• "The Crown"

    From septimus_millenicom@q.com@21:1/5 to All on Sun Oct 1 10:03:10 2023
    Netflix's AI algorithms seem smart enough to figure out I am
    about to quit; the streaming service has been bombarding me
    with daily emails to finish watching this or that. Who pays
    for these emails, ultimately? How much green house gas are
    they generating?

    One of the last items on my list was "The Crown" season 5,
    with Elizabeth Debicki as Diana Spencer. Despite the worst
    effort of the writers to peg her as a overly needy nymphomaniac
    and embarrassment to her children, the series only comes alive
    when she is on screen with her self-deprecating sly humor (her
    scenes with Dodi Fayed's father are priceless) or her soulful
    ennui. In vain, the writers try to give Prince (now King)
    Charles the hero's role, valorizing his charity work while
    completely ignoring Diana's and shoehorning him into the
    progressive voice, a new dawn of the dynasty (mafia). But it
    all comes crashing down in the finale when he presides over
    the annexation of ex-British colony Hong Kong by the Chinese
    communists. He gives a ludicrous, rosy speech about a people
    abandoned to a lawless fate (every other British colony was
    granted independence), making him the laughing-stock of
    history given what has happened there in the last few years.
    (Notably there isn't a single Hong Konger's voice or point
    of view in that episode -- it is all about Charles and his precious
    Royal yacht.)

    But perhaps the clincher is episode nine. Having divorced
    Diana he visits her one more time, ostensibly to make
    peace but in truth to assign blame. And Diana absolutely
    destroys him with a simple accusation. She has married
    in good faith, while he has intended her to be a baby-
    machine from day one. Unintentionally by the writers,
    Charles comes off as the biggest fraud and pompous ass of
    the 20th century.

    I got curious about how Diana fares in previous season when
    portrayed by Emma Corrin. Corrin does fine, even if her Diana
    is a utterly charming seductress and nothing more in the first
    episode. But the rest of the royals is a horror show: smug,
    snobby, utterly classless and deplorable. With their
    intellectually-challenged parlor games and even more demented
    outdoor hunts, they humiliate Thatcher, managing to make the
    social safety-net shredding, privatizing-on-steroid prime
    minister sympathetic. (Although true cynics may only root for
    the IRA terrorists plotting to blow up the said royals.) For
    all their vaunted training, British actresses are in general
    unwilling to speaking any accent other than Oxford English.
    (Rachel Weisz is so distracting sounding exactly the same
    with her twin characters in "Dead Ringers," I haven't gone
    past the first episode.) Fortunately Gillian Anderson is
    American and she does an amazing job impersonating Thatcher.
    The biggest disappointment is Olivia Coleman. While she has
    impressive range, she seems to play Queen Elizabeth like all
    her own previous characters, sharing no trait with the real
    queen or the dignified Imelda Staunton in season 5. Coleman
    is so overrated.

    --- SoupGate-Win32 v1.05
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