• *VN-FATHERED* fruite

    From Arthur Neuendorffer@21:1/5 to All on Sat Dec 4 15:18:39 2021
    ----------------------------------------------------------------
    . The Returne from Parnassus, Part I (1601) Act III Scene I ......................................................................
    GULLIO: He that esteems me of less worth than a K{N}IGHT* is a peasant, and
    . a gull [simpleton, f{O}ol]! Give me a *NEW KNIGHT* of them all, in fen{C}e
    . school at a Nimbrocado [imbroccata] or {A}t a Stoccado. Sir Oliver,
    . Sir Randal - base, {B}ase chamber-terms! I am saluted every mo{r}ning
    . by the name of, Good morrow captain, {M}y sword is at your service! ...................................................
    . . . . . . . . . . <= 33 =>
    .
    . HethatesteemsmeoflessworththanaK {N}
    . IGHTisapeasantandagullsimpletonf {O}
    . olGivemeaNEWKNIGHTofthemallinfen {C}
    . eschoolataNimbrocadoimbroccataor {A}
    . taStoccadoSirOliverSirRandalbase {B}
    . asechambertermsIamsalutedeverymo {r}
    . ningbythenameofGoodmorrowcaptain {M}
    . yswordisatyourservice
    .
    {Mr. BACON} -33
    ........................................
    . . Mr. BACON was knighted in *1603*. -----------------------------------------------------
    ______ . . . Hamlet Q1 (*1603*)
    .
    Hamlet: An excellent fellow by the Lord Horatio,
    . This *SEAUEN YEARES* haue I noted it: the toe of the pesant,
    . . . *COMES so neere the heele of the courtier*,
    . That hee gawles his kibe, I prethee tell mee one thing,
    . How long will a man lie in the ground before hee rots?
    .
    Clowne: I faith [SIR], if hee be not rotten [B]efore
    . He be laide in, [A]s we haue many pocky [C]orses,
    . He will last y[O]u, eight yeares, *A TAN[N]ER*
    . Will last you eight yeares full out, or nine.
    .
    Hamlet: And why *A TANNER*?
    .
    Clowne: Why his hide is so tanned with his trade,
    . That it will holde out water, that's a parlous
    . Deuourer of your dead body, a great soaker. .............................................
    . . . . . . . <= 17 =>
    .
    . I f a i t h [S I R] i f h e e b e n
    . o t r o t t e n [B] e f o r e H e b
    . e l a i d e i n [A] s w e h a u e m
    . a n y p o c k y [C] o r s e s H e w
    . i l l l a s t y [O] u e i g h t y e
    . a r e s a t a n [N] e r
    .
    [SI/R BACON] 17
    ----------------------------------------------------- https://www.rsc.org.uk/shakespeares-life-and-times

    <<William's father, John Shakespeare, was an affluent glove maker, *TANNER* and wool dealer who owned property in Stratford. For a number of years he played a prominent role in the municipal life of the town. He served on the town council and was elected
    bailiff. However, around 1576 John Shakespeare was beset by severe financial difficulties and he was forced to mortgage his wife's inheritance.>>
    -----------------------------------------------------
    . . . . Sonnet 97
    .
    . Yet this aboundant issue seem'd to me,
    . But hope of Orphans, and *VN-FATHERED* fruite,
    . For Sommer and his pleasures waite on t(H)ee,
    . And (T)hou aw(A)y, the v(E)ry bi{R|D)s are MUTE.

    . Or i{F} they sing, tis w{I}th so dull a che{E}re,
    . That leaues {L}ooke pale, drea{D}ing the Winter{S} neere. .......................................................
    . . . . <= 7 =>

    . .F .o .r .S .o .m .m
    . .e .r .a .n .d .h .i
    . .s .p .l .e .a .s .u
    . .r .e .s .w .a .i .t
    . .e .o .n .t (H) e .e,
    . .A .n .d (T) h .o .u
    . .a .w (A) y, t .h .e
    . .v (E) r .y .b .i {R}
    . (D) s .a .r .e .m .u
    . .t .e .O .r .i {F} t
    . .h .e .y .s .i .n .g,
    . .t .i .s .w {I} t .h
    . .s .o .d .u .l .l .a
    . .c .h .e {E} r .e,.T
    . .h .a .t .l .e .a .u
    . .e .s {L} o .o .k .e
    . .p .a .l .e, d .r .e
    . .a {D} i .n .g .t .h
    . .e .W .i .n .t .e .r
    . {S} n .e .e .r .e.
    .
    {R.FIELD'S} 13
    (DEATH) . . -6
    -----------------------------------------------------
    {R}ichard {FIELD'S} *FATHER* was *A TANNER*

    https://en.wikipedia.org/wiki/Richard_Field_(printer)

