• Introducing a New Horse to the Stable

    From Peter Wieck@21:1/5 to All on Tue Sep 3 20:11:17 2019
    Howard Stone's experience with the Radford amp brought this on, so please forgive the rant-like process here.

    Guys and Gals:

    When introducing a new piece of equipment to the system, please take NOTHING for granted, not even it it is brand-new, fresh from the box. And if it is used, or, much worse, vintage-used please be exceedingly cautious. Equipment failure can be anything
    from minimally annoying to spectacularly annoying to genuinely dangerous to life and property.

    I have no problems running my 56 year old tube system in my office, and leaving it unattended for hours at a time. It has been through my bench, sat for hours on a metered variac, and I created a temperature-table using a heat-gun such that if I see
    changes over time, I have a pretty good idea where to look for trouble. But when it came to me, I had no such faith.

    In all seriousness, if one is going to pursue this hobby at more than an occasional level, one should obtain the basic tools necessary to do so safely both for the equipment and the real-estate. This is not to suggest that such would have prevented
    Howard's experience - but he very probably would have seen it coming in time to prevent the special effects.

    If there is a consensus, I would be glad to take a picture of my (very basic) bench, and (very basic) tooling, with an explanation for each item and the purpose(s) it services.

    Thoughts?

    Peter Wieck
    Melrose Park, PA

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  • From Trevor Wilson@21:1/5 to Peter Wieck on Fri Sep 6 09:53:58 2019
    On 4/09/2019 6:11 am, Peter Wieck wrote:
    Howard Stone's experience with the Radford amp brought this on, so please forgive the rant-like process here.

    Guys and Gals:

    When introducing a new piece of equipment to the system, please take NOTHING for granted, not even it it is brand-new, fresh from the box. And if it is used, or, much worse, vintage-used please be exceedingly cautious. Equipment failure can be anything
    from minimally annoying to spectacularly annoying to genuinely dangerous to life and property.

    I have no problems running my 56 year old tube system in my office, and leaving it unattended for hours at a time. It has been through my bench, sat for hours on a metered variac, and I created a temperature-table using a heat-gun such that if I see
    changes over time, I have a pretty good idea where to look for trouble. But when it came to me, I had no such faith.

    In all seriousness, if one is going to pursue this hobby at more than an occasional level, one should obtain the basic tools necessary to do so safely both for the equipment and the real-estate. This is not to suggest that such would have prevented
    Howard's experience - but he very probably would have seen it coming in time to prevent the special effects.

    If there is a consensus, I would be glad to take a picture of my (very basic) bench, and (very basic) tooling, with an explanation for each item and the purpose(s) it services.

    Thoughts?

    **Yeah, one. I don't get the attraction to valve (tube) equipment.
    Anything that is done with valves, can be done, better, cheaper and with
    more consistency with solid state.

    I mean to say: I get why hipsters embrace the stuff. Hell, my business
    has undergone a renaissance thanks to hipster. Old Marantz, Yamaha,
    Sansui, Accuphase and the others are suddenly desirable and, therefore
    valuable and worth repairing. And for an old fart like me, well, I cut
    my teeth fixing that stuff. No surface mount, or microprocessors in
    sight. Well, not if you exclude cassette decks.

    But, Hell, valves start wearing out the minute they're first switched on!

    And, before you get started, I've done a few blind tests with valves,
    vs. solid state. The very best valve gear is VERY hard to pick from
    decent SS gear. It just costs a whole lot more (check out the cost of a
    decent, multi-interleaved output tranny sometime - YIKES!). And then, of course, there's those pesky valve replacements at regular intervals.
    I've replaced a full set of valves in a big power amp more than once and
    seen the cost run to a couple of grand.

    And yes, I've owned and built valve stuff too. Not anymore though. I
    have better things to do with my life. Noisy and microphonic valves. No
    thanks. You can stick 'em where the Sun don't shine.


    --
    Trevor Wilson
    www.rageaudio.com.au

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  • From Peter Wieck@21:1/5 to All on Fri Sep 6 17:50:21 2019
    Almost the entire reason for a hobby is to be able to indulge in pointless behavior without consequence.

    Peter Wieck
    Melrose Park, PA

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  • From Trevor Wilson@21:1/5 to Peter Wieck on Fri Sep 6 23:39:47 2019
    On 7/09/2019 3:50 am, Peter Wieck wrote:
    Almost the entire reason for a hobby is to be able to indulge in pointless behavior without consequence.


    **I have a different aim: That is to attempt to provide for myself and
    my clients, a musical experience that is as close to the original event
    that is possible to obtain, given the usual room and budgetary
    constraints. OH, and the partner, if one is in the picture.

    [ASIDE] Many years ago, I was asked to supply and set-up a very nice
    system for a local, well-heeled politician. The man was cultured and had
    put in place an endowment for budding pianists. When I saw the room the
    system was to be installed, my first words were: "Well, the Steinway has
    to go." Went down like a lead balloon. We compromised. The Steinway
    remained. The sound system woulda sounded better without it.


    --
    Trevor Wilson
    www.rageaudio.com.au

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  • From Howard Stone@21:1/5 to All on Tue Sep 10 10:08:53 2019
    I don’t think Trevor, that the problem was caused by the fact that it’s a tube amp. I mean, in principle valve amps are as robust as SS aren’t they - apart from the fact that the tubes wear out,

    My aim was to find an amp which I liked, regardless of whether or was valve or SS - the fact that the Radford has valves seemed an implementation detail which I would learn with,

    Anyway, I’d like to hear a list of your favourite amps Trevor. Since I still don’t have my Radford!

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  • From Trevor Wilson@21:1/5 to Howard Stone on Tue Sep 10 10:37:52 2019
    On 10/09/2019 8:08 pm, Howard Stone wrote:
    I don’t think Trevor, that the problem was caused by the fact that it’s a tube amp. I mean, in principle valve amps are as robust as SS aren’t they - apart from the fact that the tubes wear out,

    **Not even remotely close. Assuming good design and build quality, a
    valve amp will always be a less reliable product. If only due to the necessarily higher Voltages involved and consequent extra stress on
    insulation and other things. Then there's the output transformers. Two,
    large, heavy and expensive components, which, whilst reasonably
    reliable, are less reliable than a typical power transformer, thus
    adding an extra layer of unreliability. And of course, whilst valve
    failures are part of the game with valve products, the failure of a
    valve can also result in the failure of some surrounding components. And
    over the years I've seen some (ahem) 'interesting' valve amp failures.


    My aim was to find an amp which I liked, regardless of whether or was valve or SS - the fact that the Radford has valves seemed an implementation detail which I would learn with,

    Anyway, I’d like to hear a list of your favourite amps Trevor. Since I still don’t have my Radford!

    **Oh, there's only one. Locally built (Australia) and has been out of production for a number of years, but sonically stunning. Solid state
    (BJT), of course. Many listeners say that it has some of the
    characteristics of the finest valve amps (triode, of course), but with
    none of the drawbacks. The key? Zero global NFB, critically matched
    components (better than 1% for transistors) and over-sized power
    supplies, employing multiple, small value capacitors. I have not had
    another amp (permanently) in my system since 1980. I have, however, had
    a great many in the system for short periods. Some costing a great deal
    of money.


    --
    Trevor Wilson
    www.rageaudio.com.au

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  • From Peter Wieck@21:1/5 to All on Tue Sep 10 11:54:20 2019
    OK, OK, I will bite! Minor rant to follow:

    Tube vs. Solid State on reliability:

    There are not so very many 60-year old components in operation these days unmodified since-new. My oldest tube item turned 100 this year and likely works better than when it was new based on a better understanding of antenna systems, optimum tube
    voltages and so forth. Other than moving parts (CD player), the newest component in my office system was made in 1963. The system runs 9 hours per day, 5 days per week. Oh, and the tubes are original as well.

    On the other hand, and given my hobby, I see a large number of SS components that have blown transistors, exploded capacitors and much worse, irrespective of age and source. The well made, well designed stuff is serviceable, distinguishing it from the
    rest of the garbage out there.

    I would make a fairly apt comparison: A tube amplifier is much like a mid-last-century Mercedes or VW - few things were self-adjusting, and they required regular and attentive care-and-feeding. With such, they were good for several hundred thousand miles
    of reliable service. A contemporary Ford, Cadillac, Plymouth would be considered remarkable were it to survive 100,000 miles without heroic measures. Might run very nicely when running, but that would be your basic solid-state device in comparison.

    Put simply, they are different beasts designed with different things in mind, but for the same basic purpose. That one is or is not "BETTER" than the other is not relevant to the purpose in either case.

    Now, when I here things like "Zero global NFB" and "Critically matched components", I can smell the snake-oil from a great distance, even the 10,000 miles from here to Australia. I am sure that process also contains descriptives of "interconnects" rolled
    on the thighs of virgins on Walpurgis Night...

    Note that even "critically matched" solid-state components drift after a very short period of time in-service. All of them, such that that "less than 1%" is meaningful for perhaps 12 hours or so.

    Being as this is a hobby for me, I get to try things that are otherwise unproductive, unprofitable or impractical. Such as shotgunning a device with single-value capacitors and then comparing it to the same device with carefully screened and matched caps.
    Or matching driver and output transistors and comparing to a similar device with disparate values. Guys and gals - you would be seriously shocked to discover how little difference some things make that the ALL-SEEING, ALL-KNOWING gurus will tell you are
    critical. Often no difference at all.

    Peter Wieck
    Melrose Park, PA

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  • From Trevor Wilson@21:1/5 to Peter Wieck on Wed Sep 11 11:29:50 2019
    On 10/09/2019 9:54 pm, Peter Wieck wrote:
    OK, OK, I will bite! Minor rant to follow:

    Tube vs. Solid State on reliability:

    There are not so very many 60-year old components in operation these days unmodified since-new. My oldest tube item turned 100 this year and likely works better than when it was new based on a better understanding of antenna systems, optimum tube
    voltages and so forth. Other than moving parts (CD player), the newest component in my office system was made in 1963. The system runs 9 hours per day, 5 days per week. Oh, and the tubes are original as well.

    On the other hand, and given my hobby, I see a large number of SS components that have blown transistors, exploded capacitors and much worse, irrespective of age and source. The well made, well designed stuff is serviceable, distinguishing it from the
    rest of the garbage out there.

    **Sure. That has been my observation. I see a lot of junk across my
    bench, though I tend to reject many products nowadays. Not worth my
    time. FWIW: I have 70 year old radio coming in next week. Obviously,
    it's not really worthwhile, but it is a family heirloom, so the client
    will spend whatever is necessary. I expect it will be an electrolytic
    cap swap. Maybe a valve. We'll see.


    I would make a fairly apt comparison: A tube amplifier is much like a mid-last-century Mercedes or VW - few things were self-adjusting, and they required regular and attentive care-and-feeding. With such, they were good for several hundred thousand
    miles of reliable service. A contemporary Ford, Cadillac, Plymouth would be considered remarkable were it to survive 100,000 miles without heroic measures. Might run very nicely when running, but that would be your basic solid-state device in comparison.

    **That would be a poor comparison. Having owned a number of vehicles
    over the past 50 years, I can assure you that, in general, modern cars
    are VASTLY superior in most areas. Ignition systems and fuel handling
    systems are the big ones. Before modern EFI, I grappled with
    carburettors, that required constant adjustment and let's not even get
    into the standard Kettering ignition systems. Such systems require
    constant and careful adjustments. As for the body of the vehicle, shall
    we discuss the impact of rust? Most (all?) modern cars utilise some kind
    of rust prevention at manufacture. Older cars rely on paint. My two
    present cars are thoroughly modern vehicles (one is 2 years old and one
    is almost 20). Both are perfectly reliable and offer excellent levels of safety, fuel economy and performance. Both demonstrate the kind of
    performance which would be associated with race cars from the 1960s
    (though both could manage a tight, twisty race track more quickly, due
    to their all wheel drive ability). Without the unreliability.

    Anyway, that's all a bit off-topic.

    I service equipment from all generations. Older equipment almost always
    require replacement of electrolytic caps and carbon composition
    resistors (where used). That may be valve or SS.


    Put simply, they are different beasts designed with different things in mind, but for the same basic purpose. That one is or is not "BETTER" than the other is not relevant to the purpose in either case.

    Now, when I here things like "Zero global NFB" and "Critically matched components", I can smell the snake-oil from a great distance, even the 10,000 miles from here to Australia. I am sure that process also contains descriptives of "interconnects"
    rolled on the thighs of virgins on Walpurgis Night...

    **I did not mention "interconnects". However, you may care to
    investigate the possible reasons why many listeners prefer the sound of
    valve amps. Consider the amount of global NFB used in typical valve
    products. Compared to SS gear, that NFB is either very low, or
    non-existent. Consider the action of valve amps under the conditions of
    Voltage limiting (clipping) and current limiting. Most SS amps do not
    cope with such conditions well, whereas most valve amps clip and current
    limit in a benign fashion. SS camps can be designed to act similarly,
    but few are. As for the matched components, it's a necessity in the
    design I cited. Without matched components, it is impossible to achieve
    high reliability, low distortion and zero global NFB. Cumbersome? Sure.

    Further and for the record: I have subjected myself to many double blind
    tests over the years to verify my preference is uncoloured by vision.



    Note that even "critically matched" solid-state components drift after a very short period of time in-service. All of them, such that that "less than 1%" is meaningful for perhaps 12 hours or so.

    **The solid state devices are matched at the operational temperature of
    the amplifier (60 degrees C) of course. The amplifiers use a demand
    responsive fan (infinitely variable speed), which maintains the heat
    sink temperatures at 60 degrees C (+/- 3 degrees) at all times. A short
    (20 mins) warm-up time is necessary for optimal performance.



    Being as this is a hobby for me, I get to try things that are otherwise unproductive, unprofitable or impractical. Such as shotgunning a device with single-value capacitors and then comparing it to the same device with carefully screened and matched
    caps. Or matching driver and output transistors and comparing to a similar device with disparate values. Guys and gals - you would be seriously shocked to discover how little difference some things make that the ALL-SEEING, ALL-KNOWING gurus will tell
    you are critical. Often no difference at all.

    **Well, that has not been my experience. It depends on the design. A
    standard, high global NFB amp, which has been designed to cope with off
    the shelf devices will likely show zero difference when fitted with
    critically matched devices. HOWEVER, in a past life, I was service
    manager for Marantz Australia for several years. During the late 1960s
    and 1970s I noted that most Marantz models (even some of the Japanese
    built stuff) was specified to use closely matched output and driver
    devices (roughly 30% HFE match). I vividly recall the time when, for a
    short time, stocks of output devices for the Model 240 (250, 250M, 1200,
    1200B) were depleted. I decided to try using unmatched devices in one
    repair. Distortion approached 0.5% (rated distortion was 0.1%, but I
    would typically measure 0.01%). Clearly a most unacceptable result. I
    explained to the customer that they would need to wait for Marantz to
    supply the correct devices.

    So, matched devices are not as uncommon as you might imagine.


    --
    Trevor Wilson
    www.rageaudio.com.au

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  • From ~misfit~@21:1/5 to Peter Wieck on Wed Sep 11 14:17:03 2019
    On 10/09/2019 11:54 PM, Peter Wieck wrote:
    OK, OK, I will bite! Minor rant to follow:

    Tube vs. Solid State on reliability:

    There are not so very many 60-year old components in operation these days unmodified since-new. My oldest tube item turned 100 this year and likely works better than when it was new based on a better understanding of antenna systems, optimum tube
    voltages and so forth. Other than moving parts (CD player), the newest component in my office system was made in 1963. The system runs 9 hours per day, 5 days per week. Oh, and the tubes are original as well.

    On the other hand, and given my hobby, I see a large number of SS components that have blown transistors, exploded capacitors and much worse, irrespective of age and source. The well made, well designed stuff is serviceable, distinguishing it from the
    rest of the garbage out there.

    I would make a fairly apt comparison: A tube amplifier is much like a mid-last-century Mercedes or VW - few things were self-adjusting, and they required regular and attentive care-and-feeding. With such, they were good for several hundred thousand
    miles of reliable service. A contemporary Ford, Cadillac, Plymouth would be considered remarkable were it to survive 100,000 miles without heroic measures. Might run very nicely when running, but that would be your basic solid-state device in comparison.

    Put simply, they are different beasts designed with different things in mind, but for the same basic purpose. That one is or is not "BETTER" than the other is not relevant to the purpose in either case.

    Now, when I here things like "Zero global NFB" and "Critically matched components", I can smell the snake-oil from a great distance, even the 10,000 miles from here to Australia. I am sure that process also contains descriptives of "interconnects"
    rolled on the thighs of virgins on Walpurgis Night...

    Note that even "critically matched" solid-state components drift after a very short period of time in-service. All of them, such that that "less than 1%" is meaningful for perhaps 12 hours or so.

    Being as this is a hobby for me, I get to try things that are otherwise unproductive, unprofitable or impractical. Such as shotgunning a device with single-value capacitors and then comparing it to the same device with carefully screened and matched
    caps. Or matching driver and output transistors and comparing to a similar device with disparate values. Guys and gals - you would be seriously shocked to discover how little difference some things make that the ALL-SEEING, ALL-KNOWING gurus will tell
    you are critical. Often no difference at all.

    Thanks for your input Peter. If I may ask, do you have an opinion on 'storage capacitors' on an
    amplifier power supply? What in your opinion is 'better', a single (or few) very large caps or
    multiple smaller caps to the same / similar capacitance?

    I have a long term project building my own amp based on PCBs taken from 100w MOSFET (two pairs of
    J50 / K135 devices per amp) PA amps made by a New Zealand company in the 1980s. (Craft, Gary
    Morrison's company before he went on to become head designer at Plinius until 2005 when he left to
    set up Pure Audio). I got my hands on a rack of four of these mono amps and preliminary testing
    using a clean source and good speakers suggest they will make a great stereo amp.

    I need to put together a power supply to feed two of these and have some new 10,000uF caps but was
    wondering if multiple smaller caps would be better. (In the PA amps they only had 2,200uF but
    obviously weren't called on to reproduce much bass.)

    As it is I'll be using fly leads from the rectifier PCB to the caps, then to the amps and I'm
    building my own case. I was thinking of maybe using my 10,000uF caps as well as maybe some smaller
    ones, perhaps 1,000 in a bank, the best of both worlds. (There are also 100uF electros across the
    rails on the amp PCBs that I'll be replacing.) That said I could also just go to multiple

    Cheers,
    --
    Shaun.

