---------------------------------------------------
Wm Shaxpere & Anna *WHATEley* of *TEMPLE GRAFTON* .................................................
<<There is an old English word *WHATE* ,
. meaning fortune, *FATE* , or destiny,
. I think that in a desperate moment of inspiration,
. confused before the clerk, Shakespeare reached into
. his heart and came out with the name of that Anne
. who would have been his choice, his *FATE* , his destiny.>>
.
. . . - _The Late Mr. Shakespeare_ by Robert Nye ------------------------------------------------------ http://www.philological.bham.ac.uk/anagrams/text.html

____ . *EDOUARUS VEI(e)RUS*
_____ . . per anagramma
____ . *AURE SURDUS VIDEO*
.
[A]uribus hisce licet studio, Fortuna, susurros
[PE]rfidiae et technas efficis esse procul,
. Attamen accipio (quae mens horrescit et auris)
. Rebus facta malis corpora surda tenus.
. Imo etiam cerno Catilinae¶ fraude propinquos
. Funere solventes *FATA* aliena suo. .............................................
_______. *EDWARD VERE*
______ . by an anagram
____ *DEAF IN MY EAR, I SEE*
.
Though by your zeal, FORTUNE, you keep perfidy's
murmurs & schemings at a distance, nonetheless I learn
(at which my mind & ear quake) that our bodies have
been deafened with respect to evil affairs. Indeed,
I perceive men who come close to Catiline* in deception,
freeing other men's *FATES* by their death.>> -----------------------------------------------------------
. Sonnet 29 : https://www.youtube.com/watch?v=kKcND39mhT0
.
. WHen in disgrace with Fortune and mens eyes,
. I all alone beweepe my out-cast state,
. And trouble *DEAFE* heauen with my bootlesse cries,
. And looke vpon my selfe and *curse my FATE* .
. Wishing me like to one more *RICH* in hope, .................................................
27 [F]or thee, and for my selfe, noe quiet finde.
28 [A]nd night doth nightly make greefes length seeme stronger.
29 [T]hat then I skorne to change my state with Kings.
30 [A]ll losses are restord, and sorrowes end. ------------------------------------------------------------------ https://www.imdb.com/name/nm0002106/bio?ref_=nm_dyk_trv_sm#trivia

<<Academy Award (nominees) Best Writing, Original Screenplay
. . Garson Kanin and Ruth Gordon (nominees) : A Double Life

Twice married, Ruth Gordon gave birth to her only child at age 32,
. . . . to a son, *Jones Harris* on October 16, 1929.
. The child's father was Jed Harris, to whom she was not married. ............................................................
. . . *TELLESTICK* found by *Jones Harris*: ............................................................
The Names of the *26* Principall Actors in all these Playes. ......................................
. John Underwoo . . . [D].
.{N}icholas T(O)ole . {Y}.
. William Eccl[E]ston {E}.
. Joseph Taylo . . . .{R}.
.
. Robert Be[N]fiel . .{D}.
. Robe(R)t Gough . . .{E}.
. Richar{D} Robinso . {N}. ----------------------------------------------------------
. . . jumpe names?
.........................................................
. . . . . . . <= *26* =>
.
. [W i l l i a m S h a k e s p e a r e] R i c .h. a r d B
. (U) r b a D g e.J o h n H e m m i n g s.A u .g. u s t i
. (N) e P h i l l i p S W i l l i a m K e m p .T. T h o m
. (A) s P o o p e G e o r g e B r y a N H e n .r. y C o n
. [D] e l l.W i l L i a m S l Y E R i c h a r .d. C o w l
. [Y] J o h n L o w I n e.S a m u e l l C r o .s. s e.A l
. [E] x a n d e r C o O k E S a m u e l G i l .b. u r n E
. [R] o b e r t A r m i N W i l l i a m O s t .l. E r N a
. .t. h a n F i e l d.J o h n U n d e r w o o [D] N i c h
. .o. l a s T o o l e Y W i l l i a m E c c l [E] s t o n
. .e. J o s e p h T a y l o r.R o b e r t B e [N] f i e l
. .d.
.
(UNA) 26 : personification of "True Church" in Spenser's FQ ........................
[DYER] 26
[NED] -26
-----------------------------------------------------
<<{O}r spunne out Riddles, or weav'd fifty Tomes
__{O}f *LOGOGRIPHES*, or curious Palindromes;
__{O}r pump'd for those hard trifles, Anagrams,
__{O}r Ecrosticks, or your finer flames
__{O}f EGGES , and Halbards, Cradles, and a Herse,
__[A] paire of Sizers, and *a COMBE in verse* ;
__[A]crosticks, and *TELLESTICKS*, or jumpe names,>> - B. Jonson ---------------------------------------------------------------- https://en.wikipedia.org/wiki/Saint_Blaise