    <<Richard Field (or Feild) (1561–1624) was a printer and publisher in Elizabethan London, best known for his close association with the poems of William Shakespeare, with whom he grew up in Stratford-upon-Avon. Field's family lived on Bridge Street,
    Stratford-upon-Avon, close to the Shakespeare's house on Henley Street. His father was *A TANNER*. It is generally accepted that Shakespeare and Field knew each other in Stratford, since they were similar in age and their fathers were in similar
    businesses. After Field's father Henry died in August 1592, William's father John Shakespeare was one of the local officials charged with the appraisal of the deceased man's property.

    Field is best remembered for printing the early editions of three of Shakespeare's non-dramatic poems:

    1) Venus and Adonis – Field printed the first four editions of the narrative poem, the quartos of 1593 and 1594 and the octavos of 1595 and 1596.

    2) The Rape of Lucrece – Field printed the first quarto edition of 1594.

    3) The Phoenix and the Turtle – working for Edward Blount, Field printed the 1601 first quarto edition of the poem Love's Martyr by Robert Chester. In addition to Chester's poem, the volume contained short poems by other hands, including Shakespeare's
    work.

    In contrast to the early printed editions of Shakespeare's plays, Field's texts for the two narrative poems meet a high standard of quality. Scholars have sometimes supposed Shakespeare's direct involvement: "The two early poems, both carefully printed
    by Field, are probably the only works the publication of which Shakespeare supervised." Others, however, have disputed the idea of the poet's personal involvement, arguing that Field, "a highly efficient printer with a reputation for honesty and
    scrupulousness," could have produced the high-quality texts on his own.

    Field entered Venus and Adonis into the Stationers' Register on 18 April 1593, and published as well as printed the first two editions, but on 25 June 1594 he transferred the rights to the poem to bookseller John Harrison ("the Elder"). Harrison
    published Lucrece as well as future editions of Venus, and sold the books from his shop at the sign of the White Greyhound in St. Paul's Churchyard. Harrison later published editions of Lucrece that were printed by other printers.

    Another association between Shakespeare and Field has been theorised. It has often been noticed that many of the texts that Shakespeare used as sources for his plays were products of the Vautrollier/Field printshop. These texts include Thomas North's
    translation of Plutarch, Sir John Harington's translation of Orlando Furioso, Robert Greene's Pandosto, the works of Ovid, and possibly Raphael Holinshed's Chronicles. Since Field would have kept a copy of each of these books in his shop, it has been
    theorised that Shakespeare used Field's shop as a library during his early career. James Shapiro argues that the influence of Plutarch was especially significant in Shakespeare's mid-career and that he "probably worked from a copy of Plutarch given, or
    lent him, by Field, an expensive and beautiful folio that cost a couple of pounds".

    Richard and Jacqueline Field lived on Wood Street in the parish of St. Olave in the early 17th century; Shakespeare moved in with the Mountjoy family in nearby Silver Street in 1602. Mrs. Field and the Mountjoys were members of the community of Huguenot
    exiles in London, and likely knew each other on that basis – a further probable connection between Shakespeare and the Fields.

