry. Kaiser took over his family’s Kaiser-Francis Oil Company in 1969, and when the Bank of Oklahoma was teetering toward failure in 1991, hescooped it up for a mere $60 million. Fortunately for Tulsa, Kaiser has proven to be a benevolent municipal oligarch; he was a charter signee of the Giving Pledge, the challenge issued by founders Bill Gates and Warren Buffett to billionaires to commit
About the foundation’s devotion to early childhood education efforts, Kaiser famously once said, “Those who have won the ovarian lottery by being born in an advanced society to loving parents have a special obligation to help restore the AmericanDream.” Kaiser has also been a generous donor to Jewish organizations and programs in Tulsa. His family history is never far from the surface. His mission statement includes this phrase: “My family joins me in my intention to … focus these efforts
Jews first settled in Tulsa around the turn of the 20th century. The original coterie, who arrived in 1902, were mostly from Latvia. As in countless towns throughout the U.S., the early immigrants set up shop as merchants, selling clothes, groceries,and home goods to those working in the nearby oil fields (a situation not unlike that of Dylan’s forebears, who likewise set up shop in downtown Hibbing and supplied appliances and home goods to that town’s iron miners).
A few Jewish immigrants found their way into the oil business and helped create a small but thriving Jewish community in Tulsa: Emanuel Synagogue, a Conservative congregation, was founded in 1904; a mutual aid bank and a Hebrew Free Loan Society wereestablished; Temple Israel was founded in 1914 as a Reform synagogue; and Congregation B’nai Emunah was founded in 1916 as an Orthodox synagogue. The state was not unfriendly to Jews: its first Secretary of State, Leo Meyer, served from 1907 to 1911.
While access to the archive will be limited to those doing scholarly research, the 29,000-square-foot center, which opens to the public Tuesday, May 10, includes a 55-seat screening room, where master prints of all Dylan’s films will presumably beshown on a regular basis, including such rarely seen Dylan-directed movies as “Eat the Document” and “Renaldo and Clara.” There are also reportedly film and audio recordings of virtually every Bob Dylan concert from the past 60 years. The master
Curiously, in the more than 600 songs that Dylan has written, it wasn’t until 2020 that he referred to Tulsa. In the 17-minute epic, “Murder Most Foul,” that concluded his album “Rough and Rowdy Ways,” Dylan sang, “‘Take Me Back to Tulsato the scene of the crime.” “Take Me Back to Tulsa” was the name of a hit song by Bob Wills, who is widely considered the founder of Western swing. Wills first recorded and released the song just a few months before Dylan was born. He even
The second half of that phrase, “to the scene of the crime,” presumably refers to one of the darkest episodes in American history: the so-called Black Wall Street massacre of 1921, a veritable pogrom in the predominantly Black Greenwood District ofTulsa. Dozens were killed and hundreds were injured as the authorities aided and abetted the destruction by fire of more than 35 square blocks of the neighborhood — at the time one of the wealthiest Black communities in the United States — rendering
With his lifelong devotion to the cause of civil rights in song, from “Blowin’ in the Wind” through “Murder Most Foul,” perhaps Bob Dylan also felt that locating his archive in Tulsa was one small, symbolic step toward shining a light fromthe west down to the east on America’s original and enduring sin.
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