Grant,
Well, of course intentions are different in different styles of theatre and with different plays.
My basic argument is that the theatre plays poor second cousin to film when trying to counterfeit the literal. No matter how outrageous and
improbable, what occurs in film looks real. For instance, the whole joke
of the opening sequences in the James Bond movies is that they are
impossible but are persuasively staged.
To repeat myself, the stage plays to its strength when it embraces its metaphoric nature. Things are not what they are on the stage. Things represent other things. The audience collaborates in the translation of meaning and so becomes active in the event. "Equus" onstage would not work with real horses, but the use of masks on mimes brings it into a theatrical world. In the film, of course, the use of masks would have been ludicrous; so they used real horses.
Anyway, anyway --
Jeff
I see no reason for such gratuitous idiocracy and why anyone, male or female feels some quirky need to publicly expose oneself. Equus being the prime example of what nobody should be watching, as they obviously just want to lust after the actor or actress, or both.
Jim
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