. . . . Saint Blaise

Attributes: Wool comb, candles, tending a choking boy or animals

Patronage: Animals, builders, drapers, choking, veterinarians, throats, infants, *stonecutters*, carvers, *wool workers*

<<Blaise (also known as Saint Blase), was a physician, and bishop of Sebastea in historical Armenia. According to the Acta Sanctorum, he was martyred by being beaten, attacked with iron *COMBS*, and beheaded. He is the patron saint of wool combers. In
the Latin Church his feast falls on 3 February. In Cornwall the town of St Blazey and the civil parish of St Blaise derive from his name. The council of Oxford in 1222 forbade all work on his festival.

Marcello Venusti's copy of the original version of Michaelangelo's The Last Judgment; detail showing an uncensored version of St. Catherine at the bottom left while above her, the figure of Saint Blaise holding Iron combs at the left had a different head
position; St Catherine was repainted in a dress and St Blaise was repainted looking up at Jesus. There is a church dedicated to Saint Blaise located next to Haccombe house which is the family home of the *CAREW* family.>>
--------------------------------------------------------
Alan Green's cyan right triangle marked by
{(e-1), sqrt(3), G(dot)} : https://tinyurl.com/yydnzwbn
.
. is a 30º/60º/90º triangle with almost the orientation of the
. 30º/60º/90º triangle pointing to the Westminster burial site.
.
. https://www.youtube.com/watch?v=2Rv9J7OWWYA
. https://vimeo.com/181710012 ...............................................................
. https://tinyurl.com/yydnzwbn

If Shaksper's merry drinking buddies: Drayton & Jonson are
substituted for: Chaucer & Spenser as the hypotenuse a smaller
self similar 30º/60º/90º triangle points to an end of the tiled
section where something else may be easily buried (Beaumont?).
The smaller triangle is reduced in size by a factor of
[1+sqrt(3)] ~ "e" : probably the exact length ratio of
Alan Green's adjacent "blue" right triangle designated "e"
. https://tinyurl.com/yydnzwbn ------------------------------------------------------------ https://www.shakespeare.org.uk/explore-shakespeare/blogs/sir-george-carew/

<<Sir George *CAREW* was a prominent figure in Shakespeare's Stratford,
and owned New Place before it was purchased by Shakespeare himself. Visitors to Nash’s House will recognise this portrait of Sir George *CAREW* (1555-1629) which hung in the staircase there until recently. *CAREW* was knighted in 1578, became Baron *
CAREW* of Clopton in 1605 and was created Earl of Totnes in 1625/6. He was a prominent figure in the courts of Elizabeth I, James I and Charles II and a close friend of Sir Walter Raleigh.

In 1580 *CAREW* married Joyce Clopton. Through this match, he became part of one of the great Stratford families. Since the 13th Century the Cloptons had been landowners in the area. Clopton House, now converted into apartments, still stands on the
outskirts of the town to the north. Sir Hugh Clopton built the original New Place in 1483 and the family owned the property until Joyce’s father, William Clopton III, sold it in 1563. Just over thirty years later William Shakespeare purchased the house.
Because of his links to the town through marriage, *CAREW* is buried in Holy Trinity Church. *CAREW* served as High Steward of Stratford in 1610, about thirteen years after Shakespeare had returned to the town and purchased New Place.>>
-----------------------------------------------------------
. Francis Bacon's Friends And Associates
. http://www.sirbacon.org/fbfriendsassociates.htm
. by Constance M. Pott
. Reprinted from Baconiana No. 30, April 1900
.
<<Amongst others of the Secret Society were the Careys or *CAREW*s. Four
of this family were engaged in the Virginian enterprise. John, helped
with the Revels at Court, and supplied properties. Richard is described
as a writer chiefly on Topgraphy. He died in 1620. His brother George
was knighted by Queen Elizabeth, and is the reputed author of an account
of France and of the Court of Henri IV of France. This work, however,
was not published, or (we believe) heard of until 100 years after his
death, which occured in 1614. This *Sir George Carew* was, from early
youth to latest age, very intimate with Francis Bacon; we are therefore
fully prepared to learn that George and Thomas *CAREW* were, Poets--that
Thomas was also a dramatist, and that he is said to have written the
Masque entitled, "Coelum Brittanicum," which was performed before the
Court at Whitehall in 1633, and greatly admired. In fact, all these
men were Bacon's "Masks," engaged in publishing his works.>> --------------------------------------------------------------- https://www.hollowaypages.com/Shakespearemonument.htm

