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  • Enter [BOTESW]aine. (1/2)

    From Arthur Neuendorffer@21:1/5 to All on Thu Jan 6 14:54:14 2022
    ---------------------------------------------------------------
    . ODYSSEY - Homer (tr. Samuel Butler)
    .
    <<ULYSSES struck the son of Damastor with a *SPEAR* in close
    fight, while Telemachus hit Leocritus son of Evenor in the belly,
    and the DART went clean through him, so that he fell forward
    full on his face upon the ground.>>
    .
    <<I can *throw a DART*
    . . . farther than any one else can shoot an arrow.>> -------------------------------------------------------------
    On The Countesse Dowager of Pembroke : Mary (Sidney) Herbert,
    .
    _ (U)nderneath this sable Herse
    _ (LYES) the subiect of all verse:
    _ (SYD)ne(YES) sister, Pembroke's Mother:
    _ Death, ere thou hast slaine another,
    _ Faire, & Learn'd, & good as she,
    _ Tyme shall *throw a DART* at thee. ------------------------------­-------------------------
    T O T H E R I G H T H O N O R A B L E
    Henrie Wriothesley, Earle of Southampton,
    and Baron of Titchfield.

    RIght Honourable, I know not how I shall offend in
    dedicating my unpolisht lines to your Lordship, nor
    how the worlde Will censure mee for choosing so
    strong a proppe to support so Weake a burthen,
    onelye if your Honour seeme but pleased,
    I ac-count my selfe highly praised,
    and vowe to take advantage of all idle houres,

    TILL I [H]AV[E] HO[N]OU[R]ED [Y]OU [W.]IT[H.] SO[M]E G[r.]

    . . . . . . . -AVER LABOUR.

    [HENRY W.] 3 : Prob. in V&A [HENRY W.] dedication ~ 1 in 36,000
    [W.H. Mr.] 3
    ..............................................................
    AVER, n. [OF. AVER domestic animal, whence LL. AVERia,
    pl. cattle. cf. {AVERage}.] A WORKING OX. [Obs. or Dial. Eng.] ..............................................................
    Moby Dick by Herman Melville
    Chapter 103: Measurement of The Whale's Skeleton

    The largest, a middle one, is in width somet[H]ing less than three
    fe[E]t, and in depth more tha[N] four. The smallest, whe[R]e the
    spine tapers awa[Y] into the tail, is only t[W.]o inches in width,
    and looks something like a white billiard-ball.

    [HENRY W.] 19 : shortest skip in MD & KJV. --------------------------------------------------------
    . (B)aron (O)f (T)itchfield/[H]enry [W]riothesley .......................................................
    . (T)his Figure, that thou here seest put,
    . .It was for gentle Shakespeare cut,
    . [W]herein the Graver had a strife
    . .with Nature, to out-doo the life :
    . (O), could he but have drawne his wit
    . .As well in brasse, as he hath hit
    . [H]is face ; the Print would then surpas[SE]
    . .All, that was *EVER WRIT* in bras[SE].
    . (B)ut, since he cannot, Reader, looke
    . .Not on his Picture, but his Booke. .........................................................
    "In Vinculus Invictus" Motto in Tower Painting:
    .
    . https://tinyurl.com/zpa7rug
    . https://tinyurl.com/gnj9385
    .
    DROESHOUT/HERODOTUS = "In Vinculus Invictus" Painting:
    .
    . 1) Large forehead
    . 2) eyebrows
    . 3) eyes
    . 4) nose
    . 5) moustache
    . 6) lips
    . 7) 14 buttons.
    .
    http://emc.english.ucsb.edu/images/shakespeare-frontispiece_L.jpg -----------------------------------------------------------------
    . H.W. (Henry Wriothesley)
    . B.O.T. (Baron of Titchfield)
    . S.E. (Southampton Earl) -----------------------------------------------------------
    THE TEMPEST. Actus primus, Scena prima.

    A tempestuous noise of Thunder and Lightning heard:
    Enter a Ship-master, and a [BOTESW]aine. .........................................................
    . B.O.T.E.S.W.("aine" : "harmony" [Scottish] )
    (B)aron (O)f (T)itchfield/(E)arl (S)outhampton/(W)riothesley -------------------------------------------------------------
    Master. [BOTESW]aine.

    [BOTES]: Heere Master: What cheere?

    [BOTES]: Heigh my hearts, cheerely, cheerely my harts:
    yare, yare: Take in the toppe-sale: Tend to th'Masters
    whistle: Blow till thou burst thy winde, if roome enough.

    Alon. Good [BOTESW]aine haue care:
    where's the Master? Play the men.

    [BOTES]: I pray now keepe below.

