[continued from previous message]

________ . Sonnet 112
.
. YOur loue and pittie doth th'impression fill,
. Which vulgar scandall stampt vpon my brow,
. For what care I who calles me well or ill,
. So you ore-greene my bad, my good alow?
.
. You are my All the world, and I must strIve,
. To know my shames and praises from your t[O]unge,
. None e[L]se to me, nor [I] to none ali[V]e,
. That my st[E]el'd sence o[R] changes ri[G]ht or wrong,
.
. In so profound Abisme I throw all care
. Of others voyces, that my Adders sence,
. To cryttick and to flatterer stopped are:
. Marke how with my neglect I doe dispence.
.
. . You are so strongly in my purpose bred,
. . That all the world besides me thinkes y'are dead. ..............................................
_____ . . <= 10 =>
.
. . Y o u a r e. m. y A l
. . l t h e w o. r. l d,a
. . n d I m u s. t. s t r
. . I u e,T o k. n. o w m
. . y s h a m e (S) a n d
. . p r a i s e (S) f r o
. . m y o u r t [O] u n g
. . e,N o n e e [L] s e t
. . o m e,n o r [I] t o n
. . o n e a l i [V] e,T h
. . a t m y s t [E] e l'd
. . s e n c e o [R] c h a
. . n g e s r i [G] h t o
. . r w r o n g,
.
[OLIVER]. 10
[GREVIL] -10 : Prob. of [GREVIL] in Sonnets ~ 1 in 105
. . . Prob. of [GREVILO] in Sonnets ~ 1 in 945 ---------------------------------------------------------------------
THE LIFE Of the Renowned Sr PHILIP SIDNEY. WITH The true Interest of England as it then stood in relation to all Forrain Princes: And particularly for suppressing the power of Spain Stated by Him. His principall Actions, Counsels, Designes, and Death.
Together with a short Account of the Maximes and Policies used by Queen Elizabeth in her Government.

Written by Sir FULKE [GREVIL] Knight, Lord BROOK,
. a Servant to Queen Elizabeth, and his Companion & Friend.

LONDON, Printed for Henry Seile over against St Dunstans Church in Fleet-street. MDCLII.
....................................................... https://quod.lib.umich.edu/e/eebo/A77581.0001.001/1:20?rgn=div1;view=fulltext

. . . . <<Last paragraph>>:

But to conclude, as I began thi[S] worke, [T]o ente[R]taine, [A]nd ins[T]ruct my selfe, so i[F] any [O]the[R] fin[D] entertainement, or profit by it, let him use it freely, judge honourably of my friend, and moderately of me, which is all the returne
that out of this barren Stock can be desired, or expected. ............................................
. . . .<= 5 =>

. . . . B. u. t. t
. . .o. c. o. n. c
. . .l. u. d. e, a
. . .s. I. b. e. g
. . .a. n. t. h. i
. . [S] w. o. r. k
. . .e,[T] o. e. n
. . .t. e.[R] t. a
. . .i. n. e,[A] n
. . .d. i. n. s [T]
. . .r. u. c. t .m
. . .y. s. e. l. f
. . .e, s. o. i [F]
. . .a. n. y [O] t
. . .h. e [R] f. i
. . .n [D] e. n. t
. . .e. r. t. a. i
. . .n. e. m. e. n
. . .t, o. r. p. r
. . .o. f. i. t. b
. . .y. i. t
.....................................
[STRAT] 6 : Prob. in last paragraph ~ 1 in 785
[FORD]. 4 : Prob. in last paragraph ~ 1 in 247 ...................................................................
<<Written by Sir FULKE [GREVIL] Recorder of [STRAT][FORD] (1606-1628) ------------------------------------------------------------------- https://en.wikipedia.org/wiki/Orlando_(As_You_Like_It)

<<Orlando is the youngest son of the deceased Sir Rowland de Bois and is the brother of [OLIVER] de Bois and Jacques. He is brave, chivalrous, tender, modest, smart, strong, and handsome. He resents the harsh treatment he receives at [OLIVER]'s hands and
laments how [OLIVER] has denied him an education and the money is rightfully owed. Nevertheless, he is not successful in expressing his love for Rosalind to her before he escapes to the Forest of Arden with his servant Adam.