...... Shakespeare's Stratford Monument

<<The original monument to Shakespeare depicted him as a commodity dealer. Their claim is that the cushion on which Shakespeare is resting his arms was originally a wool sack, or some other such symbol of his merchant trade. The theory is that when the
monument was restored in 1749, the present monument was substituted for the original. Somehow the figure of Shakespeare was altered (or replaced, depending upon the theorist), the "wool sack" became a cushion, and the pen and paper were wedged into
Shakespeare's hands to add verisimilitude to the "hoax" that the Stratfordian Shakespeare was the author of the plays. Since no one complained about the errors in the Hollar engraving and its copies, their silence is proof that the engravings accurately
depict the "original state" of the monument.>>

https://www.hollowaypages.com/images/CUSHIONS.jpg

ttps://shakespeareoxfordfellowship.org/stratford-bust-monumental-fraud/ --------------------------------------------------
. [ON *POET-APE* ] EPIGRAMS by Ben Jonson
.
Poor *POET-APE* , that would be thought our chief,
. Whose works are e'en the frippery of wit,
[F]rom brokage is become so bold a thief,
. As we, the robb'd, leave rage, and pity it.
[A]t first he made low shifts, would pick and glean,
. Buy the rEVERsion of old plays ; now grown
[T]o a little wealth, and credit in the scene,
. He takes up all, makes each man's wit his own :
[A]nd, told of this, he slights it. Tut, such crimes
. The sluggish gaping auditor devours ;
. He marks not whose 'twas first : and after-times
. May judge it to be his, as well as ours.
. Fool ! as if half eyes will not know a fleece
. From locks of wool, or shreds from the whole piece? ----------------------------------------------------
. Romeo and Juliet (Quarto 1, 1597) The Prologue.
.
Tvvo houshold Frends alike in dignitie,
(In faire VEROna, where we lay our Scene)
From ciuill broyles broke into enmitie,
VVhose ciuill warre makes ciuill hands vncleane.
.
[F]rom forth the *FATAll* loynes of these two foes,
[A] paire of starre-crost Louers tooke their life:
. {VV}hose misaduentures, piteous ouerthrowes,
[T]hrough the continuing of their Fathers strife,
[A]nd death-markt passage of their Parents rage
.
Is now the two howres traffique of our Stage.
The which if you with patient EARES attend,
. {VV}hat *HERE we [WANT]* wee'l studie to amend. ----------------------------------------------------
. http://home.freeuk.net/sidsoft/pensinfo.html
.
The Sidney Family arms shows a *PORCUPINE* & a lion
. . . on either side of the Sidney PHEON.
.
"Whither the *FATES CALL* " is the meaning of Sidney's motto:
.
____ *QUO FATA VOCANT*
----------------------------------------------------
. . Hamlet > Act I, scene IV
.
HAMLET: My *FATE CRIES OUT* ,
. And makes each petty artery in this body
. As hardy as the Nemean lion's nERVE.
. *STILL am I CALL'D* . -----------------------------------------------------------
William Marshall engraving of of William Shakespeare on 1640 Sonnets http://www.william-shakespeare.info/william-shakespeare-marshall%20en...
.
<<Both the image of William Shakespeare by William Marshall,
adapted by from the Martin Droeshout engraving on the First Folio,
and the words of Ben Jonson have considerably changed from the
First Folio to the second, 1640 edition of Shakespeare's sonnets.
.
. . The lines below the Marshall image of William Shakespeare:
.
. This *SHADOW* is renowned Shakespear's? Soule of th' age
. The applause? Delight? The wonder of the Stage.
. Nature her selfe, was proud of his designs

[A]nd joy'd to weare the dressing of his lines,
[T]he learned will confess his works as such
[A]s neither man, nor Muse can praise to much
[F]or *EVER live thy FAME* , the world to tell,

