Other than generally starting from a digital recording rather than analog tape,
is most of what's in this 50's film pretty much how it's still done today with the
resurgence of vinyl?
Other than generally starting from a digital recording rather than analog tape, is most of what's in this 50's film pretty much how it's still done today with the resurgence of vinyl?
Lacquer master > metal master > metal mother > metal stamper > vinyl
biscuit > pressed record - with metal plating processes.
1951 film starring famed cartoon voice artist Mel Blanc and
composer/arranger Billy May who's playing the big dopey guy.
https://www.youtube.com/watch?v=CxkSRvkKF9k
Other than generally starting from a digital recording rather than analog tape, is most of what's in this 50's film pretty much how it's still done today with the resurgence of vinyl?
Lacquer master > metal master > metal mother > metal stamper > vinyl biscuit > pressed record - with metal plating processes.
1951 film starring famed cartoon voice artist Mel Blanc and composer/arranger Billy May who's playing the big dopey guy.
https://www.youtube.com/watch?v=CxkSRvkKF9k
brass...@yahoo.com <brass...@yahoo.com> wrote:
Other than generally starting from a digital recording rather than analog tape, is most of what's in this 50's film pretty much how it's still done today with the resurgence of vinyl?
Lacquer master > metal master > metal mother > metal stamper > vinyl biscuit > pressed record - with metal plating processes.
1951 film starring famed cartoon voice artist Mel Blanc and composer/arranger Billy May who's playing the big dopey guy.
https://www.youtube.com/watch?v=CxkSRvkKF9kOne of the big changes was the universal adoption of RIAA recording characteristics in 1955, before that there was a wide range of characteristics and they are a nightmare for the transcription engineers
to sort out. Some of the older characteristics were just RIAA under
another name but some were totally different and sound dreadful if they
are played on modern equipment without variable characteristics.
In addition there were recordings taken from tape which had been
recorded to NAB standards but accidentally played back with CCIR characteristics and vice-versa. There was also metalwork send from the
US to the UK which was used to make copies that were played and
re-equalised to the UK company's standards but mistakenly played with
the wrong characteristics.
Peter Copelands definitive work give a lot more information, but even he never succeeded in sorting it all out:
<http://www.bl.uk/reshelp/findhelprestype/sound/anaudio/analoguesoundres toration.pdf>
--____________
~ Liz Tuddenham ~
(Remove the ".invalid"s and add ".co.uk" to reply)
www.poppyrecords.co.uk
On 25/10/2021 13:07, Chris K-Man wrote:_________
I fixed that link for ya:
https://www.bl.uk/britishlibrary/~/media/subjects%20images/sound/analoguesoundrestoration
No you didn't... It seems you can't even copy and paste accurately.
https://www.bl.uk/britishlibrary/~/media/subjects%20images/sound/analoguesoundrestoration.pdf
--
Tciao for Now!
John.
I fixed that link for ya:
https://www.bl.uk/britishlibrary/~/media/subjects%20images/sound/analoguesoundrestoration
On Monday, October 25, 2021 at 9:29:42 AM UTC-4, John Williamson wrote:
On 25/10/2021 13:07, Chris K-Man wrote:_________
I fixed that link for ya:No you didn't... It seems you can't even copy and paste accurately.
https://www.bl.uk/britishlibrary/~/media/subjects%20images/sound/analoguesoundrestoration
https://www.bl.uk/britishlibrary/~/media/subjects%20images/sound/analoguesoundrestoration.pdf
--
Tciao for Now!
John.
It worked for me - went right to the PDF.
Liz's link took me just to the main library front page.
Other than generally starting from a digital recording rather than analog tape, is most of what's in this 50's film pretty much how it's still done today with the resurgence of vinyl?
Lacquer master > metal master > metal mother > metal stamper > vinyl biscuit > pressed record - with metal plating processes.
1951 film starring famed cartoon voice artist Mel Blanc and composer/arranger Billy May who's playing the big dopey guy.
https://www.youtube.com/watch?v=CxkSRvkKF9k
On 25/10/2021 15:03, Chris K-Man wrote:______
On Monday, October 25, 2021 at 9:29:42 AM UTC-4, John Williamson wrote:
On 25/10/2021 13:07, Chris K-Man wrote:_________
I fixed that link for ya:No you didn't... It seems you can't even copy and paste accurately.
https://www.bl.uk/britishlibrary/~/media/subjects%20images/sound/analoguesoundrestoration
https://www.bl.uk/britishlibrary/~/media/subjects%20images/sound/analoguesoundrestoration.pdf
--
Tciao for Now!
John.
It worked for me - went right to the PDF.
Liz's link took me just to the main library front page.
Your link as published is invalid. You missed the bit that leads my
browser to the actual page. It is an interesting document when you do download it, though,
--
Tciao for Now!
John.
Other than generally starting from a digital recording rather than analog tape, is most of what's in this 50's film pretty much how it's still done today with the resurgence of vinyl?
Lacquer master > metal master > metal mother > metal stamper > vinyl
biscuit > pressed record - with metal plating processes.
I believe injection moulding was used for 7-inch 'singles' in the 1980s.
It was a much faster process than conventional pressing, so it meant
that large numbers of records could be got onto the market quickly in response to an ephemeral trend.
Either something is wrong with your browser, or it's a simple
case of <FLUSH>
I fixed that link for ya:
I believe injection moulding was used for 7-inch 'singles' in the 1980s.
It was a much faster process than conventional pressing, so it meant
that large numbers of records could be got onto the market quickly in >response to an ephemeral trend.
12-inch records were still pressed by the conventional process, but the >demand for them was steadier and more predictable.
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