• Cating Agency Quits TULSA KING Over Stallone's Mocking of Extras

    From BTR1701@21:1/5 to All on Thu Apr 11 03:20:09 2024
    It didn’t bother Thomas Mooneyham that he saw Sylvester Stallone glancing more
    than once at him or how he was asked to leave a bar scene so he could be replaced with a younger cowboy and a "good-looking cowgirl".

    What upset the 53-year-old Tennessee man who drove four hours on April 4 to serve as an extra on the Paramount+ series TULSA KING was learning how one of the background actors was allegedly described by Stallone as a "tub of lard" and "fat guy with a cane". He never heard Stallone or the director utter disparaging words about background actors that day but he's convinced some of those comments were directed at him personally after he read about them on a private Facebook page for BG actors.

    "I was seated at a table with another gentleman, like we were listening to the band," recalls Mooneyham, who tells Deadline that he uses a cane because of bone-on bone pain in his knee. "Stallone's table with the other main
    characters was diagonal from ours, about 12 feet away. I did notice that he looked at me a time or two and he talked with, I guess, the director and laughed with him and all. But I didn't put anything together. Then we were moved from the scene and replaced with the younger cowboy and a good looking cowgirl. Now does that bother me? Not in the least. What bothers me is that somebody overheard him and the director. It ain't even the part that I am fat. I wasn't the only big one that was there. But I do feel like I was singled out because they said 'old tub of lard with the cane'. I was the only one there with the cane."

    Mooneyham is speaking out about his 12-hour day on the Atlanta set of the series that led to the resignation of Rose Locke Casting, a local company
    hired to find background actors for Season 2 of the Stallone series. Deadline first broke the story on Monday; reps for the Paramount+ show and Stallone
    have yet to comment.

    Locke told her clients that she left the series because of disparaging
    language allegedly used by Stallone to describe the extras-- an accusation
    that director Craig Zisk denied to TMZ after Deadline broke the story. Zisk told the outlet that Locke failed to do her job by not recruiting extras in
    the 20s and 30s range for a scene involving a hip bar.

    A source close to the show told Deadline Wednesday that producers were concerned about matching scenes from last season, which led to differences of opinion over casting. Producers apparently have talked to the cast and crew about the situation and emphasized their commitment to fostering an inclusive work environment.

    Mooneyham says the set he was working on that day was the Bred-2-Buck Bar, a fictitious Tulsa saloon that's owned by Stallone's character Dwight Manfredi
    in the series. "That's not a young hipster bar that other people are trying to make it out to be," he said. "That is just an old roughneck cowboy country
    bar. And the name of the bar, here's my point, is Bred-2-Buck. Tell me how
    many old bronco-riding cowboys who are old and who are not hobbled or
    crippled? How would a gentleman with a cane not fit into that? But the main thing is my cane was not even visible in the scene. I had it hidden behind my body."

    Before Mooneyham came to work that day, he considered it a dream gig because TULSA KING is a series that he and his son watch together. A tax specialist by day for H&R Block, Mooneyham has been working for two years as an extra and
    has already booked several films and TV shows, including a two-day gig on the upcoming film CIVIL WAR.

    "When I worked on CIVIL WAR two years ago, I weighed 390 pounds. I could
    barely walk," recalls Mooneyham, who appears briefly in the movie's official trailer. "I had to use a mobility scooter but not a one of 'em on set said anything about it to me or made a fuss about it. The producers went out of the way to help me get my scooter loaded into the van."

    He says his experience on TULSA KING was a far cry from what his experienced
    on the motion picture. "I don't understand. I know there was all this talk about older folks. Older, too old. How does he justify that we are too old
    when he’s 20-some years older than we are? I'm 53 years old. Stallone is 77. How the hell am I too old?"

    "I've experienced nothing like this before," says Mooneyham, who adds he doesn’t fault the casting director. He also has no plans to quit doing background work.

    "Some people say I'm thin-skinned. People think that I'm making a fuss. I
    never made a fuss until Rose contacted me about it," says Mooneyham. "My feelings got hurt a little. But you know what? I'm more pissed than hurt. And it's just because of my disability."


    https://deadline.com/2024/04/tulsa-king-backround-actor-reacts-disparaging-comments-sylvester-stallone-series-1235880947/

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From anim8rfsk@21:1/5 to atropos@mac.com on Thu Apr 11 12:38:00 2024
    BTR1701 <atropos@mac.com> wrote:
    It didn’t bother Thomas Mooneyham that he saw Sylvester Stallone glancing more
    than once at him or how he was asked to leave a bar scene so he could be replaced with a younger cowboy and a "good-looking cowgirl".

    What upset the 53-year-old Tennessee man who drove four hours on April 4 to
    serve as an extra on the Paramount+ series TULSA KING was learning how one
    of
    the background actors was allegedly described by Stallone as a "tub of
    lard"
    and "fat guy with a cane". He never heard Stallone or the director
    utter
    disparaging words about background actors that day but he's convinced some
    of
    those comments were directed at him personally after he read about them on
    a
    private Facebook page for BG actors.


    So there’s no evidence that any of this happened at all, it’s just a rumor on the Facebook.


    "I was seated at a table with another gentleman, like we were listening to the
    band," recalls Mooneyham, who tells Deadline that he uses a cane because of bone-on bone pain in his knee. "Stallone's table with the other main
    characters was diagonal from ours, about 12 feet away. I did notice that he looked at me a time or two

    Gasp!


    and he talked with, I guess, the director and
    laughed with him and all. But I didn't put anything together. Then we were moved from the scene and replaced with the younger cowboy and a good
    looking
    cowgirl. Now does that bother me? Not in the least. What bothers me
    is that
    somebody overheard him and the director. It ain't even the part that I am
    fat.

    Or ain’t speak proper English


    I wasn't the only big one that was there. But I do feel like I was singled
    out
    because they said 'old tub of lard with the cane'. I was the only one there with the cane."

    Mooneyham is speaking out about his 12-hour day on the Atlanta set of the
    series that led to the resignation of Rose Locke Casting, a local company
    hired to find background actors for Season 2 of the Stallone series.
    Deadline
    first broke the story on Monday; reps for the Paramount+ show and Stallone
    have yet to comment.

    Locke told her clients that she left the series because of disparaging
    language allegedly used by Stallone to describe the extras--

    That she had miscast


    an accusation
    that director Craig Zisk denied to TMZ after Deadline broke the story. Zisk told the outlet that Locke failed to do her job by not recruiting extras in
    the 20s and 30s range for a scene involving a hip bar.

    A source close to the show told Deadline Wednesday that producers were
    concerned about matching scenes from last season, which led to differences
    of
    opinion over casting. Producers apparently have talked to the cast and crew about the situation and emphasized their commitment to fostering an
    inclusive
    work environment.

    Mooneyham says the set he was working on that day was the Bred-2-Buck Bar, a
    fictitious Tulsa saloon that's owned by Stallone's character Dwight
    Manfredi
    in the series. "That's not a young hipster bar that other people
    are trying to
    make it out to be," he said. "That is just an old roughneck cowboy country
    bar. And the name of the bar, here's my point, is Bred-2-Buck. Tell me how
    many old bronco-riding cowboys who are old and who are not hobbled or
    crippled? How would a gentleman with a cane not fit into that? But the main thing is my cane was not even visible in the scene. I had it hidden behind
    my
    body."


    Which was it difficult as his body is three times the diameter it should be


    Before Mooneyham came to work that day, he considered it a dream gig because
    TULSA KING is a series that he and his son watch together. A tax specialist
    by
    day for H&R Block, Mooneyham has been working for two years as an extra and
    has already booked several films and TV shows, including a two-day gig on
    the
    upcoming film CIVIL WAR.

