• under his favourite tree, Pinus nigra. (2/2)

    From Arthur Neuendorffer@21:1/5 to All on Tue Jul 13 21:41:57 2021
    [continued from previous message]

    Expressed phonetically the Name is “EE-Ah-Oh-Mmm” and is pronounced with one continuous outbreathing with a slight nasal tone in the manner described above. It can be correctly and properly expressed with its full power only by one who has brought
    his physical body to a state of perfection, that is, balanced and sexless.>> ----------------------------------------------------------------
    . . I stumbled across a long youtube:

    Alan Green - presenting "Dee-Coding Shakespeare" https://www.youtube.com/watch?v=upzjM7-83LE

    and it got me thinking about the mispagination of page: 273/265 http://internetshakespeare.uvic.ca/Library/facsimile/book/SLNSW_F1/283/?zoom=850

    So I did an ELS search for the top of page: 264 http://internetshakespeare.uvic.ca/Library/facsimile/book/SLNSW_F1/282/?zoom=850

    ...and discovered: {M}[MASONS]{r} skip 33 = 264/(273-265) : --------------------------------------------------------------
    . Twelfth Night (First Folio, 1623) top of page 264: II, v
    .
    {M}al. Ioue knowes I loue, but who, Lips do not [M]ooue, no
    . man must know. No man must know. Wh[A]t followes?
    . The numbers alter'd: No man mu[S]t know,
    . If this should be thee Maluolio?
    .
    T[O]. Marrie hang thee brock(E).
    .
    Mal. I may comma[N]d where I adore, but silenc(E) like a Lu-
    . cre[S]se knife:
    . With bloodlesse st(R)oke my hea{r}t doth gor(E), {M}.O.A.I. d{O}th
    . sw{A}y my l{I|F|E).
    .
    Fa. *A FUSTIAN RIDDLE*! ........................................................
    ............ <= 33 = 264/(273-265) =>
    .
    . {M} alIou. e kn o. w e s I l. o. uebu. t w h o L i p. sdonot
    . [M] oouen. o ma n. m u s t k. n. owNo. m a n m u s t. knowWh
    . [A] tfoll. o we s. T h e n u. m. bers. a l t e r d N. omanmu
    . [S] tknow. I ft h. i s s h o. u. ldbe. t h e e M a l. uolioT
    . [O] Marri. e ha n. g t h e e. b. rock (E)M a l I m a. ycomma
    . [N] dwher. e Ia d. o r e b u. t. sile. n c(E)l i k e. aLucre
    . [S] sekni (F)eW i. t h b l o. o. dles. s e s t(R)o k. emyhea
    . {r} tdoth. g or(E){M O A I}d {O} thsw {A}y m y l{I|F)(E)
    .
    {M}[MASONS]{r} 33 : [MASONS] Prob. here ~ 1 in 1470
    (FREE) -35,18 : Prob. of both here ~ 1 in 135
    {MOAI} 5,1
    -------------------------------------------------------- http://www.bartleby.com/153/107.html http://www.luminarium.org/renascence-editions/colin.html ...................................................
    Colin Clo{UT}s Co(M|E)
    ......... Home Ag(A|I|N)e
    ......... BY ED. (S|P|E)NCER
    ............... L(O N|D)ON
    ............. PRI(N)T E D FOR WILLIAM PONSONBIE ................................................
    (MASON) 8 : Prob. ~ 1 in 5,750
    (PIE) -8
    (NED) 8
    ................................................
    Colin Clouts Co[M]E H[O]me [A]ga[I]ne ................................................
    [MOAI] 3 : Prob. ~ 1 in 135
    -------------------------------------------------
    ...... Sonnet 90

    THen hate me when thou wilt, if euer, now,
    Now while the world is bent my deeds to [CROSSE],
    Ioyne with the spight of fortune, make me bow,
    And doe not drop in for an after losse:
    Ah doe not, when my heart hath scapte this sorrow,
    Come in the rereward of a conquerd woe,
    Giue not a windy night a rainie morrow,
    To linger out a purposd ouer-throw.
    If thou wilt leaue me, do not leaue me last,
    When other pettie griefes haue done their spight,
    But in the onset co[M]e, s[O] st[A]ll [I] taste
    At first t{H}e v{E}ry {W}or{S}t of fortunes might.
    And other straines of woe, which now seeme woe,
    Compar'd with losse of thee, will not seeme so.