At the start of the play Orlando is indignant to the harsh treatment of his brother [OLIVER], and he is unaware of [OLIVER]'s plot to kill him during a wrestling match. Though he wins the match he angers Duke Frederick, and therefore he flees the court
to live in the Forest of Arden. There, he is accepted into the circle of the usurped Duke Senior and begins to find freedom in life in the forest. A more poetic side to him comes out as he leaves poems on trees to Rosalind. When Rosalind sees these poems
she strikes up a relationship with him as Ganymede, and the two act out a relationship between Orlando and Rosalind under the guise that it will cure Orlando of his love for her. By the end of the story he is married to Rosalind and reinstated in his
wealth and station.

He is portrayed as exceptionally strong in both body and in his devotion to love. It is these qualities that make Rosalind fall in love with him.>>
------------------------------------------------------
. . . As You Like It Act 3, Scene 3

TOUCHSTONE: Well, praised be the gods for thy foulness!
. sluttishness may come *HEREafter*. But be it as it may
. be, I will marry thee, and to that end I have been
. with *Sir [OLIVER] Martext*, the vicar of the next
. village, who hath promised to meet me in this place
. of the forest and to couple us.

TOUCHSTONE: itwill be a good excuse
. for me *HEREafter* to leave my wife. ..................................................
. . . . . . Act 3, Scene 3
.
[OLIVER]: If th{A}t an eye may profit by a tongue,
. Then shou{L}d I know you by description,
. Such garmen{T}s, and such yeeres: the boy is faire,
. Of fem{A}ll fauour, and bestowes himselfe
. Like a {R}ipe sister: the woman low
. And browner th{E}n her brother: are not you
. The owner of the house I did enquire for? ...............................................
_____ <= 33 =>

. Ift h {A} t aneyemayprofitbyatongueThen
. sho u {L} d IknowyoubydescriptionSuchga
. rme n {T} s andsuchyeerestheboyisfaireO
. ffe m {A} l lfauourandbestoweshimselfeL
. ike a {R} i pesisterthewomanlowAndbrown
. ert h {E} n herbrotherarenotyou
.
{ALTARE} 33
............................................... https://en.wikipedia.org/wiki/Altar#Etymology
.
<<"ALTAR" may have been influenced by the French autel derived
from Latin words {ALTARE} meaning podium or *STAGE* and adolere
to adore, in this sense meaning to worship, honour and offer
sacrifices to influence forces beyond human understanding.>> --------------------------------------------------------------
TABLE 1C. ENGLISH LANGUE. Priors and Grand Priors of England,
. Sovereign Order of St. John of Jerusalem and of Malta.
.
. *THOMAS TRESHAM* 1557-1559
. *RICHARD SHELLEY* 1557-1590 -------------------------------------------------------------
_THIS STAR OF ENGLAND_ Chap. 8 by Dorothy & Charlton Ogburn

