• Re: Two Forms of Cinematic Modernism - Ray Carney

    From Matthew L. Weiss@21:1/5 to All on Thu Jun 30 07:58:25 2022
    On Friday, September 7, 2001 at 12:02:36 PM UTC-4, Nimrod`` wrote:
    On Fri, 07 Sep 2001 10:21:34 -0400, Ruth <not...@still.nothere>
    wrote:
    In article <pFKYOzCPgTvuhv...@4ax.com>, Nimrod``
    <nim...@go-c.com> wrote:


    I....I.....I can't believe it but I actually suffered through this
    whole damn treatise. I haven't forced my way through this much musty
    navel lint since I was a self-serious college-age Jesuit.

    I'm tellin' ya...it's been eons since I read the like, folks. This
    guy Carney actually takes four to five bottomless paragraphs of
    sterile doublespeak per sub-topic to describe long-known aspects of
    moviemaking shorthand which history's best filmmakers grasped on
    instinct while screwing some broad in their trailer or popping
    one-too-many corks.

    Matt's Messiah is Exhibit-A on why the world needed a Pauline Kael who
    kept us in touch with our organic excitement about cinema.....instead
    of sucking it dry like some academic vampire. She was the antidote to
    those like Carney the Vampire who muddied the waters, giving off grave
    illusions of newfound discovery by hammering their unwitting victims
    with dense prose....when all he's really doing is raking over dry old
    bones. He's like that politician-lawyer alluded to by Hal Phillip
    Walker's soundtruck in Altman's NASHVILLE: If you ask him the time of
    day he'll tell you how to build a watch.

    (Heehee...how's that for tilting things back on-topic to the passing
    of Our Lady Kael?)

    Hehe....well done. But I am still not sure how I feel about the Carney >article...I think I may read it again( and I have read it twice) . It
    does rather remind me of many late night conversations with the eager >young college student self procalaimed "radicals"of my yoot. There is a >need, it seems, to disadain much of went before when you are young and >silly ( as opposed to old and silly like me). My problem is that I like >Jon Jost, Cassavettes and Von Trier as well as Stephen Spielberg,Robert >Altman, and whoever the heck directed the second Star Trek movie. I must >be confused.
    Dat's okay, Ruth....your confusion is commendable. And it was
    Nicholas Meyer.
    By the way, I love Von Trier as much as I love Robert Altman...which
    is, alas, more than I love Cassavetes these days (though I still have
    a soft place in my heart for him and enjoy revisiting him
    periodically).
    I can't help but wonder what our young Israelite, wandering in his
    aesthetic desert, would think of the likes of Lars Von Trier...who practically derails the pinball with his bells and whistles; the only
    natural heir to Welles, me thinks. Perchance, have you seen his film
    of Carl Theo. Dreyer's script, MEDEA? I think it's great. Dreyer is
    one of my favorite directors....I get life'sblood from VAMPYR, DAY OF
    WRATH, PASSION OF JOAN OF ARC....and I think Von Trier is probably the
    only living director who could have done such justice to Dreyer's
    screenplay. Of course, it doesn't hurt that he's a fellow countryman.

    N``

    20 years later..... this is still potent stuff, and well worth wrestling with in every successive generation if we're up to the task. Knee-jerk anti-intellectualism aside, it can be difficult going, agreed - but like JFK said, we do this not because it
    is easy, but because it is hard.... looking at our assumptions and blind spots always is.

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