    "Humans will have advanced a long, long way when religious belief has a cozy little classification
    in the DSM"
    David Melville

    This is not an email and hasn't been checked for viruses by any half-arsed self-promoting software.

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  • From Peter Wieck@21:1/5 to All on Wed Sep 11 14:45:14 2019
    OK... getting down to basics:

    Electrolytic capacitors are essentially chemical engines. The materials developed over the last 20 years have greatly improved along with longevity and reliability, but they remain chemical engines. A single very large capacitor will, therefore,
    necessarily be slower than multiple smaller capacitors in parallel, all other things being equal. The limiting factor being real-estate in most cases.

    Generally, I try to run multiple caps in parallel where real-estate permits, with a small-value, high-voltage film cap across each as a snubber. This is a preference, not a requirement.

    For something as brute-force as a power-supply for audio purposes, the difference(s) will be manifest only at or near clipping, or when the amps are fed signal with extreme Peak-to-Average content. A cap bank will be able to deliver a *marginally* faster
    transient than a single very large cap. NOTE: If you are going to have the capacity (pun intended) to overdrive your output devices for these transients, you might need to install some sort of speaker protection. Solid-state devices often do not clip
    nicely.

    Peter Wieck
    Melrose Park, PA

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  • From ~misfit~@21:1/5 to Peter Wieck on Thu Sep 12 10:18:47 2019
    On 12/09/2019 2:45 AM, Peter Wieck wrote:
    OK... getting down to basics:

    Electrolytic capacitors are essentially chemical engines. The materials developed over the last 20 years have greatly improved along with longevity and reliability, but they remain chemical engines. A single very large capacitor will, therefore,
    necessarily be slower than multiple smaller capacitors in parallel, all other things being equal. The limiting factor being real-estate in most cases.

    Generally, I try to run multiple caps in parallel where real-estate permits, with a small-value, high-voltage film cap across each as a snubber. This is a preference, not a requirement.

    For something as brute-force as a power-supply for audio purposes, the difference(s) will be manifest only at or near clipping, or when the amps are fed signal with extreme Peak-to-Average content. A cap bank will be able to deliver a *marginally*
    faster transient than a single very large cap. NOTE: If you are going to have the capacity (pun intended) to overdrive your output devices for these transients, you might need to install some sort of speaker protection. Solid-state devices often do not
    clip nicely.

    Peter Wieck
    Melrose Park, PA


    Thank you Peter.

    I already have speaker protection ready to install. I bought two of these <https://www.aliexpress.com/item/1350315871.html> Probably not the best option but I don't know how
    to make such things myself.
    --
    Shaun.

    "Humans will have advanced a long, long way when religious belief has a cozy little classification
    in the DSM"
    David Melville

    This is not an email and hasn't been checked for viruses by any half-arsed self-promoting software.

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  • From Trevor Wilson@21:1/5 to All on Thu Sep 12 10:18:58 2019
    On 12/09/2019 12:17 am, ~misfit~ wrote:
    On 10/09/2019 11:54 PM, Peter Wieck wrote:
    OK, OK, I will bite! Minor rant to follow:

    Tube vs. Solid State on reliability:

    There are not so very many 60-year old components in operation these
    days unmodified since-new. My oldest tube item turned 100 this year
    and likely works better than when it was new based on a better
    understanding of antenna systems, optimum tube voltages and so forth.
    Other than moving parts (CD player), the newest component in my office
    system was made in 1963. The system runs 9 hours per day, 5 days per
    week. Oh, and the tubes are original as well.

    On the other hand, and given my hobby, I see a large number of SS
    components that have blown transistors, exploded capacitors and much
    worse, irrespective of age and source. The well made, well designed
    stuff is serviceable, distinguishing it from the rest of the garbage
    out there.

    I would make a fairly apt comparison: A tube amplifier is much like a
    mid-last-century Mercedes or VW - few things were self-adjusting, and
    they required regular and attentive care-and-feeding. With such, they
    were good for several hundred thousand miles of reliable service. A
    contemporary Ford, Cadillac, Plymouth would be considered remarkable
    were it to survive 100,000 miles without heroic measures. Might run
    very nicely when running, but that would be your basic solid-state
    device in comparison.

    Put simply, they are different beasts designed with different things
    in mind, but for the same basic purpose. That one is or is not
    "BETTER" than the other is not relevant to the purpose in either case.

    Now, when I here things like "Zero global NFB" and "Critically matched
    components", I can smell the snake-oil from a great distance, even the
    10,000 miles from here to Australia. I am sure that process also
    contains descriptives of "interconnects" rolled on the thighs of
    virgins on Walpurgis Night...

    Note that even "critically matched" solid-state components drift after
    a very short period of time in-service. All of them, such that that
    "less than 1%" is meaningful for perhaps 12 hours or so.

    Being as this is a hobby for me, I get to try things that are
    otherwise unproductive, unprofitable or impractical. Such as
    shotgunning a device with single-value capacitors and then comparing
    it to the same device with carefully screened and matched caps. Or
    matching driver and output transistors and comparing to a similar
    device with disparate values. Guys and gals - you would be seriously
    shocked to discover how little difference some things make that the
    ALL-SEEING, ALL-KNOWING gurus will tell you are critical. Often no
    difference at all.

    Thanks for your input Peter. If I may ask, do you have an opinion on
    'storage capacitors' on an amplifier power supply? What in your opinion
    is 'better', a single (or few) very large caps or multiple smaller caps
    to the same / similar capacitance?

    I have a long term project building my own amp based on PCBs taken from
    100w MOSFET (two pairs of J50 / K135 devices per amp) PA amps made by a
    New Zealand company in the 1980s. (Craft, Gary Morrison's company before
    he went on to become head designer at Plinius until 2005 when he left to
    set up Pure Audio). I got my hands on a rack of four of these mono amps
    and preliminary testing using a clean source and good speakers suggest
    they will make a great stereo amp.

    I need to put together a power supply to feed two of these and have some
    new 10,000uF caps but was wondering if multiple smaller caps would be
    better. (In the PA amps they only had 2,200uF but obviously weren't
    called on to reproduce much bass.)

    As it is I'll be using fly leads from the rectifier PCB to the caps,
    then to the amps and I'm building my own case. I was thinking of maybe
    using my 10,000uF caps as well as maybe some smaller ones, perhaps 1,000
    in a bank, the best of both worlds. (There are also 100uF electros
    across the rails on the amp PCBs that I'll be replacing.) That said I
    could also just go to multiple

    Cheers,

    **Those old MOSFETs were pretty ordinary devices (not very linear).
    Evidenced by the fact that Plinius amps have always used BJTs. As Peter
    has stated, multiple small value caps will usually provide a superior,
    higher speed power supply. However, I would posit that those old MOSFETs
    are so horrible (modern MOSFETs are far superior), that it may not be
    worth the effort. Craft amps used huge amounts of global NFB, required
    due to very low bias currents and the necessity to reduce the huge
    levels of distortion caused by the 'knee' at low currents (A Class A, or
    high bias MOSFET amp would have been much better). Anyway, the huge
    levels of global NFB means that PSRR (Power Supply Rejection Ratio) will
    be quite high, thus the influence of power supply changes will be
    relatively small.

    One more thing: Decent amounts of capacitance placed close to the output devices is far more influential than caps placed some distance away. In
    fact, long(ish) cables AFTER the main filter caps can be a serious
    limiting factor on the effectiveness of a power supply in a Class A/B amplifier. This is because the inductance of the wires can be a factor.



    --
    Trevor Wilson
    www.rageaudio.com.au

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  • From Peter Wieck@21:1/5 to All on Thu Sep 12 13:32:14 2019
    https://www.eeweb.com/tools/parallel-wire-inductance

    This website will allow you to calculate inductance by giving it the gauge, type and nature of the wire you are using. You will find, pretty quickly, that the distances involved in the typical component of say 40 cm (16") square are such that the actual
    inductance realized will be infinitesimal in "real life".

    Again, getting to practical matters: there are common-sense applications and techniques for wiring electronics, much dependent on the nature and use intended. Part of my hobby is the restoration of vintage Zenith TransOceanic tube radios - and wire
    location/component location can be critical for high-band Short Wave sensitivity. It is common sense to shield power-supplies in pre-amplifiers, especially those that contain phono or NAB pre-amp sections. And, wire-dressing is always good practice. But
    worrying about straight-wire inductance at audio frequencies is much akin to worrying about skin-effect...

    Now, Trevor clearly has a 'thing' about negative feedback, which is entirely his choice, and doubtless for sufficient and good reasons. But, again, in the real world, negative feedback, done properly, has many more advantages than disadvantages. Done
    badly - Ouch! Keep in mind that in its most practical application, it dates back to 1927, and was patented by Bell Labs in 1937. So, it is a pretty well established technique, such that any thoughtful designer not totally strangled by the bean-counters
    will get it right very nearly all of the time.

    https://en.wikipedia.org/wiki/Negative-feedback_amplifier#Two-port_analysis_of_feedback

    Go down to the "distortion" section. As brief as it is, it conveys some very good information.

    In point-of-fact, part of the TIP-Mod for your 120 involved increasing capacitance within the feedback loop to reduce bass roll-off.

    Peter Wieck
    Melrose Park, PA

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  • From Trevor Wilson@21:1/5 to Peter Wieck on Thu Sep 12 20:28:33 2019
    On 12/09/2019 11:32 pm, Peter Wieck wrote:
    https://www.eeweb.com/tools/parallel-wire-inductance

    This website will allow you to calculate inductance by giving it the gauge, type and nature of the wire you are using. You will find, pretty quickly, that the distances involved in the typical component of say 40 cm (16") square are such that the
    actual inductance realized will be infinitesimal in "real life".

    **Some of the products I work on are significantly larger than 40cm. One
    (badly designed) amplifier, from a well-known 'high end' manufacturer,
    used power supply wires which were approximately 60cm long! Whilst it
    made servicing easier (allowing the output device heat sinks to be
    removed from the amplifier and still be fully operational, the
    additional inductance damaged the ability of the output stage to deliver
    fast transients. A bunch of capacitance close to the output devices made
    things much better.


    Again, getting to practical matters: there are common-sense applications and techniques for wiring electronics, much dependent on the nature and use intended. Part of my hobby is the restoration of vintage Zenith TransOceanic tube radios - and wire
    location/component location can be critical for high-band Short Wave sensitivity. It is common sense to shield power-supplies in pre-amplifiers, especially those that contain phono or NAB pre-amp sections. And, wire-dressing is always good practice. But
    worrying about straight-wire inductance at audio frequencies is much akin to worrying about skin-effect...'

    **No. Skin effect is only a worry at RF and for power line companies,
    where VERY long cables can lead to significant losses (hence the rising popularity of DC transmission systems).



    Now, Trevor clearly has a 'thing' about negative feedback, which is entirely his choice, and doubtless for sufficient and good reasons.

    **Let me be very clear about several things:

    * NFB is fine. In fact, NO audio amplifier can work without it.
    * GLOBAL NFB is also fine. When properly applied.
    * I have a personal preference for the amplifiers I use, which employ
    lots of local NFB and no global NFB. Others may have a different opinion.
    * As part of my education into the world of zero global NFB amplifiers,
    I subjected myself to a couple of single (unfortunately) blind tests,
    between two, otherwise identical, amplifiers. One employed zero GNFB and
    one employed a modest amount of GNFB. I preferred the zero GNFB one.
    Since that time, I subjected several (10) of my clients to the same test
    (DBT). The zero GNFB models was preferred every time. Except one.
    * Once more: I would posit that part of the reason why some listeners
    prefer valve amplifiers, is due to the fact that global NFB levels are
    very low, or non-existent.


    But, again, in the real world, negative feedback, done properly, has
    many more advantages than disadvantages.

    **Again: No issue with NFB. In fact, no issue with GNFB, when done well.


    Done badly - Ouch! Keep in mind that in its most practical
    application, it dates back to 1927, and was patented by Bell Labs in
    1937. So, it is a pretty well established technique, such that any
    thoughtful designer not totally strangled by the bean-counters will get
    it right very nearly all of the time.

    **Sure. I learned about GNFB back when I was a teenager, having just
    built my second amplifier. A mighty 10 Watt/ch, push pull amp using 6V6
    output valves. It had no GNFB. It also had a gain control before the
    phase splitter. After reading an old article in a local electronics
    magazine about NFB, I decided to try it. With the in-loop gain control,
    I found I could vary the amount of NFB right up to the point of
    oscillation. Backed off a fraction, I found that GNFB improved the sound quality significantly.


    https://en.wikipedia.org/wiki/Negative-feedback_amplifier#Two-port_analysis_of_feedback

    Go down to the "distortion" section. As brief as it is, it conveys some very good information.

    **Indeed. All good and well, but that does prompt the question as to why
    your preference is for an old valve amp, which employs far less GNFB
    than a typical SS amp?


    In point-of-fact, part of the TIP-Mod for your 120 involved increasing capacitance within the feedback loop to reduce bass roll-off.


    **Huh?


    --
    Trevor Wilson
    www.rageaudio.com.au

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  • From ~misfit~@21:1/5 to Trevor Wilson on Fri Sep 13 10:02:40 2019
    On 12/09/2019 10:18 PM, Trevor Wilson wrote:
    On 12/09/2019 12:17 am, ~misfit~ wrote:
    On 10/09/2019 11:54 PM, Peter Wieck wrote:
    OK, OK, I will bite! Minor rant to follow:

    Tube vs. Solid State on reliability:

    There are not so very many 60-year old components in operation these days unmodified since-new.
    My oldest tube item turned 100 this year and likely works better than when it was new based on a
    better understanding of antenna systems, optimum tube voltages and so forth. Other than moving
    parts (CD player), the newest component in my office system was made in 1963. The system runs 9
    hours per day, 5 days per week. Oh, and the tubes are original as well.

    On the other hand, and given my hobby, I see a large number of SS components that have blown
    transistors, exploded capacitors and much worse, irrespective of age and source. The well made,
    well designed stuff is serviceable, distinguishing it from the rest of the garbage out there.

    I would make a fairly apt comparison: A tube amplifier is much like a mid-last-century Mercedes
    or VW - few things were self-adjusting, and they required regular and attentive
    care-and-feeding. With such, they were good for several hundred thousand miles of reliable
    service. A contemporary Ford, Cadillac, Plymouth would be considered remarkable were it to
    survive 100,000 miles without heroic measures. Might run very nicely when running, but that
    would be your basic solid-state device in comparison.

    Put simply, they are different beasts designed with different things in mind, but for the same
    basic purpose. That one is or is not "BETTER" than the other is not relevant to the purpose in
    either case.

    Now, when I here things like "Zero global NFB" and "Critically matched components", I can smell
    the snake-oil from a great distance, even the 10,000 miles from here to Australia. I am sure
    that process also contains descriptives of "interconnects" rolled on the thighs of virgins on
    Walpurgis Night...

    Note that even "critically matched" solid-state components drift after a very short period of
    time in-service. All of them, such that that "less than 1%" is meaningful for perhaps 12 hours
    or so.

    Being as this is a hobby for me, I get to try things that are otherwise unproductive,
    unprofitable or impractical. Such as shotgunning a device with single-value capacitors and then
    comparing it to the same device with carefully screened and matched caps. Or matching driver and
    output transistors and comparing to a similar device with disparate values. Guys and gals - you
    would be seriously shocked to discover how little difference some things make that the
    ALL-SEEING, ALL-KNOWING gurus will tell you are critical. Often no difference at all.

    Thanks for your input Peter. If I may ask, do you have an opinion on 'storage capacitors' on an
    amplifier power supply? What in your opinion is 'better', a single (or few) very large caps or
    multiple smaller caps to the same / similar capacitance?

    I have a long term project building my own amp based on PCBs taken from 100w MOSFET (two pairs of
    J50 / K135 devices per amp) PA amps made by a New Zealand company in the 1980s. (Craft, Gary
    Morrison's company before he went on to become head designer at Plinius until 2005 when he left
    to set up Pure Audio). I got my hands on a rack of four of these mono amps and preliminary
    testing using a clean source and good speakers suggest they will make a great stereo amp.

    I need to put together a power supply to feed two of these and have some new 10,000uF caps but
    was wondering if multiple smaller caps would be better. (In the PA amps they only had 2,200uF but
    obviously weren't called on to reproduce much bass.)

    As it is I'll be using fly leads from the rectifier PCB to the caps, then to the amps and I'm
    building my own case. I was thinking of maybe using my 10,000uF caps as well as maybe some
    smaller ones, perhaps 1,000 in a bank, the best of both worlds. (There are also 100uF electros
    across the rails on the amp PCBs that I'll be replacing.) That said I could also just go to multiple

    Cheers,

    **Those old MOSFETs were pretty ordinary devices (not very linear). Evidenced by the fact that
    Plinius amps have always used BJTs. As Peter has stated, multiple small value caps will usually
    provide a superior, higher speed power supply. However, I would posit that those old MOSFETs are so
    horrible (modern MOSFETs are far superior), that it may not be worth the effort.

    I hooked a pair of them up to a preamp while still using their original power supplies and was very
    pleased with the sound so decided to go ahead with the build.

    Craft amps used
    huge amounts of global NFB, required due to very low bias currents and the necessity to reduce the
    huge levels of distortion caused by the 'knee' at low currents (A Class A, or high bias MOSFET amp
    would have been much better). Anyway, the huge levels of global NFB means that PSRR (Power Supply
    Rejection Ratio) will be quite high, thus the influence of power supply changes will be relatively
    small.

    Unfortunately I don't own a 'scope so am unable to check a lot of stuff. When I listened to them
    with the original power supplies (designed for PA use) they sounded sweet and clean at low and
    moderate volume levels but seemed to run out of power at higher volumes, especially when there was
    a lot of bass.

    One more thing: Decent amounts of capacitance placed close to the output devices is far more
    influential than caps placed some distance away. In fact, long(ish) cables AFTER the main filter
    caps can be a serious limiting factor on the effectiveness of a power supply in a Class A/B
    amplifier. This is because the inductance of the wires can be a factor.

    Thanks. The fly-leads will only be 6" tops and I'll be using at least 1.5 square mm multistrand
    copper conductors. If space allows I'll put a ~1,000uF cap right at the amplifier PCB as well (or
    as large as I can get away with). I may end up building a wooden case as I don't have a suitable
    metal one and wood's something I have experience and the tools for.

    I still haven't finalised my design yet. I might end up feeding them a few more volts than they
    were getting from their original power supplies (my only suitable toroidial transformer is 10v AC
    higher than original) so may parallel up a third pair of output devices onto the heatsinks using
    one of the other amps as a donor. I haven't decided yet, as I said it's a long-term project and I'm
    learning as I go.
    --
    Shaun.