http://www.sourcetext.com/sourcebook/Star/ch08.html

<<IN JANUARY 7, 1575, *LORD OXFORD* set forth with his retinue,
. consisting, as Burghley noted in his diary, of "two gentlemen,
. two grooms, one payend, a harbinger, a housekeeper & a trenchman."
. Before the end of May the traveller reached Venice, where he
. declined a generous offer on the part of [titular Grand Prior]
Sir *RICHARD SHELLEY* of a furnished house, to continue his journey.>> ---------------------------------------------------------------
THE KNIGHTS OF SAINT JOHN IN ENGLAND, SCOTLAND & IRELAND
. http://www.saintjohn.org/priory.htm
.
<<By 1567 the only English knights remaining on Malta were the
titular Grand Prior *RICHARD SHELLEY* (who was an active participant
in several plots against Elizabeth) & *Sir [OLIVER] STAR-KEY*
(commander of Quenington), later titular Bailiff of Egle (from 1569).>>
.
. . [John Shakspere was Bailiff of Stratford (from 1568)?]
.
. <<*Sir [OLIVER] STAR-KEY*, who had been La Valette's Latin
. Secretary and was the only Englishman at the Great Siege,
. died in 1588 & *RICHARD SHELLEY* in 1590, when a French
. knight was appointed to the titular Grand Priory.
.
This appointment was challenged by an Irish knight resident
in the convent, one *ANDREW WISE* from Waterford who, after
complaining, was appointed Bailiff of Egle but, still unsatisfied,
appealed to the Pope. In 1593 Wise was appointed titular Grand Prior,
a dignity he held until his death in 1631. From thenceforth the
offices of Grand Prior of England, Turcopilier, Bailiff of Egle
and Prior or Grand Prior of Ireland became honorifics given to
knights whom the Grand Master & Council wished to honor with
the grand cross & membership of the Chapter-General.>> ---------------------------------------------------------------
. . . . . ANDREW WYSE 1593-1631 -----------------------------------------------------------------
. David Kathman's spellings of Shake-speare:
.
2. 1598: Q2 Richard III (for Andrew WISE Grand Prior 1593-1631)
3. 1598: Q2 Richard II (for Andrew WISE Grand Prior 1593-1631)
4. 1599: Q2 Henry IV, Pt 1 (for Andrew WISE Grand Prior 1593-1631) ------------------------------------------------------------------
Wi[SE TO S]alvation was good Mistress Hall, ...............................................
August 23, 1600, Shakespeare 1st appears in Stationer's Register
when *ANDREW WYSE* enters _II Henry IV_ & _Much Ado About Nothing_ -------------------------------------------------------------- http://www.sja-ontario-cadets.org/handbook1a.htm

<<The origin of the word "PILLAR" is "Pilier" (French) refers to the
senior officers of the Order of St. John who were "piliers" or heads
of the "Langues" or "Tongues". When the Order was in Rhodes, it
organised itself in a way that has lasted for centuries. Members
who came from the same regions, tended to stick together and sowere
grouped in the "Langues" or "Tongues". I imagine they were so called
because they all spoke the same language or tongue. The Piliers"
(PILLARs), together with the Bishop of the Order, the Prior, the
*BAILIFFs* & Senior Knights formed the Council or advisory body
to the Grand Master. The Piliers were each assigned a special
function, thus the Pilier of Italy was the Admiral; the Pilier
of France was the Hospitaller; the Pilier of Provence was the
Grand Commander and the Pilier of England was the *TURCOPOLIER*
or commander of the light cavalry. According to the book
"The Orders of St. John", there were eight Langues, one for each
point of the cross, and each represented by a Conventual BAILIFF or
Pillier. Provence,(the Grand Commander), Auvergne (the Marshal),
France (the Hospitaller), Italy (the Admiral), Aragon (the Drapier,
later Grand Conservator), England (the TURCOPOLIER), Germany
(the Grand BAILIFF) and Castille-Portugal (the Grand Chancellor).
Each of the eight Langues created their own headquarters
called an Auberge, in which they lived with their Pillier.>> -------------------------------------------------------------- https://en.wikipedia.org/wiki/Thomas_Tresham_(died_1559)

<<Sir *THOMAS TRESHAM* (died 8 March 1559) was a leading Catholic politician. Tresham was knighted by 1524. In 1530 he served on a Royal Commission inquiring into Cardinal Wolsey's possessions. In 1539 he was one of those appointed to receive Henry VIII'
s future fourth wife, Anne of Cleves, at Calais. On 18 July 1553 he proclaimed Queen Mary at Northampton, and accompanied her on her entry into London. He was one of those appointed on 3 August 1553, "to staye the assemblies in Royston and other places
of Cambridgeshire". He married firstly Mary Parr, youngest daughter and co-heir of William Parr, 1st Baron Parr of Horton, by whom he had two sons.

