In article <sq4tme$sp6$32@dont-email.me>,
Ubiquitous <weberm@polaris.net> wrote:
"Get woke, go broke" is a popular adage in the conservative community.
But is there any truth to it?
Some critics are saying that the massive success of the new movie,
SPIDER-MAN: NO WAY HOME, shows beyond a doubt that movie audiences
are seeking films with substance and heart, not woke messaging that's
nothing more than thinly veiled propaganda for Leftist causes.
And some proof they're citing is how NO WAY HOME just smashed box
office expectations, raking in $253 million domestically opening
weekend, according to Variety. Before this, no post-COVID-19 film had
managed to cross the $100 million mark in just one weekend.
Others have tried, however. SPIDER-MAN's monstrous success comes in
the recent wake of Spielberg's huge WEST SIDE STORY flop that failed
despite an aggressive marketing campaign in Hollywood. Critics blamed a
surge in the virus with the Omicron variant going strong as a reason
people just didn't want to go to the movies. But NO WAY HOME proves
there's something else going on.
Critics and fans both adore the latest Spider-Man movie, with the
Observer calling it, "An overflowing, funnel-web cornucopia of treats
for Spider-fans." A ReelViews critic said, "As superhero movies go,
this one offers its share of satisfying moments and is guaranteed to
warm the heart of any Spider-Man movie fan, regardless of when their
fandom started."
The consensus is that this film was made with the fans in mind and
differs from what Disney has done in the past. This is likely because,
technically, Sony still owns the film rights and creative control
despite being under the gigantic Disney umbrella.
And then there was Breitbart, who called out what many moviegoers and
critics were implying but not explicitly stating.
"Newsflash: If you make a decent movie that seeks to entertain and move
- instead of lecture and shame - we will show up," John Nolte wrote.
"SPIDER-MAN: NO WAY HOME does precisely that. You will not only have
a great time at the movies again, but there's no gay, transsexual, or
racial nonsense. This movie is about only one thing: Delivering the
goods."
On the whole, action movies tend to out-perform more thoughtful films.
But even these types of storylines have been suffering lately. BLACK
WIDOW bombed because of overtly feminist themes that superseded the
central narrative. ETERNALS had a similar issue because audiences saw
the extraordinarily politically correct agenda and rebelled against it.
Did BLACK WIDOW bomb? I was under the impression that it did decent if
not spectacular business.
And what was politically correct about ETERNALS? It was a dud of a
movie, but I don't think PC was its problem.
"Get woke, go broke" is a popular adage in the conservative community.
But is there any truth to it?
Some critics are saying that the massive success of the new movie, SPIDER-MAN: NO WAY HOME, shows beyond a doubt that movie audiences
are seeking films with substance and heart, not woke messaging that's
nothing more than thinly veiled propaganda for Leftist causes.
And some proof they're citing is how NO WAY HOME just smashed box
office expectations, raking in $253 million domestically opening
weekend, according to Variety. Before this, no post-COVID-19 film had
managed to cross the $100 million mark in just one weekend.
Others have tried, however. SPIDER-MAN's monstrous success comes in
the recent wake of Spielberg's huge WEST SIDE STORY flop that failed
despite an aggressive marketing campaign in Hollywood. Critics blamed a
surge in the virus with the Omicron variant going strong as a reason
people just didn't want to go to the movies. But NO WAY HOME proves
there's something else going on.
Critics and fans both adore the latest Spider-Man movie, with the
Observer calling it, "An overflowing, funnel-web cornucopia of treats
for Spider-fans." A ReelViews critic said, "As superhero movies go,
this one offers its share of satisfying moments and is guaranteed to
warm the heart of any Spider-Man movie fan, regardless of when their
fandom started."
The consensus is that this film was made with the fans in mind and
differs from what Disney has done in the past. This is likely because, technically, Sony still owns the film rights and creative control
despite being under the gigantic Disney umbrella.
And then there was Breitbart, who called out what many moviegoers and
critics were implying but not explicitly stating.
"Newsflash: If you make a decent movie that seeks to entertain and move
- instead of lecture and shame - we will show up," John Nolte wrote. "SPIDER-MAN: NO WAY HOME does precisely that. You will not only have
a great time at the movies again, but there's no gay, transsexual, or
racial nonsense. This movie is about only one thing: Delivering the
goods."
On the whole, action movies tend to out-perform more thoughtful films.
But even these types of storylines have been suffering lately. BLACK
WIDOW bombed because of overtly feminist themes that superseded the
central narrative. ETERNALS had a similar issue because audiences saw
the extraordinarily politically correct agenda and rebelled against it.
Ubiquitous <weberm@polaris.net> wrote:
"Get woke, go broke" is a popular adage in the conservative community.
But is there any truth to it?
Some critics are saying that the massive success of the new movie,
SPIDER-MAN: NO WAY HOME, shows beyond a doubt that movie audiences
are seeking films with substance and heart, not woke messaging that's
nothing more than thinly veiled propaganda for Leftist causes.