    "When I worked on CIVIL WAR two years ago, I weighed 390 pounds. I could
    barely walk," recalls Mooneyham, who appears briefly in the movie's
    official
    trailer. "I had to use a mobility scooter but not a one of 'em on
    set said
    anything about it to me or made a fuss about it. The producers went out of
    the
    way to help me get my scooter loaded into the van."

    He says his experience on TULSA KING was a far cry from what his experienced
    on the motion picture. "I don't understand. I know there was all this talk about older folks. Older, too old. How does he justify that we are too old
    when he’s 20-some years older than we are? I'm 53 years old. Stallone is
    77.
    How the hell am I too old?"


    Too old, too stupid, too fat


    "I've experienced nothing like this before," says Mooneyham, who adds he
    doesn’t fault the casting director. He also has no plans to quit doing background work.

    "Some people say I'm thin-skinned.

    Of course, he’s thin skinned. His skin is stretched out to cover an area three times larger than it was ever intended to.



    People think that I'm making a fuss. I
    never made a fuss until Rose contacted me about it,"


    And now you’re making a fuss. Which is why people think you’re making a fuss.


    says Mooneyham. "My
    feelings got hurt a little. But you know what? I'm more pissed than hurt.
    And
    it's just because of my disability."


    Disability? You’re unable to stop shoving the Cheetos down your face 24/7
    and your claiming it as a disability?



    https://deadline.com/2024/04/tulsa-king-backround-actor-reacts-disparaging-comments-sylvester-stallone-series-1235880947/






    --
    The last thing I want to do is hurt you, but it is still on my list.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From moviePig@21:1/5 to All on Thu Apr 11 18:34:34 2024
    On 4/11/2024 3:38 PM, anim8rfsk wrote:
    BTR1701 <atropos@mac.com> wrote:
    It didn’t bother Thomas Mooneyham that he saw Sylvester Stallone glancing more
    than once at him or how he was asked to leave a bar scene so he could be replaced with a younger cowboy and a "good-looking cowgirl".

    What upset the 53-year-old Tennessee man who drove four hours on April 4 to
    serve as an extra on the Paramount+ series TULSA KING was learning how one
    of
    the background actors was allegedly described by Stallone as a "tub of
    lard"
    and "fat guy with a cane". He never heard Stallone or the director
    utter
    disparaging words about background actors that day but he's convinced some
    of
    those comments were directed at him personally after he read about them on
    a
    private Facebook page for BG actors.


    So there’s no evidence that any of this happened at all, it’s just a rumor
    on the Facebook.


    "I was seated at a table with another gentleman, like we were listening to the
    band," recalls Mooneyham, who tells Deadline that he uses a cane because of bone-on bone pain in his knee. "Stallone's table with the other main characters was diagonal from ours, about 12 feet away. I did notice that he looked at me a time or two

    Gasp!


    and he talked with, I guess, the director and
    laughed with him and all. But I didn't put anything together. Then we were moved from the scene and replaced with the younger cowboy and a good
    looking
    cowgirl. Now does that bother me? Not in the least. What bothers me
    is that
    somebody overheard him and the director. It ain't even the part that I am fat.

    Or ain’t speak proper English


    I wasn't the only big one that was there. But I do feel like I was singled out
    because they said 'old tub of lard with the cane'. I was the only one there with the cane."

    Mooneyham is speaking out about his 12-hour day on the Atlanta set of the
    series that led to the resignation of Rose Locke Casting, a local company hired to find background actors for Season 2 of the Stallone series.
    Deadline
    first broke the story on Monday; reps for the Paramount+ show and Stallone have yet to comment.

    Locke told her clients that she left the series because of disparaging
    language allegedly used by Stallone to describe the extras--

    That she had miscast


    an accusation
    that director Craig Zisk denied to TMZ after Deadline broke the story. Zisk told the outlet that Locke failed to do her job by not recruiting extras in the 20s and 30s range for a scene involving a hip bar.

    A source close to the show told Deadline Wednesday that producers were
    concerned about matching scenes from last season, which led to differences
    of
    opinion over casting. Producers apparently have talked to the cast and crew about the situation and emphasized their commitment to fostering an
    inclusive
    work environment.

    Mooneyham says the set he was working on that day was the Bred-2-Buck Bar, a
    fictitious Tulsa saloon that's owned by Stallone's character Dwight
    Manfredi
    in the series. "That's not a young hipster bar that other people
    are trying to
    make it out to be," he said. "That is just an old roughneck cowboy country bar. And the name of the bar, here's my point, is Bred-2-Buck. Tell me how many old bronco-riding cowboys who are old and who are not hobbled or crippled? How would a gentleman with a cane not fit into that? But the main thing is my cane was not even visible in the scene. I had it hidden behind
    my
    body."


    Which was it difficult as his body is three times the diameter it should be


    Before Mooneyham came to work that day, he considered it a dream gig because
    TULSA KING is a series that he and his son watch together. A tax specialist by
    day for H&R Block, Mooneyham has been working for two years as an extra and has already booked several films and TV shows, including a two-day gig on
    the
    upcoming film CIVIL WAR.

    "When I worked on CIVIL WAR two years ago, I weighed 390 pounds. I could
    barely walk," recalls Mooneyham, who appears briefly in the movie's
    official
    trailer. "I had to use a mobility scooter but not a one of 'em on
    set said
    anything about it to me or made a fuss about it. The producers went out of the
    way to help me get my scooter loaded into the van."

    He says his experience on TULSA KING was a far cry from what his experienced
    on the motion picture. "I don't understand. I know there was all this talk about older folks. Older, too old. How does he justify that we are too old when he’s 20-some years older than we are? I'm 53 years old. Stallone is 77.
    How the hell am I too old?"


    Too old, too stupid, too fat


    "I've experienced nothing like this before," says Mooneyham, who adds he
    doesn’t fault the casting director. He also has no plans to quit doing background work.

    "Some people say I'm thin-skinned.

    Of course, he’s thin skinned. His skin is stretched out to cover an area three times larger than it was ever intended to.



    People think that I'm making a fuss. I
    never made a fuss until Rose contacted me about it,"


    And now you’re making a fuss. Which is why people think you’re making a fuss.


    says Mooneyham. "My
    feelings got hurt a little. But you know what? I'm more pissed than hurt.
    And
    it's just because of my disability."


    Disability? You’re unable to stop shoving the Cheetos down your face 24/7 and your claiming it as a disability?

    If I'm following the plot here, Stallone said something in private that
    someone eavesdropped and posted. Unless it was state secrets, I think
    he gets a pass.

    Meanwhile, in an industry where body stereotypes are valued, this guy
    markets his own corpulence. So, no one should comment on it openly?

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From anim8rfsk@21:1/5 to moviePig on Thu Apr 11 16:46:51 2024
    moviePig <never@nothere.com> wrote:
    On 4/11/2024 3:38 PM, anim8rfsk wrote:
    BTR1701 <atropos@mac.com> wrote:
    It didn’t bother Thomas Mooneyham that he saw Sylvester Stallone glancing more
    than once at him or how he was asked to leave a bar scene so he could be
    replaced with a younger cowboy and a "good-looking cowgirl".

    What upset the 53-year-old Tennessee man who drove four hours on April 4 to >> serve as an extra on the Paramount+ series TULSA KING was learning how one >> of
    the background actors was allegedly described by Stallone as a "tub of
    lard"
    and "fat guy with a cane". He never heard Stallone or the director
    utter
    disparaging words about background actors that day but he's convinced some >> of
    those comments were directed at him personally after he read about them on >> a
    private Facebook page for BG actors.


    So there’s no evidence that any of this happened at all, it’s just a rumor
    on the Facebook.