    Anth. Where is *the MASTER*, Boson?

    [BOTES]: Do you not heare him? you marre our labour,
    Keepe your Cabines: you do assist the storme.

    Gonz. Nay, good be patient.

    [BOTES]: When the Sea is: hence, what cares these
    roarers for the name of King? to Cabine;
    silence: trouble vs not.

    Gon. Good, yet remember whom thou hast aboord.

    [BOTES]: None that I more loue then my selfe. You are
    a Counsellor, if you can command these Elements to si-
    lence, and worke the peace of the present, wee will not
    hand a rope more, vse your authoritie: If you cannot,
    giue thankes you haue liu'd so long, and make your
    selfe readie in your Cabine for the mischance of the
    houre, if it so hap. Cheerely good hearts: out of our
    way I say. Exit.

    Enter [BOTESW]aine.

    [BOTES]: Downe with the top-Mast: yare, lower, lower,
    bring her to Try with Maine-course. A plague ---
    A cry within. Enter Sebastian, Anthonio & Gonzalo.
    vpon this howling: they are lowder then the weather,
    or our office: yet againe? What do you heere? Shal
    we giue ore and drowne, haue you a minde to sinke?
    Sebas. A poxe o'your throat, you bawling, blasphe-
    mous incharitable Dog.

    [BOTES]: Worke you then.

    Anth. Hang cur, hang, you whoreson insolent Noyse-
    maker, we are lesse afraid to be drownde, then thou art.

    Gonz. I'le warrant him for drowning, though the
    Ship were no stronger then a Nutt-shell,
    and as leaky as an vnstanched wench.

    [BOTES]: Lay her a hold, a hold, set her
    two courses off to Sea againe, lay her off.

    Enter Mariners wet.

    Mari. All lost, to prayers, to prayers, all lost.

    [BOTES]: What must our mouths be cold? ------------------------------------------------------
    . The Tempest: II, ii
    .
    . Enter Stephano singing.
    .
    Ste. I shall no more to sea, to sea, here shall I dye ashore.
    This is a very scuruy tune to sing at a mans
    Funerall: well, here's my comfort. Drinkes. Sings.
    .
    The Master, the Swabber, the *Boate-swaine* & I;
    The Gunner, and his Mate
    Lou'd Mall, Meg, and Marrian, and Margerie,
    But none of vs car'd for Kate.
    For she had a tongue with a tang,
    Would cry to a Sailor goe hang:
    She lou'd not the sauour of Tar nor of Pitch,
    Yet a Tailor might scratch her where ere she did itch.
    Then to Sea Boyes, and let her goe hang.
    This is a scuruy tune too:
    But here's my comfort. drinks. ----------------------------------------------------------- http://www.bbc.com/news/education-35973094

    <<There is a stage direction in King Lear, which, in the early
    part of the print run, says rather cryptically "H {EDIS}",
    which is then updated in later copies to "He dis"
    before it is finally corrected to "He dies".>> ------------------------------------------------------
    . "H {EDIS}" : {You *PUBLISH*} "H". ..................................................
    _______ Sonnet 102 (Only Sonnet's *PUBLISH*)
    .
    . MY LOVE IS Strengthned though more weake in seeming
    . I love not lesse, thogh lesse the show appeare,
    . That love is marchandiz'd, whose ritch esteeming,
    .
    . The own[E]rs tongu[E] (DOTH} PUB[L]ISH {E}VER[Y] {WH}E{R}E) .
    . Ou[R] lov{E} was [N]ew, and th[E]n but in t[H]e spring,
    .
    .{WH}en I was wont to greet it with my laies,
    . As Philomell in summers front doth singe,
    . And stops his pipe in growth of riper daies:
    . Not that the summer is lesse pleasant now
    . Then when her mournefull himns did hush the night,
    . But that wild musick burthens *EVERy bow* ,
    . And sweets growne common loose their deare delight.
    . Therefore like her, I some-time hold my tongue:
    . Because I would not dull you wiTH MY SONGE. ..................................................
    . . . . . <= 8 =>
    .
    . . .T h(E)o w n [E]
    . .r s t(O)n g u [E]
    . (D O T{H}P U B [L]
    . .I S H{E}V E R [Y]
    . {W H}E{R}E)O u [R]
    . .l o v{E}w a s [N]
    . .e w,a n d t h [E]
    . .n b u t i n t [H]
    . .e s p r i n g,{W H}
    .
    Sidney friend/Queen's Champion:
    [HENRY LEE] -8 : Prob. in any Sonnet ~ 1 in 1765 --------------------------------------------------
    . Amazement : 1640 Benson
    .
    . MY love is strengthned though more weake in seeming
    . I love not lesse, though lesse the show appeare,
    . That love is marchandiz'd, whose rich esteeming,
    . The own[E]rs tongu[E] (DOTH} PUB[L]ISH {E}VER[Y] {WH}E{R}E) .
    . Ou[R] lov{E} was [N]ew, and th[E]n but in t[H]e spring, --------------------------------------------------------------------- https://wikivisually.com/wiki/Henry_Danvers%2C_1st_Earl_of_Danby

