I watched:
Star Wars BETRAYED by George Lucas | Time to Debunk All the Excuses & >Theories & RAGE Against This!:
George Lucas snuffed out the last hope for Star Wars when he sided with
Bob Iger and the Disney Board against Nelson Peltz, ensuring that
Disney will keep on destroying not only Star Wars, but Marvel and
Indiana Jones and the entire Fox catalog. Almost immediately desperate
fans started hatching wild theories and drumming up excuses for George,
and we're not having it! George Lucas owns this, and in this video,
Mexican Ironman and I explain WHY there can be no forgiveness for this
final betrayal! RAGE, RAGE against the dying of the lightsaber with us
now! #starwars #disney #lucasfilm >https://youtu.be/QISuqPSlSLg?si=ojTm2bwHbiUOkql8
Oh, That Rusty! sketch - SCTV - Martin Short, Andrea Martin, Eugene
Levy:
https://youtu.be/jYVAKfPYBqg?si=dFcYr85GDl4kA0QL
Shocking New Series Reveals The Horrors Of Kids TV - Brett Cooper:
The long-anticipated docuseries exposing the dark side of children's >television, "Quiet On Set," has finally been released this week, and
today we're diving into it.
https://youtu.be/o9VGmAKpQgI?si=hpshx0onqZEyCqEx
How Is It That Drew Barrymore Has The Wisdom Of A 19 Year Old?:
Drew Barrymore declares that after three divorces she feels "totally >liberated."
https://youtu.be/UWKyZtI1aKU?si=L3ot6NTx4mMYnW6v
X-MEN '97 (FIRST 3 EPISODES) | Film Threat Reviews:
Chris Gore and Alan Ng review episodes 1-3 of “X-Men '97,” now playing
on Disney+.
https://youtu.be/xqsPKwRAl5o?si=jI7qaEDVyJe_fQH7
THE UNEXPLAINED:
Several eps.
QUIET ON SET: THE DARK SIDE OF KIDS TV:
"The Darkest Secret". A former child-star reveals how he survived abuse
at the hands of his acting coach. The harrowing account traces how he
met his abuser on set, the ways this coach upended the child's family
and the challenges faced when the actor sought out police.
"Rising Stars, Rising Questions".In the 1990s, a new creator emerges at >Nickelodeon: showrunner Dan Schneider, who adds fun and mentorship to >children's television. He promotes emerging talent like Amanda Bynes,
but other female writers work in a toxic and sexist environment.
Holy crap! That was saddening and angrifiying!
The Twilight Zone S4E14 'Of Late I Think of Cliffordville' - DVR
A wealthy businessman (Albert Salmi) stikes a deal with Satan and
relives his past. With Julie Newmar, John Anderson. (Comcast)
Aging tycoon William Feathersmith is bored with life and makes
arrangements through a devilish travel agency to return to the
Cliffordville of his youth and start all over again. (IMDb)
Trivia: Ms. Devlin's Travel Offices are on the 13th floor. This is
unusual in the US (and suitable to her nature) as most buildings before
the 1980's skip the 13th floor when numbering floors in their buildings.
The number 13 has long been considered unlucky.
Based upon the novelette "Blind Alley" by Malcolm Jameson, which was
first published in the June 1943 issue of the pulp magazine Unknown Worlds. Albert Salmi (who was nearly 36) had 'old-age' makeup playing 75
year-old Feathersmith, but he however had no makeup (nor any attempt to appear young) when playing the character 22 years-old.
Quote:
   Feathersmith: ...It's odd how our lives seem to criss-cross, isn't it? I remember vividly one afternoon, when you called me into your
office. You said, "Bill Feathersmith. I like your style, boy. I want you
in with me." You remember that afternoon, don't you, Mr. Deidrich?
   Deidrich: Only too well, Mr. Feathersmith. I have pondered it, and cursed myself for it, greatly ever since.
   Feathersmith: You never did like me, did you?
   Deidrich: I wouldn't say that I never liked you, Mr. Feathersmith.
I have disliked you, even detested you, with cordiality tempered with passion. I have found you to be - from the moment you came into my
office, increasingly over the years, even by the cutthroat standards of
our mutual trade - a predatory, grasping, conniving, acquisitive animal
of a man... Without heart, without conscience, without compassion, and without even a subtle hint of the common decencies. Shall we go on from there?
What Did You Watch?
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