    "I was seated at a table with another gentleman, like we were listening to the
    band," recalls Mooneyham, who tells Deadline that he uses a cane because of >> bone-on bone pain in his knee. "Stallone's table with the other main
    characters was diagonal from ours, about 12 feet away. I did notice that he >> looked at me a time or two

    Gasp!


    and he talked with, I guess, the director and
    laughed with him and all. But I didn't put anything together. Then we were >> moved from the scene and replaced with the younger cowboy and a good
    looking
    cowgirl. Now does that bother me? Not in the least. What bothers me
    is that
    somebody overheard him and the director. It ain't even the part that I am
    fat.

    Or ain’t speak proper English


    I wasn't the only big one that was there. But I do feel like I was singled >> out
    because they said 'old tub of lard with the cane'. I was the only one there >> with the cane."

    Mooneyham is speaking out about his 12-hour day on the Atlanta set of the >> series that led to the resignation of Rose Locke Casting, a local company
    hired to find background actors for Season 2 of the Stallone series.
    Deadline
    first broke the story on Monday; reps for the Paramount+ show and Stallone >> have yet to comment.

    Locke told her clients that she left the series because of disparaging
    language allegedly used by Stallone to describe the extras--

    That she had miscast


    an accusation
    that director Craig Zisk denied to TMZ after Deadline broke the story. Zisk >> told the outlet that Locke failed to do her job by not recruiting extras in >> the 20s and 30s range for a scene involving a hip bar.

    A source close to the show told Deadline Wednesday that producers were
    concerned about matching scenes from last season, which led to differences >> of
    opinion over casting. Producers apparently have talked to the cast and crew >> about the situation and emphasized their commitment to fostering an
    inclusive
    work environment.

    Mooneyham says the set he was working on that day was the Bred-2-Buck Bar, a
    fictitious Tulsa saloon that's owned by Stallone's character Dwight
    Manfredi
    in the series. "That's not a young hipster bar that other people
    are trying to
    make it out to be," he said. "That is just an old roughneck cowboy country >> bar. And the name of the bar, here's my point, is Bred-2-Buck. Tell me how >> many old bronco-riding cowboys who are old and who are not hobbled or
    crippled? How would a gentleman with a cane not fit into that? But the main >> thing is my cane was not even visible in the scene. I had it hidden behind >> my
    body."


    Which was it difficult as his body is three times the diameter it should be >>

    Before Mooneyham came to work that day, he considered it a dream gig because
    TULSA KING is a series that he and his son watch together. A tax specialist >> by
    day for H&R Block, Mooneyham has been working for two years as an extra and >> has already booked several films and TV shows, including a two-day gig on
    the
    upcoming film CIVIL WAR.

    "When I worked on CIVIL WAR two years ago, I weighed 390 pounds. I could
    barely walk," recalls Mooneyham, who appears briefly in the movie's
    official
    trailer. "I had to use a mobility scooter but not a one of 'em on
    set said
    anything about it to me or made a fuss about it. The producers went out of >> the
    way to help me get my scooter loaded into the van."

    He says his experience on TULSA KING was a far cry from what his experienced
    on the motion picture. "I don't understand. I know there was all this talk >> about older folks. Older, too old. How does he justify that we are too old >> when he’s 20-some years older than we are? I'm 53 years old. Stallone is >> 77.
    How the hell am I too old?"


    Too old, too stupid, too fat


    "I've experienced nothing like this before," says Mooneyham, who adds he
    doesn’t fault the casting director. He also has no plans to quit doing
    background work.

    "Some people say I'm thin-skinned.

    Of course, he’s thin skinned. His skin is stretched out to cover an area >> three times larger than it was ever intended to.



    People think that I'm making a fuss. I
    never made a fuss until Rose contacted me about it,"


    And now you’re making a fuss. Which is why people think you’re making a >> fuss.


    says Mooneyham. "My
    feelings got hurt a little. But you know what? I'm more pissed than hurt.
    And
    it's just because of my disability."


    Disability? You’re unable to stop shoving the Cheetos down your face 24/7 >> and your claiming it as a disability?

    If I'm following the plot here, Stallone said something in private that someone eavesdropped and posted. Unless it was state secrets, I think
    he gets a pass.

    As I read it, somebody posted to a secret Facebook group claiming this happened. There’s no actual witness, no recording, no transcript. Nobody overheard anything. They said this is why the guy wasn’t asked back for the next day, and only then did he remember that Stallone looked at him once or twice (gasp), and talked to somebody who may or may not have been the
    Director and then he made up the rest of it out of whole cloth.



    Meanwhile, in an industry where body stereotypes are valued, this guy
    markets his own corpulence. So, no one should comment on it openly?


    And the casting company thinks they should be able to just bring in anybody they feel like no matter how inappropriate for the scene they are, which is pretty much casting company attitude.



    --
    The last thing I want to do is hurt you, but it is still on my list.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From trotsky@21:1/5 to FPP on Sat Apr 13 02:33:02 2024
    On 4/12/24 9:34 AM, FPP wrote:
    On 4/11/24 6:34 PM, moviePig wrote:
    On 4/11/2024 3:38 PM, anim8rfsk wrote:
    BTR1701 <atropos@mac.com> wrote:
    It didn’t bother Thomas Mooneyham that he saw Sylvester Stallone
    glancing more
    than once at him or how he was asked to leave a bar scene so he could be >>> replaced with a younger cowboy and a "good-looking cowgirl".

    What upset the 53-year-old Tennessee man who drove four hours on
    April 4 to
    serve as an extra on the Paramount+ series TULSA KING was learning
    how one
    of
    the background actors was allegedly described by Stallone as a "tub of
    lard"
    and "fat guy with a cane". He never heard Stallone or the director
    utter
    disparaging words about background actors that day but he's convinced
    some
    of
    those comments were directed at him personally after he read about
    them on
    a
    private Facebook page for BG actors.


    So there’s no evidence that any of this happened at all, it’s just a >>> rumor
    on the Facebook.


    "I was seated at a table with another gentleman, like we were
    listening to the
    band," recalls Mooneyham, who tells Deadline that he uses a cane
    because of
    bone-on bone pain in his knee. "Stallone's table with the other main
    characters was diagonal from ours, about 12 feet away. I did notice
    that he
    looked at me a time or two

    Gasp!


    and he talked with, I guess, the director and
    laughed with him and all. But I didn't put anything together. Then we
    were
    moved from the scene and replaced with the younger cowboy and a good
    looking
    cowgirl. Now does that bother me? Not in the least. What bothers me
    is that
    somebody overheard him and the director. It ain't even the part that
    I am
    fat.

    Or ain’t speak proper English


    I wasn't the only big one that was there. But I do feel like I was
    singled
    out
    because they said 'old tub of lard with the cane'. I was the only one
    there
    with the cane."

    Mooneyham is speaking out about his 12-hour day on the Atlanta set
    of the
    series that led to the resignation of Rose Locke Casting, a local
    company
    hired to find background actors for Season 2 of the Stallone series.
    Deadline
    first broke the story on Monday; reps for the Paramount+ show and
    Stallone
    have yet to comment.

    Locke told her clients that she left the series because of disparaging
    language allegedly used by Stallone to describe the extras--

    That she had miscast


    an accusation
    that director Craig Zisk denied to TMZ after Deadline broke the
    story. Zisk
    told the outlet that Locke failed to do her job by not recruiting
    extras in
    the 20s and 30s range for a scene involving a hip bar.

    A source close to the show told Deadline Wednesday that producers were
    concerned about matching scenes from last season, which led to
    differences
    of
    opinion over casting. Producers apparently have talked to the cast
    and crew
    about the situation and emphasized their commitment to fostering an
    inclusive
    work environment.

    Mooneyham says the set he was working on that day was the
    Bred-2-Buck Bar, a
    fictitious Tulsa saloon that's owned by Stallone's character Dwight
    Manfredi
    in the series. "That's not a young hipster bar that other people
    are trying to
    make it out to be," he said. "That is just an old roughneck cowboy
    country
    bar. And the name of the bar, here's my point, is Bred-2-Buck. Tell
    me how
    many old bronco-riding cowboys who are old and who are not hobbled or
    crippled? How would a gentleman with a cane not fit into that? But
    the main
    thing is my cane was not even visible in the scene. I had it hidden
    behind
    my
    body."