    <<On the night of the death of the 17th Earl of Oxford [Sun., June 24, 1604] Baron [H]enry [DANUERS], the Earl of Southampton and Sir Henry Neville as
    well as the a [LEE] were arrested by order of the king and Privy Council. .......................................................................
    Baron [DANUERS] had been employed in Ireland under the Earl of Essex, and Charles Blount, 8th Baron Mountjoy, successive lords-lieutenant of Ireland.>> -----------------------------------------------------------
    . . . . First Folio (1623)
    TO THE MEMORIE of the deceased Authour
    . . *MAISTER W. SHAKESPEARE*

    SHake-speare, at length thy pious fellowes giue
    The world thy Workes: thy Workes, by which, out-liue
    Thy Tombe, thy name must: when that {STONE} is rent,
    And Time dissolues thy {STRATFORD MONIMENT},
    Here we aliue shall view thee still. This Booke,
    When Brasse and Marble fade, shall make thee looke
    Fresh to all Ages: when Posteritie
    Shall loath what's new, thinke all is prodegie
    That is not *S[H]AKE-SPEARES* ; eu'ry Line, each Verse
    Here shall reuiue, re[D]eeme thee from thy Herse.
    Nor Fire, nor cankring Age, a{S N|A]so said,
    Of his, {T}hy wit-fraught B{O}oke shall once i{N}vade.
    [N]or shall I {E}'re beleeve, or thinke thee dead.
    (Though mist) [U]ntill our bankrout Stage be sped
    (Impossible) with som[E] new straine t' out-do
    {P}assions of Iuliet, and her Romeo;
    {O}[R] till I heare a Scene more nobly take,
    {T}hen when thy half=[S]word parlying Romans spake.
    {T}ill these, till any of thy (v)olumes rest
    Shall with more fire, more feeling be expr{E}st,
    Be sure, our Shake=speare, thou canst n[EVER DYE],
    But cr{O}wn'd with Lawrell, liue eternally.

    L. Digges.
    ---------------------------------------------------------
    . . . . . . . . . . . <= 45 =>
    .
    . when .Posteri. tieS. h .a. llloathwha .tsnewthinkeallispr
    . odeg .ieThati. snot *S [H] AKESPEARES* euryLineeachVerseH
    . eres .hallreu. iuer. e [D] eemetheefr .omthyHerseNorFiren
    . orca .nkringA. geas. N [A] sosaidOfhi .sthywitfraughtBook
    . esha .lloncei. nuad. e [N] orshallIer .ebeleeueorthinketh
    . eede .adThoug. hmis. t [U] ntillourba .nkroutStagebespedI
    . mpos .siblewi. thso. m [E] newstraine .toutdoPassionsofIu
    . liet .andherR. omeo. O [R] tillIheare .aScenemorenoblytak
    . eThe .nwhenth. yhal. f [S] wordparlyi .ngRomansspakeTillt
    . hese .tillany. ofth. y (v) olumesrest .Shallwithmorefirem
    . oref .eelingb. eexp. r {E} stBesureou .rShakespearethouca
    . nstn [EVERDYE] Butc. r {O} wndwithLaw .rellliueeternally.
    .
    [H.DANUERS] 45 : Prob. in poem ~ 1 in 192,000 ------------------------------------------------------------------------ https://en.wikipedia.org/wiki/Earl_of_Danby

    <<Earl of Danby was a title that was created twice in the Peerage of England. The first creation came in 1626 in favour of the soldier [H]enry [DANUERS],
    1st Baron Danvers (28 June 1573 – 20 January 1643). He had already been created Baron Danvers, of Dauntsey in the County of Wiltshire, in 1603, also
    in the Peerage of England. The titles became extinct on his death in 1644.>> ---------------------------------------------------------- http://www.geocities.ws/garydanvers/PS-funeral.html http://www.geocities.ws/garydanvers/PhilipSidney-HD-Page.jpg

    [H]enry [DANUERS], aged 13, Philip Sidney's page, seated
    upon Sidney's war horse and trailing a broken lance. ..........................................................
    Bolbeck or Bolebeck, coat of arms:
    lion brandishing a broken lance.

    http://www.cumulo-nimbus.ca/shakespeare/images/bolbec.jpg
    a lion, *SEJANT* , supporting with dexter a *BROKEN LANCE*. --------------------------------------------------------------
    . King Henry IV, part II > Act III, scene II
    .
    FALSTAFF: Come, manage me your caliVER. So: VERy well: go
    . to: VERy good, exceeding good. O, give me always a
    . little, lean, old, chapt, bald shot. Well said, i'
    . faith, Wart; thou'rt a good scab: hold, there's a
    . tester for thee.

