• "Yellowstone" season 4: the most Fascist, nihilistic TV ever created

    From septimus_millenicom@q.com@21:1/5 to All on Fri Jun 24 21:22:00 2022
    "Apres moi, le deluge."

    -- attributed to Louis XV of France

    In the last episode of season 4 of "Yellowstone" the
    patriah of the fictional Yellowstone Ranch in Montana
    has a discussion with one of his Indian frenemies.
    The Indian asks him what will happen in 100 years.
    John Dutton (Kevin Costner) replies that his precious
    ranch will disintegrate in far less than a century,
    along with the rest of humanity, and it is up to God
    to restart the whole enterprise if He has the stomach
    to.

    That is an odd admission, given that the entire series
    is about the Dutton clan, their "cowboys," and sundry
    criminal associates' effort to keep their land from
    the Indians whose had ancestral claim and want to
    build casinos, and from corporate types who plan
    condos, airports, and a Western theme park like Aspen,
    Colorado. Why can't Dutton be less of a nihilist,
    and plan for a lawful, orderly transition for the
    good of all?

    His corporate raider daughter, played by the great
    Kelly Reilly in her most charismatic role (and the
    only reason to watch "Yellowstone"), openly admits
    that she will sell the ranch the moment John croaks.
    Yet the clan remain fanatically loyal to Dutton's
    death wish. Even his former nemesis the Indians
    kidnap and torture a man who has info about an
    assassination attempt on the clan. (They tie a
    rope round his wrist and drag him on horseback.)
    John Dutton throws the battered man a gun before
    murdering him -- the closest that season 4 has a
    claim to fair play. For the clan proceeds to break
    every law to hunt down their enemies -- including
    the 2nd amendment, infringing upon the right of
    a local militia to bear arms by simply slaughtering
    them. (The operation is fronted by the "Lifestock
    Commission" led by Dutton's son -- nepotism and
    landownership elitism being a big hit around here
    -- but instead of serving search warrants, this
    quasi-military police just start shooting with
    assault rifles.) But that is gentile compared to
    the strangulation, rattlesnake attacks, hanging,
    and other techniques that would make drug cartels
    frown. At the very end, John Dutton decides to
    run for governor of Montana to serve his nihilistic,
    corrupt interest -- no doubt cheered on by the 15
    million viewers of this show, one of the most
    watched scripted series in the U.S. And you wonder
    why the Republic is collapsing.

    Glimpses of this rampant law-breaking and U.S.
    Constitution-trampling are there in earlier seasons,
    but without quite the same gleefulness or corruption
    of youth. The Dutton grandson shoots and kills a
    man, and we are treated to an interminable sermon
    by a Shaman, saying the kid should feel no guilt
    at all, shouldn't apologize. Meanwhile the foreman
    of the ranch -- the most toxic and vilest among the
    characters -- takes in a feral boy and promises to
    make a "man" out of him. Well, the last thing we
    need is to have a clone of this thug, who actually
    brands the ranch's newcomers with a red-hot iron.

    Perhaps even more cringe-inducing is the extreme
    sentimentalism attached to frontier cowboys, which
    the previous seasons at least spared us. This
    season is full of tribal self-identification moments
    about cowboy chic. In fact, creator Taylor SHeridan
    is clearly the long-lost twin of Jane Campion; they
    are on the opposite sides of the political divide, but
    philosophically they are two peas in the same pod.

    I will keep watching as long as Reilly is in it,
    and root for the death of the vile Dutton clan
    and their criminal associates (except Kelly
    Reilly). Of course, this has the self-defeating
    flavor of watching Manchester City Mercs soccer
    games on Peacock, and hoping the team funded by
    the bottomless pockets of Middle Eastern oil
    sheiks will lose once in a blue moon.

    ----------------------------------------------

    That's sad thing about Villeneuve's mediocre
    adaptation of _Dune_. Frank Herbert is a true
    visionary among science fiction writers,* putting
    ecology at the center of so many of his novels.
    Herbert can be deliberately provocative and
    Socratic; his best book is probably _God Emperor
    of Dune_, which splits our sympathy between a
    thousands-year-old tyrant and the young rebels
    out to destroy him. Herbert probably classified
    as Libertarian. He preached evolution and
    adaptation, and would have scoffed at my brand
    of environmentalism aimed at saving the coastal
    cultural treasures, like its museums and concert
    halls where Anne-Sophie Mutter plays in. Yet
    Herbert would have been especially harsh on the
    John Duttons, slaves to rituals and unwilling to
    adapt. Who can forget the pathetic "museum
    Fremens" in _God Emperor of Dune_? Villeneuve's
    cowardly adaptation does not even try to stimulate
    this kind of discussion.

    *Even the most venerated SF "classics" come off
    as juvenile compared with Herbert's work. I
    dutifully read Isaac Asimov's _Foundation_ in
    college. It was written for kids. At one point
    there is some problem, so the colony adopts the
    "capitalism" approach, and it is instantly solved.
    Wonderful. I never have to read this dim wit's
    books again. Whereas even with Herbert's minor
    work, I get much more out of it now than when
    I was reading it as a teenager.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From septimus_millenicom@q.com@21:1/5 to septimus_...@q.com on Tue Jun 28 11:26:30 2022
    On Friday, June 24, 2022 at 10:22:02 PM UTC-6, septimus_...@q.com wrote:
    "Apres moi, le deluge."

    -- attributed to Louis XV of France

    In the last episode of season 4 of "Yellowstone" the
    patriah of the fictional Yellowstone Ranch in Montana
    has a discussion with one of his Indian frenemies.
    The Indian asks him what will happen in 100 years.
    John Dutton (Kevin Costner) replies that his precious
    ranch will disintegrate in far less than a century,
    along with the rest of humanity, and it is up to God
    to restart the whole enterprise if He has the stomach
    to.


    I probably misremembered (and am too lazy to head over to Peacock to check).

    The other party in this conversation is probably not the Indian Frenemy, but the
    activist judge who throws an environmentalist protestor (Piper Perabo of "Covert
    Affairs" fame) in jail for 30+ years, while the Dutton criminal associates continue
    to roam free despite their murder sprees, conspiracies to commit torture, corruption,
    and a laundry list of other offenses. This judge, like at least two members of the
    U.S. Supreme Court, probably lied under oath to get himself elected too.

    The Perabo character is depicted as a clueless idealist who (probably?) sleeps with the Dutton patriarch, at least twice her age. Real environmentalist leaders
    would have trounced Dutton in debate about getting rid of cattle. It is not just
    animal suffering, although that plays a large part too. Cattle release disproportionate
    amount of green house gas, and worst of all, they take up all the land that could
    have been used for reforestation or solar panel/wind farms. Experts in the field
    contend that every square feet of land on earth needs to be deployed to generate
    energy or storage CO2 -- there is just no luxury for cattle grazing. The best thing
    we can hope for is that the Dutton gang is finally sent to prison in seaon 5 so the
    land can be converted to a beautiful field of man-made blue silicon, with a few patches left for "Museum cowboys" to nurse their stupid nostalgia -- while lunching
    on Impossible Burgers. That's a TV series worth making.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)