    Which was it difficult as his body is three times the diameter it
    should be


    Before Mooneyham came to work that day, he considered it a dream gig
    because
    TULSA KING is a series that he and his son watch together. A tax
    specialist
    by
    day for H&R Block, Mooneyham has been working for two years as an
    extra and
    has already booked several films and TV shows, including a two-day
    gig on
    the
    upcoming film CIVIL WAR.

    "When I worked on CIVIL WAR two years ago, I weighed 390 pounds. I
    could
    barely walk," recalls Mooneyham, who appears briefly in the movie's
    official
    trailer. "I had to use a mobility scooter but not a one of 'em on
    set said
    anything about it to me or made a fuss about it. The producers went
    out of
    the
    way to help me get my scooter loaded into the van."

    He says his experience on TULSA KING was a far cry from what his
    experienced
    on the motion picture. "I don't understand. I know there was all this
    talk
    about older folks. Older, too old. How does he justify that we are
    too old
    when he’s 20-some years older than we are? I'm 53 years old. Stallone is >>> 77.
    How the hell am I too old?"


    Too old, too stupid, too fat


    "I've experienced nothing like this before," says Mooneyham, who
    adds he
    doesn’t fault the casting director. He also has no plans to quit doing >>> background work.

    "Some people say I'm thin-skinned.

    Of course, he’s thin skinned. His skin is stretched out to cover an area >>> three times larger than it was ever intended to.



    People think that I'm making a fuss. I
    never made a fuss until Rose contacted me about it,"


    And now you’re making a fuss. Which is why people think you’re making a >>> fuss.


    says Mooneyham. "My
    feelings got hurt a little. But you know what? I'm more pissed than
    hurt.
    And
    it's just because of my disability."


    Disability? You’re unable to stop shoving the Cheetos down your face
    24/7
    and your claiming it as a disability?

    If I'm following the plot here, Stallone said something in private
    that someone eavesdropped and posted.  Unless it was state secrets, I
    think he gets a pass.

    Not what they're saying at Deadline.

    https://deadline.com/2024/04/tulsa-king-casting-director-quits-sylvester-stallone-accused-criticizing-background-actors-1235878860/


    Do you follow mpig's "logic" of "he gets a pass if he's only an asshole
    in private." Here's a hint: why be an asshole in the first place?

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From trotsky@21:1/5 to moviePig on Sat Apr 13 03:24:59 2024
    On 4/11/24 5:34 PM, moviePig wrote:
    On 4/11/2024 3:38 PM, anim8rfsk wrote:
    BTR1701 <atropos@mac.com> wrote:
    It didn’t bother Thomas Mooneyham that he saw Sylvester Stallone
    glancing more
    than once at him or how he was asked to leave a bar scene so he could be
    replaced with a younger cowboy and a "good-looking cowgirl".

    What upset the 53-year-old Tennessee man who drove four hours on
    April 4 to
    serve as an extra on the Paramount+ series TULSA KING was learning how
    one
    of
    the background actors was allegedly described by Stallone as a "tub of
    lard"
    and "fat guy with a cane". He never heard Stallone or the director
    utter
    disparaging words about background actors that day but he's convinced
    some
    of
    those comments were directed at him personally after he read about
    them on
    a
    private Facebook page for BG actors.


    So there’s no evidence that any of this happened at all, it’s just a
    rumor
    on the Facebook.


    "I was seated at a table with another gentleman, like we were
    listening to the
    band," recalls Mooneyham, who tells Deadline that he uses a cane
    because of
    bone-on bone pain in his knee. "Stallone's table with the other main
    characters was diagonal from ours, about 12 feet away. I did notice
    that he
    looked at me a time or two

    Gasp!


    and he talked with, I guess, the director and
    laughed with him and all. But I didn't put anything together. Then we
    were
    moved from the scene and replaced with the younger cowboy and a good
    looking
    cowgirl. Now does that bother me? Not in the least. What bothers me
    is that
    somebody overheard him and the director. It ain't even the part that I am
    fat.

    Or ain’t speak proper English


    I wasn't the only big one that was there. But I do feel like I was
    singled
    out
    because they said 'old tub of lard with the cane'. I was the only one
    there
    with the cane."

    Mooneyham is speaking out about his 12-hour day on the Atlanta set of
    the
    series that led to the resignation of Rose Locke Casting, a local company
    hired to find background actors for Season 2 of the Stallone series.
    Deadline
    first broke the story on Monday; reps for the Paramount+ show and
    Stallone
    have yet to comment.

    Locke told her clients that she left the series because of disparaging
    language allegedly used by Stallone to describe the extras--

    That she had miscast


    an accusation
    that director Craig Zisk denied to TMZ after Deadline broke the story.
    Zisk
    told the outlet that Locke failed to do her job by not recruiting
    extras in
    the 20s and 30s range for a scene involving a hip bar.

    A source close to the show told Deadline Wednesday that producers were
    concerned about matching scenes from last season, which led to
    differences
    of
    opinion over casting. Producers apparently have talked to the cast and
    crew
    about the situation and emphasized their commitment to fostering an
    inclusive
    work environment.

    Mooneyham says the set he was working on that day was the Bred-2-Buck
    Bar, a
    fictitious Tulsa saloon that's owned by Stallone's character Dwight
    Manfredi
    in the series. "That's not a young hipster bar that other people
    are trying to
    make it out to be," he said. "That is just an old roughneck cowboy
    country
    bar. And the name of the bar, here's my point, is Bred-2-Buck. Tell me
    how
    many old bronco-riding cowboys who are old and who are not hobbled or
    crippled? How would a gentleman with a cane not fit into that? But the
    main
    thing is my cane was not even visible in the scene. I had it hidden
    behind
    my
    body."


    Which was it difficult as his body is three times the diameter it
    should be


    Before Mooneyham came to work that day, he considered it a dream gig
    because
    TULSA KING is a series that he and his son watch together. A tax
    specialist
    by
    day for H&R Block, Mooneyham has been working for two years as an
    extra and
    has already booked several films and TV shows, including a two-day gig on
    the
    upcoming film CIVIL WAR.

    "When I worked on CIVIL WAR two years ago, I weighed 390 pounds. I could
    barely walk," recalls Mooneyham, who appears briefly in the movie's
    official
    trailer. "I had to use a mobility scooter but not a one of 'em on
    set said
    anything about it to me or made a fuss about it. The producers went
    out of
    the
    way to help me get my scooter loaded into the van."

    He says his experience on TULSA KING was a far cry from what his
    experienced
    on the motion picture. "I don't understand. I know there was all this
    talk
    about older folks. Older, too old. How does he justify that we are too
    old
    when he’s 20-some years older than we are? I'm 53 years old. Stallone is >> 77.
    How the hell am I too old?"


    Too old, too stupid, too fat


    "I've experienced nothing like this before," says Mooneyham, who adds he
    doesn’t fault the casting director. He also has no plans to quit doing
    background work.

    "Some people say I'm thin-skinned.

    Of course, he’s thin skinned. His skin is stretched out to cover an area >> three times larger than it was ever intended to.



    People think that I'm making a fuss. I
    never made a fuss until Rose contacted me about it,"


    And now you’re making a fuss. Which is why people think you’re making a >> fuss.


    says Mooneyham. "My
    feelings got hurt a little. But you know what? I'm more pissed than hurt.
    And
    it's just because of my disability."


    Disability? You’re unable to stop shoving the Cheetos down your face 24/7 >> and your claiming it as a disability?