    SHALLOW: He is not his *CRAFT's MASTER*; he doth not do it
    . right. I remember at Mile-end Green, when I lay at
    . Clement's Inn--I was then Sir Dagonet in Arthur's
    . show,--there was a *little quiVER fellow*, and a'
    . would manage you his piece thus; and a' would about
    . and about, and come you in and come you in: 'rah,
    . tah, tah,' would a' say; 'bounce' would a' say; and
    . away again would a' go, and again would a' come: I
    . shall nE'Er see such a fellow. -------------------------------------------------------
    . "Moore C W The Freemasons Monthly Magazine Vol IV 1845"
    .
    GRAND MASTERS, OR PATRONS, OF THE FREE AND ACCEPTED MASONS IN ENGLAND,

    1607. James I., a Brother Mason, Grand Patron by Prerogative, appointed
    the celebrated Inigo Jones, Grand Master of all England, in which
    capacity he served for eleven years. His Wardens were the Earl of
    Pembroke, and *{N}icholas {STONE}*, Esq., who, attended by many
    Brothers attired in Craft clothing, walked to White Hall, and laid
    the first {STONE} of the Banquetting Hall, with knocks, huzzas,
    and sound of trumpets, throwing a purse of gold upon the {STONE}
    for the operatives to drink “To the King and Craft!"

    1618.[W]illiam [H]erbert , Earl of Pembroke, was chosen Grand Master.
    He appointed Inigo Jones his Deputy.

    Charles I., a Royal Mason and Grand Patron by Prerogative ;
    under him the Earl of Darnley, Grand Master, who erected
    the beautiful gate of the Physick Gardens, at Oxford.

    1630-1-2. [H]enry [DANVERS] , Earl of Danby. ---------------------------------------------------------
    . Antony and Cleopatra Act 5, Scene 2
    .
    CLEOPATRA: Shall they hoist me up
    . And show me to the shouting varletry
    . Of censuring Rome? Rather a ditch in Egypt
    . Be gentle grave unto me! rather on *NILUS' mud*
    . Lay me stark naked, and let the water-flies
    . Blow me into abhorring! rather make
    . My country's high PYRAMIDES my GIBBET,
    . And HANG me up *IN CHAINS* !
    .
    GIBBET, n. [OE. gibet, F. gibet, in OF. also club, fr. LL. gibetum;
    cf. OF. gibe sort of sickle or hook, It. giubbetto gibbet, and
    giubbetta, dim. of giubba mane, also, an under waistcoat, doublet,
    Prov. It. gibba); so that it perhaps originally signified
    a halter, a rope round the neck of malefactors; or it is,
    perhaps, derived fr. L. gibbus HUNCHED, HUMPED,
    E. gibbous; or cf. E. jib a sail.] 1. A kind of gallows;
    an upright post with an arm projecting from the top,
    on which, formerly, malefactors were hanged *IN CHAINS* ,
    and their bodies allowed to remain as a warning. ----------------------------------------------------------
    . . . . . . . . <= 16 x 9 =>
    .
    __________ . . . . T. O t h e o(N) l i [E] B E G E T T
    __________ . . . . E {r}o f t{H} e [S|E] I N S U I N G
    __________ . . . . S {o}n n{E} T S (M) R W H A L L H A
    __________ . . . . P {p}i{N} e S [S|E|A) N D(T)H A T E
    __________ . . . . T {e|R} n I T I [E]p(R)o .M(I)S E D
    __________ . . . . B {Y} o U R E V. E R l(I) V I(N)G P
    __________ . . . . O. E. T W I S H. E T H T(H) E W(E)L
    __________ . . . . L |W] I S H I N. G A D V E n. T U(R)
    __________ . . . . E |r] I N S E T. T I N G{f o r} T H ............................................................
    . T O T H E O .N L I [E| B E G E T T E R
    . O F T H E S .E I N [S| U I N G S O N N
    . E T S M R W .H A L [L|H] a P P I N E S
    . S E A N D(T) H A T [E|T] (E) r N I T I E
    . P R O M(I) S E D B [Y|O] U (R) e V E R L
    . I V I(N) G P O E T [W|I] S H (E) t H T H
    . E W(E) L L W I S H [I] N G A (d V e) N T
    . U(R) E R I N S E T [T] I N G {f o r} T H
    .
    . . . . . . . . <= 18 x 9 => -----------------------------------------------------------
    Shakespeare Oxford Newsletter Vol. 51, No. 3: Summer 2015
    - by Mark Stahley, St Paul MN ......................................................
    <<I tried putting [the 144 dedication letters]
    in a 12x12 square. The letters "ORIW" going down
    caught my eye... and I realized you could unscramble
    them to spell the name "H. Wriotheslie, SH"
    ("SH" for Southampton, perhaps). In the grid
    below, you can see the contiguous letters:

    "TO {WRIOTHESL(ie)}" .>>
    .........................................
    . . . <= 12x12 SQUARE =>
    .
    . .T. O . .{T H E O} N .L. I E B E
    . .G. E. T. T. E {R} O .F. T H E S
    . .E. I. N. S. V {I} N .G. S O N N
    . .E. T [S]{M} R {W} H .A. L L H A
    . .P {P}[I]{N} E (S) S .E. A N D T
    . .H {A}[T]{E} T {E} R [N] I T I E
    . .P {R}[O]{M} I {S}[E] D. B Y O V
    . .R {E}[V]{E} R {L} I .V. I N G P
    . {O} E. T. W [I] S .H .E. T H T H
    . {E} W. E [L] L .W .I {S} H I N G
    . .A .D {V} E. N .T .V {R} E R I N
    . .S [E] T .T. I .N .G {F} O R T H
    .........................................
    - _The De Vere Code_ by Jonathan Bond
    .......................................
    [VOTIS] : to *VOW* or *PROMISE*
    {PARE/O} : to appear, be visible
    .
    {MNEME} : (Μνήμη) muse of *MEMORY* Prob. ~ 1 in 45,000
    .
    TO {WRIOTHESL(y)} : Prob. ~ 1 in 4000
    [NE{V}IL{L}E] : Prob. ~ 1 in 2100
    .
    {PARE} : Ovid's _Fasti_ 3
    PAR/PARIS : a companion, comrade, mate ---------------------------------------------------
    _______ Sonnet 134
    .
    . SO now I hau[E] confest that he is thine,
    . And I my se[L]fe am morgag'd to thy will,
    . My selfe I[L]e forfeit, so that other mine,
    . Thou w[I]lt restore to be my comfort still:
    . B[U]t thou wilt not, nor he will not be fr[E]e,
    . For thou art couetous, and he is ki[N]de, ..............................................................
    _________ . . . . <= 29 =>
    .
    . S O n o w I h a u [E] c o n f e s t t h a t h e i s t h i n
    . e,A n d I m y s e [L] f e a m m o r g a g'd t o t h y w i l
    . l,M y s e l f e I [L] e f o r f e i t,s o t h a t o t h e r
    . m i n e,T h o u w [I] l t r e s t o r e t o b e m Y c o m f
    . o r t s t i l l:B [U] t t h o u w i l t n o t,n o r h e w i
    . l l n o t b E f r [E] e,F o r t h o u a r t c o u e t o u s,
    . a n d h e i s k i [N] d e,
    .
    [NEUILLE] -29 {Prob. in any Sonnet ~ 1 in 60} ............................................
    ... And sue a friend, came debter for my sake,
    . So him I loose through my vnkinde abuse.
    . Him haue I lost, thou hast both him and me,
    . He paies the whole, and yet am I not free. ---------------------------------------------------
    ‘To my Loveinge good ffrend
    & contreymann Mr Wm. Shackespere, deliver thees,’ ............................................
    ‘Loveinge Contr[E]yman, I am bolde of yow, as of a ffrende, cra[V]einge yowr helpe with XXX uppon Mr Bush[E]lls & my securytee, or Mr Myttons with me. M[R] Rosswell is nott come to London as yeat[E], & I have especiall cawse. Yow shall ffrende me muche
    in helpeinge me out of all the debettes I owe in London, I thancke God & muche quiet my mynde, which wolde nott be indebeted. I am nowe towardes the Cow{R}te, in hope of answer for th{E} dispatche of my Buysenes. {Y}ow shall nether loase cre{D}dytt nor
    monney by me, the Lord(E) wyllinge; & nowe butt perswade yowr selfe soe, a(S) I hope, & yow shall nott need to feare, butt with a(L)l hartie thanck(E)fullene(S) I wyll ho(L)de my tym(E) & content (Y)owr ffrende, & yf we Bargaine farther, (Y)ow shalbe the
    paiemaster yowre selfe. My tyme biddes me hasten to an ende, & soe I committ t[H]ys yowr care & hope of yo[W]r helpe. I feare I s{H}all no[T] be backe thys night ff[R]om th{E} Cowrte. Haste, The L[O]rde be with yow, a{N}d with us all. Amen! ffom the Bell
    [I]n Ca{R}ter Lane the 25 October, 1598, Yowres in all k{Y}ndenes,