    [CROSSE] 1
    {HEWS} 3
    [MOAI] 3
    ----------------------------------------------------
    ...... Sonnet 152

    IN louing thee thou know'st I a[M] forsworne,
    But thou art twice f[O]rsworne to me loue swearing,
    In [A]ct thy bed-vow broake and new fa[I]th torne,
    In vowing new hate after new loue bearing:
    But why of two othes breach doe I accuse thee,
    W{H}en I breake twenty:I am p{E}riur'd most,
    For all my vo{W}es are othes but to misu{S}e thee:
    And all my honest faith in thee is lost.
    For I haue sworne deepe othes of thy deep[E] kindne[S]se:
    Othe[S] of thy l[O]ue, thy t[R]uth, thy [C]onstancie,
    And to inlighten thee gaue eyes to blindnesse,
    Or made them swere against the thing they see.
    For I haue sworne thee faire:more periurde eye,
    To swere against the truth fo foule a lie.

    [MOAI] 26
    {HEWS} 20
    [CROSSE] -7 : Prob. in Sonnets ~ 1 in 30 ----------------------------------------------------
    The Shepherd's Week : Saturday; Or, The Flights -
    . 1714 Poem by John Gay

    And plays a tickling Straw withi[N] his Nose.
    He rubs his Nostril, and in w[O]nted *Joke*
    The sneering Swains with [S]tamm'ring Speech bespoke.
    To you, my L[A]ds, I'll sing my Carrol's o'er,
    As for th{E} [M]aids, — I've something {E}lse in store.

    No soone{R} 'gan he raise his tune{F}ul Song,
    But Lads and Lasses round about hi[M] t(H)rong.
    Not Ballad singer plac'd above th(E) Croud
    Sings with [A] Note so shrilling s(W)eet and loud,
    Nor Parish Clerk who call[S] the Psalm so clear,
    Like Bowzybeus sooths th' attentive Ear.

    [O]f Nature's Laws his Carrols first begun,
    Why the grave Owl ca[N] never face the Sun. .........................................................
    ............ <= 25 =>
    .
    .. A n d p l a y s a t i c k l i n g S t r a w w i t
    .. h i[N]h i s N o s e H e r u b s h i s N o s t r i
    .. l a n d i n w[O]n t e d J o k e T h e s n e e r i
    .. n g S w a i n s w i t h[S]t a m m r i n g S p e e
    .. c h b e s p o k e T o y o u m y L[A]d s I l l s i
    .. n g m y C a r r o l s o e r A s f o r t h{E|M]a i
    .. d s I v e s o m e t h i n g{E}l s e i n s t o r e
    .. N o s o o n e{R}g a n h e r a i s e h i s t u n e
    . {F}u l S o n g B u t L a d s a n d L a s s e s r o
    .. u n d a b o u t h i[M]t(H)r o n g N o t B a l l a
    .. d s i n g e r p l a c d a b o v e t h(E)C r o u d
    .. S i n g s w i t h[A]N o t e s o s h r i l l i n g
    .. s(W)e e t a n d l o u d N o r P a r i s h C l e r
    .. k w h o c a l l[S]t h e P s a l m s o c l e a r L
    .. i k e B o w z y b e u s s o o t h s t h a t t e n
    .. t i v e E a r[O]f N a t u r e s L a w s h i s C a
    .. r r o l s f i r s t b e g u n W h y t h e g r a v
    .. e O w l c a[N]n e v e r f a c e t h e S u n
    .
    [MASON] -30, 49 : Prob. of both so near ~ 1 in 100
    {FREE}. -18 : Prob. here ~ 1 in 10
    (HEWS).. 32 : Prob. here ~ 1 in 5 ----------------------------------------------------
    . . . [ALL FOR ONE] : [TOUT PAR UNG] .....................................................
    . [H] [W] : [H]enry [W]riothesley
    . <E> <S> : <E>arl of <S>outhampton -------------------------------------------------------
    "A [MAN] in hew *ALL* <HEWS> in his con(TROW}l(I}ng" ..........................................................
    . READ IF THOV CANST, WHOM ENVIOVS DEATH HATH *PLAST*
    . WITH IN THIS MONVMENT SHAKSPEARE: WITH WHOME,
    . QUICK [NATURE DIDE] [WHoSE] [NAM] {EDO} <TH. DECK.> YS TOMBE,
    .*FAR* MORE,THEN COST: [SIEH] *ALL*, YT HE HATH WRITT, ..............................................................
    [He is] [MAN] [E.So. H.W.] [EDIDERUT(a)N] / {EDO} <TH. DECK.> .............................................................
    {EDO}: I give out, put or bring forth; eject, discharge.
    . I produce, bear, give birth to, yield, form, *BEGET* .
    . I put forth, *PUBLISH* , spread abroad.
    . I *SET FORTH*, relate, tell, disclose, deliver, announce, declare.
    . I produce, perform, show, inflict, bring about, cause.
    .
    [EDIDERUNT(a)]: 3rd-person plural perfect active
    . indicative of {EDO} [They have *SET FORTH*] -----------------------------------------------------------------
    To [.W.H.oS.E] sound chaste wings obay. ...................................................
    3: [.W.H.oS.E] fresh repaire if now thou not renewest,
    8: [.W.H.oS.E] speechlesse song being many, seeming one, ....................................................
    . *EDO-uardus VERUS*
    ....................................................
    . {EDO} , edere, EDIDI, EDITum, [EDIDERUNT] (Latin)
    . give out, *SET FORTH*; bring forth, beget, produce;
    . relate, tell, utter; *PUBLISH*. -----------------------------------------------------------
    Dave Roper: "{SO TEST} Him, *I UOW* He Is Edward De Uere" .............................................................
    _______________ . . <= 34 =>