    If I'm following the plot here, Stallone said something in private that someone eavesdropped and posted.  Unless it was state secrets, I think
    he gets a pass.

    Meanwhile, in an industry where body stereotypes are valued, this guy
    markets his own corpulence.  So, no one should comment on it openly?


    Who is the shitbag who couldn't even spell "casting" correctly?

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From trotsky@21:1/5 to FPP on Sat Apr 13 03:30:54 2024
    On 4/12/24 9:34 AM, FPP wrote:
    On 4/11/24 6:34 PM, moviePig wrote:
    On 4/11/2024 3:38 PM, anim8rfsk wrote:
    BTR1701 <atropos@mac.com> wrote:
    It didn’t bother Thomas Mooneyham that he saw Sylvester Stallone
    glancing more
    than once at him or how he was asked to leave a bar scene so he could be >>> replaced with a younger cowboy and a "good-looking cowgirl".

    What upset the 53-year-old Tennessee man who drove four hours on
    April 4 to
    serve as an extra on the Paramount+ series TULSA KING was learning
    how one
    of
    the background actors was allegedly described by Stallone as a "tub of
    lard"
    and "fat guy with a cane". He never heard Stallone or the director
    utter
    disparaging words about background actors that day but he's convinced
    some
    of
    those comments were directed at him personally after he read about
    them on
    a
    private Facebook page for BG actors.


    So there’s no evidence that any of this happened at all, it’s just a >>> rumor
    on the Facebook.


    "I was seated at a table with another gentleman, like we were
    listening to the
    band," recalls Mooneyham, who tells Deadline that he uses a cane
    because of
    bone-on bone pain in his knee. "Stallone's table with the other main
    characters was diagonal from ours, about 12 feet away. I did notice
    that he
    looked at me a time or two

    Gasp!


    and he talked with, I guess, the director and
    laughed with him and all. But I didn't put anything together. Then we
    were
    moved from the scene and replaced with the younger cowboy and a good
    looking
    cowgirl. Now does that bother me? Not in the least. What bothers me
    is that
    somebody overheard him and the director. It ain't even the part that
    I am
    fat.

    Or ain’t speak proper English


    I wasn't the only big one that was there. But I do feel like I was
    singled
    out
    because they said 'old tub of lard with the cane'. I was the only one
    there
    with the cane."

    Mooneyham is speaking out about his 12-hour day on the Atlanta set
    of the
    series that led to the resignation of Rose Locke Casting, a local
    company
    hired to find background actors for Season 2 of the Stallone series.
    Deadline
    first broke the story on Monday; reps for the Paramount+ show and
    Stallone
    have yet to comment.

    Locke told her clients that she left the series because of disparaging
    language allegedly used by Stallone to describe the extras--

    That she had miscast


    an accusation
    that director Craig Zisk denied to TMZ after Deadline broke the
    story. Zisk
    told the outlet that Locke failed to do her job by not recruiting
    extras in
    the 20s and 30s range for a scene involving a hip bar.

    A source close to the show told Deadline Wednesday that producers were
    concerned about matching scenes from last season, which led to
    differences
    of
    opinion over casting. Producers apparently have talked to the cast
    and crew
    about the situation and emphasized their commitment to fostering an
    inclusive
    work environment.

    Mooneyham says the set he was working on that day was the
    Bred-2-Buck Bar, a
    fictitious Tulsa saloon that's owned by Stallone's character Dwight
    Manfredi
    in the series. "That's not a young hipster bar that other people
    are trying to
    make it out to be," he said. "That is just an old roughneck cowboy
    country
    bar. And the name of the bar, here's my point, is Bred-2-Buck. Tell
    me how
    many old bronco-riding cowboys who are old and who are not hobbled or
    crippled? How would a gentleman with a cane not fit into that? But
    the main
    thing is my cane was not even visible in the scene. I had it hidden
    behind
    my
    body."


    Which was it difficult as his body is three times the diameter it
    should be


    Before Mooneyham came to work that day, he considered it a dream gig
    because
    TULSA KING is a series that he and his son watch together. A tax
    specialist
    by
    day for H&R Block, Mooneyham has been working for two years as an
    extra and
    has already booked several films and TV shows, including a two-day
    gig on
    the
    upcoming film CIVIL WAR.

    "When I worked on CIVIL WAR two years ago, I weighed 390 pounds. I
    could
    barely walk," recalls Mooneyham, who appears briefly in the movie's
    official
    trailer. "I had to use a mobility scooter but not a one of 'em on
    set said
    anything about it to me or made a fuss about it. The producers went
    out of
    the
    way to help me get my scooter loaded into the van."

    He says his experience on TULSA KING was a far cry from what his
    experienced
    on the motion picture. "I don't understand. I know there was all this
    talk
    about older folks. Older, too old. How does he justify that we are
    too old
    when he’s 20-some years older than we are? I'm 53 years old. Stallone is >>> 77.
    How the hell am I too old?"


    Too old, too stupid, too fat


    "I've experienced nothing like this before," says Mooneyham, who
    adds he
    doesn’t fault the casting director. He also has no plans to quit doing >>> background work.

    "Some people say I'm thin-skinned.

    Of course, he’s thin skinned. His skin is stretched out to cover an area >>> three times larger than it was ever intended to.



    People think that I'm making a fuss. I
    never made a fuss until Rose contacted me about it,"


    And now you’re making a fuss. Which is why people think you’re making a >>> fuss.


    says Mooneyham. "My
    feelings got hurt a little. But you know what? I'm more pissed than
    hurt.
    And
    it's just because of my disability."


    Disability? You’re unable to stop shoving the Cheetos down your face
    24/7
    and your claiming it as a disability?

    If I'm following the plot here, Stallone said something in private
    that someone eavesdropped and posted.  Unless it was state secrets, I
    think he gets a pass.

    Not what they're saying at Deadline.

    https://deadline.com/2024/04/tulsa-king-casting-director-quits-sylvester-stallone-accused-criticizing-background-actors-1235878860/


    Sly still has clout, why doesn't he have them hire other right wing
    shitbags such as James Woods, Jon Voight, Kevin Sorbo, etc.?

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From moviePig@21:1/5 to trotsky on Sat Apr 13 12:05:51 2024
    On 4/13/2024 3:33 AM, trotsky wrote:
    On 4/12/24 9:34 AM, FPP wrote:
    On 4/11/24 6:34 PM, moviePig wrote:
    On 4/11/2024 3:38 PM, anim8rfsk wrote:
    BTR1701 <atropos@mac.com> wrote:
    It didn’t bother Thomas Mooneyham that he saw Sylvester Stallone
    glancing more
    than once at him or how he was asked to leave a bar scene so he
    could be
    replaced with a younger cowboy and a "good-looking cowgirl".

    What upset the 53-year-old Tennessee man who drove four hours on
    April 4 to
    serve as an extra on the Paramount+ series TULSA KING was learning
    how one
    of
    the background actors was allegedly described by Stallone as a "tub of >>>> lard"
    and "fat guy with a cane". He never heard Stallone or the director
    utter
    disparaging words about background actors that day but he's
    convinced some
    of
    those comments were directed at him personally after he read about
    them on
    a
    private Facebook page for BG actors.


    So there’s no evidence that any of this happened at all, it’s just a >>>> rumor
    on the Facebook.


    "I was seated at a table with another gentleman, like we were
    listening to the
    band," recalls Mooneyham, who tells Deadline that he uses a cane
    because of
    bone-on bone pain in his knee. "Stallone's table with the other main
    characters was diagonal from ours, about 12 feet away. I did notice
    that he
    looked at me a time or two

    Gasp!


    and he talked with, I guess, the director and
    laughed with him and all. But I didn't put anything together. Then
    we were
    moved from the scene and replaced with the younger cowboy and a good
    looking
    cowgirl. Now does that bother me? Not in the least. What bothers me
    is that
    somebody overheard him and the director. It ain't even the part that
    I am
    fat.