He was named Grand Prior of England in the Order of Knights Hospitallers of St John of Jerusalem by Royal Charter dated 2 April 1557, qualifying him for a seat in the House of Lords. It was not till 30 November that the order was re-established in
England with four knights under him, and he was solemnly invested. In the meantime Sir *RICHARD SHELLEY* had been made turcopolier at Malta.>>
--------------------------------------------------------------------- https://en.wikipedia.org/wiki/Fulke_Greville,_1st_Baron_Brooke

<<Fulke [GREVIL]le, 1st Baron Brooke, de jure 13th Baron Latimer and 5th Baron Willoughby de Broke KB PC, known before 1621 as Sir Fulke [GREVIL]le, was an Elizabethan poet, dramatist, and statesman who sat in the House of Commons at various times
between 1581 and 1621, when he was raised to the peerage. Greville was a capable administrator who served the English Crown under Elizabeth I and James I as, successively, treasurer of the navy, chancellor of the exchequer, and commissioner of the
Treasury, and who for his services was in 1621 made Baron Brooke, peer of the realm. Greville was granted Warwick Castle in 1604, making numerous improvements. Greville is best known today as the biographer of Sir Philip Sidney, and for his sober poetry,
which presents dark, thoughtful and distinctly Calvinist views on art, literature, beauty and other philosophical matters.