Thy like, no age, shall *EVER* paralell >> ----------------------------------------------------
. . . . . . Sonnet 60
.
.[A]nd Time that gave doth now his gift confound.
.[T]ime doth transfix the flourish set on youth
.[A]nd delves the parallels in beauty's brow,
.[F]eeds on the rarities of *NATURE'S TRUTH* ,
. And *nothing* stands but for his scythe to mow:
. And yet to times in hope my VERsE shall stand,
. Praising thy *WORTH*, despite his cruel hand. -------------------------------------------------
. . . . . . Sonnet 70
.
. . That thou are blam'd shall not be thy defect,
. {F}or slanders marke was EUER yet the *FAIRE* ,
. . The [ORNAMENT] of beauty is suspect,
. {A} Crow that flies in heauens sweetest ayre.
. . So thou be good, slander doth but approue,
. {T}heir *WORTH* the greater beeing woo'd of time,
. [F]or Canker vice the sweetest buds doth loue,
. {A}nd thou present'st a pure vnstayined prime.
. [T]hou hast past by the ambush of young daies,
. [E]ither not assayld, or victor beeing charg'd,
.
. . Yet this thy praise cannot be soe thy PRAISE,
. . To tye vp ENUY, EUERmore inlarged,
. . If *some SUSpect of ill maskt* not thy show,
. . Then thou alone kingdomes of hearts shouldst owe. ..............................................
. {E}douardus *VERUS* , {COMES} Oxoniae,
. . Vicecomes Bulbeck, Dominus de Scales
. . & Badlismer, D. Magnus Angliae Ca-
. . merarius: Lectori. S. D.
.
. . http://comp.uark.edu/~mreynold/aulicus.html
.
Quae si sapientissimorum principum clarissima insignia,
si florentis reip. certissima praesidia, si optimorum
ciuium *ORNAMENTa maxima* , & suo merito, & omnium iudicio,
..
- Edward de Vere's introduction to 1577 translation
of *BALTHASAR* Castiglione's The Book of the Courtier, ---------------------------------------------------------------- http://socrates.berkeley.edu/~ahnelson/ARMADA/1589Engl.html

. . Armada Pamphlets Commissioned by Burghley

An Answer to the vntruthes, pvblished and printed in Spaine, in glorie
of their svpposed victorie atchieued against our English Navie, and
the Right Honorable Charles Lord Howard, Lord high Admiral of England,
&c. Sir Francis Drake, and the rest of the Nobles and Gentlemen,
Captaines, and Soldiers of our said Navie. First written and published
in Spanish By a Spanish Gentleman; who came hither out of the Lowe
Countries from the service of the prince of Parma, with his wife
and familie, since the overthrowe of the Spanish Armada, forsaking
both his countrie and Romish religion; as by this Treatise
(against the barbarous impietie of the Spaniards; and
dedicated to the Queenes most excellent Majestie, may appeere.

Faithfully translated by I. L. [Ihon Lyllie?/Iames Leigh?]

London, Printed by Iohn Iackson, for Thomas Cadman. 1589.

. . (L. Admirall)
. .The Admirall with Lion on his creast,
. {l}ike to Alcides on the strond of Troy:
. [A]rmd at assaie, to battell is addreast:
. [T]he sea that sawe his frownes, waxt calme and coy,
. [A]s when that Neptune with threeforked mase,
. [F]or Trojans sake, did keepe the winds in chase.
.
. . (Earle of Oxford)
. . De-Vere whose *FAME* , and loyaltie hath pearst,
. . The Tuscan clime, and through the Belgike lands,
. . By winged *FAME* , for valor is rehearst:
. . Like warlike Mars upon the hatches stands,
. . His tusked Bore gan fome for inwarde ire,
. . While *PALLAS* fild his breast, with warlike fire. -------------------------------------------------------
<<On the titlepage of the first edition
. of Venus & Adonis is the Ovidian phrase
.
. *Vilia miretur vulgus* ... "
.
or, "allow the public to admire that which is sordid.">>
. - Rowse, A.L. ed., The Annotated Shakespeare, 1984. ....................................................
. . P. Ovidius Naso, Amores http://www.thelatinlibrary.com/ovid/ovid.amor1.shtml
.
XV *VILIA miretur VULGUS* ; mihi flavus APOLLO+
. Pocula Castalia plena ministret aqua,
. Sustineamque coma metuentem frigora myrtum,
. Atque a sollicito multus amante legar!
. Pascitur in vivis Livor; post *FATA* quiescit+,
. Cum suus ex merito quemque tuetur honos.
. Ergo etiam cum me supremus adederit ignis++,
. Vivam, parsque mei multa superstes erit. --------------------------------------------------------------
. . Moby Dick (1851) - Melville
.
For an instant, the tranced boat's crew stood still; then turned.
"The ship? Great God, where is the ship?" Soon they through dim,
bewildering mediums saw her sidelong *fading PHANTOM* ,
as in the gaseous *FATA* Morgana; only the uppermost
masts out of water; while fixed by in[FAT]u[A]tion,
or fidelity, or *FATE*, to their once lofty perches, the
pagan harpooneers still maintained their sinking look-outs on
the sea. And now, concentric circles seized the lone boat itself,
and all its crew, and each floating *OAR, & EVERY LANCEPOLE*
and spinning, animate & inanimate, all round & round in one
vortex, carried the smallest chip of the Pequod out of sight. -----------------------------------------------------------
Art Neuendorffer

--- SoupGate-Win32 v1.05
* Origin: fsxNet Usenet Gateway (21:1/5)