On Mon, 02 Sep 2013 13:32:32 -0400, Bill Anderson
<billand...@yahoo.com> wrote:
On 9/2/2013 1:00 PM, kerrison1...@yahoo.co.uk wrote:
Last month, in a 'Hollywood Rhapsody' concert during the current BBC Proms Season at London's Royal Albert Hall,
John Wilson and his Orchestra played music by Korngold, Steiner, Rozsa, Newman, Waxman and others, including
Bernard Herrmann, whose "Salammbo's Aria" from 'Citizen Kane' was superbly sung by the young Russian soprano,
Venera Gimadieva. Here she is bringing the roof down with a final top C ... >>
http://www.youtube.com/watch?v=ZwFtHTZnbF0&feature=youtu.be
Wow. If Susan could've done that we'd have had a whole different movie I >guess maybe. Nice aria, though.It's a mark of how powerful the conception in the movie is that, when
we hear the aria straight, we can still hear Susan's squirmingly
embarrassing vocal shortcomings.
The musical writing itself has, to me, always sounded like bits of
"Die Frau ohne Schatten" or the Franco Alfano climaxes from
"Turandot."
On Sunday, September 8, 2013 at 12:50:42 PM UTC-7, davidc...mail.com wrote:
On Mon, 02 Sep 2013 13:32:32 -0400, Bill Anderson
<billand...yahoo.com> wrote:
On 9/2/2013 1:00 PM, kerrison1...yahoo.co.uk wrote:
Last month, in a 'Hollywood Rhapsody' concert during the current BBC Proms Season at London's Royal Albert Hall,
John Wilson and his Orchestra played music by Korngold, Steiner, Rozsa, Newman, Waxman and others, including
Bernard Herrmann, whose "Salammbo's Aria" from 'Citizen Kane' was superbly sung by the young Russian soprano,
Venera Gimadieva. Here she is bringing the roof down with a final top C ...
http://www.youtube.com/watch?v=ZwFtHTZnbF0&feature=youtu.be
Wow. If Susan could've done that we'd have had a whole different movie I >guess maybe. Nice aria, though.It's a mark of how powerful the conception in the movie is that, when
we hear the aria straight, we can still hear Susan's squirmingly embarrassing vocal shortcomings.
The musical writing itself has, to me, always sounded like bits ofhttps://books.google.com/books?id=VuxoAgAAQBAJ&pg=PA10&dq=bad+massenet+herrmann+kane&hl=en&newbks=1&newbks_redir=0&sa=X&ved=2ahUKEwjsxq_g79H4AhUAIEQIHZX4BcEQ6AF6BAgJEAI#v=onepage&q=bad%20massenet%20herrmann%20kane&f=false
"Die Frau ohne Schatten" or the Franco Alfano climaxes from
"Turandot."
On Wednesday, June 29, 2022 at 6:00:09 AM UTC+1, gggg gggg wrote:
On Sunday, September 8, 2013 at 12:50:42 PM UTC-7, davidc...mail.com wrote: >> > On Mon, 02 Sep 2013 13:32:32 -0400, Bill Anderson
<billand...yahoo.com> wrote:https://books.google.com/books?id=VuxoAgAAQBAJ&pg=PA10&dq=bad+massenet+herrmann+kane&hl=en&newbks=1&newbks_redir=0&sa=X&ved=2ahUKEwjsxq_g79H4AhUAIEQIHZX4BcEQ6AF6BAgJEAI#v=onepage&q=bad%20massenet%20herrmann%20kane&f=false
On 9/2/2013 1:00 PM, kerrison1...yahoo.co.uk wrote:It's a mark of how powerful the conception in the movie is that, when
Last month, in a 'Hollywood Rhapsody' concert during the current BBC Proms Season at London's Royal Albert Hall,
John Wilson and his Orchestra played music by Korngold, Steiner, Rozsa, Newman, Waxman and others, including
Bernard Herrmann, whose "Salammbo's Aria" from 'Citizen Kane' was superbly sung by the young Russian soprano,
Venera Gimadieva. Here she is bringing the roof down with a final top C ...
http://www.youtube.com/watch?v=ZwFtHTZnbF0&feature=youtu.be
Wow. If Susan could've done that we'd have had a whole different movie I >> > >guess maybe. Nice aria, though.
we hear the aria straight, we can still hear Susan's squirmingly
embarrassing vocal shortcomings.
The musical writing itself has, to me, always sounded like bits of
"Die Frau ohne Schatten" or the Franco Alfano climaxes from
"Turandot."
This is nothing to do with Salammbo but still with Herrmann and John Wilson in another Proms performance, this time of some "Psycho" cues. Wilson matches exactly the movie soundtrack in his tempos ... and listen out for the audience reaction to the "Shower Scene" music ...
https://www.youtube.com/watch?v=qhIKkRhza4I
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