An article in an 1972 American Cinematographer states that initially Film Effects
made a 65mm Interpos from the 16mm Eastman Color neg. Eastman didn't have enough available stock of the 65mm 5253 Intermediate film so they made all the prints from a
16mm Color reversal Intermediate.
Another source states that all the 70mm prints were made from the original 16mm Camera negative direct to 70mm prints.
Does anybody know the true story here?
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