    RyC. QUYNEY.’
    ..............................................................
    ____________ <= 30 =>
    .
    .‘L o v e i n g e C o n t r [E] y m a n,I a m b o l d e o f y o w,a s
    . o f a f f r e n d e,c r a [V] e i n g e y o w r h e l p e w i t h X
    . X X u p p o n M r B u s h [E] l l s&m y s e c u r y t e e,o r M r M
    . y t t o n s w i t h m e.M [R] R o s s w e l l i s n o t t c o m e t
    . o L o n d o n a s y e a t [E]&I h a v e e s p e c i a l l c a w s e.

    [E.VERE] 33 : Prob. ~ 1 in 125 at start ..............................................................
    ____________ <= 30 =>

    I f e a r e I s {H} a l l n o[T]b e b a c k e t h y s n i g h
    t f f[R]o m t h {E} C o w r t e.H a s t e,T h e L[O]r d e b e
    w i t h y o w,a {N} d w i t h u s a l l.A m e n!f f o m t h e
    B e l l[I]n C a {R} t e r L a n e t h e O c t o b e r,Y o w r
    e s i n a l l k {Y} n d e n e s,R y C.Q U Y N E Y.

    {HENRY} 30 : Prob. ~ 1 in 201 at end ............................................
    (ESLEY) 8,38 : Prob. of both ~ 1 in 259
    [IOTH] -40
    [WR] 40
    (DYER) -22
    ---------------------------------------------------------
    ["Edward *DE VEER* , only son of John, born the Twelfth day
    of April A 1550, Earle of Oxenforde (Ogburn, 1998, 765). ........................................................
    In the name of God Amen. I *Iohn DE VEER* Erle of Oxinforde,
    Lorde greate Chamberlayne of Englonde Vicounte Bulbeck &c,
    __ *being of hole and parfecte mynde*

    - 1562 Will of the 16th Earl of Oxford (28 July 1562) http://ist-socrates.berkeley.edu/~ahnelson/DOCS/16will2.htm ------------------------------------------------------------
    {(de) VERE} *VOMERE* : *PLOUGHSHARE* (Italian, Latin) .......................................................
    _______________ <= 18 =>
    .
    . O T H E O {N}L i[E| B E G E T T E R O
    . F T H E S E {I}n[S| U I N G S O N N E
    . T S M R W h a {L|L|H] A P P I{N}E S S
    . E A N D t h a t {E|T|E} R N I T{I}E P
    . R O M I S E D [B|Y|O]u{R} E V E R{L}I
    . V I N G P O [E]t W|I]S H{E} T H(T)H{E}
    . |W]E L L W I S h i n g A{d V e} N(T)U
    . |R]E R I N S E t t i n g f o r .T H(T)T
    .
    {(de) VERE, H.} -19
    [WR-IOTH-ESLEY]
    --------------------------------------------------------------
    . . . I HWH : HWH I
    . .[HETH] VAV [HETH] YOD
    . [8] + 6 + [8] + 10 = 32 ..........................................................
    Pyramid {(de) VEER} *VOMERE* : *PLOUGHSHARE* (Italian, Latin) ...................................................
    ___ . . . . . . <= Sonnets 33/34 =>
    .
    ___. /T/ OT __ [H] EONLIEBEGE TTE . [R] .OFTHESEINSUINGS
    __- /O/ NN _. [E T] SMRWHALLH APPIN . [E] .SSEANDTHATETE
    __ /R/ NI___ [T(I)E] *PROMISED*BYOUREV. [E] .RLIVINGPOET
    _ /W/ IS___ [H E T H] THEWELL /WISHINGA [D V E] NTURERIN
    _______________ SETTIN GFORTH ______________TT --------------------------------------------------------------
    They *BURN* in love, THY CHILDREN Shakespear [HET] [THE]m
    . Go, wo thy Muse, more NYMPhish brood BEGET THEm
    .
    [HET], v. t. & i. To *PROMISE*. [Obs.] --Chaucer. ..........................................................
    Probability of two {(de) VERE/VEER} *VOMEREs* ~ 1 in 435] ------------------------------------------------------------------
    ‘To my Loveinge good ffrend
    & contreymann Mr Wm. Shackespere, deliver thees,’ ............................................
    ‘Loveinge Contr[E]yman, I am bolde of yow, as of a ffrende, cra[V]einge yowr helpe with XXX uppon Mr Bush[E]lls & my securytee, or Mr Myttons with me. M[R] Rosswell is nott come to L+ondon as yeat[E], & I have especiall cawse. Yow shall ffrende me
    muche in helpeinge me out of all the debettes I owe in London, I thancke God & muche quiet my mynde, which wolde nott be indebeted. I am nowe towardes the Cow{R}te, in hope of answer for th{E} dispatche of my Buysenes. {Y}ow shall nether loase cre{D}dytt
    nor monney by me, the Lord(E) wyllinge; & nowe butt perswade yowr selfe soe, a(S) I hope, & yow shall nott need to feare, butt with a(L)l hartie thanck(E)fullene(S) I wyll ho(L)de my tym(E) & content (Y)owr ffrende, & yf we Bargaine farther, (Y)ow shalbe
    the paiemaster yowre selfe. My tyme biddes me hasten to an ende, & soe I committ t[H]ys yowr care & hope of yo[W]r helpe. I feare I s{H}all no[T] be backe thys night ff[R]om th{E} Cowrte. Haste, The L[O]rde be with yow, a{N}d with us all. Amen! ffom the
    Bell [I]n Ca{R}ter Lane the 25 October, 1598, Yowres in all k{Y}ndenes,