    "Humans will have advanced a long, long way when religious belief has a cozy little classification
    in the DSM"
    David Melville

    This is not an email and hasn't been checked for viruses by any half-arsed self-promoting software.

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  • From Trevor Wilson@21:1/5 to All on Sat Sep 14 13:58:43 2019
    On 13/09/2019 8:02 pm, ~misfit~ wrote:
    On 12/09/2019 10:18 PM, Trevor Wilson wrote:
    On 12/09/2019 12:17 am, ~misfit~ wrote:
    On 10/09/2019 11:54 PM, Peter Wieck wrote:
    OK, OK, I will bite! Minor rant to follow:

    Tube vs. Solid State on reliability:

    There are not so very many 60-year old components in operation these
    days unmodified since-new. My oldest tube item turned 100 this year
    and likely works better than when it was new based on a better
    understanding of antenna systems, optimum tube voltages and so
    forth. Other than moving parts (CD player), the newest component in
    my office system was made in 1963. The system runs 9 hours per day,
    5 days per week. Oh, and the tubes are original as well.

    On the other hand, and given my hobby, I see a large number of SS
    components that have blown transistors, exploded capacitors and much
    worse, irrespective of age and source. The well made, well designed
    stuff is serviceable, distinguishing it from the rest of the garbage
    out there.

    I would make a fairly apt comparison: A tube amplifier is much like
    a mid-last-century Mercedes or VW - few things were self-adjusting,
    and they required regular and attentive care-and-feeding. With such,
    they were good for several hundred thousand miles of reliable
    service. A contemporary Ford, Cadillac, Plymouth would be considered
    remarkable were it to survive 100,000 miles without heroic measures.
    Might run very nicely when running, but that would be your basic
    solid-state device in comparison.

    Put simply, they are different beasts designed with different things
    in mind, but for the same basic purpose. That one is or is not
    "BETTER" than the other is not relevant to the purpose in either case. >>>>
    Now, when I here things like "Zero global NFB" and "Critically
    matched components", I can smell the snake-oil from a great
    distance, even the 10,000 miles from here to Australia. I am sure
    that process also contains descriptives of "interconnects" rolled on
    the thighs of virgins on Walpurgis Night...

    Note that even "critically matched" solid-state components drift
    after a very short period of time in-service. All of them, such that
    that "less than 1%" is meaningful for perhaps 12 hours or so.

    Being as this is a hobby for me, I get to try things that are
    otherwise unproductive, unprofitable or impractical. Such as
    shotgunning a device with single-value capacitors and then comparing
    it to the same device with carefully screened and matched caps. Or
    matching driver and output transistors and comparing to a similar
    device with disparate values. Guys and gals - you would be seriously
    shocked to discover how little difference some things make that the
    ALL-SEEING, ALL-KNOWING gurus will tell you are critical. Often no
    difference at all.

    Thanks for your input Peter. If I may ask, do you have an opinion on
    'storage capacitors' on an amplifier power supply? What in your
    opinion is 'better', a single (or few) very large caps or multiple
    smaller caps to the same / similar capacitance?

    I have a long term project building my own amp based on PCBs taken
    from 100w MOSFET (two pairs of J50 / K135 devices per amp) PA amps
    made by a New Zealand company in the 1980s. (Craft, Gary Morrison's
    company before he went on to become head designer at Plinius until
    2005 when he left to set up Pure Audio). I got my hands on a rack of
    four of these mono amps and preliminary testing using a clean source
    and good speakers suggest they will make a great stereo amp.

    I need to put together a power supply to feed two of these and have
    some new 10,000uF caps but was wondering if multiple smaller caps
    would be better. (In the PA amps they only had 2,200uF but obviously
    weren't called on to reproduce much bass.)

    As it is I'll be using fly leads from the rectifier PCB to the caps,
    then to the amps and I'm building my own case. I was thinking of
    maybe using my 10,000uF caps as well as maybe some smaller ones,
    perhaps 1,000 in a bank, the best of both worlds. (There are also
    100uF electros across the rails on the amp PCBs that I'll be
    replacing.) That said I could also just go to multiple

    Cheers,

    **Those old MOSFETs were pretty ordinary devices (not very linear).
    Evidenced by the fact that Plinius amps have always used BJTs. As
    Peter has stated, multiple small value caps will usually provide a
    superior, higher speed power supply. However, I would posit that those
    old MOSFETs are so horrible (modern MOSFETs are far superior), that it
    may not be worth the effort.

    I hooked a pair of them up to a preamp while still using their original
    power supplies and was very pleased with the sound so decided to go
    ahead with the build.

    **I haven't listened to Craft (hi fi) amps in many years. What I heard
    back then was pleasing. Very wide bandwidth (ca. 1MHz), as I recall.


    Craft amps used huge amounts of global NFB, required due to very low
    bias currents and the necessity to reduce the huge levels of
    distortion caused by the 'knee' at low currents (A Class A, or high
    bias MOSFET amp would have been much better). Anyway, the huge levels
    of global NFB means that PSRR (Power Supply Rejection Ratio) will be
    quite high, thus the influence of power supply changes will be
    relatively small.

    Unfortunately I don't own a 'scope so am unable to check a lot of stuff.
    When I listened to them with the original power supplies (designed for
    PA use) they sounded sweet and clean at low and moderate volume levels
    but seemed to run out of power at higher volumes, especially when there
    was a lot of bass.

    **That could be due to a number of factors. Including:

    * Insufficient Voltage output.
    * Insufficient current output.
    * Insufficient power supply.
    * An unreasonable speaker impedance.

    Don't forget: Those meaty looking 2SJ50/2SK135 output devices are only
    rated for a meagre 7 Amps each and 100 Watts PDiss. By comparison, a
    typical output BJT of the same time period was rated at a far more
    respectable 20 Amps and 200 Watts PDiss (MJ15003/MJ15004). Present
    production variants are rated at 25 Amps and 250 Watts.

    So, a little Ohm's Law should tell you if you are demanding more current
    than the output devices are capable of delivering. 14 Amps is, by high
    end audio standards, a relatively modest current ability for a (say) 100
    Watt @ 8 Ohms amplifier. Provided the driver impedance is relatively
    benign, you should be OK. Fortunately, it is real hard to damage
    MOSFETs, by 'asking' them to deliver more current than they are rated for.



    One more thing: Decent amounts of capacitance placed close to the
    output devices is far more influential than caps placed some distance
    away. In fact, long(ish) cables AFTER the main filter caps can be a
    serious limiting factor on the effectiveness of a power supply in a
    Class A/B amplifier. This is because the inductance of the wires can
    be a factor.

    Thanks. The fly-leads will only be 6" tops and I'll be using at least
    1.5 square mm multistrand copper conductors. If space allows I'll put a ~1,000uF cap right at the amplifier PCB as well (or as large as I can
    get away with). I may end up building a wooden case as I don't have a suitable metal one and wood's something I have experience and the tools
    for.

    **Wiring sounds good. And yeah, caps placed close to output devices is a
    very good thing. A wooden case, not so much. Wood is an excellent
    thermal insulator, which means heat may not escape too easily.


    I still haven't finalised my design yet. I might end up feeding them a
    few more volts than they were getting from their original power supplies
    (my only suitable toroidial transformer is 10v AC higher than original)
    so may parallel up a third pair of output devices onto the heatsinks
    using one of the other amps as a donor. I haven't decided yet, as I said
    it's a long-term project and I'm learning as I go.

    **Well, the MOSFETs are rated for a decent 160 Volts, so a few more rail
    Volts should be OK. And yes, more output devices won't hurt (refer to
    Ohm's Law as before). Pay attention to the drive capabilities of the
    preceding stages though.


    --
    Trevor Wilson
    www.rageaudio.com.au

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  • From dpierce.cartchunk.org@gmail.com@21:1/5 to Trevor Wilson on Sun Sep 15 21:49:46 2019
    On Saturday, September 14, 2019 at 9:58:44 AM UTC-4, Trevor Wilson wrote:
    So, a little Ohm's Law should tell you if you are demanding more current
    than the output devices are capable of delivering. 14 Amps is, by high
    end audio standards, a relatively modest current ability for a (say) 100
    Watt @ 8 Ohms amplifier. Provided the driver impedance is relatively
    benign, you should be OK.

    Hmm, that's not what a little Ohm's law tells me.

    100 Watts into 8 Ohms is a tad over 3.5 amps. Let's say it's a VERY
    robust 100 watt amplifier, delivering 200 Watts into 4 Ohms requires
    about 7 amps, and, let's pretend it has essentially ZERO output
    impedance and an effectively limitless power supply, you're not reaching
    14 amps until you're driving 400 watts into 2 ohms.

    So, a couple of questions that Mr. Ohm may ask; what kind of loudspeaker presents a broadband 2 ohm impedance or, conversely, what kind of
    musical content would generate that kind of power requirement over
    the pretty narrow band of frequencies where a loudspeaker has the
    kind of pathological impedance curve that would dip to as low as
    2 ohms.

    (Yes, there exist SOME rare examples of loudspeakers with
    2 ohm impedance, but such are confined to a VERY narrow
    band of frequencies)

    Okay, let's pretend we have real examples of the above. Let's assume
    such a speaker has a moderately low efficiency, say the equivalent
    of, oh, 86 dB SPL/1W/1M. We're blowing in 400 watts that means the speaker
    is putting out 112 dB 1 meter way, a stereo pair, assuming the two
    channels are uncorrelated, that's 115 dB. Really? This is a serious requirement?

    But wait, you explicitly stated:

    "Provided the driver impedance is relatively benign"

    and you specified 8 Ohms. So let's assume it's a nominal 8 ohm
    impedance 3-way speaker using at least a 2nd-order crossover
    network. The impedance will be around 6.5 ohms below system
    cutoff (DC resistance of woofer voice coil), will rise to
    perhaps 30 Ohms at and around system cutoff, then drop down
    to perhaps 15% above the DC resistance above there, start
    rising again until the woofer-midrange crossover starts working,
    maybe betting to 10-12 ohms, then dip to perhaps 60% of the rated
    impedance, so about 4.8 ohms, rise again to about 12 ohms or so
    at the mid-tweeter crossover point, drop down to about 10-15% above
    the tweeter DC resistance (which, for the purpose of argument, we'll
    take to be a nominal 4 Ohm tweeter, so about 4.5 Ohms, after which
    it starts rising again.

    So, minimum impedance of about 4.8 ohms will occur over perhaps
    a 2-octave band around 1 kHz, then about 4.5 ohms around 5 kHz.

    Let's take your 14 amps, produce a musical signal where ALL the energy
    is concentrated from about 500-2000 Hz and from about 4000-8000 Hz
    ALONE, and see what 14 Amps does.

    Well, since

    P = I^R

    And we'll assume the impedance at these points is largely resistive,
    which is is, then:

    P = 14^2 * 4.5

    882 watts. And to do that, the amplifier must be capable of outputting

    E = I R

    E = 14 * 4.5

    63 volts RMS.

    Really?

    Oh, wait! Everyone knows that under transient conditions, the loudspeaker impedance can actually go well below the lowest impedance of the
    speaker for brief moments due to back EMF, Otala said so.

    Oh, wait! Everyone who knows that is wrong and has yet to advance any
    confirmed data sowing this to be the case and, by the way, Otala DID
    NOT say so: he basically said that the peak current requirement under
    actual transient conditions is exactly what is expected from the actual
    measure steady state impedance, and the only thing he really said
    that's even remotely like this is that the peak current requirements
    are greater than predicted by the "nominal" impedance of the loudspeaker.

    Give me a shovel, Mr. Ohm wants to go back to sleep.

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  • From ~misfit~@21:1/5 to Trevor Wilson on Mon Sep 16 01:43:15 2019
    On 15/09/2019 1:58 AM, Trevor Wilson wrote:
    On 13/09/2019 8:02 pm, ~misfit~ wrote:
    On 12/09/2019 10:18 PM, Trevor Wilson wrote:
    On 12/09/2019 12:17 am, ~misfit~ wrote:
    On 10/09/2019 11:54 PM, Peter Wieck wrote:
    OK, OK, I will bite! Minor rant to follow:

    Tube vs. Solid State on reliability:

    There are not so very many 60-year old components in operation these days unmodified
    since-new. My oldest tube item turned 100 this year and likely works better than when it was
    new based on a better understanding of antenna systems, optimum tube voltages and so forth.
    Other than moving parts (CD player), the newest component in my office system was made in
    1963. The system runs 9 hours per day, 5 days per week. Oh, and the tubes are original as well.

    On the other hand, and given my hobby, I see a large number of SS components that have blown
    transistors, exploded capacitors and much worse, irrespective of age and source. The well
    made, well designed stuff is serviceable, distinguishing it from the rest of the garbage out
    there.

    I would make a fairly apt comparison: A tube amplifier is much like a mid-last-century
    Mercedes or VW - few things were self-adjusting, and they required regular and attentive
    care-and-feeding. With such, they were good for several hundred thousand miles of reliable
    service. A contemporary Ford, Cadillac, Plymouth would be considered remarkable were it to
    survive 100,000 miles without heroic measures. Might run very nicely when running, but that
    would be your basic solid-state device in comparison.

    Put simply, they are different beasts designed with different things in mind, but for the same
    basic purpose. That one is or is not "BETTER" than the other is not relevant to the purpose in
    either case.

    Now, when I here things like "Zero global NFB" and "Critically matched components", I can
    smell the snake-oil from a great distance, even the 10,000 miles from here to Australia. I am
    sure that process also contains descriptives of "interconnects" rolled on the thighs of
    virgins on Walpurgis Night...

    Note that even "critically matched" solid-state components drift after a very short period of
    time in-service. All of them, such that that "less than 1%" is meaningful for perhaps 12 hours
    or so.

    Being as this is a hobby for me, I get to try things that are otherwise unproductive,
    unprofitable or impractical. Such as shotgunning a device with single-value capacitors and
    then comparing it to the same device with carefully screened and matched caps. Or matching
    driver and output transistors and comparing to a similar device with disparate values. Guys
    and gals - you would be seriously shocked to discover how little difference some things make
    that the ALL-SEEING, ALL-KNOWING gurus will tell you are critical. Often no difference at all.

    Thanks for your input Peter. If I may ask, do you have an opinion on 'storage capacitors' on an
    amplifier power supply? What in your opinion is 'better', a single (or few) very large caps or
    multiple smaller caps to the same / similar capacitance?

    I have a long term project building my own amp based on PCBs taken from 100w MOSFET (two pairs
    of J50 / K135 devices per amp) PA amps made by a New Zealand company in the 1980s. (Craft, Gary
    Morrison's company before he went on to become head designer at Plinius until 2005 when he left
    to set up Pure Audio). I got my hands on a rack of four of these mono amps and preliminary
    testing using a clean source and good speakers suggest they will make a great stereo amp.

    I need to put together a power supply to feed two of these and have some new 10,000uF caps but
    was wondering if multiple smaller caps would be better. (In the PA amps they only had 2,200uF
    but obviously weren't called on to reproduce much bass.)

    As it is I'll be using fly leads from the rectifier PCB to the caps, then to the amps and I'm
    building my own case. I was thinking of maybe using my 10,000uF caps as well as maybe some
    smaller ones, perhaps 1,000 in a bank, the best of both worlds. (There are also 100uF electros
    across the rails on the amp PCBs that I'll be replacing.) That said I could also just go to
    multiple

    Cheers,

    **Those old MOSFETs were pretty ordinary devices (not very linear). Evidenced by the fact that
    Plinius amps have always used BJTs. As Peter has stated, multiple small value caps will usually
    provide a superior, higher speed power supply. However, I would posit that those old MOSFETs are
    so horrible (modern MOSFETs are far superior), that it may not be worth the effort.

    I hooked a pair of them up to a preamp while still using their original power supplies and was
    very pleased with the sound so decided to go ahead with the build.

    **I haven't listened to Craft (hi fi) amps in many years. What I heard back then was pleasing. Very
    wide bandwidth (ca. 1MHz), as I recall.


    Craft amps used huge amounts of global NFB, required due to very low bias currents and the
    necessity to reduce the huge levels of distortion caused by the 'knee' at low currents (A Class
    A, or high bias MOSFET amp would have been much better). Anyway, the huge levels of global NFB
    means that PSRR (Power Supply Rejection Ratio) will be quite high, thus the influence of power
    supply changes will be relatively small.

    Unfortunately I don't own a 'scope so am unable to check a lot of stuff. When I listened to them
    with the original power supplies (designed for PA use) they sounded sweet and clean at low and
    moderate volume levels but seemed to run out of power at higher volumes, especially when there
    was a lot of bass.

    **That could be due to a number of factors. Including:

    * Insufficient Voltage output.
    * Insufficient current output.
    * Insufficient power supply.
    * An unreasonable speaker impedance.

    Don't forget: Those meaty looking 2SJ50/2SK135 output devices are only rated for a meagre 7 Amps
    each and 100 Watts PDiss. By comparison, a typical output BJT of the same time period was rated at
    a far more respectable 20 Amps and 200 Watts PDiss (MJ15003/MJ15004). Present production variants
    are rated at 25 Amps and 250 Watts.

    So three pairs per side should be fine for a reasonably powerful amp? I've studied the PCB and the
    output devices are paralleled (along with a resistor for each) so it wouldn't be hard to add a
    third device to each (on very short flyleads - or even daughterboards - mounted to the same heatsink).

    The speakers I'm intending to use with this are Sony SS-K90EDs.
    Like these: <https://www.stereo.net.au/forums/topic/260972-fs-sony-ss-k90ed-speakers-rare/>

    So, a little Ohm's Law should tell you if you are demanding more current than the output devices
    are capable of delivering. 14 Amps is, by high end audio standards, a relatively modest current
    ability for a (say) 100 Watt @ 8 Ohms amplifier. Provided the driver impedance is relatively
    benign, you should be OK. Fortunately, it is real hard to damage MOSFETs, by 'asking' them to
    deliver more current than they are rated for.

    That's one of the things I like about MOSFETs.

    One more thing: Decent amounts of capacitance placed close to the output devices is far more
    influential than caps placed some distance away. In fact, long(ish) cables AFTER the main filter
    caps can be a serious limiting factor on the effectiveness of a power supply in a Class A/B
    amplifier. This is because the inductance of the wires can be a factor.