In 1628 Greville was stabbed at his house in London by Ralph Haywood, a servant who believed that he had been cheated in his master's will. Haywood then turned the knife on himself. Greville's physicians treated his wounds by filling them with pig fat
which turned rancid and infected the wounds, and he died in agony four weeks after the attack. His body was brought back to Warwick, and he was buried in the Collegiate Church of St Mary, Warwick, and on his tomb was inscribed the epitaph he had composed:
............................................
. Folk Grevill
. Servant to Queene Elizabeth
. Conceller to King James
. and Frend to Sir Philip Sidney.
. Trophaeum Peccati.>>
------------------------------------------------------
. _The Knights_ (424 BC) by Aristophanes ......................................................
NICIAS How loudly the *PAPHLAGONIAN FARTS* and snores!
. I was able to seize the sacred oracle, which he was
. guarding with the greatest care, without his seeing me. ......................................................
SAUSAGE-SELLER: VERy well!
. it was *CLEON* who had caused the price to fall so low,
. that all might eat it, and the jurymen in the Courts were
. almost asphyxiated from *FARTING* in each others' faces.
.
DEMOS: Hah! why, indeed, a *DUNGTOWNITE* told me the same thing.
.
SAUSAGE-SELLER: Were you not yourself in those days
. quite red in the gills with *FARTING*?
.
DEMOS: Why, it was a trick *WORTHY* of Pyrrhandrus! ----------------------------------------------------------------
Joseph Barnes published the only English edition of Aristophanes
prior to 1640, a Greek edition published in *OXENford* in 1593. .........................................................
*OZONE* is derived from the Greek *OXEiN* meaning *to SMELL* .........................................................
<<This Earle of Oxford, making his *LOW* obeisance to Queen
Elizabeth, happened to let a FART, at which he was so
abashed and ashamed that he went to Travell, *7 yeares* .
On his returne the Queen welcomed him home, and sayd,
My Lord, I had forgott the FART.>> -- John Aubrey ------------------------------------------------------
______ Hamlet Q1 (1603: Edward de Vere Version)
.
Hamlet: An excellent fellow by the Lord Horatio,
. This *SEAUEN YEARES* haue I noted it: the toe of the pesant,
. *COMES so neere the heele of the courtier* ,
. That hee gawles his kibe, I prethee tell mee one thing,
. How long will a man lie in the ground before hee rots?
.
Clowne: I faith sir, if hee be not rotten [B]efore
. He be laide in, [A]s we haue many pocky [C]orses,
. He will last y[O]u, eight yeares, *a tan[N]er*
. Will last you eight yeares full out, or nine.
.
Hamlet: And why *A TANNER*?
.
Clowne: Why his hide is so tanned with his trade,
. That it will holde out water, that's a parlous
. Deuourer of your dead body, a great soaker. .............................................
if hee be not rotten <= 17 =>
.
. --- i f h e e b e n o t r o t t e n
. [B] e f o r e H e b e l a i d e i n
. [A] s w e h a u e m a n y p o c k y
. [C] o r s e s H e w i l l l a s t y
. [O] u e i g h t y e a r e s a t a n
. [N] e r
.
[BACON] 17
--------------------------------------------------------
Greek political satires were written that ridiculed
Pericles' *non-aristocratic* successor:
the war-mongering demagogue *CLEON* .
.
thE WaSPS [Sphekes] (422 BC) Philonides
thE KnigHts. (424 BC) Aristophanes
thE AchARnians (425 BC) Callistratus
.
But Philonides & Callistratus were
pseudonym/front men used by Aristophanes.
.
Unfortunately, Aristophanes was unable to hide behind
a pseudonym in _The Knights_ because Aristophanes,
himself, was *forced to play the CLEON character*
(a scheming *PAPHLAGONIAN LEATHER-MONGER* )
after EVERyone else refused.
.
(We know for certain that this character was
intended to be *CLEON* because *CLEON's father*
Cleaenetus was, in fact, *A TANNER* .) -------------------------------------------------