    There is no direct evidence for a connection between Shakespeare and Field after 1601, but an indirect connection exists in a reference in Shakespeare's Cymbeline, believed to have been written around 1610. In IV, ii, 377 of that play, Imogen gives the
    decapitated corpse of *CLO(t)EN* the name "Richard du Champ," French for Richard Field. (When printing Spanish texts, Field called himself "Ricardo del Campo.") Shakespeare's reason for giving his friend and colleague's name to the headless corpse of a
    villain is a matter of speculation. However, at this point in the play Imogen believes the body to be that of her husband Posthumus. When discovered (dressed as a young man) embracing the corpse, she dissembles by inventing the imaginary "du Champ",
    referring to him as "a very valiant Briton and a good", calling herself his devoted servant. For this reason the name is typically interpreted as an affectionate compliment to Field.>>
    -----------------------------------------------------
    Greek political satires were written that ridiculed
    Pericles' *non-aristocratic* successor:
    the war-mongering demagogue *CLEON* .
    .
    . thE WaSPS [Sphekes] (422 BC) Philonides
    . thE KnigHts. (424 BC) Aristophanes
    . thE AchARnians (425 BC) Callistratus
    .
    But Philonides & Callistratus were
    pseudonym/front men used by Aristophanes.
    .
    Unfortunately, Aristophanes was unable to hide behind
    . a pseudonym in _The Knights_ because Aristophanes,
    . himself, was *forced to play the CLEON character*
    .(a scheming *PAPHLAGONIAN LEATHER-MONGER* )
    . after EVERyone else refused.
    .
    (We know for certain that this character was
    intended to be *CLEON* because *CLEON's father*
    .
    . . Cleaenetus was, in fact, *A TANNER*.) ------------------------------------------------------
    . _The Knights_ (424 BC) by Aristophanes ......................................................
    NICIAS How loudly the *PAPHLAGONIAN FARTS* and snores!
    . I was able to seize the sacred oracle, which he was
    . guarding with the greatest care, without his seeing me. ......................................................
    SAUSAGE-SELLER: VERy well!
    . it was *CLEON* who had caused the price to fall so low,
    . that all might eat it, and the jurymen in the Courts were
    . almost asphyxiated from *FARTING* in each others' faces.
    .
    DEMOS: Hah! why, indeed, a *DUNGTOWNITE* told me the same thing.
    .
    SAUSAGE-SELLER: Were you not yourself in those days
    . . quite red in the gills with *FARTING*?
    .
    DEMOS: Why, it was a trick *WORTHY* of Pyrrhandrus! ----------------------------------------------------------------
    Joseph Barnes published the only English edition of Aristophanes
    prior to 1640, a Greek edition published in *OXENford* in 1593. .........................................................
    *OZONE* is derived from the Greek *OXEiN* meaning *to SMELL* .........................................................
    <<This Earle of Oxford, making his *LOW* obeisance to Queen
    . Elizabeth, happened to let a FART, at which he was so
    . abashed and ashamed that he went to Travell, *7 yeares* .
    . On his returne the Queen welcomed him home, and sayd,
    . My Lord, I had forgott the FART.>> -- John Aubrey -------------------------------------------------
    _____ *SEALD & DOONE* ............................................................... http://ist-socrates.berkeley.edu/~ahnelson/PERSONAL/011007.html
    .
    Cecil Papers 88/101 (bifolium, 232mm x 170mm),
    Oxford to Cecil; 7 October 1601 (W337;F593).
    .
    ...for I am aduised, that I may passe *MY BOOKE* from her
    Magestie, yf a warrant may be procured to my cosen *BACON*
    and Seriant [=Sergeant] *HARRIS* to perfet [= *PERFECT* ] yt.
    Whiche beinge *DOONE* , I know to whome formallye to
    thanke, but reallye they shalbe, and are from me, and myne,
    *to be SEALED VP* in an *AETERNALL REMEMBRANCE* to yowre selfe.
    And thus *WISHINGE ALL HAPPINES* to yow, and sume fortunat
    meanes to me, wherby I myght recognise soo *DIEPE* merites,
    I take my leaue this 7th of October from my House at HAKNEY. 1601.
    .
    . Yowre most assured and louinge Broother.
    . (signed) Edward Oxenford (ital.; 4+7)
    .
    Addressed (O): To the ryghte honorable & my very good Broother
    Sir Robert Cecill on [=one] of her Magestyes pryvie Councel