    Thanks. The fly-leads will only be 6" tops and I'll be using at least 1.5 square mm multistrand
    copper conductors. If space allows I'll put a ~1,000uF cap right at the amplifier PCB as well (or
    as large as I can get away with). I may end up building a wooden case as I don't have a suitable
    metal one and wood's something I have experience and the tools for.

    **Wiring sounds good. And yeah, caps placed close to output devices is a very good thing. A wooden
    case, not so much. Wood is an excellent thermal insulator, which means heat may not escape too easily.

    I have a couple of big heatsinks for the amplifier modules that will sit either side of the case,
    fins outwards in free air. They'll easily handle the power dissipation being 4x bigger than the
    'sinks used on the PA amp. Also I'll ventilate the top and bottom of the 'box' (if I end up going
    with wood).

    I still haven't finalised my design yet. I might end up feeding them a few more volts than they
    were getting from their original power supplies (my only suitable toroidial transformer is 10v AC
    higher than original) so may parallel up a third pair of output devices onto the heatsinks using
    one of the other amps as a donor. I haven't decided yet, as I said it's a long-term project and
    I'm learning as I go.

    **Well, the MOSFETs are rated for a decent 160 Volts, so a few more rail Volts should be OK. And
    yes, more output devices won't hurt (refer to Ohm's Law as before). Pay attention to the drive
    capabilities of the preceding stages though.

    Thanks for this Trevor, I have saved it for future reference. My 300 VA toroid that I'm thinking of
    using with this outputs 50v AC so +/- 70v DC when rectified. The original PA transformers were 40v AC.
    --
    Shaun.

    "Humans will have advanced a long, long way when religious belief has a cozy little classification
    in the DSM"
    David Melville

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  • From Trevor Wilson@21:1/5 to dpierce.cartchunk.org@gmail.com on Mon Sep 16 09:52:52 2019
    On 16/09/2019 7:49 am, dpierce.cartchunk.org@gmail.com wrote:
    On Saturday, September 14, 2019 at 9:58:44 AM UTC-4, Trevor Wilson wrote:
    So, a little Ohm's Law should tell you if you are demanding more current
    than the output devices are capable of delivering. 14 Amps is, by high
    end audio standards, a relatively modest current ability for a (say) 100
    Watt @ 8 Ohms amplifier. Provided the driver impedance is relatively
    benign, you should be OK.

    Hmm, that's not what a little Ohm's law tells me.

    100 Watts into 8 Ohms is a tad over 3.5 amps. Let's say it's a VERY
    robust 100 watt amplifier, delivering 200 Watts into 4 Ohms requires
    about 7 amps, and, let's pretend it has essentially ZERO output
    impedance and an effectively limitless power supply, you're not reaching
    14 amps until you're driving 400 watts into 2 ohms.

    **Well, no. The RMS current is certainly 3.5 Amps, but output devices
    only 'care' about PEAK currents. The peak current is, of course, 3.5 X
    1.414 ~ 5 Amps.

    With a 4 Ohm load, the peak current required is 10 Amps. For 2 Ohms, it
    is 20 Amps.

    Assuming a 100 Watt amp. For a (say) 200 Watt amp, those peak current
    figures become 7 Amps, 14 Amps and 28 Amps respectively. WAY past the
    ability of two pairs of old Hitachi MOSFETs to deal with.


    So, a couple of questions that Mr. Ohm may ask; what kind of loudspeaker presents a broadband 2 ohm impedance or, conversely, what kind of
    musical content would generate that kind of power requirement over
    the pretty narrow band of frequencies where a loudspeaker has the
    kind of pathological impedance curve that would dip to as low as
    2 ohms.

    **I have a few here that are tougher than that. Some of the Peerless
    XXLS drivers dip to the low 2 Ohm region. Most ESLs fall lower than that
    at HF.


    (Yes, there exist SOME rare examples of loudspeakers with
    2 ohm impedance, but such are confined to a VERY narrow
    band of frequencies)

    **If those frequencies happen to be in an area where the amplifier is
    required to deliver a lot of power, then it matters a lot. In the bass,
    for instance.


    Okay, let's pretend we have real examples of the above. Let's assume
    such a speaker has a moderately low efficiency, say the equivalent
    of, oh, 86 dB SPL/1W/1M. We're blowing in 400 watts that means the speaker
    is putting out 112 dB 1 meter way, a stereo pair, assuming the two
    channels are uncorrelated, that's 115 dB. Really? This is a serious requirement?

    But wait, you explicitly stated:

    "Provided the driver impedance is relatively benign"

    and you specified 8 Ohms. So let's assume it's a nominal 8 ohm
    impedance 3-way speaker using at least a 2nd-order crossover
    network. The impedance will be around 6.5 ohms below system
    cutoff (DC resistance of woofer voice coil), will rise to
    perhaps 30 Ohms at and around system cutoff, then drop down
    to perhaps 15% above the DC resistance above there, start
    rising again until the woofer-midrange crossover starts working,
    maybe betting to 10-12 ohms, then dip to perhaps 60% of the rated
    impedance, so about 4.8 ohms, rise again to about 12 ohms or so
    at the mid-tweeter crossover point, drop down to about 10-15% above
    the tweeter DC resistance (which, for the purpose of argument, we'll
    take to be a nominal 4 Ohm tweeter, so about 4.5 Ohms, after which
    it starts rising again.

    So, minimum impedance of about 4.8 ohms will occur over perhaps
    a 2-octave band around 1 kHz, then about 4.5 ohms around 5 kHz.

    Let's take your 14 amps, produce a musical signal where ALL the energy
    is concentrated from about 500-2000 Hz and from about 4000-8000 Hz
    ALONE, and see what 14 Amps does.

    Well, since

    P = I^R

    And we'll assume the impedance at these points is largely resistive,
    which is is, then:

    P = 14^2 * 4.5

    882 watts. And to do that, the amplifier must be capable of outputting

    E = I R

    E = 14 * 4.5

    63 volts RMS.

    Really?

    Oh, wait! Everyone knows that under transient conditions, the loudspeaker impedance can actually go well below the lowest impedance of the
    speaker for brief moments due to back EMF, Otala said so.

    **I pay no attention to such things. I just look at the actual
    impedance/phase angle curves. Like the ones at the end of this post.


    Oh, wait! Everyone who knows that is wrong and has yet to advance any confirmed data sowing this to be the case and, by the way, Otala DID
    NOT say so: he basically said that the peak current requirement under
    actual transient conditions is exactly what is expected from the actual measure steady state impedance, and the only thing he really said
    that's even remotely like this is that the peak current requirements
    are greater than predicted by the "nominal" impedance of the loudspeaker.

    Give me a shovel, Mr. Ohm wants to go back to sleep.


    **Here are some real-world speaker impedance plots. All have parts of
    their curve below 4 Ohms. Most of them are speakers I have personal
    experience with. I owned a pair of Westlakes for awhile and I have a
    pair of Martin Logan Quest Z as a workshop system. Both are tough loads
    for any amplifier.

    https://www.stereophile.com/content/westlake-bbsm-6f-loudspeaker-measurements

    https://www.stereophile.com/content/wilson-audio-specialties-cub-loudspeaker-measurements

    https://www.stereophile.com/content/aerial-acoustics-20t-v2-loudspeaker-measurements

    https://www.stereophile.com/content/wilson-audio-specialties-yvette-loudspeaker-measurements

    https://www.stereophile.com/content/bampw-800-diamond-loudspeaker-measurements

    https://www.stereophile.com/content/bw-802d-loudspeaker-measurements

    https://www.stereophile.com/content/bw-signature-800-loudspeaker-measurements

    https://www.stereophile.com/content/bw-nautilus-801-loudspeaker-measurements

    https://www.stereophile.com/content/boston-acoustics-m350-loudspeaker-measurements

    https://www.stereophile.com/content/bowers-wilkins-702-s2-loudspeaker-measurements

    https://www.stereophile.com/content/bowers-amp-wilkins-804-diamond-loudspeaker-measurements

    https://www.stereophile.com/content/dunlavy-audio-laboratories-sc-iv-loudspeaker-measurements

    https://www.stereophile.com/content/dynaudio-evidence-temptation-loudspeaker-measurements

    https://www.stereophile.com/content/focal-maestro-utopia-iii-loudspeaker-measurements

    https://www.stereophile.com/content/focal-sopra-no3-loudspeaker-measurements

    https://www.stereophile.com/content/focal-jmlab-nova-utopia-be-loudspeaker-measurements

    https://www.stereophile.com/content/infinity-irs-beta-loudspeaker-measurements

    https://www.stereophile.com/content/innersound-eros-mkiii-electrostatic-loudspeaker-measurements

    https://www.stereophile.com/content/kef-reference-5-loudspeaker-measurements

    https://www.stereophile.com/content/martinlogan-quest-z-loudspeaker-measurements

    And, of course, the pathological loads I measured some years ago:

    http://www.rageaudio.com.au/index.php?p=1_12


    --
    Trevor Wilson
    www.rageaudio.com.au

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  • From Trevor Wilson@21:1/5 to All on Mon Sep 16 09:53:06 2019
    On 16/09/2019 11:43 am, ~misfit~ wrote:
    On 15/09/2019 1:58 AM, Trevor Wilson wrote:
    On 13/09/2019 8:02 pm, ~misfit~ wrote:
    On 12/09/2019 10:18 PM, Trevor Wilson wrote:
    On 12/09/2019 12:17 am, ~misfit~ wrote:
    On 10/09/2019 11:54 PM, Peter Wieck wrote:
    OK, OK, I will bite! Minor rant to follow:

    Tube vs. Solid State on reliability:

    There are not so very many 60-year old components in operation
    these days unmodified since-new. My oldest tube item turned 100
    this year and likely works better than when it was new based on a
    better understanding of antenna systems, optimum tube voltages and >>>>>> so forth. Other than moving parts (CD player), the newest
    component in my office system was made in 1963. The system runs 9
    hours per day, 5 days per week. Oh, and the tubes are original as
    well.

    On the other hand, and given my hobby, I see a large number of SS
    components that have blown transistors, exploded capacitors and
    much worse, irrespective of age and source. The well made, well
    designed stuff is serviceable, distinguishing it from the rest of
    the garbage out there.

    I would make a fairly apt comparison: A tube amplifier is much
    like a mid-last-century Mercedes or VW - few things were
    self-adjusting, and they required regular and attentive
    care-and-feeding. With such, they were good for several hundred
    thousand miles of reliable service. A contemporary Ford, Cadillac, >>>>>> Plymouth would be considered remarkable were it to survive 100,000 >>>>>> miles without heroic measures. Might run very nicely when running, >>>>>> but that would be your basic solid-state device in comparison.

    Put simply, they are different beasts designed with different
    things in mind, but for the same basic purpose. That one is or is
    not "BETTER" than the other is not relevant to the purpose in
    either case.

    Now, when I here things like "Zero global NFB" and "Critically
    matched components", I can smell the snake-oil from a great
    distance, even the 10,000 miles from here to Australia. I am sure
    that process also contains descriptives of "interconnects" rolled
    on the thighs of virgins on Walpurgis Night...

    Note that even "critically matched" solid-state components drift
    after a very short period of time in-service. All of them, such
    that that "less than 1%" is meaningful for perhaps 12 hours or so. >>>>>>
    Being as this is a hobby for me, I get to try things that are
    otherwise unproductive, unprofitable or impractical. Such as
    shotgunning a device with single-value capacitors and then
    comparing it to the same device with carefully screened and
    matched caps. Or matching driver and output transistors and
    comparing to a similar device with disparate values. Guys and gals >>>>>> - you would be seriously shocked to discover how little difference >>>>>> some things make that the ALL-SEEING, ALL-KNOWING gurus will tell
    you are critical. Often no difference at all.

    Thanks for your input Peter. If I may ask, do you have an opinion
    on 'storage capacitors' on an amplifier power supply? What in your
    opinion is 'better', a single (or few) very large caps or multiple
    smaller caps to the same / similar capacitance?

    I have a long term project building my own amp based on PCBs taken
    from 100w MOSFET (two pairs of J50 / K135 devices per amp) PA amps
    made by a New Zealand company in the 1980s. (Craft, Gary Morrison's
    company before he went on to become head designer at Plinius until
    2005 when he left to set up Pure Audio). I got my hands on a rack
    of four of these mono amps and preliminary testing using a clean
    source and good speakers suggest they will make a great stereo amp.

    I need to put together a power supply to feed two of these and have
    some new 10,000uF caps but was wondering if multiple smaller caps
    would be better. (In the PA amps they only had 2,200uF but
    obviously weren't called on to reproduce much bass.)

    As it is I'll be using fly leads from the rectifier PCB to the
    caps, then to the amps and I'm building my own case. I was thinking
    of maybe using my 10,000uF caps as well as maybe some smaller ones,
    perhaps 1,000 in a bank, the best of both worlds. (There are also
    100uF electros across the rails on the amp PCBs that I'll be
    replacing.) That said I could also just go to multiple

    Cheers,

    **Those old MOSFETs were pretty ordinary devices (not very linear).
    Evidenced by the fact that Plinius amps have always used BJTs. As
    Peter has stated, multiple small value caps will usually provide a
    superior, higher speed power supply. However, I would posit that
    those old MOSFETs are so horrible (modern MOSFETs are far superior),
    that it may not be worth the effort.

    I hooked a pair of them up to a preamp while still using their
    original power supplies and was very pleased with the sound so
    decided to go ahead with the build.

    **I haven't listened to Craft (hi fi) amps in many years. What I heard
    back then was pleasing. Very wide bandwidth (ca. 1MHz), as I recall.


    Craft amps used huge amounts of global NFB, required due to very low
    bias currents and the necessity to reduce the huge levels of
    distortion caused by the 'knee' at low currents (A Class A, or high
    bias MOSFET amp would have been much better). Anyway, the huge
    levels of global NFB means that PSRR (Power Supply Rejection Ratio)
    will be quite high, thus the influence of power supply changes will
    be relatively small.

    Unfortunately I don't own a 'scope so am unable to check a lot of
    stuff. When I listened to them with the original power supplies
    (designed for PA use) they sounded sweet and clean at low and
    moderate volume levels but seemed to run out of power at higher
    volumes, especially when there was a lot of bass.

    **That could be due to a number of factors. Including:

    * Insufficient Voltage output.
    * Insufficient current output.
    * Insufficient power supply.
    * An unreasonable speaker impedance.

    Don't forget: Those meaty looking 2SJ50/2SK135 output devices are only
    rated for a meagre 7 Amps each and 100 Watts PDiss. By comparison, a
    typical output BJT of the same time period was rated at a far more
    respectable 20 Amps and 200 Watts PDiss (MJ15003/MJ15004). Present
    production variants are rated at 25 Amps and 250 Watts.

    So three pairs per side should be fine for a reasonably powerful amp?

    **Again: It depends on the maximum Voltage output. 3 pairs allows for a
    peak current ability of 21 Amps.

    I've studied the PCB and the output devices are paralleled (along with a resistor for each) so it wouldn't be hard to add a third device to each
    (on very short flyleads - or even daughterboards - mounted to the same heatsink).

    **Sure. However, make certain the drive circuitry can cope.


    The speakers I'm intending to use with this are Sony SS-K90EDs.
    Like these: <https://www.stereo.net.au/forums/topic/260972-fs-sony-ss-k90ed-speakers-rare/>

    **OK.



    So, a little Ohm's Law should tell you if you are demanding more
    current than the output devices are capable of delivering. 14 Amps is,
    by high end audio standards, a relatively modest current ability for a
    (say) 100 Watt @ 8 Ohms amplifier. Provided the driver impedance is
    relatively benign, you should be OK. Fortunately, it is real hard to
    damage MOSFETs, by 'asking' them to deliver more current than they are
    rated for.

    That's one of the things I like about MOSFETs.

    **Well, a properly designed BJT amp should demonstrate the same
    robustness and reliability.


    One more thing: Decent amounts of capacitance placed close to the
    output devices is far more influential than caps placed some
    distance away. In fact, long(ish) cables AFTER the main filter caps
    can be a serious limiting factor on the effectiveness of a power
    supply in a Class A/B amplifier. This is because the inductance of
    the wires can be a factor.

    Thanks. The fly-leads will only be 6" tops and I'll be using at least
    1.5 square mm multistrand copper conductors. If space allows I'll put
    a ~1,000uF cap right at the amplifier PCB as well (or as large as I
    can get away with). I may end up building a wooden case as I don't
    have a suitable metal one and wood's something I have experience and
    the tools for.

    **Wiring sounds good. And yeah, caps placed close to output devices is
    a very good thing. A wooden case, not so much. Wood is an excellent
    thermal insulator, which means heat may not escape too easily.

    I have a couple of big heatsinks for the amplifier modules that will sit either side of the case, fins outwards in free air. They'll easily
    handle the power dissipation being 4x bigger than the 'sinks used on the
    PA amp. Also I'll ventilate the top and bottom of the 'box' (if I end up going with wood).

    **OK.


    I still haven't finalised my design yet. I might end up feeding them
    a few more volts than they were getting from their original power
    supplies (my only suitable toroidial transformer is 10v AC higher
    than original) so may parallel up a third pair of output devices onto
    the heatsinks using one of the other amps as a donor. I haven't
    decided yet, as I said it's a long-term project and I'm learning as I
    go.

    **Well, the MOSFETs are rated for a decent 160 Volts, so a few more
    rail Volts should be OK. And yes, more output devices won't hurt
    (refer to Ohm's Law as before). Pay attention to the drive
    capabilities of the preceding stages though.

    Thanks for this Trevor, I have saved it for future reference. My 300 VA toroid that I'm thinking of using with this outputs 50v AC so +/- 70v DC
    when rectified. The original PA transformers were 40v AC.

    **+/- 70VDC suggests a maximum power output of around 250 Watts @ 8
    Ohms. If you plan on attempting to obtain that much power
    (continuously), then you will need two of those toroids.


    --
    Trevor Wilson
    www.rageaudio.com.au

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  • From ~misfit~@21:1/5 to Trevor Wilson on Mon Sep 16 13:01:51 2019
    On 16/09/2019 9:53 PM, Trevor Wilson wrote:
    On 16/09/2019 11:43 am, ~misfit~ wrote:
    On 15/09/2019 1:58 AM, Trevor Wilson wrote:
    On 13/09/2019 8:02 pm, ~misfit~ wrote:
    On 12/09/2019 10:18 PM, Trevor Wilson wrote:
    On 12/09/2019 12:17 am, ~misfit~ wrote:
    On 10/09/2019 11:54 PM, Peter Wieck wrote:
    OK, OK, I will bite! Minor rant to follow:

    Tube vs. Solid State on reliability:

    There are not so very many 60-year old components in operation these days unmodified
    since-new. My oldest tube item turned 100 this year and likely works better than when it was
    new based on a better understanding of antenna systems, optimum tube voltages and so forth.
    Other than moving parts (CD player), the newest component in my office system was made in
    1963. The system runs 9 hours per day, 5 days per week. Oh, and the tubes are original as well.

