owned a couple of recording studios in the '70s. I doubt he could use
any of the various devices and apps that I have because of deep menus, >complex controls and such.
In article <srpt6i$ctt$1...@dont-email.me>, Neil <ne...@myplaceofwork.com> wrote:
A friend who is a drummer that lost his sight is interested in doing >multi-track recordings. He is generally aware of the process, since we >owned a couple of recording studios in the '70s. I doubt he could useWhat does he want it for? If it's just for songwriting, he might consider one of those awful-sounding cassette portastudios. You can hear the meters ping when they are severely overloaded, and there is one function per control.
any of the various devices and apps that I have because of deep menus, >complex controls and such.
You can't feel where you are on the tape by feeling the size of the reel pack
though.
I am using the Tascam HS P-82 as well as the Tascam HS-8, and I find them usable with limited vision but totally inoperable by feel.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."
On Friday, January 14, 2022 at 10:00:40 AM UTC-8, Scott Dorsey wrote:getting there with digital gear.
In article <srpt6i$ctt$1...@dont-email.me>, Neil <ne...@myplaceofwork.com> wrote:
A friend who is a drummer that lost his sight is interested in doingWhat does he want it for? If it's just for songwriting, he might consider
multi-track recordings. He is generally aware of the process, since we
owned a couple of recording studios in the '70s. I doubt he could use
any of the various devices and apps that I have because of deep menus,
complex controls and such.
one of those awful-sounding cassette portastudios. You can hear the meters >> ping when they are severely overloaded, and there is one function per control.
You can't feel where you are on the tape by feeling the size of the reel pack
though.
I am using the Tascam HS P-82 as well as the Tascam HS-8, and I find them
usable with limited vision but totally inoperable by feel.
--scott
--
"C'est un Nagra. C'est suisse, et tres, tres precis."
Scott asks the key question. Does he want to track various elements and then mix a cut? I can imagine doing that unsighted in the analog world, given I had some help with getting set up. The main obstacle is level setting. I have trouble imagining
Roy W. Rising "If you notice the sound, it's wrong!"
In article <srpt6i$ctt$1@dont-email.me>, Neil <neil@myplaceofwork.com> wrote:
A friend who is a drummer that lost his sight is interested in doing
multi-track recordings. He is generally aware of the process, since we
owned a couple of recording studios in the '70s. I doubt he could use
any of the various devices and apps that I have because of deep menus,
complex controls and such.
What does he want it for? If it's just for songwriting, he might consider one of those awful-sounding cassette portastudios. You can hear the meters ping when they are severely overloaded, and there is one function per control.
You can't feel where you are on the tape by feeling the size of the reel pack though.
I am using the Tascam HS P-82 as well as the Tascam HS-8, and I find them usable with limited vision but totally inoperable by feel.
--scott
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