    Or ain’t speak proper English


    I wasn't the only big one that was there. But I do feel like I was
    singled
    out
    because they said 'old tub of lard with the cane'. I was the only
    one there
    with the cane."

    Mooneyham is speaking out about his 12-hour day on the Atlanta set
    of the
    series that led to the resignation of Rose Locke Casting, a local
    company
    hired to find background actors for Season 2 of the Stallone series.
    Deadline
    first broke the story on Monday; reps for the Paramount+ show and
    Stallone
    have yet to comment.

    Locke told her clients that she left the series because of disparaging >>>> language allegedly used by Stallone to describe the extras--

    That she had miscast


    an accusation
    that director Craig Zisk denied to TMZ after Deadline broke the
    story. Zisk
    told the outlet that Locke failed to do her job by not recruiting
    extras in
    the 20s and 30s range for a scene involving a hip bar.

    A source close to the show told Deadline Wednesday that producers were >>>> concerned about matching scenes from last season, which led to
    differences
    of
    opinion over casting. Producers apparently have talked to the cast
    and crew
    about the situation and emphasized their commitment to fostering an
    inclusive
    work environment.

    Mooneyham says the set he was working on that day was the
    Bred-2-Buck Bar, a
    fictitious Tulsa saloon that's owned by Stallone's character Dwight
    Manfredi
    in the series. "That's not a young hipster bar that other people
    are trying to
    make it out to be," he said. "That is just an old roughneck cowboy
    country
    bar. And the name of the bar, here's my point, is Bred-2-Buck. Tell
    me how
    many old bronco-riding cowboys who are old and who are not hobbled or
    crippled? How would a gentleman with a cane not fit into that? But
    the main
    thing is my cane was not even visible in the scene. I had it hidden
    behind
    my
    body."


    Which was it difficult as his body is three times the diameter it
    should be


    Before Mooneyham came to work that day, he considered it a dream
    gig because
    TULSA KING is a series that he and his son watch together. A tax
    specialist
    by
    day for H&R Block, Mooneyham has been working for two years as an
    extra and
    has already booked several films and TV shows, including a two-day
    gig on
    the
    upcoming film CIVIL WAR.

    "When I worked on CIVIL WAR two years ago, I weighed 390 pounds. I
    could
    barely walk," recalls Mooneyham, who appears briefly in the movie's
    official
    trailer. "I had to use a mobility scooter but not a one of 'em on
    set said
    anything about it to me or made a fuss about it. The producers went
    out of
    the
    way to help me get my scooter loaded into the van."

    He says his experience on TULSA KING was a far cry from what his
    experienced
    on the motion picture. "I don't understand. I know there was all
    this talk
    about older folks. Older, too old. How does he justify that we are
    too old
    when he’s 20-some years older than we are? I'm 53 years old.
    Stallone is
    77.
    How the hell am I too old?"


    Too old, too stupid, too fat


    "I've experienced nothing like this before," says Mooneyham, who
    adds he
    doesn’t fault the casting director. He also has no plans to quit doing >>>> background work.

    "Some people say I'm thin-skinned.

    Of course, he’s thin skinned. His skin is stretched out to cover an
    area
    three times larger than it was ever intended to.



    People think that I'm making a fuss. I
    never made a fuss until Rose contacted me about it,"


    And now you’re making a fuss. Which is why people think you’re making a
    fuss.


    says Mooneyham. "My
    feelings got hurt a little. But you know what? I'm more pissed than
    hurt.
    And
    it's just because of my disability."


    Disability? You’re unable to stop shoving the Cheetos down your face >>>> 24/7
    and your claiming it as a disability?

    If I'm following the plot here, Stallone said something in private
    that someone eavesdropped and posted.  Unless it was state secrets, I
    think he gets a pass.

    Not what they're saying at Deadline.

    https://deadline.com/2024/04/tulsa-king-casting-director-quits-sylvester-stallone-accused-criticizing-background-actors-1235878860/


    Do you follow mpig's "logic" of "he gets a pass if he's only an asshole
    in private."  Here's a hint: why be an asshole in the first place?

    I say lots of things in private that'd be "insensitive" if public.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From trotsky@21:1/5 to moviePig on Sat Apr 13 14:36:25 2024
    On 4/13/24 11:05 AM, moviePig wrote:
    On 4/13/2024 3:33 AM, trotsky wrote:
    On 4/12/24 9:34 AM, FPP wrote:
    On 4/11/24 6:34 PM, moviePig wrote:
    On 4/11/2024 3:38 PM, anim8rfsk wrote:
    BTR1701 <atropos@mac.com> wrote:
    It didn’t bother Thomas Mooneyham that he saw Sylvester Stallone >>>>>> glancing more
    than once at him or how he was asked to leave a bar scene so he
    could be
    replaced with a younger cowboy and a "good-looking cowgirl".

    What upset the 53-year-old Tennessee man who drove four hours on
    April 4 to
    serve as an extra on the Paramount+ series TULSA KING was learning
    how one
    of
    the background actors was allegedly described by Stallone as a "tub of >>>>> lard"
    and "fat guy with a cane". He never heard Stallone or the director
    utter
    disparaging words about background actors that day but he's
    convinced some
    of
    those comments were directed at him personally after he read about
    them on
    a
    private Facebook page for BG actors.


    So there’s no evidence that any of this happened at all, it’s just >>>>> a rumor
    on the Facebook.


    "I was seated at a table with another gentleman, like we were
    listening to the
    band," recalls Mooneyham, who tells Deadline that he uses a cane
    because of
    bone-on bone pain in his knee. "Stallone's table with the other main >>>>> characters was diagonal from ours, about 12 feet away. I did notice
    that he
    looked at me a time or two

    Gasp!


    and he talked with, I guess, the director and
    laughed with him and all. But I didn't put anything together. Then
    we were
    moved from the scene and replaced with the younger cowboy and a good >>>>> looking
    cowgirl. Now does that bother me? Not in the least. What bothers me
    is that
    somebody overheard him and the director. It ain't even the part
    that I am
    fat.

    Or ain’t speak proper English


    I wasn't the only big one that was there. But I do feel like I was
    singled
    out
    because they said 'old tub of lard with the cane'. I was the only
    one there
    with the cane."

    Mooneyham is speaking out about his 12-hour day on the Atlanta set >>>>>> of the
    series that led to the resignation of Rose Locke Casting, a local
    company
    hired to find background actors for Season 2 of the Stallone series. >>>>> Deadline
    first broke the story on Monday; reps for the Paramount+ show and
    Stallone
    have yet to comment.

    Locke told her clients that she left the series because of
    disparaging
    language allegedly used by Stallone to describe the extras--

    That she had miscast


    an accusation
    that director Craig Zisk denied to TMZ after Deadline broke the
    story. Zisk
    told the outlet that Locke failed to do her job by not recruiting
    extras in
    the 20s and 30s range for a scene involving a hip bar.

    A source close to the show told Deadline Wednesday that producers
    were
    concerned about matching scenes from last season, which led to
    differences
    of
    opinion over casting. Producers apparently have talked to the cast
    and crew
    about the situation and emphasized their commitment to fostering an
    inclusive
    work environment.

    Mooneyham says the set he was working on that day was the
    Bred-2-Buck Bar, a
    fictitious Tulsa saloon that's owned by Stallone's character Dwight
    Manfredi
    in the series. "That's not a young hipster bar that other people
    are trying to
    make it out to be," he said. "That is just an old roughneck cowboy
    country
    bar. And the name of the bar, here's my point, is Bred-2-Buck. Tell
    me how
    many old bronco-riding cowboys who are old and who are not hobbled or >>>>> crippled? How would a gentleman with a cane not fit into that? But
    the main
    thing is my cane was not even visible in the scene. I had it hidden
    behind
    my
    body."