_____ *SEALD & DOONE*
............................................ http://ist-socrates.berkeley.edu/~ahnelson/PERSONAL/011007.html
.
Cecil Papers 88/101 (bifolium, 232mm x 170mm),
Oxford to Cecil; 7 October 1601 (W337;F593).
.
...for I am aduised, that I may passe *MY BOOKE* from her
Magestie, yf a warrant may be procured to my cosen *BACON*
and Seriant [=Sergeant] *HARRIS* to perfet [= *PERFECT* ] yt.
Whiche beinge *DOONE* , I know to whome formallye to
thanke, but reallye they shalbe, and are from me, and myne,
*to be SEALED VP* in an *AETERNALL REMEMBRANCE* to yowre selfe.
And thus *WISHINGE ALL HAPPINES* to yow, and sume fortunat
meanes to me, wherby I myght recognise soo *DIEPE* merites,
I take my leaue this 7th of October from my House at HAKNEY. 1601.
.
Yowre most assured and louinge Broother.
(signed) Edward Oxenford (ital.; 4+7)
.
Addressed (O): To the ryghte honorable & my very good Broother
Sir Robert Cecill on [=one] of her Magestyes pryvie Councel
and principall Secretarie giue thes at the Coorte. [seal]
.
Endorsed: 1601 7 October: Erle of Oxenford to my Master. -----------------------------------------------------------
______ Hamlet (Q2, 1604)
.
King: Follow him at foote,
. Tempt him with speede abord,
. Delay it not, Ile haue him hence to nig[H]t.
. Aw[a]y, fo[R] eue[R]y th[I]ng i[S] *SEALD and DONE*
. That els leanes on th'affayre, pray you make hast, ..........................................................
______ Hamlet (Folio, 1623)
.
King: Follow him at foote,
. Tempt him with speed aboord:
. Delay it not, Ile haue him hence to nig[H]t.
. Aw[A]y, fo[R] eue[R]y th[I]ng i[S] *SEAL'D and DONE*
. That else leanes on th'Affaire, pray you make hast. ..........................................................
Ile haue him hence to
...................
. --- n i g
. [H]{t A w}
. [A] y f o
. [R] e u e
. [R] y t h
. [I] n g i
. [S] *SEAL'D and DONE*
.
[HARRIS] 4
----------------------------------------------------
______ Hamlet Q1 (1603: Edward de Vere Version)
.
Ham.: I mary i'st and though I am
. Natiue here, and to t[H]e m[A]ne[R] bo[R]ne,
. [I]t i[S] a custome, more honourd in the breach,
. Then in the obseruance.
.
[HARRIS] 3
.................................................
Hamlet: King, Father, Royall Dane,
. O answere mee, let mee not burst in ignorance,
. But say why thy canonizd bones hearsed in death
. Haue burst their ceremonies: why thy Sepulcher,
. In which wee saw thee quietly interr'd,
. Hath burst his ponderous and marble Iawes,
. To cast thee vp againe: what may this meane,
. That thou, dead corse, againe in compleate steele,
. Reuissets [T]hus the glimses of the Moone,
. Maki[N]g night hideous, and we fooles of n[A]ture,
. So horridely to shake our di[S]position,
. With thoughts beyond t[H]e reaches of our soules?
. Say, speak[E], wherefore, what may this meane? ..........................................................
______________ <= 28 =>
.
. [T] h u s t h e g l i m s e s o f t h e M o o n e,M a k i
. [N] g n i g h t h i d e o u s,a n d w e f o o l e s o f n
. [A] t u r e,S o h o r r i d e l y t o s h a k e o u r d i
. [S] p o s i t i o n,W i t h t h o u g h t s b e y o n d t
. [H] e r e a c h e s o f o u r s o u l e s?S a y,s p e a k
. [E]
.
wherefore, what may this meane?
.
________ *TNASHE* 28
---------------------------------------------------
_____ Hamlet (Folio, 1623)
.
Laertes: I am satisfied in Nature,
. Whose motiue in this case should stirre me most
. To my Reuenge. But in my termes of Honor
. I stand aloofe, and will no reconcilement,
. Till by some elder Masters of knowne Ho[N]or,
. I haue a v[O]yce, and pre[S]ident of pe[A]ce
. To keepe [M]y name vngorg'd. But till that time,
. I do receiue your offer'd loue like loue,
. And wil not wrong it.
.
. Ham.: I do embrace it {FREE}ly,
. And will this {BROTHERS} wager {FRANK}ely play. ..........................................
. Till by some <= 10 =>