    On the other hand, and given my hobby, I see a large number of SS components that have blown
    transistors, exploded capacitors and much worse, irrespective of age and source. The well
    made, well designed stuff is serviceable, distinguishing it from the rest of the garbage out
    there.

    I would make a fairly apt comparison: A tube amplifier is much like a mid-last-century
    Mercedes or VW - few things were self-adjusting, and they required regular and attentive
    care-and-feeding. With such, they were good for several hundred thousand miles of reliable
    service. A contemporary Ford, Cadillac, Plymouth would be considered remarkable were it to
    survive 100,000 miles without heroic measures. Might run very nicely when running, but that
    would be your basic solid-state device in comparison.

    Put simply, they are different beasts designed with different things in mind, but for the
    same basic purpose. That one is or is not "BETTER" than the other is not relevant to the
    purpose in either case.

    Now, when I here things like "Zero global NFB" and "Critically matched components", I can
    smell the snake-oil from a great distance, even the 10,000 miles from here to Australia. I
    am sure that process also contains descriptives of "interconnects" rolled on the thighs of
    virgins on Walpurgis Night...

    Note that even "critically matched" solid-state components drift after a very short period
    of time in-service. All of them, such that that "less than 1%" is meaningful for perhaps 12
    hours or so.

    Being as this is a hobby for me, I get to try things that are otherwise unproductive,
    unprofitable or impractical. Such as shotgunning a device with single-value capacitors and
    then comparing it to the same device with carefully screened and matched caps. Or matching
    driver and output transistors and comparing to a similar device with disparate values. Guys
    and gals - you would be seriously shocked to discover how little difference some things make
    that the ALL-SEEING, ALL-KNOWING gurus will tell you are critical. Often no difference at all.

    Thanks for your input Peter. If I may ask, do you have an opinion on 'storage capacitors' on
    an amplifier power supply? What in your opinion is 'better', a single (or few) very large
    caps or multiple smaller caps to the same / similar capacitance?

    I have a long term project building my own amp based on PCBs taken from 100w MOSFET (two
    pairs of J50 / K135 devices per amp) PA amps made by a New Zealand company in the 1980s.
    (Craft, Gary Morrison's company before he went on to become head designer at Plinius until
    2005 when he left to set up Pure Audio). I got my hands on a rack of four of these mono amps
    and preliminary testing using a clean source and good speakers suggest they will make a great
    stereo amp.

    I need to put together a power supply to feed two of these and have some new 10,000uF caps
    but was wondering if multiple smaller caps would be better. (In the PA amps they only had
    2,200uF but obviously weren't called on to reproduce much bass.)

    As it is I'll be using fly leads from the rectifier PCB to the caps, then to the amps and I'm
    building my own case. I was thinking of maybe using my 10,000uF caps as well as maybe some
    smaller ones, perhaps 1,000 in a bank, the best of both worlds. (There are also 100uF
    electros across the rails on the amp PCBs that I'll be replacing.) That said I could also
    just go to multiple

    Cheers,

    **Those old MOSFETs were pretty ordinary devices (not very linear). Evidenced by the fact that
    Plinius amps have always used BJTs. As Peter has stated, multiple small value caps will
    usually provide a superior, higher speed power supply. However, I would posit that those old
    MOSFETs are so horrible (modern MOSFETs are far superior), that it may not be worth the effort.

    I hooked a pair of them up to a preamp while still using their original power supplies and was
    very pleased with the sound so decided to go ahead with the build.

    **I haven't listened to Craft (hi fi) amps in many years. What I heard back then was pleasing.
    Very wide bandwidth (ca. 1MHz), as I recall.


    Craft amps used huge amounts of global NFB, required due to very low bias currents and the
    necessity to reduce the huge levels of distortion caused by the 'knee' at low currents (A
    Class A, or high bias MOSFET amp would have been much better). Anyway, the huge levels of
    global NFB means that PSRR (Power Supply Rejection Ratio) will be quite high, thus the
    influence of power supply changes will be relatively small.

    Unfortunately I don't own a 'scope so am unable to check a lot of stuff. When I listened to
    them with the original power supplies (designed for PA use) they sounded sweet and clean at low
    and moderate volume levels but seemed to run out of power at higher volumes, especially when
    there was a lot of bass.

    **That could be due to a number of factors. Including:

    * Insufficient Voltage output.
    * Insufficient current output.
    * Insufficient power supply.
    * An unreasonable speaker impedance.

    Don't forget: Those meaty looking 2SJ50/2SK135 output devices are only rated for a meagre 7 Amps
    each and 100 Watts PDiss. By comparison, a typical output BJT of the same time period was rated
    at a far more respectable 20 Amps and 200 Watts PDiss (MJ15003/MJ15004). Present production
    variants are rated at 25 Amps and 250 Watts.

    So three pairs per side should be fine for a reasonably powerful amp?

    **Again: It depends on the maximum Voltage output. 3 pairs allows for a peak current ability of 21
    Amps.

    I've studied the PCB and the output devices are paralleled (along with a resistor for each) so it
    wouldn't be hard to add a third device to each (on very short flyleads - or even daughterboards -
    mounted to the same heatsink).

    **Sure. However, make certain the drive circuitry can cope.

    I'm not exactly sure of how to do that?

    The speakers I'm intending to use with this are Sony SS-K90EDs.
    Like these:
    <https://www.stereo.net.au/forums/topic/260972-fs-sony-ss-k90ed-speakers-rare/>

    **OK.



    So, a little Ohm's Law should tell you if you are demanding more current than the output devices
    are capable of delivering. 14 Amps is, by high end audio standards, a relatively modest current
    ability for a (say) 100 Watt @ 8 Ohms amplifier. Provided the driver impedance is relatively
    benign, you should be OK. Fortunately, it is real hard to damage MOSFETs, by 'asking' them to
    deliver more current than they are rated for.

    That's one of the things I like about MOSFETs.

    **Well, a properly designed BJT amp should demonstrate the same robustness and reliability.


    One more thing: Decent amounts of capacitance placed close to the output devices is far more
    influential than caps placed some distance away. In fact, long(ish) cables AFTER the main
    filter caps can be a serious limiting factor on the effectiveness of a power supply in a Class
    A/B amplifier. This is because the inductance of the wires can be a factor.

    Thanks. The fly-leads will only be 6" tops and I'll be using at least 1.5 square mm multistrand
    copper conductors. If space allows I'll put a ~1,000uF cap right at the amplifier PCB as well
    (or as large as I can get away with). I may end up building a wooden case as I don't have a
    suitable metal one and wood's something I have experience and the tools for.

    **Wiring sounds good. And yeah, caps placed close to output devices is a very good thing. A
    wooden case, not so much. Wood is an excellent thermal insulator, which means heat may not
    escape too easily.

    I have a couple of big heatsinks for the amplifier modules that will sit either side of the case,
    fins outwards in free air. They'll easily handle the power dissipation being 4x bigger than the
    'sinks used on the PA amp. Also I'll ventilate the top and bottom of the 'box' (if I end up going
    with wood).

    **OK.


    I still haven't finalised my design yet. I might end up feeding them a few more volts than they
    were getting from their original power supplies (my only suitable toroidial transformer is 10v
    AC higher than original) so may parallel up a third pair of output devices onto the heatsinks
    using one of the other amps as a donor. I haven't decided yet, as I said it's a long-term
    project and I'm learning as I go.

    **Well, the MOSFETs are rated for a decent 160 Volts, so a few more rail Volts should be OK. And
    yes, more output devices won't hurt (refer to Ohm's Law as before). Pay attention to the drive
    capabilities of the preceding stages though.

    Thanks for this Trevor, I have saved it for future reference. My 300 VA toroid that I'm thinking
    of using with this outputs 50v AC so +/- 70v DC when rectified. The original PA transformers were
    40v AC.

    **+/- 70VDC suggests a maximum power output of around 250 Watts @ 8 Ohms. If you plan on attempting
    to obtain that much power (continuously), then you will need two of those toroids.

    I intend to use the system in my lounge so won't want crazy SPLs, the speakers likely wouldn't
    handle that much power anyway. I actually do have two of the toroids but that would make for a big
    amplifier case - and surely then I'd need to consider adding *two* more pairs of output MOSFETs per
    amplifier?

    I was thinking that, as I don't listen to dubstep or extremely bass-heavy music, using one toroid
    and a lot of capacitance (in the region of 20,000 to 50,000 uF per rail) would be enough to handle
    transients. If not then I might as well build a pair of monoblocks.

    I've got a few coffee-cup sized Mepco/Electra 14,000 uF / 100v caps but they're not new... I also
    have 8 new 10,000 uF / 100v Elna caps that are only about 1/4 of the size.

    Cheers,
    --
    Shaun.

    "Humans will have advanced a long, long way when religious belief has a cozy little classification
    in the DSM"
    David Melville

    This is not an email and hasn't been checked for viruses by any half-arsed self-promoting software.

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  • From Peter Wieck@21:1/5 to All on Mon Sep 16 15:11:37 2019
    IF all you are doing is wanting to power speakers at a reasonable listening level in a reasonably sized room, and you do not want ear-bleed levels, your major task in this case is managing transients.

    Your plan to use a large amount of capacitance will address that fairly nicely. And if your amp "breathes" at high volumes (you will absolutely know if that happens), then and only then consider (a) beefier power-supply(ies).

    I run a pair of AR3a speakers (4-ohm, nominal) in a fairly small room (17 x 14 x 10 (feet)) with a 60 wpc/rms amp, and it does fine at any listening level I would care to use. It has about 8,000 uF/channel of capacitance.

    Peter Wieck
    Melrose Park, PA

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  • From Trevor Wilson@21:1/5 to All on Mon Sep 16 23:54:47 2019
    On 16/09/2019 11:01 pm, ~misfit~ wrote:
    On 16/09/2019 9:53 PM, Trevor Wilson wrote:
    On 16/09/2019 11:43 am, ~misfit~ wrote:
    On 15/09/2019 1:58 AM, Trevor Wilson wrote:
    On 13/09/2019 8:02 pm, ~misfit~ wrote:
    On 12/09/2019 10:18 PM, Trevor Wilson wrote:
    On 12/09/2019 12:17 am, ~misfit~ wrote:
    On 10/09/2019 11:54 PM, Peter Wieck wrote:
    OK, OK, I will bite! Minor rant to follow:

    Tube vs. Solid State on reliability:

    There are not so very many 60-year old components in operation >>>>>>>> these days unmodified since-new. My oldest tube item turned 100 >>>>>>>> this year and likely works better than when it was new based on >>>>>>>> a better understanding of antenna systems, optimum tube voltages >>>>>>>> and so forth. Other than moving parts (CD player), the newest
    component in my office system was made in 1963. The system runs >>>>>>>> 9 hours per day, 5 days per week. Oh, and the tubes are original >>>>>>>> as well.

    On the other hand, and given my hobby, I see a large number of >>>>>>>> SS components that have blown transistors, exploded capacitors >>>>>>>> and much worse, irrespective of age and source. The well made, >>>>>>>> well designed stuff is serviceable, distinguishing it from the >>>>>>>> rest of the garbage out there.

    I would make a fairly apt comparison: A tube amplifier is much >>>>>>>> like a mid-last-century Mercedes or VW - few things were
    self-adjusting, and they required regular and attentive
    care-and-feeding. With such, they were good for several hundred >>>>>>>> thousand miles of reliable service. A contemporary Ford,
    Cadillac, Plymouth would be considered remarkable were it to
    survive 100,000 miles without heroic measures. Might run very
    nicely when running, but that would be your basic solid-state
    device in comparison.

    Put simply, they are different beasts designed with different
    things in mind, but for the same basic purpose. That one is or >>>>>>>> is not "BETTER" than the other is not relevant to the purpose in >>>>>>>> either case.

    Now, when I here things like "Zero global NFB" and "Critically >>>>>>>> matched components", I can smell the snake-oil from a great
    distance, even the 10,000 miles from here to Australia. I am
    sure that process also contains descriptives of "interconnects" >>>>>>>> rolled on the thighs of virgins on Walpurgis Night...

    Note that even "critically matched" solid-state components drift >>>>>>>> after a very short period of time in-service. All of them, such >>>>>>>> that that "less than 1%" is meaningful for perhaps 12 hours or so. >>>>>>>>
    Being as this is a hobby for me, I get to try things that are
    otherwise unproductive, unprofitable or impractical. Such as
    shotgunning a device with single-value capacitors and then
    comparing it to the same device with carefully screened and
    matched caps. Or matching driver and output transistors and
    comparing to a similar device with disparate values. Guys and
    gals - you would be seriously shocked to discover how little
    difference some things make that the ALL-SEEING, ALL-KNOWING
    gurus will tell you are critical. Often no difference at all.

    Thanks for your input Peter. If I may ask, do you have an opinion >>>>>>> on 'storage capacitors' on an amplifier power supply? What in
    your opinion is 'better', a single (or few) very large caps or
    multiple smaller caps to the same / similar capacitance?

    I have a long term project building my own amp based on PCBs
    taken from 100w MOSFET (two pairs of J50 / K135 devices per amp) >>>>>>> PA amps made by a New Zealand company in the 1980s. (Craft, Gary >>>>>>> Morrison's company before he went on to become head designer at
    Plinius until 2005 when he left to set up Pure Audio). I got my
    hands on a rack of four of these mono amps and preliminary
    testing using a clean source and good speakers suggest they will >>>>>>> make a great stereo amp.

    I need to put together a power supply to feed two of these and
    have some new 10,000uF caps but was wondering if multiple smaller >>>>>>> caps would be better. (In the PA amps they only had 2,200uF but
    obviously weren't called on to reproduce much bass.)

    As it is I'll be using fly leads from the rectifier PCB to the
    caps, then to the amps and I'm building my own case. I was
    thinking of maybe using my 10,000uF caps as well as maybe some
    smaller ones, perhaps 1,000 in a bank, the best of both worlds.
    (There are also 100uF electros across the rails on the amp PCBs
    that I'll be replacing.) That said I could also just go to multiple >>>>>>>
    Cheers,

    **Those old MOSFETs were pretty ordinary devices (not very
    linear). Evidenced by the fact that Plinius amps have always used
    BJTs. As Peter has stated, multiple small value caps will usually
    provide a superior, higher speed power supply. However, I would
    posit that those old MOSFETs are so horrible (modern MOSFETs are
    far superior), that it may not be worth the effort.

    I hooked a pair of them up to a preamp while still using their
    original power supplies and was very pleased with the sound so
    decided to go ahead with the build.

    **I haven't listened to Craft (hi fi) amps in many years. What I
    heard back then was pleasing. Very wide bandwidth (ca. 1MHz), as I
    recall.


    Craft amps used huge amounts of global NFB, required due to very
    low bias currents and the necessity to reduce the huge levels of
    distortion caused by the 'knee' at low currents (A Class A, or
    high bias MOSFET amp would have been much better). Anyway, the
    huge levels of global NFB means that PSRR (Power Supply Rejection
    Ratio) will be quite high, thus the influence of power supply
    changes will be relatively small.

    Unfortunately I don't own a 'scope so am unable to check a lot of
    stuff. When I listened to them with the original power supplies
    (designed for PA use) they sounded sweet and clean at low and
    moderate volume levels but seemed to run out of power at higher
    volumes, especially when there was a lot of bass.

    **That could be due to a number of factors. Including:

    * Insufficient Voltage output.
    * Insufficient current output.
    * Insufficient power supply.
    * An unreasonable speaker impedance.

    Don't forget: Those meaty looking 2SJ50/2SK135 output devices are
    only rated for a meagre 7 Amps each and 100 Watts PDiss. By
    comparison, a typical output BJT of the same time period was rated
    at a far more respectable 20 Amps and 200 Watts PDiss
    (MJ15003/MJ15004). Present production variants are rated at 25 Amps
    and 250 Watts.

    So three pairs per side should be fine for a reasonably powerful amp?

    **Again: It depends on the maximum Voltage output. 3 pairs allows for
    a peak current ability of 21 Amps.

    I've studied the PCB and the output devices are paralleled (along
    with a resistor for each) so it wouldn't be hard to add a third
    device to each (on very short flyleads - or even daughterboards -
    mounted to the same heatsink).

    **Sure. However, make certain the drive circuitry can cope.

    I'm not exactly sure of how to do that?

    **You need to examine the drive circuitry, the components used and then calculate if those components can cope with the extra load caused by
    extra MOSFETs. It will PROBABLY be OK, but I don't know.


    The speakers I'm intending to use with this are Sony SS-K90EDs.
    Like these:
    <https://www.stereo.net.au/forums/topic/260972-fs-sony-ss-k90ed-speakers-rare/>


    **OK.



    So, a little Ohm's Law should tell you if you are demanding more
    current than the output devices are capable of delivering. 14 Amps
    is, by high end audio standards, a relatively modest current ability
    for a (say) 100 Watt @ 8 Ohms amplifier. Provided the driver
    impedance is relatively benign, you should be OK. Fortunately, it is
    real hard to damage MOSFETs, by 'asking' them to deliver more
    current than they are rated for.

    That's one of the things I like about MOSFETs.

    **Well, a properly designed BJT amp should demonstrate the same
    robustness and reliability.


    One more thing: Decent amounts of capacitance placed close to the
    output devices is far more influential than caps placed some
    distance away. In fact, long(ish) cables AFTER the main filter
    caps can be a serious limiting factor on the effectiveness of a
    power supply in a Class A/B amplifier. This is because the
    inductance of the wires can be a factor.

    Thanks. The fly-leads will only be 6" tops and I'll be using at
    least 1.5 square mm multistrand copper conductors. If space allows
    I'll put a ~1,000uF cap right at the amplifier PCB as well (or as
    large as I can get away with). I may end up building a wooden case
    as I don't have a suitable metal one and wood's something I have
    experience and the tools for.

    **Wiring sounds good. And yeah, caps placed close to output devices
    is a very good thing. A wooden case, not so much. Wood is an
    excellent thermal insulator, which means heat may not escape too
    easily.

    I have a couple of big heatsinks for the amplifier modules that will
    sit either side of the case, fins outwards in free air. They'll
    easily handle the power dissipation being 4x bigger than the 'sinks
    used on the PA amp. Also I'll ventilate the top and bottom of the
    'box' (if I end up going with wood).