    Which was it difficult as his body is three times the diameter it
    should be


    Before Mooneyham came to work that day, he considered it a dream
    gig because
    TULSA KING is a series that he and his son watch together. A tax
    specialist
    by
    day for H&R Block, Mooneyham has been working for two years as an
    extra and
    has already booked several films and TV shows, including a two-day
    gig on
    the
    upcoming film CIVIL WAR.

    "When I worked on CIVIL WAR two years ago, I weighed 390 pounds. I >>>>>> could
    barely walk," recalls Mooneyham, who appears briefly in the movie's
    official
    trailer. "I had to use a mobility scooter but not a one of 'em on
    set said
    anything about it to me or made a fuss about it. The producers went
    out of
    the
    way to help me get my scooter loaded into the van."

    He says his experience on TULSA KING was a far cry from what his
    experienced
    on the motion picture. "I don't understand. I know there was all
    this talk
    about older folks. Older, too old. How does he justify that we are
    too old
    when he’s 20-some years older than we are? I'm 53 years old.
    Stallone is
    77.
    How the hell am I too old?"


    Too old, too stupid, too fat


    "I've experienced nothing like this before," says Mooneyham, who
    adds he
    doesn’t fault the casting director. He also has no plans to quit doing >>>>> background work.

    "Some people say I'm thin-skinned.

    Of course, he’s thin skinned. His skin is stretched out to cover an >>>>> area
    three times larger than it was ever intended to.



    People think that I'm making a fuss. I
    never made a fuss until Rose contacted me about it,"


    And now you’re making a fuss. Which is why people think you’re
    making a
    fuss.


    says Mooneyham. "My
    feelings got hurt a little. But you know what? I'm more pissed than
    hurt.
    And
    it's just because of my disability."


    Disability? You’re unable to stop shoving the Cheetos down your
    face 24/7
    and your claiming it as a disability?

    If I'm following the plot here, Stallone said something in private
    that someone eavesdropped and posted.  Unless it was state secrets,
    I think he gets a pass.

    Not what they're saying at Deadline.

    https://deadline.com/2024/04/tulsa-king-casting-director-quits-sylvester-stallone-accused-criticizing-background-actors-1235878860/


    Do you follow mpig's "logic" of "he gets a pass if he's only an
    asshole in private."  Here's a hint: why be an asshole in the first
    place?

    I say lots of things in private that'd be "insensitive" if public.


    Cool, you and Stallone have something in common then.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From moviePig@21:1/5 to trotsky on Sat Apr 13 16:08:40 2024
    On 4/13/2024 3:36 PM, trotsky wrote:
    On 4/13/24 11:05 AM, moviePig wrote:
    On 4/13/2024 3:33 AM, trotsky wrote:
    On 4/12/24 9:34 AM, FPP wrote:
    On 4/11/24 6:34 PM, moviePig wrote:
    On 4/11/2024 3:38 PM, anim8rfsk wrote:
    BTR1701 <atropos@mac.com> wrote:
    It didn’t bother Thomas Mooneyham that he saw Sylvester Stallone >>>>>>> glancing more
    than once at him or how he was asked to leave a bar scene so he
    could be
    replaced with a younger cowboy and a "good-looking cowgirl".

    What upset the 53-year-old Tennessee man who drove four hours on >>>>>>> April 4 to
    serve as an extra on the Paramount+ series TULSA KING was learning >>>>>> how one
    of
    the background actors was allegedly described by Stallone as a
    "tub of
    lard"
    and "fat guy with a cane". He never heard Stallone or the director >>>>>> utter
    disparaging words about background actors that day but he's
    convinced some
    of
    those comments were directed at him personally after he read about >>>>>> them on
    a
    private Facebook page for BG actors.


    So there’s no evidence that any of this happened at all, it’s just >>>>>> a rumor
    on the Facebook.


    "I was seated at a table with another gentleman, like we were
    listening to the
    band," recalls Mooneyham, who tells Deadline that he uses a cane
    because of
    bone-on bone pain in his knee. "Stallone's table with the other main >>>>>> characters was diagonal from ours, about 12 feet away. I did
    notice that he
    looked at me a time or two

    Gasp!


    and he talked with, I guess, the director and
    laughed with him and all. But I didn't put anything together. Then >>>>>> we were
    moved from the scene and replaced with the younger cowboy and a good >>>>>> looking
    cowgirl. Now does that bother me? Not in the least. What bothers me >>>>>> is that
    somebody overheard him and the director. It ain't even the part
    that I am
    fat.

    Or ain’t speak proper English


    I wasn't the only big one that was there. But I do feel like I was >>>>>> singled
    out
    because they said 'old tub of lard with the cane'. I was the only
    one there
    with the cane."

    Mooneyham is speaking out about his 12-hour day on the Atlanta
    set of the
    series that led to the resignation of Rose Locke Casting, a local
    company
    hired to find background actors for Season 2 of the Stallone series. >>>>>> Deadline
    first broke the story on Monday; reps for the Paramount+ show and
    Stallone
    have yet to comment.

    Locke told her clients that she left the series because of
    disparaging
    language allegedly used by Stallone to describe the extras--

    That she had miscast


    an accusation
    that director Craig Zisk denied to TMZ after Deadline broke the
    story. Zisk
    told the outlet that Locke failed to do her job by not recruiting
    extras in
    the 20s and 30s range for a scene involving a hip bar.

    A source close to the show told Deadline Wednesday that producers >>>>>>> were
    concerned about matching scenes from last season, which led to
    differences
    of
    opinion over casting. Producers apparently have talked to the cast >>>>>> and crew
    about the situation and emphasized their commitment to fostering an >>>>>> inclusive
    work environment.

    Mooneyham says the set he was working on that day was the
    Bred-2-Buck Bar, a
    fictitious Tulsa saloon that's owned by Stallone's character Dwight >>>>>> Manfredi
    in the series. "That's not a young hipster bar that other people
    are trying to
    make it out to be," he said. "That is just an old roughneck cowboy >>>>>> country
    bar. And the name of the bar, here's my point, is Bred-2-Buck.
    Tell me how
    many old bronco-riding cowboys who are old and who are not hobbled or >>>>>> crippled? How would a gentleman with a cane not fit into that? But >>>>>> the main
    thing is my cane was not even visible in the scene. I had it
    hidden behind
    my
    body."


    Which was it difficult as his body is three times the diameter it
    should be


    Before Mooneyham came to work that day, he considered it a dream >>>>>>> gig because
    TULSA KING is a series that he and his son watch together. A tax
    specialist
    by
    day for H&R Block, Mooneyham has been working for two years as an
    extra and
    has already booked several films and TV shows, including a two-day >>>>>> gig on
    the
    upcoming film CIVIL WAR.

    "When I worked on CIVIL WAR two years ago, I weighed 390 pounds. >>>>>>> I could
    barely walk," recalls Mooneyham, who appears briefly in the movie's >>>>>> official
    trailer. "I had to use a mobility scooter but not a one of 'em on
    set said
    anything about it to me or made a fuss about it. The producers
    went out of
    the
    way to help me get my scooter loaded into the van."

    He says his experience on TULSA KING was a far cry from what his >>>>>>> experienced
    on the motion picture. "I don't understand. I know there was all
    this talk
    about older folks. Older, too old. How does he justify that we are >>>>>> too old
    when he’s 20-some years older than we are? I'm 53 years old.
    Stallone is
    77.
    How the hell am I too old?"


    Too old, too stupid, too fat


    "I've experienced nothing like this before," says Mooneyham, who >>>>>>> adds he
    doesn’t fault the casting director. He also has no plans to quit >>>>>> doing
    background work.

    "Some people say I'm thin-skinned.

    Of course, he’s thin skinned. His skin is stretched out to cover >>>>>> an area
    three times larger than it was ever intended to.