    and principall Secretarie giue thes at the Coorte. [seal]
    .
    Endorsed: 1601 7 October: Erle of Oxenford to my Master. -----------------------------------------------------------
    ______ Hamlet (Q2, 1604)
    .
    King: Follow him at foote,
    . Tempt him with speede abord,
    . Delay it not, Ile haue him hence to nig[H]t.
    . Aw[a]y, fo[R] eue[R]y th[I]ng i[S] *SEALD and DONE*
    . That els leanes on th'affayre, pray you make hast, ..........................................................
    ______ Hamlet (Folio, 1623)
    .
    King: Follow him at foote,
    . Tempt him with speed aboord:
    . Delay it not, Ile haue him hence to nig[H]t.
    . Aw[A]y, fo[R] eue[R]y th[I]ng i[S] *SEAL'D and DONE*
    . That else leanes on th'Affaire, pray you make hast. ..........................................................
    Ile haue him hence to
    ......................
    . . <= 4 =>
    .
    . .n i g [H]
    . {t A w}[A]
    . .y f o [R]
    . .e u e [R]
    . .y t h [I]
    . .n g i [S]
    . *S E A .L
    . 'D a n .d
    . .D O N .E*
    .
    [HARRIS] 4
    -------------------------------------------------
    . . Hamlet Q1 (1603: Edward de Vere Version)
    .
    Ham.: I mary i'st and though I am
    . Natiue here, and to t[H]e m[A]ne[R] bo[R]ne,
    . [I]t i[S] a custome, more honourd in the breach,
    . Then in the obseruance.
    .
    [HARRIS] 3
    .................................................
    Hamlet: King, Father, Royall Dane,
    . O answere mee, let mee not burst in ignorance,
    . But say why thy canonizd bones hearsed in death
    . Haue burst their ceremonies: why thy Sepulcher,
    . In which wee saw thee quietly interr'd,
    . Hath burst his ponderous and marble Iawes,
    . To cast thee vp againe: what may this meane,
    . That thou, dead corse, againe in compleate steele,
    . Reuissets [T]hus the glimses of the Moone,
    . Maki[N]g night hideous, and we fooles of n[A]ture,
    . So horridely to shake our di[S]position,
    . With thoughts beyond t[H]e reaches of our soules?
    . Say, speak[E], wherefore, what may this meane? ..........................................................
    ______________ <= 28 =>
    .
    . [T] h u s t h e g l i m s e s o f t h e M o o n e,M a k i
    . [N] g n i g h t h i d e o u s,a n d w e f o o l e s o f n
    . [A] t u r e,S o h o r r i d e l y t o s h a k e o u r d i
    . [S] p o s i t i o n,W i t h t h o u g h t s b e y o n d t
    . [H] e r e a c h e s o f o u r s o u l e s?S a y,s p e a k
    . [E] w h e r e f o r e,w h a t m a y t h i s m e a n e?
    .
    [T.NASHE] 28
    -----------------------------------------------
    _____ Hamlet (Folio, 1623)
    .
    Laertes: I am satisfied in Nature,
    . Whose motiue in this case should stirre me most
    . To my Reuenge. But in my termes of Honor
    . I stand aloofe, and will no reconcilement,
    . Till by some elder [MA{S}TERS] of knowne Ho[N]or,
    . I haue a v[O]yce, and pre[S]ident of pe[A]ce
    . To keepe [M]y name vngorg'd. But till that time,
    . I do receiue your offer'd loue like loue,
    . And wil not wrong it.
    .
    . Ham.: I do embrace it {FREE}ly,
    . And will this {BROTHERS} wager {FRANK}ely play. ................................................
    . . . . <= 10 =>
    .
    . [M A {S} T E R S] o. f k
    . .n o {W} n e H o [N] o r
    . .I h {A} u e a v [O] y c
    . .e a {N} d p r e [S] i d
    . .e n .t. o f p e [A] c e
    . .T o .k. e e p e [M] y n
    . .a m .e. v n g o .r. g'd.
    .
    [MASON] -10
    --------------------------------------
    ______ Hamlet (Quarto 1, 1603)
    .
    enter Clowne and an other.
    .
    Clowne: I say no, she ought not to be buried
    . In christian buriall.
    .
    2: Why sir?
    .
    Clowne: Mary more's the pitty, that great folke
    . Should haue more authoritie to hang or drowne
    . Themselues, more than other people:
    . Goe fetch me a stope of drinke, but before thou
    . Goest, tell me one thing, who buildes strongest,
    . Of a [MASON], a Shipwright, or a Carpenter?
    .
    2: Why a [MASON], for he buildes all of stone,
    . And will indure long.
    .
    Clowne: That's prety, too't agen, too't agen.
    .
    2: Why then a Carpenter, for he buildes the gallowes,
    . And that brings many a one to his long home.
    .
    Clowne: Prety agen, the gallowes doth well, mary howe dooes it well?
    . the gallowes dooes well to them that doe ill, goe
    . ge[T] thee go[N]e: And if [A]ny one a[S]ke thee [H]ereaft[E]r,