    **OK.


    I still haven't finalised my design yet. I might end up feeding
    them a few more volts than they were getting from their original
    power supplies (my only suitable toroidial transformer is 10v AC
    higher than original) so may parallel up a third pair of output
    devices onto the heatsinks using one of the other amps as a donor.
    I haven't decided yet, as I said it's a long-term project and I'm
    learning as I go.

    **Well, the MOSFETs are rated for a decent 160 Volts, so a few more
    rail Volts should be OK. And yes, more output devices won't hurt
    (refer to Ohm's Law as before). Pay attention to the drive
    capabilities of the preceding stages though.

    Thanks for this Trevor, I have saved it for future reference. My 300
    VA toroid that I'm thinking of using with this outputs 50v AC so +/-
    70v DC when rectified. The original PA transformers were 40v AC.

    **+/- 70VDC suggests a maximum power output of around 250 Watts @ 8
    Ohms. If you plan on attempting to obtain that much power
    (continuously), then you will need two of those toroids.

    I intend to use the system in my lounge so won't want crazy SPLs, the speakers likely wouldn't handle that much power anyway. I actually do
    have two of the toroids but that would make for a big amplifier case -
    and surely then I'd need to consider adding *two* more pairs of output MOSFETs per amplifier?

    **As Peter has correctly stated, provided you don't need the full
    continuous power capacity of the amplifier at all times, then one
    transformer will likely be plenty. From my perspective, I am a purist.
    If I am presented with an amplifier rated at (say) 200 Watts/channel,
    then that amplifier needs to be able to deliver 200 Watts/channel
    INDEFINITELY and, possibly more importantly, it needs to be able to
    deliver roughly 40% of it's maximum power without thermal distress. With
    one transformer in your amplifier chassis, it would fail such a test.
    But, your amplifier is not a commercial item. You can make it anything
    you want.


    I was thinking that, as I don't listen to dubstep or extremely
    bass-heavy music, using one toroid and a lot of capacitance (in the
    region of 20,000 to 50,000 uF per rail) would be enough to handle
    transients. If not then I might as well build a pair of monoblocks.

    **A worthy consideration.


    I've got a few coffee-cup sized Mepco/Electra 14,000 uF / 100v caps but they're not new... I also have 8 new 10,000 uF / 100v Elna caps that are
    only about 1/4 of the size.

    **The amplifier I presently use has a 5.5kVA (yes, 5,500VA), split wound
    (one winding for each channel), double C core power transformer,
    followed by 92 X 3,300uF filter capacitors. The result is to ensure
    that, under full power operation (at any impedance higher than 2 Ohms)
    ripple is kept below 100mV. So, discussions of 10,000uF per rail doesn't
    excite me. It's what I expect to see in a mass market product from
    Yamaha or NAD. However, as Peter and I have both suggested, in a high
    global NFB amp, such as yours, huge lumps of filter capacitance will not
    be pivotal to performance. Placing a decent amount near the output
    devices will be beneficial though.


    --
    Trevor Wilson
    www.rageaudio.com.au

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  • From dpierce.cartchunk.org@gmail.com@21:1/5 to Trevor Wilson on Thu Sep 19 10:00:56 2019
    While much of what you say below is, strictly speaking, technically
    correct under some very specific cases, it's misleading and could well
    not be applicable in reality.

    I've not got a lot of time to spend on this, so let me just
    take on a couple of your points.

    On Monday, September 16, 2019 at 5:52:54 AM UTC-4, Trevor Wilson wrote:
    On 16/09/2019 7:49 am, dpierce.cartchunk.org@gmail.com wrote:
    On Saturday, September 14, 2019 at 9:58:44 AM UTC-4, Trevor Wilson wrote:
    So, a little Ohm's Law should tell you if you are demanding more current >> than the output devices are capable of delivering. 14 Amps is, by high
    end audio standards, a relatively modest current ability for a (say) 100 >> Watt @ 8 Ohms amplifier. Provided the driver impedance is relatively
    benign, you should be OK.

    Hmm, that's not what a little Ohm's law tells me.

    100 Watts into 8 Ohms is a tad over 3.5 amps. Let's say it's a VERY
    robust 100 watt amplifier, delivering 200 Watts into 4 Ohms requires
    about 7 amps, and, let's pretend it has essentially ZERO output
    impedance and an effectively limitless power supply, you're not reaching
    14 amps until you're driving 400 watts into 2 ohms.

    **Well, no. The RMS current is certainly 3.5 Amps, but output devices
    only 'care' about PEAK currents. The peak current is, of course, 3.5 X
    1.414 ~ 5 Amps.

    With a 4 Ohm load, the peak current required is 10 Amps. For 2 Ohms, it
    is 20 Amps.

    Assuming a 100 Watt amp. For a (say) 200 Watt amp, those peak current
    figures become 7 Amps, 14 Amps and 28 Amps respectively. WAY past the
    ability of two pairs of old Hitachi MOSFETs to deal with.

    All of your calculations ASSUME several things, none of which are
    likely to be true in real usage.

    1. Your continuous-to-peak current calculations using a factor of
    sqrt(2) ASUMMES that the excitation is pure sine. That's surely
    not the case in real life, I'm sure you'd agree. Yes, the actual
    crest fact may be greater than 3dB, but, again, you ASSUME that
    in actual practice those peak current are REQUIRED> I suggest
    they are not, in absence of any supporting evidence they are.

    2. The comprehensive list of impedance curves is, yes, useful but
    the interpretation of them as applied to your case ignores the
    VERY important details and thus is overly simplistic and mis-
    leading. Let me take just a couple of example from the list:

    a. Westlake BBSM-6F
    Yes, the impedance gets to 2 ohms, but look at the
    broadband sensitivity 92dB/2.83V: less power is needed to
    achieve a given sound pressure level, continuous, peak or
    otherwise. It illustrates that you simply can't look at one
    particular measurement in isolation.

    And, not that it may be relevant, this is specifically
    marketed towards studio use at high (deafening?:-) level.

    b. The acoustat impedance curve you posted on the RageAudio
    site: indeed, the impedance drops WAY down to under 1 Ohm.
    BUT it does it over a VERY narrow bandwidth, and it does
    it at 15 kHz. It's above 4 ohms over the entire audio range
    from 10Hz to 9kHz. Exactly what kind of musical material
    would require one to dump a LOT of power between 9 kHz and
    20+kHz? Over the majority of the audio bandwidth, the impedance
    is 6 ohms or higher. Even if you assume (quite unrealistically)
    that the energy is distributed across the spectrum, equal
    energy per octave, your impedance problems ar confined to about
    1 octave out of 10, suggesting that if you need 100 watts in that
    one octave, you'll need another 900! for everything else.

    Ah, but what about short-term transients, you ask. Look at the
    spectral distribution of such in actual music: sorry, you're
    still NOT generating a lot of power over such a narrow bandwidth
    (Sorry, Mr. Fourier, you can lay back down, we shan't be needing
    you just yet).



    So, a couple of questions that Mr. Ohm may ask; what kind of loudspeaker presents a broadband 2 ohm impedance or, conversely, what kind of
    musical content would generate that kind of power requirement over
    the pretty narrow band of frequencies where a loudspeaker has the
    kind of pathological impedance curve that would dip to as low as
    2 ohms.

    **I have a few here that are tougher than that. Some of the Peerless
    XXLS drivers dip to the low 2 Ohm region. Most ESLs fall lower than that
    at HF.

    Yes, over VERY narrow bands and at high frequencies, where your
    power requirements are not anywhere near as large as at significantly
    lower frequencies.

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  • From ~misfit~@21:1/5 to Trevor Wilson on Fri Sep 20 10:52:26 2019
    On 17/09/2019 11:54 AM, Trevor Wilson wrote:
    On 16/09/2019 11:01 pm, ~misfit~ wrote:
    On 16/09/2019 9:53 PM, Trevor Wilson wrote:

    **Sure. However, make certain the drive circuitry can cope.

    I'm not exactly sure of how to do that?

    **You need to examine the drive circuitry, the components used and then calculate if those
    components can cope with the extra load caused by extra MOSFETs. It will PROBABLY be OK, but I
    don't know.


    I intend to use the system in my lounge so won't want crazy SPLs, the speakers likely wouldn't
    handle that much power anyway. I actually do have two of the toroids but that would make for a
    big amplifier case - and surely then I'd need to consider adding *two* more pairs of output
    MOSFETs per amplifier?


    [ Massively pruned of old quotes because your mod just
    couldn't take it any more. --dsr ]




    **As Peter has correctly stated, provided you don't need the full continuous power capacity of the
    amplifier at all times, then one transformer will likely be plenty. From my perspective, I am a
    purist. If I am presented with an amplifier rated at (say) 200 Watts/channel, then that amplifier
    needs to be able to deliver 200 Watts/channel INDEFINITELY and, possibly more importantly, it needs
    to be able to deliver roughly 40% of it's maximum power without thermal distress. With one
    transformer in your amplifier chassis, it would fail such a test. But, your amplifier is not a
    commercial item. You can make it anything you want.


    I was thinking that, as I don't listen to dubstep or extremely bass-heavy music, using one toroid
    and a lot of capacitance (in the region of 20,000 to 50,000 uF per rail) would be enough to
    handle transients. If not then I might as well build a pair of monoblocks.

    **A worthy consideration.


    I've got a few coffee-cup sized Mepco/Electra 14,000 uF / 100v caps but they're not new... I also
    have 8 new 10,000 uF / 100v Elna caps that are only about 1/4 of the size.

    **The amplifier I presently use has a 5.5kVA (yes, 5,500VA), split wound (one winding for each
    channel), double C core power transformer, followed by 92 X 3,300uF filter capacitors.

    Wow! Decades ago I used to work with a touring band doing stage lighting and (some) sound mixing
    and that's a more capable amplifier power supply than were in some amps we used at medium-sized gigs.

    The result
    is to ensure that, under full power operation (at any impedance higher than 2 Ohms) ripple is kept
    below 100mV. So, discussions of 10,000uF per rail doesn't excite me. It's what I expect to see in a
    mass market product from Yamaha or NAD. However, as Peter and I have both suggested, in a high
    global NFB amp, such as yours, huge lumps of filter capacitance will not be pivotal to performance.
    Placing a decent amount near the output devices will be beneficial though.

    Thanks for your input Trevor. It helps me to decide how to go about building my 'franken-amp'.
    --
    Shaun.

    "Humans will have advanced a long, long way when religious belief has a cozy little classification
    in the DSM"
    David Melville

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  • From Trevor Wilson@21:1/5 to dpierce.cartchunk.org@gmail.com on Sat Sep 21 13:02:15 2019
    On 19/09/2019 8:00 pm, dpierce.cartchunk.org@gmail.com wrote:
    While much of what you say below is, strictly speaking, technically
    correct under some very specific cases, it's misleading and could well
    not be applicable in reality.

    I've not got a lot of time to spend on this, so let me just
    take on a couple of your points.

    On Monday, September 16, 2019 at 5:52:54 AM UTC-4, Trevor Wilson wrote:
    On 16/09/2019 7:49 am, dpierce.cartchunk.org@gmail.com wrote:
    On Saturday, September 14, 2019 at 9:58:44 AM UTC-4, Trevor Wilson wrote: >>>> So, a little Ohm's Law should tell you if you are demanding more current >>>> than the output devices are capable of delivering. 14 Amps is, by high >>>> end audio standards, a relatively modest current ability for a (say) 100 >>>> Watt @ 8 Ohms amplifier. Provided the driver impedance is relatively
    benign, you should be OK.

    Hmm, that's not what a little Ohm's law tells me.

    100 Watts into 8 Ohms is a tad over 3.5 amps. Let's say it's a VERY
    robust 100 watt amplifier, delivering 200 Watts into 4 Ohms requires
    about 7 amps, and, let's pretend it has essentially ZERO output
    impedance and an effectively limitless power supply, you're not reaching >>> 14 amps until you're driving 400 watts into 2 ohms.

    **Well, no. The RMS current is certainly 3.5 Amps, but output devices
    only 'care' about PEAK currents. The peak current is, of course, 3.5 X
    1.414 ~ 5 Amps.

    With a 4 Ohm load, the peak current required is 10 Amps. For 2 Ohms, it
    is 20 Amps.

    Assuming a 100 Watt amp. For a (say) 200 Watt amp, those peak current
    figures become 7 Amps, 14 Amps and 28 Amps respectively. WAY past the
    ability of two pairs of old Hitachi MOSFETs to deal with.

    All of your calculations ASSUME several things, none of which are
    likely to be true in real usage.

    1. Your continuous-to-peak current calculations using a factor of
    sqrt(2) ASUMMES that the excitation is pure sine. That's surely
    not the case in real life, I'm sure you'd agree. Yes, the actual
    crest fact may be greater than 3dB, but, again, you ASSUME that
    in actual practice those peak current are REQUIRED> I suggest
    they are not, in absence of any supporting evidence they are.

    **Whoaa. Hang on a sec. Let's get down to basics. The peak to average
    figure available in music is not the issue here and is certainly not
    what I am talking about.

    Let us assume, for the sake of simplicity, that the music played IS
    close to pure sine waves (maybe the listener is a pipe organ lover). Now
    I certainly recognise that 99.9999% of music is not sine waves
    (apologies to Fourier), but I need to make an important point. Let's say
    we have (again, for simplicity and ignoring SOA considerations for a
    moment) an amplifier that uses the most excellent Toshiba
    2SC5200/2SA1943 output devices. Let's say an RMS output current of 15
    Amps is required. This would not be healthy for the output devices, as
    their maximum current rating is 15 Amps (peak). Yes, it can
    (theoretically, SOA considerations aside) deliver a DC current of 15
    Amps. However, a sine wave of 15 Amps means that the peak current will
    be in excess of 21 Amps. Examine the SOA curve of the 2SC5200:


    https://toshiba.semicon-storage.com/ap-en/product/bipolar-transistor/bipolar-transistor/detail.2SC5200.html

    You may care to note that even if the current flowing through the device exceeds 15 Amps for as little as ONE MILLISECOND (in truth it is far
    less), the device will be destroyed.

    It is for this reason that peak current MUST be taken into account when designing any solid state amp.


    2. The comprehensive list of impedance curves is, yes, useful but
    the interpretation of them as applied to your case ignores the
    VERY important details and thus is overly simplistic and mis-
    leading. Let me take just a couple of example from the list:

    a. Westlake BBSM-6F
    Yes, the impedance gets to 2 ohms, but look at the
    broadband sensitivity 92dB/2.83V: less power is needed to
    achieve a given sound pressure level, continuous, peak or
    otherwise. It illustrates that you simply can't look at one
    particular measurement in isolation.

    **Indeed. I can assure you, however, having owned a pair for some years,
    that they are utterly ruthless in exposing an amplifier's ability to
    deal with tough loads. Even at modest listening levels.


    And, not that it may be relevant, this is specifically
    marketed towards studio use at high (deafening?:-) level.

    **I can assure you that I do not and have not, for many years listened
    to music at silly levels. Back when I was in my teens and early 20s,
    yes. But not now and not when I owned the Westlakes.


    b. The acoustat impedance curve you posted on the RageAudio
    site: indeed, the impedance drops WAY down to under 1 Ohm.
    BUT it does it over a VERY narrow bandwidth, and it does
    it at 15 kHz. It's above 4 ohms over the entire audio range
    from 10Hz to 9kHz. Exactly what kind of musical material
    would require one to dump a LOT of power between 9 kHz and
    20+kHz? Over the majority of the audio bandwidth, the impedance
    is 6 ohms or higher. Even if you assume (quite unrealistically)
    that the energy is distributed across the spectrum, equal
    energy per octave, your impedance problems ar confined to about
    1 octave out of 10, suggesting that if you need 100 watts in that
    one octave, you'll need another 900! for everything else.

    Ah, but what about short-term transients, you ask. Look at the
    spectral distribution of such in actual music: sorry, you're
    still NOT generating a lot of power over such a narrow bandwidth
    (Sorry, Mr. Fourier, you can lay back down, we shan't be needing
    you just yet).

    **Oh, I agree, you won't be generating much power. However, VI limiting
    systems in most amplifiers don't care about such things. They just
    operate anyway. Mostly. And to the detriment of sound quality. And, more seriously, when using almost any valve amplifier with the Accustats,
    will guarantee a suck-out at the impedance dip. That is likely to be
    audible.




    So, a couple of questions that Mr. Ohm may ask; what kind of loudspeaker >>> presents a broadband 2 ohm impedance or, conversely, what kind of
    musical content would generate that kind of power requirement over
    the pretty narrow band of frequencies where a loudspeaker has the
    kind of pathological impedance curve that would dip to as low as
    2 ohms.

    **I have a few here that are tougher than that. Some of the Peerless
    XXLS drivers dip to the low 2 Ohm region. Most ESLs fall lower than that
    at HF.

    Yes, over VERY narrow bands and at high frequencies, where your
    power requirements are not anywhere near as large as at significantly
    lower frequencies.

    **The Peerless XXLS drivers are LF drivers, requiring prodigious currents:

    http://www.loudspeakerdatabase.com/Peerless/XXLS-P835017/Peerless_XXLS-P835017.pdf

    I have passive radiator based subwoofer in the workshop right now. I
    will run a real world impedance plot for the system when I get some time.


    --
    Trevor Wilson
    www.rageaudio.com.au

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  • From ~misfit~@21:1/5 to All on Sun Sep 22 02:34:42 2019
    On 20/09/2019 10:52 PM, ~misfit~ wrote:
    On 17/09/2019 11:54 AM, Trevor Wilson wrote:
    On 16/09/2019 11:01 pm, ~misfit~ wrote:
    On 16/09/2019 9:53 PM, Trevor Wilson wrote:

    **Sure. However, make certain the drive circuitry can cope.

    I'm not exactly sure of how to do that?

    **You need to examine the drive circuitry, the components used and then calculate if those
    components can cope with the extra load caused by extra MOSFETs. It will PROBABLY be OK, but I
    don't know.


    I intend to use the system in my lounge so won't want crazy SPLs, the speakers likely wouldn't
    handle that much power anyway. I actually do have two of the toroids but that would make for a
    big amplifier case - and surely then I'd need to consider adding *two* more pairs of output
    MOSFETs per amplifier?