. e l -d- e r M a s t e
. r s -o- f k n o w n e
. H o [N] o r I h a u e
. a v [O] y c e a n d p
. r e [S] i d e n t o f
. p e [A] c e T o k e e
. p e [M] y n a m e v n gorg'd.
.
[MASON] -10
-----------------------------------------
______ Hamlet (Quarto 1, 1603)
.
enter Clowne and an other.
.
Clowne: I say no, she ought not to be buried
. In christian buriall.
.
2: Why sir?
.
Clowne: Mary more's the pitty, that great folke
. Should haue more authoritie to hang or drowne
. Themselues, more than other people:
. Goe fetch me a stope of drinke, but before thou
. Goest, tell me one thing, who buildes strongest,
. Of a [MASON], a Shipwright, or a Carpenter?
.
2: Why a [MASON], for he buildes all of stone,
. And will indure long.
.
Clowne: That's prety, too't agen, too't agen.
.
2: Why then a Carpenter, for he buildes the gallowes,
. And that brings many a one to his long home.
.
Clowne: Prety agen, the gallowes doth well, mary howe dooes it well?
. the gallowes dooes well to them that doe ill, goe
. ge[T] thee go[N]e: And if [A]ny one a[S]ke thee [H]ereaft[E]r,
. say, A Graue-maker, for the houses he buildes
. Last till Doomes-day. Fetch me a stope of beere, goe. .............................................
. . <= 7 =>
.
. g e [T] t h e e
. g o [N] e A n d
. i f [A] n y o n
. e a [S] k e t h
. e e [H] e r e a
. f t [E] r
.
[TNASHE] 7
-------------------------------------------------
Prospero: Silence: One word more
. Shall make me chide thee, if not hate thee: What,
. An aduocate for an {IMPOSTOR}? Hu[S]h:
. Thou th[I]nk'st the[R]e is no mo[R]e such sh[A]pes as he,
. ([H]auing seene but him and Caliban:) Foolish wench,
. To th'most of men, this is a Caliban,
. And they to him are Angels.
.
Miranda: My affections
. Are then most humble: I haue no ambition
. To see a goodlier man.
.
Prospero: Come on, *OBEY* :
.............................................
____ <= 8 =>
.
. {I M P O S T O R}
. .H u[S]h T h o u
. .t h[I]n k s t t
. .h e[R]e i s n o
. .m o[R]e s u c h
. .s h[A]p e s a s
. .h e[H]a u i n g
.
seene but him and Caliban
.
[HARRIS] -8
-----------------------------------------
______ Hamlet (Folio, 1623)
.
*OSRICKE* : The sir King ha's wag'd with him six Barbary Hor-
. [S]es, against the which he [I]mpon'd as I take it, sixe F[R]ench
. Rapiers and Ponia[R]ds, with their assignes, [A]s Girdle,
. Hangers or so: t[H]ree of the Carriages infaith are *VERy DEarE*
. to fancy, *VERy* responsiue to the hilts, most delicate
. carriages, and of *VERy* liberall conceit.
.
Hamlet: What call you the Carriages?
.
*OSRICKE* : The Carriages Sir, are the hangers.
.
Hamlet: The phrase would bee more Germaine to the
. matter: If we could carry Cannon by our sides; I would
. it might be Hangers till then; but on sixe Barbary Hor-
. ses against sixe French Swor[D]s: their Assignes, and thr[E]e
. liberall conceited Ca[R]riages, that's the French [B]ut a-
. gainst the Danish; wh[Y] is this impon'd as you call it? ........................................................
The sir King ha's wag'd with him six Barbary Hor-
.
______________ <= 20 =>
.
. [S] e s a g a i n s t t h e w h i c h h e
- [I] m p o n d a s I t a k e i t s i x e F
. [R] e n c h R a p i e r s a n d P o n i a
. [R] d s w i t h t h e i r a s s i g n e s
- [A] s G i r d l e H a n g e r s o r s o t
. [H] r e e
.
[HARRIS] -20
.
. of the Carriages infaith are *VERy DEarE* to fancy,
. *VERy* responsiue to the hilts, most delicate
. carriages, and of *VERy* liberall conceit. ........................................................
______________ <= 21 =>
.
. [D] s t h e i r A s s i g n e s a n d t h r
. [E] e l i b e r a l l c o n c e i t e d c a
. [R] r i a g e s t h a t s t h e F r e n c h
. [B] u t a g a i n s t t h e D a n i s h w h
. [Y]
.
[DERBY] 21
--------------------------------------------------
. . . *OSRICKE*
. . . *SIR COKE*
-------------------------------------------------- http://en.wikipedia.org/wiki/Edward_Coke
.
<<*SIR edward COKE* ("Cook") (1 Feb. 1552 – 3 Sept. 1634) was an
English jurist & Member of Parliament whose writings on the common
law were the definitive legal texts for nearly 150 years. Born into a
family of minor Norfolk gentry, Coke was eventually being appointed
Solicitor General and then Attorney General by Queen Elizabeth. As
Attorney General, Coke famously prosecuted Sir Walter Raleigh and the
Gunpowder Plot conspirators for treason. In 1606, Coke was made Chief
Justice of the Court of Common Pleas, later being elevated, in 1613,
to Lord Chief Justice of England. Despite his 1616 dismissal from the
bench, Coke remained an influential political figure, leading
parliamentary opposition to the Crown in the 1620s. His career in
parliament culminated in 1628 when he acted as one of the primary
authors of the Petition of Right. This document reaffirmed the rights
of Englishmen and prevented the Crown from infringing them. In later
times, both English reformers and American Patriots, such as John
Lilburne, James Otis, and John Adams, used Coke's writings to
support their conceptions of inviolable civil liberties.>> -----------------------------------------------------
Art Neuendorffer

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