And some proof they're citing is how NO WAY HOME just smashed box
office expectations, raking in $253 million domestically opening
weekend, according to Variety. Before this, no post-COVID-19 film had
managed to cross the $100 million mark in just one weekend.
Others have tried, however. SPIDER-MAN's monstrous success comes in
the recent wake of Spielberg's huge WEST SIDE STORY flop that failed
despite an aggressive marketing campaign in Hollywood. Critics blamed a
surge in the virus with the Omicron variant going strong as a reason
people just didn't want to go to the movies. But NO WAY HOME proves
there's something else going on.
Critics and fans both adore the latest Spider-Man movie, with the
Observer calling it, "An overflowing, funnel-web cornucopia of treats
for Spider-fans." A ReelViews critic said, "As superhero movies go,
this one offers its share of satisfying moments and is guaranteed to
warm the heart of any Spider-Man movie fan, regardless of when their
fandom started."
The consensus is that this film was made with the fans in mind and
differs from what Disney has done in the past. This is likely because,
technically, Sony still owns the film rights and creative control
despite being under the gigantic Disney umbrella.
And then there was Breitbart, who called out what many moviegoers and
critics were implying but not explicitly stating.
"Newsflash: If you make a decent movie that seeks to entertain and move
- instead of lecture and shame - we will show up," John Nolte wrote.
"SPIDER-MAN: NO WAY HOME does precisely that. You will not only have
a great time at the movies again, but there's no gay, transsexual, or
racial nonsense. This movie is about only one thing: Delivering the
goods."
On the whole, action movies tend to out-perform more thoughtful films.
But even these types of storylines have been suffering lately. BLACK
WIDOW bombed because of overtly feminist themes that superseded the
central narrative. ETERNALS had a similar issue because audiences saw
the extraordinarily politically correct agenda and rebelled against it.
Did BLACK WIDOW bomb? I was under the impression that it did decent if
not spectacular business.
And what was politically correct about ETERNALS? It was a dud of a
movie, but I don't think PC was its problem.
BTR1701 <atropos@mac.com> wrote:
In article <sq4tme$sp6$32@dont-email.me>,The casting of ETERNALS was pretty damn woke.
Ubiquitous <weberm@polaris.net> wrote:
"Get woke, go broke" is a popular adage in the conservative community.
But is there any truth to it?
Some critics are saying that the massive success of the new movie,
SPIDER-MAN: NO WAY HOME, shows beyond a doubt that movie audiences
are seeking films with substance and heart, not woke messaging that's
nothing more than thinly veiled propaganda for Leftist causes.
And some proof they're citing is how NO WAY HOME just smashed box
office expectations, raking in $253 million domestically opening
weekend, according to Variety. Before this, no post-COVID-19 film had
managed to cross the $100 million mark in just one weekend.
Others have tried, however. SPIDER-MAN's monstrous success comes in
the recent wake of Spielberg's huge WEST SIDE STORY flop that failed
despite an aggressive marketing campaign in Hollywood. Critics blamed a >>> surge in the virus with the Omicron variant going strong as a reason
people just didn't want to go to the movies. But NO WAY HOME proves
there's something else going on.
Critics and fans both adore the latest Spider-Man movie, with the
Observer calling it, "An overflowing, funnel-web cornucopia of treats
for Spider-fans." A ReelViews critic said, "As superhero movies go,
this one offers its share of satisfying moments and is guaranteed to
warm the heart of any Spider-Man movie fan, regardless of when their
fandom started."
The consensus is that this film was made with the fans in mind and
differs from what Disney has done in the past. This is likely because,
technically, Sony still owns the film rights and creative control
despite being under the gigantic Disney umbrella.
And then there was Breitbart, who called out what many moviegoers and
critics were implying but not explicitly stating.
"Newsflash: If you make a decent movie that seeks to entertain and move >>> - instead of lecture and shame - we will show up," John Nolte wrote.
"SPIDER-MAN: NO WAY HOME does precisely that. You will not only have
a great time at the movies again, but there's no gay, transsexual, or
racial nonsense. This movie is about only one thing: Delivering the
goods."
On the whole, action movies tend to out-perform more thoughtful films.
But even these types of storylines have been suffering lately. BLACK
WIDOW bombed because of overtly feminist themes that superseded the
central narrative. ETERNALS had a similar issue because audiences saw
the extraordinarily politically correct agenda and rebelled against it.
Did BLACK WIDOW bomb? I was under the impression that it did decent if
not spectacular business.
And what was politically correct about ETERNALS? It was a dud of a
movie, but I don't think PC was its problem.
The original comic book team had a fair number of blondes in it
"Eternals" Signals The End Of Marvel As We Knew It<snip>
If Eternals is any indication, Marvels glory days are officially
behind it.
The movie is drivel. Cheeseball morality like from a 1930's serial, pathetic "heroes" bent on navel-gazing and giving every killer villain a "second chance"
On 1/23/2022 3:31 AM, RichA wrote:
The movie is drivel. Cheeseball morality like from a 1930's serial, pathetic "heroes" bent on navel-gazing and giving every killer villain a "second chance"So you're unfamiliar with how comics work?
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