    . say, A Graue-maker, for the houses he buildes
    . Last till Doomes-day. Fetch me a stope of beere, goe. .............................................
    . . <= 7 =>
    .
    . g e [T] t h e e
    . g o [N] e A n d
    . i f [A] n y o n
    . e a [S] k e t h
    . e e [H] e r e a
    . f t [E] r s a y
    .
    [TNASHE] 7
    -------------------------------------------------
    Prospero: Silence: One word more
    . Shall make me chide thee, if not hate thee: What,
    . An aduocate for an {IMPOSTOR}? Hu[S]h:
    . Thou th[I]nk'st the[R]e is no mo[R]e such sh[A]pes as he,
    . ([H]auing seene but him and Caliban:) Foolish wench,
    . To th'most of men, this is a Caliban,
    . And they to him are Angels.
    .
    Miranda: My affections
    . Are then most humble: I haue no ambition
    . To see a goodlier man.
    .
    Prospero: Come on, *OBEY* :
    .............................................
    . . .<= 8 =>
    .
    . {I M .P. O S T O R}
    . .H u [S] h T h o u
    . .t h [I] n k s t t
    . .h e [R] e i s n o
    . .m o [R] e s u c h
    . .s h [A] p e s a s
    . .h e [H] a u i n g
    . .s e .e. n e b u t
    . .h i .m. a n d C a
    . .l i .b. a n
    .
    [HARRIS] -8
    -----------------------------------------
    . . . . . . Hamlet (Folio, 1623)
    .
    *OSRICKE* : The sir King ha's wag'd with him six Barbary Hor-
    . [S]es, against the which he [I]mpon'd as I take it, sixe F[R]ench
    . Rapiers and Ponia[R]ds, with their assignes, [A]s Girdle,
    . Hangers or so: t[H]ree of the Carriages infaith are *VERy DEarE*
    . to fancy, *VERy* responsiue to the hilts, most delicate
    . carriages, and of *VERy* liberall conceit. ................................................
    . . . . . . . . . . . . <= 20 =>
    .
    . s i x B a r b a r y H o [S] e s a g a i n
    . s t t h e w h i c h h e [I] m p o n d a s
    . I t a k e i t s i x e F [R] e n c h R a p
    . i e r s a n d P o n i a [R] d s w i t h t
    . h e i r a s s i g n e s [A] s G i r d l e
    . H a n g e r s o r s o t [H] r e e
    .
    [HARRIS] -20
    ..................................................
    Hamlet: What call you the Carriages?
    .
    *OSRICKE* : The Carriages Sir, are the hangers.
    .
    Hamlet: The phrase would bee more Germaine to the
    . matter: If we could carry Cannon by our sides; I would
    . it might be Hangers till then; but on sixe Barbary Hor-
    . ses against sixe French Swor[D]s: their Assignes, and thr[E]e
    . liberall conceited Ca[R]riages, that's the French [B]ut a-
    . gainst the Danish; wh[Y] is this impon'd as you call it? ........................................................
    . . . . . . . . . . . . . <= 21 =>
    .
    . s i x e F r e n c h S w o r [D] s t h e i r
    . A s s i g n e s a n d t h r [E] e l i b e r
    . a l l c o n c e i t e d c a [R] r i a g e s
    . t h a t s t h e F r e n c h [B] u t a g a i
    . n s t t h e D a n i s h w h [Y]
    .
    [DERBY] 21
    --------------------------------------------------
    . . . *OSRICKE*
    . . . *SIR COKE*
    -------------------------------------------------- http://en.wikipedia.org/wiki/Edward_Coke
    .
    <<*SIR edward COKE* ("Cook") (1 Feb. 1552 – 3 Sept. 1634) was an
    English jurist & Member of Parliament whose writings on the common
    law were the definitive legal texts for nearly 150 years. Born into
    a family of minor Norfolk gentry, Coke was eventually being appointed
    Solicitor General and then Attorney General by Queen Elizabeth. As
    Attorney General, Coke famously prosecuted Sir Walter Raleigh and the
    Gunpowder Plot conspirators for treason. In 1606, Coke was made Chief
    Justice of the Court of Common Pleas, later being elevated, in 1613,
    to Lord Chief Justice of England. Despite his 1616 dismissal from
    the bench, Coke remained an influential political figure, leading
    parliamentary opposition to the Crown in the 1620s. His career in
    parliament culminated in 1628 when he acted as one of the primary
    authors of the Petition of Right. This document reaffirmed the
    rights of Englishmen and prevented the Crown from infringing them.
    In later times, both English reformers and American Patriots, such
    as John Lilburne, James Otis, and John Adams, used Coke's writings
    to support their conceptions of inviolable civil liberties.>> -----------------------------------------------------
    Art Neuendorffer

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