       [ Massively pruned of old quotes because your mod just
         couldn't take it any more. --dsr                ]

    Thanks. I actually seriously considered doing the same but, as a relative newbie here didn't want
    to upset any pie-carts. :)

    [ Always feel free to trim quotes in your reply down to
    the points you are actively addressing. Usenet is
    archived all over the world, it's really easy to
    reconstruct threads. --dsr ]



    --
    Shaun.

    "Humans will have advanced a long, long way when religious belief has a cozy little classification
    in the DSM"
    David Melville

    This is not an email and hasn't been checked for viruses by any half-arsed self-promoting software.

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  • From Mat Nieuwenhoven@21:1/5 to Trevor Wilson on Sun Oct 13 21:00:29 2019
    On 12 Sep 2019 20:28:33 GMT, Trevor Wilson wrote:

    <snip>

    **Let me be very clear about several things:

    * NFB is fine. In fact, NO audio amplifier can work without it.
    * GLOBAL NFB is also fine. When properly applied.
    * I have a personal preference for the amplifiers I use, which employ
    lots of local NFB and no global NFB. Others may have a different opinion.
    * As part of my education into the world of zero global NFB amplifiers,
    I subjected myself to a couple of single (unfortunately) blind tests,
    between two, otherwise identical, amplifiers. One employed zero GNFB and
    one employed a modest amount of GNFB. I preferred the zero GNFB one.
    Since that time, I subjected several (10) of my clients to the same test >(DBT). The zero GNFB models was preferred every time. Except one.
    * Once more: I would posit that part of the reason why some listeners
    prefer valve amplifiers, is due to the fact that global NFB levels are
    very low, or non-existent.


    But, again, in the real world, negative feedback, done properly, has
    many more advantages than disadvantages.

    **Again: No issue with NFB. In fact, no issue with GNFB, when done well.

    How do modern switching amps (class D) stack up for HiFi use? Aren't
    most PA systems now fully digital? Do they actually use FB? If I look
    at the spec sheet of the TDA7492 it doesn't look like it. Do they
    sound worse than a good analog amp?

    The class-D amps typically have a series inductance between the
    switching elements and the speakers, does that influence transients?
    Even a tweeter has already 15-20 microHenry of inductance.

    Mat Nieuwenhoven

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  • From Trevor Wilson@21:1/5 to Mat Nieuwenhoven on Sun Oct 13 21:26:46 2019
    On 14/10/2019 8:00 am, Mat Nieuwenhoven wrote:
    On 12 Sep 2019 20:28:33 GMT, Trevor Wilson wrote:

    <snip>

    **Let me be very clear about several things:

    * NFB is fine. In fact, NO audio amplifier can work without it.
    * GLOBAL NFB is also fine. When properly applied.
    * I have a personal preference for the amplifiers I use, which employ
    lots of local NFB and no global NFB. Others may have a different opinion.
    * As part of my education into the world of zero global NFB amplifiers,
    I subjected myself to a couple of single (unfortunately) blind tests,
    between two, otherwise identical, amplifiers. One employed zero GNFB and
    one employed a modest amount of GNFB. I preferred the zero GNFB one.
    Since that time, I subjected several (10) of my clients to the same test
    (DBT). The zero GNFB models was preferred every time. Except one.
    * Once more: I would posit that part of the reason why some listeners
    prefer valve amplifiers, is due to the fact that global NFB levels are
    very low, or non-existent.


    But, again, in the real world, negative feedback, done properly, has
    many more advantages than disadvantages.

    **Again: No issue with NFB. In fact, no issue with GNFB, when done well.

    How do modern switching amps (class D) stack up for HiFi use?

    **Provided the switching frequency is high enough and the load impedance
    is benign, then they should work well. I was particularly impressed with
    the interesting design from Devialet. A small Class A stage is used in
    much the same way that Quad did several decades ago for their Current Dumping™ products. They used a Class A stage, combined with a Class C
    power stage.

    Aren't
    most PA systems now fully digital?

    **No such thing.

    Do they actually use FB?

    **EVERY amplifier uses NFB. Every single one. Regardless of technology
    or claims from manufacturers.

    If I look
    at the spec sheet of the TDA7492 it doesn't look like it. Do they
    sound worse than a good analog amp?

    **I see a loop feedback mechanism in the block diagram. I see some
    audibly significant problems with the amplifier. Max THD is cited aas
    0.4% and the frequency response is poor, compared to even modest Class
    A/B amplifiers. The low switching frequency ensures that low impedance
    (<4 Ohms) loads are not well catered for.


    The class-D amps typically have a series inductance between the
    switching elements and the speakers, does that influence transients?

    **Of course.

    Even a tweeter has already 15-20 microHenry of inductance.

    Mat Nieuwenhoven








    --
    Trevor Wilson
    www.rageaudio.com.au

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  • From Trevor Wilson@21:1/5 to Mat Nieuwenhoven on Mon Oct 14 18:58:55 2019
    On 14/10/2019 8:00 am, Mat Nieuwenhoven wrote:

    Even a tweeter has already 15-20 microHenry of inductance.

    **Not so. I haven't measured one in quite some time, but the EMIT HF
    drivers, used in many Infinity speakers exhibit far lower inductance
    figures than that. If I had to guess, I'd estimate the inductance figure
    to be around 5 X 10^-6H. I'll see if I can locate one to measure. Then,
    of course, is the sadly deleted Audax HD-3P Piezo HF driver. And any
    number of ELS HF drivers.


    --
    Trevor Wilson
    www.rageaudio.com.au

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  • From Mat Nieuwenhoven@21:1/5 to Trevor Wilson on Wed Oct 16 10:50:00 2019
    On 14 Oct 2019 18:58:55 GMT, Trevor Wilson wrote:

    On 14/10/2019 8:00 am, Mat Nieuwenhoven wrote:

    Even a tweeter has already 15-20 microHenry of inductance.

    **Not so. I haven't measured one in quite some time, but the EMIT HF
    drivers, used in many Infinity speakers exhibit far lower inductance
    figures than that. If I had to guess, I'd estimate the inductance figure
    to be around 5 X 10^-6H. I'll see if I can locate one to measure. Then,
    of course, is the sadly deleted Audax HD-3P Piezo HF driver. And any
    number of ELS HF drivers.

    Some data from the German magazine "Hobby Hifi", from various
    manufacturers:

    Omnes Audio AMT50 (Air Motion Transformer): 10 uH/20 kHz
    Audaphon APR 1.0, band tweeter: 54 uH/20 kHz
    Monacor DT-352NF, dome tweeter: 45 uH/20 kHz
    SB Acoustics TW29B, dome tweeter: 18 uH/20 kHz
    Scan Speak D3404-552000, elliptical dome tweeter: 18 uH/20 kHz
    Tang Band 25-2234SD, inverse dome tweeter: 24 uH/20 kHz

    Multiple have a copper covering in the magnetgap to reduce the
    increase of impedance at the higher frequencies, and to reduce
    distortion.

    Mat Nieuwenhoven

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  • From dpierce.cartchunk.org@gmail.com@21:1/5 to Mat Nieuwenhoven on Wed Oct 16 12:59:24 2019
    On Wednesday, October 16, 2019 at 6:50:03 AM UTC-4, Mat Nieuwenhoven wrote:
    On 14 Oct 2019 18:58:55 GMT, Trevor Wilson wrote:

    On 14/10/2019 8:00 am, Mat Nieuwenhoven wrote:

    Even a tweeter has already 15-20 microHenry of inductance.

    **Not so. I haven't measured one in quite some time, but the EMIT HF >drivers, used in many Infinity speakers exhibit far lower inductance >figures than that. If I had to guess, I'd estimate the inductance figure
    to be around 5 X 10^-6H. I'll see if I can locate one to measure. Then,
    of course, is the sadly deleted Audax HD-3P Piezo HF driver. And any
    number of ELS HF drivers.

    Some data from the German magazine "Hobby Hifi", from various
    manufacturers:

    Omnes Audio AMT50 (Air Motion Transformer): 10 uH/20 kHz
    Audaphon APR 1.0, band tweeter: 54 uH/20 kHz
    Monacor DT-352NF, dome tweeter: 45 uH/20 kHz
    SB Acoustics TW29B, dome tweeter: 18 uH/20 kHz
    Scan Speak D3404-552000, elliptical dome tweeter: 18 uH/20 kHz
    Tang Band 25-2234SD, inverse dome tweeter: 24 uH/20 kHz

    Multiple have a copper covering in the magnetgap to reduce the
    increase of impedance at the higher frequencies, and to reduce
    distortion.

    Mat's data is far closer to prevailing reality here. Trevor cites but
    two potential examples: one of which never had wide distribution
    and is essentially unobtainable, the other is a proprietary unit
    that is, at very best, rarely found in even restricted distribution.

    And even looking at the real data on the Audax, it exhibits significant inductive behavior over its bandwidth. From 5 kHz to 7 kHz, the impedance
    has a significant inductive component, then again from about 12 kHz to
    almost 16 kHz, it's impedance has an inductive component to it.

    The point being is that the vast majority of tweeters and speaker
    systems, that is, those that are now and have been available to any
    segment of consumer or pro audio market you care to choose, have
    impedances in the HF region that exhibit a predominantly inductive
    component. One can cherry pick counterexamples, to be sure, but
    do note, that particular cherry tree is nearly devoid of usable
    fruit.

    Like the prior discussion on impedance in this thread, yes, there
    can be found isolated examples of speakers whose arguably pathological properties can be found to conform to a particular narrow view. But
    the reality and the practicality of the actual situational use in
    situ is often very different than the conclusions that might be drawn
    from such a viewpoint.

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  • From Peter Wieck@21:1/5 to All on Wed Oct 16 16:43:02 2019
    a) Argument-by-exception is, generally, fallacious.
    b) Anything including a coil that carries current will be inductive.
    c) Most well-designed speakers using conventional drivers that include voice-coils will account for this in their design.
    d) Many crossover designs include inductors of various natures typed.
    e) And those well-designed speakers that incorporate the exceptions will also account for those option.

    Comes down to the question of: Does driver/speaker inductance in *this* particular speaker coupled with *that* particular amplifier matter at *this* range of frequencies and volumes?

    Theory is all well and good, but how things operate in the real world at the living/listening room level are, or at least should, be the primary issue.

    Peter Wieck
    Melrose Park, PA

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  • From Mat Nieuwenhoven@21:1/5 to Trevor Wilson on Sat Oct 19 12:03:50 2019
    On 13 Oct 2019 21:26:46 GMT, Trevor Wilson wrote:

    <snip>

    Do they actually use FB?

    **EVERY amplifier uses NFB. Every single one. Regardless of technology
    or claims from manufacturers.

    If I look
    at the spec sheet of the TDA7492 it doesn't look like it. Do they
    sound worse than a good analog amp?

    **I see a loop feedback mechanism in the block diagram. I see some
    audibly significant problems with the amplifier. Max THD is cited aas
    0.4% and the frequency response is poor, compared to even modest Class
    A/B amplifiers. The low switching frequency ensures that low impedance
    (<4 Ohms) loads are not well catered for.

    The TDA7492 has a switching frequency of typically 310 kHz. How is
    this related to bad handling of a 4 ohm load, and why is that
    dependent on the load resistance? And this IC is specified for 4 ohm
    or more.

    The low frequency fall off is deliberate (page 24 of the ST spec),
    easily fixed by increasing the input size capacitor. The
    THD-versus-frequency plot is indeed not impressive, THD rises in
    spots to 0.2 %. You don't happen to have a link to a similar plot
    from a good quality analog amp? Also, a link for a similar FFT plot ?
    I am curious.

    The IC is also dirt cheap, on a board for less than 10 $. For that
    price, it is superb value for money.

    There is indeed a feedback path from the OUTx pins to the second amp
    inside.

    <snip>
    For a professional product, see e.g. https://icepower.dk/products/other/a-series/ . Its datasheet is at https://icepower.dk/download/2414/ . It supports loads down to 2.7
    ohm loads. Again I wonder what the switching frequency has to do with
    load.

    I wonder if the phase plot can be matched by any analog amp, or even
    the output resistance of <50 mOhm .

    Mat Nieuwenhoven

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  • From ~misfit~@21:1/5 to Mat Nieuwenhoven on Sun Oct 20 02:07:34 2019
    On 20/10/2019 1:03 AM, Mat Nieuwenhoven wrote:
    On 13 Oct 2019 21:26:46 GMT, Trevor Wilson wrote:

    <snip>

    Do they actually use FB?

    **EVERY amplifier uses NFB. Every single one. Regardless of technology
    or claims from manufacturers.

    If I look
    at the spec sheet of the TDA7492 it doesn't look like it. Do they
    sound worse than a good analog amp?

    **I see a loop feedback mechanism in the block diagram. I see some
    audibly significant problems with the amplifier. Max THD is cited aas
    0.4% and the frequency response is poor, compared to even modest Class
    A/B amplifiers. The low switching frequency ensures that low impedance
    (<4 Ohms) loads are not well catered for.

    The TDA7492 has a switching frequency of typically 310 kHz. How is
    this related to bad handling of a 4 ohm load, and why is that
    dependent on the load resistance? And this IC is specified for 4 ohm
    or more.

    The low frequency fall off is deliberate (page 24 of the ST spec),
    easily fixed by increasing the input size capacitor. The
    THD-versus-frequency plot is indeed not impressive, THD rises in
    spots to 0.2 %. You don't happen to have a link to a similar plot
    from a good quality analog amp? Also, a link for a similar FFT plot ?
    I am curious.

    The IC is also dirt cheap, on a board for less than 10 $. For that
    price, it is superb value for money.

    There is indeed a feedback path from the OUTx pins to the second amp
    inside.

    <snip>
    For a professional product, see e.g. https://icepower.dk/products/other/a-series/ . Its datasheet is at https://icepower.dk/download/2414/ . It supports loads down to 2.7
    ohm loads. Again I wonder what the switching frequency has to do with
    load.

    I wonder if the phase plot can be matched by any analog amp, or even
    the output resistance of <50 mOhm .

    Mat Nieuwenhoven

    So would it be worth my while to buy one or two of these and play with them? <https://www.aliexpress.com/item/32796154933.html> I have a few ~100w laptop power bricks around
    that I could use to feed power to them (that I could supplement with a large local capacitor...).

    I realise it's in a different class to the links you provided but I don't have a big budget. That
    said I don't have money to waste either...

    Cheers,
    --
    Shaun.

    "Humans will have advanced a long, long way when religious belief has a cozy little classification
    in the DSM"
    David Melville

    This is not an email and hasn't been checked for viruses by any half-arsed self-promoting software.

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  • From Trevor Wilson@21:1/5 to Mat Nieuwenhoven on Sun Oct 20 02:07:26 2019
    On 19/10/2019 11:03 pm, Mat Nieuwenhoven wrote:
    On 13 Oct 2019 21:26:46 GMT, Trevor Wilson wrote:

    <snip>

    Do they actually use FB?

    **EVERY amplifier uses NFB. Every single one. Regardless of technology
    or claims from manufacturers.

    If I look
    at the spec sheet of the TDA7492 it doesn't look like it. Do they
    sound worse than a good analog amp?

    **I see a loop feedback mechanism in the block diagram. I see some
    audibly significant problems with the amplifier. Max THD is cited aas
    0.4% and the frequency response is poor, compared to even modest Class
    A/B amplifiers. The low switching frequency ensures that low impedance
    (<4 Ohms) loads are not well catered for.

    The TDA7492 has a switching frequency of typically 310 kHz. How is
    this related to bad handling of a 4 ohm load, and why is that
    dependent on the load resistance? And this IC is specified for 4 ohm
    or more.

    **The output filter will affect phase and frequency response, when used
    with <8 Ohm loads. A switching frequency closer to (or exceeding 1Mhz)
    is desirable to ensure phase/frequency response errors are not extant
    with lower impedance loads.


    The low frequency fall off is deliberate (page 24 of the ST spec),
    easily fixed by increasing the input size capacitor.

    **Yes, but the problems are also obvious at the other end of the
    frequency spectrum. The problems with this chip will be audibly obvious,
    if it is attempted to be used in a high quality system.


    The
    THD-versus-frequency plot is indeed not impressive, THD rises in
    spots to 0.2 %. You don't happen to have a link to a similar plot
    from a good quality analog amp? Also, a link for a similar FFT plot ?
    I am curious.

    **Here's one:
    http://www.ti.com/lit/ds/symlink/lm3886.pdf

    Here is one of my all-time favourite Class A/B chips (sadly no longer manufactured, but excellent performance):

    http://pdf.datasheetcatalog.com/datasheet/philips/TDA1514.pdf

    Either will comfortably outperform your cheap 'n cheerful Class D chip.
    At the cost of efficiency, price and heat sinking, of course.



    The IC is also dirt cheap, on a board for less than 10 $. For that
    price, it is superb value for money.

    **No argument from me. Telephones, TV sets, portable audio equipment can
    all make good use of such chips. For QUALITY audio, however, forget it.
    Far too many audibly significant problems. Same as cheap tube amps - too
    many audible problems to bother with.


    There is indeed a feedback path from the OUTx pins to the second amp
    inside.

    **Of course. See my previous comment. ALL amplifiers use some kind (or
    kinds) of NFB.


    <snip>
    For a professional product, see e.g. https://icepower.dk/products/other/a-series/ . Its datasheet is at https://icepower.dk/download/2414/ . It supports loads down to 2.7
    ohm loads. Again I wonder what the switching frequency has to do with
    load.

    **The last ICEpower amp I had on my bench sounded horrible. It's been a
    few years. Perhaps they're better now. That said, the issue with
    switching frequency is pivotal the the high frequency performance when
    used with low impedance loads. The output filter is almost always a
    simple 6dB/octave affair. As such, it can introduce phase shift and/or frequency response errors down into the audio band. Raising the
    switching frequency to >1MHz means that almost any speaker system can be
    used without causing such problems. IMO, once switching frequencies
    reach (say) 1.5MHz, then Class A and Class A/B amps will no longer need
    to exist. Right now, at the present state of the art, Class A and Class
    A/B amps still provide superior performance, when used with low
    impedance loads. Of course, this means that for subwoofers, Class D is
    the only sane choice.


    I wonder if the phase plot can be matched by any analog amp, or even
    the output resistance of <50 mOhm .

    **Of course. Achieving an output impedance of 50mOhm is easy enough. The
    catch is achieving that output impedance at 20kHz.


    --
    Trevor Wilson
    www.rageaudio.com.au

    --
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  • From Trevor Wilson@21:1/5 to All on Sun Oct 20 20:31:12 2019
    On 20/10/2019 1:07 pm, ~misfit~ wrote:
    On 20/10/2019 1:03 AM, Mat Nieuwenhoven wrote:
    On 13 Oct 2019 21:26:46 GMT, Trevor Wilson wrote:

    <snip>

      Do they actually use FB?