    People think that I'm making a fuss. I
    never made a fuss until Rose contacted me about it,"


    And now you’re making a fuss. Which is why people think you’re >>>>>> making a
    fuss.


    says Mooneyham. "My
    feelings got hurt a little. But you know what? I'm more pissed
    than hurt.
    And
    it's just because of my disability."


    Disability? You’re unable to stop shoving the Cheetos down your
    face 24/7
    and your claiming it as a disability?

    If I'm following the plot here, Stallone said something in private
    that someone eavesdropped and posted.  Unless it was state secrets, >>>>> I think he gets a pass.

    Not what they're saying at Deadline.

    https://deadline.com/2024/04/tulsa-king-casting-director-quits-sylvester-stallone-accused-criticizing-background-actors-1235878860/


    Do you follow mpig's "logic" of "he gets a pass if he's only an
    asshole in private."  Here's a hint: why be an asshole in the first
    place?

    I say lots of things in private that'd be "insensitive" if public.


    Cool, you and Stallone have something in common then.

    Speaking plainly when possible, for instance.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From BTR1701@21:1/5 to moviePig on Sat Apr 13 14:19:49 2024
    In article
    <17c5efd2ed4e684b$56199$3349862$52d51861@news.newsdemon.com>,
    moviePig <never@nothere.com> wrote:

    On 4/13/2024 3:36 PM, trotsky wrote:
    On 4/13/24 11:05 AM, moviePig wrote:
    On 4/13/2024 3:33 AM, trotsky wrote:

    Do you follow mpig's "logic" of "he gets a pass if he's only an
    asshole in private."  Here's a hint: why be an asshole in the first
    place?

    I say lots of things in private that'd be "insensitive" if public.

    Cool, you and Stallone have something in common then.

    Speaking plainly when possible, for instance.

    Hahahahahahahahahaha!

    Irony meters across the world just exploded.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From BTR1701@21:1/5 to moviePig on Sat Apr 13 15:50:54 2024
    In article <17c5f73d383498b3$1266$181469$48d50260@news.newsdemon.com>,
    moviePig <never@nothere.com> wrote:

    On 4/13/2024 5:19 PM, BTR1701 wrote:
    In article
    <17c5efd2ed4e684b$56199$3349862$52d51861@news.newsdemon.com>,
    moviePig <never@nothere.com> wrote:

    On 4/13/2024 3:36 PM, trotsky wrote:
    On 4/13/24 11:05 AM, moviePig wrote:
    On 4/13/2024 3:33 AM, trotsky wrote:

    Do you follow mpig's "logic" of "he gets a pass if he's only an
    asshole in private." Here's a hint: why be an asshole in the first >>>>> place?

    I say lots of things in private that'd be "insensitive" if public.

    Cool, you and Stallone have something in common then.

    Speaking plainly when possible, for instance.

    Hahahahahahahahahaha!

    Irony meters across the world just exploded.

    Shouldn't that trope have left the nest by now?

    As long as you can continue to refer to Godwin with a straight face, all
    bets are off.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From moviePig@21:1/5 to All on Sat Apr 13 18:24:33 2024
    On 4/13/2024 5:19 PM, BTR1701 wrote:
    In article
    <17c5efd2ed4e684b$56199$3349862$52d51861@news.newsdemon.com>,
    moviePig <never@nothere.com> wrote:

    On 4/13/2024 3:36 PM, trotsky wrote:
    On 4/13/24 11:05 AM, moviePig wrote:
    On 4/13/2024 3:33 AM, trotsky wrote:

    Do you follow mpig's "logic" of "he gets a pass if he's only an
    asshole in private."  Here's a hint: why be an asshole in the first >>>>> place?

    I say lots of things in private that'd be "insensitive" if public.

    Cool, you and Stallone have something in common then.

    Speaking plainly when possible, for instance.

    Hahahahahahahahahaha!

    Irony meters across the world just exploded.

    Shouldn't that trope have left the nest by now?

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From moviePig@21:1/5 to All on Sat Apr 13 22:34:06 2024
    On 4/13/2024 6:50 PM, BTR1701 wrote:
    In article <17c5f73d383498b3$1266$181469$48d50260@news.newsdemon.com>,
    moviePig <never@nothere.com> wrote:

    On 4/13/2024 5:19 PM, BTR1701 wrote:
    In article
    <17c5efd2ed4e684b$56199$3349862$52d51861@news.newsdemon.com>,
    moviePig <never@nothere.com> wrote:

    On 4/13/2024 3:36 PM, trotsky wrote:
    On 4/13/24 11:05 AM, moviePig wrote:
    On 4/13/2024 3:33 AM, trotsky wrote:

    Do you follow mpig's "logic" of "he gets a pass if he's only an
    asshole in private." Here's a hint: why be an asshole in the first >>>>>>> place?

    I say lots of things in private that'd be "insensitive" if public.

    Cool, you and Stallone have something in common then.

    Speaking plainly when possible, for instance.

    Hahahahahahahahahaha!

    Irony meters across the world just exploded.

    Shouldn't that trope have left the nest by now?

    As long as you can continue to refer to Godwin with a straight face, all
    bets are off.

    Umm, I don't remember when I last mentioned 'Godwin'. Even then, I'll
    bet it was an explicitly self-aware reference like yours right here.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From trotsky@21:1/5 to moviePig on Sun Apr 14 04:31:44 2024
    On 4/13/24 5:24 PM, moviePig wrote:
    On 4/13/2024 5:19 PM, BTR1701 wrote:
    In article
    <17c5efd2ed4e684b$56199$3349862$52d51861@news.newsdemon.com>,
      moviePig <never@nothere.com> wrote:

    On 4/13/2024 3:36 PM, trotsky wrote:
    On 4/13/24 11:05 AM, moviePig wrote:
    On 4/13/2024 3:33 AM, trotsky wrote:

    Do you follow mpig's "logic" of "he gets a pass if he's only an
    asshole in private."  Here's a hint: why be an asshole in the first >>>>>> place?

    I say lots of things in private that'd be "insensitive" if public.

    Cool, you and Stallone have something in common then.

    Speaking plainly when possible, for instance.

    Hahahahahahahahahaha!

    Irony meters across the world just exploded.

    Shouldn't that trope have left the nest by now?


    Come on, Twat is way ahead of the game compared to Arizona reenacting a
    Civil War era anti abortion law. Perhaps the entire GQP is turning into
    the party of anachronistic bullshit.

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)
  • From trotsky@21:1/5 to All on Sun Apr 14 04:32:53 2024
    On 4/13/24 5:50 PM, BTR1701 wrote:
    In article <17c5f73d383498b3$1266$181469$48d50260@news.newsdemon.com>,
    moviePig <never@nothere.com> wrote:

    On 4/13/2024 5:19 PM, BTR1701 wrote:
    In article
    <17c5efd2ed4e684b$56199$3349862$52d51861@news.newsdemon.com>,
    moviePig <never@nothere.com> wrote:

    On 4/13/2024 3:36 PM, trotsky wrote:
    On 4/13/24 11:05 AM, moviePig wrote:
    On 4/13/2024 3:33 AM, trotsky wrote:

    Do you follow mpig's "logic" of "he gets a pass if he's only an
    asshole in private." Here's a hint: why be an asshole in the first >>>>>>> place?

    I say lots of things in private that'd be "insensitive" if public.

    Cool, you and Stallone have something in common then.

    Speaking plainly when possible, for instance.

    Hahahahahahahahahaha!

    Irony meters across the world just exploded.

    Shouldn't that trope have left the nest by now?

    As long as you can continue to refer to Godwin with a straight face, all
    bets are off.


    Is that worse than Pubie referring to "Goodwin," whoever the fuck that is?

    --- SoupGate-Win32 v1.05
    * Origin: fsxNet Usenet Gateway (21:1/5)