    RyC. QUYNEY.’
    ..............................................................
    ____________. . . . . . . <= 33 =>
    .
    .‘L o v e i n g e C o n t r [E] y m a n,I a m b o l d e o f y o w,a s
    . o f a f f r e n d e,c r a [V] e i n g e y o w r h e l p e w i t h X
    . X X u p p o n M r B u s h [E] l l s&m y s e c u r y t e e,o r M r M
    . y t t o n s w i t h m e.M [R] R o s s w e l l i s n o t t c o m e t
    . o L o n d o n a s y e a t [E]&I h a v e e s p e c i a l l c a w s e.

    [E.VERE] 33 : Prob. ~ 1 in 125 at start ..............................................................
    ____________. . <= 30 =>

    . I f e a r e I s {H} a l l n o[T]b e b a c k e t h y s n i g h
    . t f f[R]o m t h {E} C o w r t e.H a s t e,T h e L[O]r d e b e
    . w i t h y o w,a {N} d w i t h u s a l l.A m e n!f f o m t h e
    . B e l l[I]n C a {R} t e r L a n e t h e O c t o b e r,Y o w r
    . e s i n a l l k {Y} n d e n e s,R y C.Q U Y N E Y.

    {HENRY} 30 : Prob. ~ 1 in 201 at end ............................................
    (ESLEY) 8,38 : Prob. of both ~ 1 in 259
    [IOTH] -40
    [WR] 40
    (DYER) -22
    ---------------------------------------------------------------- http://www.angelfire.com/ca/unitedcats/henry.html http://www.fortunecity.com/greenfield/dreams/383/towercat.htm
    .
    <<The Tower of London has been a home for many prisoners during its
    long history. A grim and foreboding place like this seems to be an
    unlikely home for two cats to set up home. But during the Tudor and
    Elizabethan eras, a cat gave loyal comfort to one of those unfortunates incarcerated there. During the bitter struggle between the Yorkest and Lancastrians in the War of the Roses, Sir Henry Wyatt was taken
    prisoner by King Richard III, in 1483, and sent to the tower. This was
    quite a difference in life for him, as he had once been the Governor of
    the Tower, and now he had a rather different view on life in the tower.
    Being a well known cat lover living in Allington Castle it was said of
    him that he *EVER used to make much of a cat* . Stories say that while
    in the Tower he was visited by a stray cat which made its way to his
    cell through a chimney. The cat often used to leave the cell and come
    back with *PIGEONS* which it gave to Wyatt. It is said these were
    cooked for him by a friendly gaoler and made up for the meagre rations
    that were fed to the prisoners. It was surmised that when he was first incarcerated he would become succumb to illness & starvation, but the
    gifts of food that the cat brought kept him alive until he was later
    released. Later Sir Henry had a memorial built to his cat friend in
    a church at Boxley in Kent. He also remembered him in a painting of
    him in 1532. Several years later, in 1601, when the reign of Queen
    Elizabeth was nearing its end, Henry Wriothesley, the third Earl of Southampton, was incarcerated in the Tower of London for supporting
    The Earl of Essex's rebellion. During his stay there he was joined by
    his favourite cat, a black & white female called *TRIXIE* . The Earl
    being a nobleman, had two houses, a country mansion in Gloucestershire
    & Southampton House in London. One story says the cat made its own way
    across London from Southampton House, scaled the walls & clambered
    across the roofs until it found the chimney of his cell and climbed
    down to join the Earl. We know that the cat kept Wriothesley company
    because many years later after the event, the tale was put into
    writing by Thomas PENNANT an antiquarian. The cat was also included in
    a portrait commissioned by Wriothesley around 1603, & painted by John
    de Critz the Elder. Trixie is shown as a black cat with white markings
    to her face, a snowy white bib, and white forepaws, sitting by the
    right arm of the Earl with a quizzical look upon her face. Trixie
    kept her master company in the tower for about two years.>> .........................................................
    "In Vinculus Invictus" Motto in Tower Painting:

    https://tinyurl.com/zpa7rug
    https://tinyurl.com/gnj9385

    DROESHOUT/HERODOTUS = "In Vinculus Invictus" Painting:
    .
    1) Large forehead
    2) eyebrows
    3) eyes
    4) nose
    5) moustache
    6) lips
    7) 14 buttons.
    ---------------------------------------------------------
    . Antony and Cleopatra Act 5, Scene 2
    .
    CLEOPATRA: Shall they hoist me up
    . And show me to the shouting varletry
    . Of censuring Rome? Rather a ditch in Egypt
    . Be gentle grave unto me! rather on *NILUS' mud*
    . Lay me stark naked, and let the water-flies
    . Blow me into abhorring! rather make
    . My country's high PYRAMIDES my GIBBET,
    . And HANG me up *IN CHAINS* !
    .
    GIBBET, n. [OE. gibet, F. gibet, in OF. also club, fr. LL. gibetum;
    cf. OF. gibe sort of sickle or hook, It. giubbetto gibbet, and
    giubbetta, dim. of giubba mane, also, an under waistcoat, doublet,
    Prov. It. gibba); so that it perhaps originally signified
    a halter, a rope round the neck of malefactors; or it is,
    perhaps, derived fr. L. gibbus HUNCHED, HUMPED,
    E. gibbous; or cf. E. jib a sail.] 1. A kind of gallows;
    an upright post with an arm projecting from the top,
    on which, formerly, malefactors were hanged *IN CHAINS* ,
    and their bodies allowed to remain as a warning. ------------------------------------------------ http://www.philological.bham.ac.uk/anagrams/
    .
    <<Even more curious is the one for Southampton,
    which explicitly states that he had been convicted
    of treason on false testimony inspired by envy.>> .............................................
    . HENRICUS URIOTHESLEUS
    _____ per anagramma
    . THESEUS NIL REUS HIC RUO
    .
    . [I] ure quidem poteras hanc fundere ab ore querelam,
    . [S] ors tibi dum ficto crimine dura fuit:
    ."[N] il reus en Theseus censura sortis iniquae
    . [H] ic ruo, livoris traditus arbitrio."
    . [A] t nunc mutanda ob mutata pericla querela est.
    . [I] nclite, an innocuo pectore teste rues?
    . [N] on sane. Hac haeres vacuo dat *VIVERE* cura,
    . [C] ollati imperii sub Iove sceptra gerens. .............................................
    . *ISNHAINC* {anagram} *IN CHAINS*
    .
    *Victorious though IN CHAINS* )
    .............................................
    . HENRY WRIOTHESLEY by an anagram
    . ('HERE I FALL, *THESEUS, GUILTY OF NOTHING* ')
    .
    Justly you were able to pour forth this complaint from
    your mouth, your lot was harsh while a false accusation
    prevailed. 'L.O. , Theseus is guilty of NOTHING , *HERE*
    I fall by an unfair lot's censure, betrayed by ENVY's whim.'
    But now the complaint is to be altered, because of
    altered perils. Great man, do you take a fall
    with an innocent heart bearing witness? Not at all.
    The HEIR, wielding the scepter of rule conferred
    under Jove's auspices, grants you to live free of this ............................................. http://www.philological.bham.ac.uk/anagrams/text.html -----------------------------------------------------------------
    October 8 THESEIA: Festival honoring the hero Theseus. -----------------------------------------------------------------
    Plutarch's Lives Volume I : http://www.stoics.com/plutarch_1.html
    . Translated out of Greek into French by James Amyot,
    . Abbot of Bellozane, Bishop of Auxerre,
    . and out of French into Englishe by *THOMAS NORTH*
    .
    <<The greatest and most solemne sacrifice they doe unto [Theseus],
    is on the eight daye of October, in which he return-
    THESEVS ed from CRETA, with the other younge children of ATHENS: ..............................................................
    October 8 THESEIA: Festival honoring the hero Theseus.
    .
    October 8, 1600 A Midsummer Night's Dream entered
    . on Stationers' Register. ..............................................................
    . . . *THOMA(s) SNOUT* , tinker
    . . . . . {anagram}
    . . . *SOUTHAM(p)TON* --------------------------------------------------------------------- https://en.wikipedia.org/wiki/Saint_Lucy


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