    **EVERY amplifier uses NFB. Every single one. Regardless of technology
    or claims from manufacturers.

      If I look
    at the spec sheet of the TDA7492  it doesn't look like it. Do they
    sound worse than a good analog amp?

    **I see a loop feedback mechanism in the block diagram. I see some
    audibly significant problems with the amplifier. Max THD is cited aas
    0.4% and the frequency response is poor, compared to even modest Class
    A/B amplifiers. The low switching frequency ensures that low impedance
    (<4 Ohms) loads are not well catered for.

    The TDA7492 has a switching frequency of typically 310 kHz. How is
    this related to bad handling of a 4 ohm load, and why is that
    dependent on the load resistance? And this IC is specified for 4 ohm
    or more.

    The low frequency fall off is deliberate (page 24 of the ST spec),
    easily fixed by increasing the input size capacitor. The
    THD-versus-frequency plot is indeed not impressive, THD rises in
    spots to 0.2 %. You don't happen to have a link to a similar plot
    from a good quality analog amp? Also, a link for a similar FFT plot ?
    I am curious.

    The IC is also dirt cheap, on a board for less than 10 $. For that
    price, it is superb value for money.

    There is indeed a feedback path from the OUTx pins to the second amp
    inside.

    <snip>
    For a professional product, see e.g.
    https://icepower.dk/products/other/a-series/ . Its datasheet is at
    https://icepower.dk/download/2414/ . It supports loads down to 2.7
    ohm loads. Again I wonder what the switching frequency has to do with
    load.

    I wonder if the phase plot can be matched by any analog amp, or even
    the output resistance of <50 mOhm .

    Mat Nieuwenhoven

    So would it be worth my while to buy one or two of these and play with
    them?
    <https://www.aliexpress.com/item/32796154933.html> I have a few ~100w
    laptop power bricks around that I could use to feed power to them (that
    I could supplement with a large local capacitor...).

    I realise it's in a different class to the links you provided but I
    don't have a big budget. That said I don't have money to waste either...

    Cheers,

    **Depends on what you are trying to achieve. For 4 Bucks, it represents
    very good value for money, for an amplifier that can make some noise. It
    ain't 'proper' hi fi, but it will certainly outperform many highly
    prized (and very expensive) valve amps. It cannot hope to perform as
    well as any competently designed Class A/B solid state amp though.
    Still, it is FOUR BUCKS!

    --
    Trevor Wilson
    www.rageaudio.com.au

    --
    This email has been checked for viruses by Avast antivirus software. https://www.avast.com/antivirus

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  • From ~misfit~@21:1/5 to Trevor Wilson on Mon Oct 21 09:47:03 2019
    On 21/10/2019 9:31 AM, Trevor Wilson wrote:
    On 20/10/2019 1:07 pm, ~misfit~ wrote:
    On 20/10/2019 1:03 AM, Mat Nieuwenhoven wrote:
    On 13 Oct 2019 21:26:46 GMT, Trevor Wilson wrote:

    <snip>

      Do they actually use FB?

    **EVERY amplifier uses NFB. Every single one. Regardless of technology >>>> or claims from manufacturers.

      If I look
    at the spec sheet of the TDA7492  it doesn't look like it. Do they
    sound worse than a good analog amp?

    **I see a loop feedback mechanism in the block diagram. I see some
    audibly significant problems with the amplifier. Max THD is cited aas
    0.4% and the frequency response is poor, compared to even modest Class >>>> A/B amplifiers. The low switching frequency ensures that low impedance >>>> (<4 Ohms) loads are not well catered for.

    The TDA7492 has a switching frequency of typically 310 kHz. How is
    this related to bad handling of a 4 ohm load, and why is that
    dependent on the load resistance? And this IC is specified for 4 ohm
    or more.

    The low frequency fall off is deliberate (page 24 of the ST spec),
    easily fixed by increasing the input size capacitor. The
    THD-versus-frequency plot is indeed not impressive, THD rises in
    spots to 0.2 %. You don't happen to have a link to a similar plot
    from a good quality analog amp? Also, a link for a similar FFT plot ?
    I am curious.

    The IC is also dirt cheap, on a board for less than 10 $. For that
    price, it is superb value for money.

    There is indeed a feedback path from the OUTx pins to the second amp
    inside.

    <snip>
    For a professional product, see e.g.
    https://icepower.dk/products/other/a-series/ . Its datasheet is at
    https://icepower.dk/download/2414/ . It supports loads down to 2.7
    ohm loads. Again I wonder what the switching frequency has to do with
    load.

    I wonder if the phase plot can be matched by any analog amp, or even
    the output resistance of <50 mOhm .

    Mat Nieuwenhoven

    So would it be worth my while to buy one or two of these and play with them? >> <https://www.aliexpress.com/item/32796154933.html> I have a few ~100w laptop power bricks around
    that I could use to feed power to them (that I could supplement with a large local capacitor...).

    I realise it's in a different class to the links you provided but I don't have a big budget. That
    said I don't have money to waste either...

    Cheers,

    **Depends on what you are trying to achieve. For 4 Bucks, it represents very good value for money,
    for an amplifier that can make some noise. It ain't 'proper' hi fi, but it will certainly
    outperform many highly prized (and very expensive) valve amps. It cannot hope to perform as well as
    any competently designed Class A/B solid state amp though. Still, it is FOUR BUCKS!

    Thanks Trevor. Yeah US$4 + some postage, not a lot of money to spend to find out. I had zero
    interest in this sort of thing until I saw the post I replied to then started to wonder it it might
    be worth converting some of the less valuable speakers in my speaker collection (that I need to
    part with soon) to powered speakers. The sort of thing a smart phone can be plugged into...

    That might make them a bit more profitable to sell on the current market. The ones I'm thinking of
    are old-ish but not classic. T'was just a passing thought. I see there are also Bluetooth enabled
    versions of TDA7492-based power amps for sale for not a lot more than that one.

    Cheers,
    --
    Shaun.

    "Humans will have advanced a long, long way when religious belief has a cozy little classification
    in the DSM"
    David Melville

    This is not an email and hasn't been checked for viruses by any half-arsed self-promoting software.

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    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From dpierce.cartchunk.org@gmail.com@21:1/5 to Peter Wieck on Mon Oct 21 14:02:11 2019
    On Wednesday, October 16, 2019 at 12:43:04 PM UTC-4, Peter Wieck wrote:
    a) Argument-by-exception is, generally, fallacious.

    Argument-by-exceptionally-rare-exception: more fallacious? :-)

    b) Anything including a coil that carries current will be inductive.

    Not necessarily true, especially over the bandwidth of interest.
    I have, for example, measured transformers intended for wide-
    band audio use (Jensen comes to mind) that, when e secondary is
    loaded with it's intended resistive load, exhibits completely
    resistive impedance with NO sign of an indictive component well
    beyond the audio bandwith.

    Further, even considering the lowly typical "high-end tweeter",
    as one sweeps upward in frequency, one observes first primarily
    resistive impedance, then resistive-inductive, then resistive,
    then resistive-capactive, then resistive and then, finally, as
    one approaches the high-frequency cutoff, resistive-inductive. And
    even at that, the impedance is dominated by, in the vast majority
    of cases (both tweeters and frequencies) the resistive component
    of the impedance.

    But, really, to be technically accurate, one should say that when
    current is being asked to move across a subtended area, it will
    exhibit inductive behavior. It has nothing, per se, to do with
    "coils": the effective inductance of the prior circular particle
    accelerators was a rather thorny problem. It's not as much of an
    issue for the LHC, simple because you really have two "coils"
    occupying the same physical space (to a reasonable approximation),
    running 180 degrees out of phase, thus cancelling the inductance.

    c) Most well-designed speakers using conventional drivers that include voice-coils will account for this in their design.

    I might be inclined to emphasize "most" in this context". The two
    exception noted were, in one case, a proprietary driver not
    widely available, the second being a very interesting driver
    that never achieved real production and distribution.

    d) Many crossover designs include inductors of various natures typed.

    Yes, but they, in and of themselves, do not necessarily
    contribute to the effective inductive behavior of
    the impedance curve.

    This last point is THE crucial one: regardless of what's under
    the hood, it's the resulting impedance curve that's the issue
    at hand. One can have parts that are inductive (or even inductors)
    in a circuit) that, overall, does NOT exhibit an inductive
    component to the impedance, and one can have a circuit that has
    NO inductors whatsoever whose impedance looks all the world
    like an inductor (the classic gyrator is one example).

    e) And those well-designed speakers that incorporate the exceptions
    will also account for those option.

    Yes, but the details of such may well be irrelevant in
    the current scheme of things.

    Comes down to the question of: Does driver/speaker inductance
    in *this* particular speaker coupled with *that* particular
    amplifier matter at *this* range of frequencies and volumes?

    Theory is all well and good, but how things operate in the real
    world at the living/listening room level are, or at least should,
    be the primary issue.

    Entirely agreed, and I would only emphasize the point by saying
    that it is certainly possible for one to find a exceptionally
    rare combination of things that support a particular thesis:
    such exceptions, contrary to the popular idiom, do NOT prove
    the rule: they simply demonstrate the ability to concoct a
    completely pathological exception.

    In following this thread, I did review Trevor's list of
    "pathological" (my use of the term) loudspeaker impedance
    curves to be found at Stereophile, and my overall reaction is
    that I find the situation they (these manufacturers) enumerate
    to be disturbingly irresponsible. With few exception, when I
    have been asked to consult on projects which exhibited these
    sorts of pathological; impedance curves, almost without
    exception, are the result of design imcompetence. There are
    ways of designing passive crossovers with the same electro-acoustic
    transfer functions that DO NOT have these same gross impedance
    anomalies. This is especially true of three-way, multi-order
    passive parallel ladder-type networks (which are the vast majority
    of such found in such multi-way systems).

    Designing a system that exhibits the kinds of impedance
    properties that lead to the sorts of issues discussed here
    is highly irresponsible and yet another sign of the technically
    insular nature of the high-end world.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From dpierce.cartchunk.org@gmail.com@21:1/5 to Peter Wieck on Mon Oct 21 17:02:27 2019
    On Wednesday, October 16, 2019 at 12:43:04 PM UTC-4, Peter Wieck wrote:
    a) Argument-by-exception is, generally, fallacious.

    Argument-by-exceptionally-rare-exception: more fallacious? :-)

    b) Anything including a coil that carries current will be inductive.

    Not necessarily true, especially over the bandwidth of interest.
    I have, for example, measured transformers intended for wide-
    band audio use (Jensen comes to mind) that, when e secondary is
    loaded with it's intended resistive load, exhibits completely
    resistive impedance with NO sign of an indictive component well
    beyond the audio bandwith.

    Further, even considering the lowly typical "high-end tweeter",
    as one sweeps upward in frequency, one observes first primarily
    resistive impedance, then resistive-inductive, then resistive,
    then resistive-capactive, then resistive and then, finally, as
    one approaches the high-frequency cutoff, resistive-inductive. And
    even at that, the impedance is dominated by, in the vast majority
    of cases (both tweeters and frequencies) the resistive component
    of the impedance.

    But, really, to be technically accurate, one should say that when
    current is being asked to move across a subtended area, it will
    exhibit inductive behavior. It has nothing, per se, to do with
    "coils": the effective inductance of the prior circular particle
    accelerators was a rather thorny problem. It's not as much of an
    issue for the LHC, simple because you really have two "coils"
    occupying the same physical space (to a reasonable approximation),
    running 180 degrees out of phase, thus cancelling the inductance.

    c) Most well-designed speakers using conventional drivers that include voice-coils will account for this in their design.

    I might be inclined to emphasize "most" in this context". The two
    exception noted were, in one case, a proprietary driver not
    widely available, the second being a very interesting driver
    that never achieved real production and distribution.

    d) Many crossover designs include inductors of various natures typed.

    Yes, but they, in and of themselves, do not necessarily
    contribute to the effective inductive behavior of
    the impedance curve.

    This last point is THE crucial one: regardless of what's under
    the hood, it's the resulting impedance curve that's the issue
    at hand. One can have parts that are inductive (or even inductors)
    in a circuit) that, overall, does NOT exhibit an inductive
    component to the impedance, and one can have a circuit that has
    NO inductors whatsoever whose impedance looks all the world
    like an inductor (the classic gyrator is one example).

    e) And those well-designed speakers that incorporate the exceptions
    will also account for those option.

    Yes, but the details of such may well be irrelevant in
    the current scheme of things.

    Comes down to the question of: Does driver/speaker inductance
    in *this* particular speaker coupled with *that* particular
    amplifier matter at *this* range of frequencies and volumes?

    Theory is all well and good, but how things operate in the real
    world at the living/listening room level are, or at least should,
    be the primary issue.

    Entirely agreed, and I would only emphasize the point by saying
    that it is certainly possible for one to find a exceptionally
    rare combination of things that support a particular thesis:
    such exceptions, contrary to the popular idiom, do NOT prove
    the rule: they simply demonstrate the ability to concoct a
    completely pathological exception.

    In following this thread, I did review Trevor's list of
    "pathological" (my use of the term) loudspeaker impedance
    curves to be found at Stereophile, and my overall reaction is
    that I find the situation they (these manufacturers) enumerate
    to be disturbingly irresponsible. With few exception, when I
    have been asked to consult on projects which exhibited these
    sorts of pathological; impedance curves, almost without
    exception, are the result of design imcompetence. There are
    ways of designing passive crossovers with the same electro-acoustic
    transfer functions that DO NOT have these same gross impedance
    anomalies. This is especially true of three-way, multi-order
    passive parallel ladder-type networks (which are the vast majority
    of such found in such multi-way systems).

    Designing a system that exhibits the kinds of impedance
    properties that lead to the sorts of issues discussed here
    is highly irresponsible and yet another sign of the technically
    insular nature of the high-end world.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From dpierce.cartchunk.org@gmail.com@21:1/5 to Peter Wieck on Mon Oct 21 17:12:42 2019
    On Wednesday, October 16, 2019 at 12:43:04 PM UTC-4, Peter Wieck wrote:
    a) Argument-by-exception is, generally, fallacious.

    Argument-by-exceptionally-rare-exception: more fallacious? :-)

    b) Anything including a coil that carries current will be inductive.

    Not necessarily true, especially over the bandwidth of interest.
    I have, for example, measured transformers intended for wide-
    band audio use (Jensen comes to mind) that, when e secondary is
    loaded with it's intended resistive load, exhibits completely
    resistive impedance with NO sign of an indictive component well
    beyond the audio bandwith.

    Further, even considering the lowly typical "high-end tweeter",
    as one sweeps upward in frequency, one observes first primarily
    resistive impedance, then resistive-inductive, then resistive,
    then resistive-capactive, then resistive and then, finally, as
    one approaches the high-frequency cutoff, resistive-inductive. And
    even at that, the impedance is dominated by, in the vast majority
    of cases (both tweeters and frequencies) the resistive component
    of the impedance.

    But, really, to be technically accurate, one should say that when
    current is being asked to move across a subtended area, it will
    exhibit inductive behavior. It has nothing, per se, to do with
    "coils": the effective inductance of the prior circular particle
    accelerators was a rather thorny problem. It's not as much of an
    issue for the LHC, simple because you really have two "coils"
    occupying the same physical space (to a reasonable approximation),
    running 180 degrees out of phase, thus cancelling the inductance.

    c) Most well-designed speakers using conventional drivers that include voice-coils will account for this in their design.

    I might be inclined to emphasize "most" in this context". The two
    exception noted were, in one case, a proprietary driver not
    widely available, the second being a very interesting driver
    that never achieved real production and distribution.

    d) Many crossover designs include inductors of various natures typed.

    Yes, but they, in and of themselves, do not necessarily
    contribute to the effective inductive behavior of
    the impedance curve.

    This last point is THE crucial one: regardless of what's under
    the hood, it's the resulting impedance curve that's the issue
    at hand. One can have parts that are inductive (or even inductors)
    in a circuit) that, overall, does NOT exhibit an inductive
    component to the impedance, and one can have a circuit that has
    NO inductors whatsoever whose impedance looks all the world
    like an inductor (the classic gyrator is one example).

    e) And those well-designed speakers that incorporate the exceptions
    will also account for those option.

    Yes, but the details of such may well be irrelevant in
    the current scheme of things.

    Comes down to the question of: Does driver/speaker inductance
    in *this* particular speaker coupled with *that* particular
    amplifier matter at *this* range of frequencies and volumes?

    Theory is all well and good, but how things operate in the real
    world at the living/listening room level are, or at least should,
    be the primary issue.

    Entirely agreed, and I would only emphasize the point by saying
    that it is certainly possible for one to find a exceptionally
    rare combination of things that support a particular thesis:
    such exceptions, contrary to the popular idiom, do NOT prove
    the rule: they simply demonstrate the ability to concoct a
    completely pathological exception.

    In following this thread, I did review Trevor's list of
    "pathological" (my use of the term) loudspeaker impedance
    curves to be found at Stereophile, and my overall reaction is
    that I find the situation they (these manufacturers) enumerate
    to be disturbingly irresponsible. With few exception, when I
    have been asked to consult on projects which exhibited these
    sorts of pathological; impedance curves, almost without
    exception, are the result of design imcompetence. There are
    ways of designing passive crossovers with the same electro-acoustic
    transfer functions that DO NOT have these same gross impedance
    anomalies. This is especially true of three-way, multi-order
    passive parallel ladder-type networks (which are the vast majority
    of such found in such multi-way systems).

    Designing a system that exhibits the kinds of impedance
    properties that lead to the sorts of issues discussed here
    is highly irresponsible and yet another sign of the technically
    insular nature of the high-end world.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From Peter Wieck@21:1/5 to All on Mon Oct 21 19:44:29 2019
    Mpffffff....

    Now, we need to get into the difference between "accuracy" and "precision" - which for the record, are not even a little bit the same thing.

    Accuracy: A digital thermometer calibrated in two (2) degree Celsius increments, that is always with two degrees of the actual temperature is accurate - but not necessarily precise.

    Precision: A digital thermometer that is calibrated to six (6) decimal places of a degree, but is randomly somewhere between 4 and 8 degrees off the actual temperature is very precise. Not hardly accurate.

    Point being that good speaker design covers inductance, whether intentional or accidental (peculiar to the nature of the elements in use).

    DO, PLEASE look up the original definition of Peculiar.

    Peter Wieck
    Melrose Park, PA

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)