    . H E N . R . Y. W R . . I . O T HE. SLEYEARLE ______... OF. SO U .T. HAMPTO. N ................................................................................
    . T E R . R . A. T E .. [G] .I T,PO. PULUSMÆRE ______... TO. LY M .P. USHABE. T
    ................................................................................
    . S T A . Y . P. A S .. [S] .E N GE. RWHYGOEST _ _ _ _ . TH. OV B {Y) SOFAST. R . E A D . I . F. T . (H)[O] .V C AN. STWHOM _ [E] .[N] .VIO. VS D {E) ATHHAT. H .*P L A. <S> .T* W . (I){T} <H{I}NT> HISMON _ [U] (M)[E] NT *SH A (K) SPEARE* W . I T. <H W H> . O . (M){E} .Q{U}IC. KNATVR _ [E D] (I)[D]E *WH O .S. ENAMED* O . T H D. <E> .C. K Y... {S} .T{O}MB. EFARMO _ [R E] t (H) E. NC O .S. TSIEHA. L . L Y T. <H> .E. H A-.. {T} .H{W}RI. TTLEAV _ [E]S. L. I. V. IN G .A. RTBVTP. A . G E T . O. .S. E R.... V. .E H IS. WITT .......................................................
    [EUERE][DE] 34
    {SO TEST} . 34
    {I UOW} . . 34
    <HEWS> . . -34
    (KEY). . . -34
    ---------------------------------------------- https://www.etymonline.com/search?q=key

    <<*KEY* (n) "instrument for opening locks," Middle English *KEIE*, perhaps it is related to Middle Low German *KEIE* "lance, *SPEAR*" on notion of "tool to cleave. literal and figurative ("solution, explanation, one who or that which opens the way or
    explains").>>
    ---------------------------------------------- https://en.wikipedia.org/wiki/Coats_of_arms_of_the_Holy_See_and_Vatican_City ........................................... https://upload.wikimedia.org/wikipedia/commons/thumb/3/31/Coat_of_arms_Holy_See.svg/300px-Coat_of_arms_Holy_See.svg.png

    Coat of arms of the Holy See with gold key in bend ...........................................
    <<The coats of arms of the Holy See and Vatican City in the form that combines two crossed keys and a tiara used as a coat of arms of the Holy See have origins attested from the 14th century. For decades after the creation of the Vatican State, the
    arrangement of the keys in the Holy See's coat of arms as described in these sources distinguishes it from that of Vatican City State by a reversing of the gold and silver keys.

    However, such form of the coat of arms has not been used by the Holy See for decades: in all official events and in the diplomatic missions of the Holy See abroad, it is always the regular Vatican City flag (with the gold key pointing upwards to the
    right and the silver key pointing upwards to the left) that is flown,[8][9][10][11][12][13] and the Vatican now only uses the Holy See's coat of arms in monochrome,[7] which renders it in practice one and the same as the coat of arms of Vatican City.
    ...........................................
    Matthew 16:19 And I will giue vnto thee the *KEYES* of the kingdome of heauen: ----------------------------------------------------------------- https://upload.wikimedia.org/wikipedia/commons/0/04/Coat_of_arms_of_Sir_Henry_Wriothesley%2C_3rd_Earl_of_Southampton%2C_KG.png

    Quartered arms of Sir Henry Wriothesley, 3rd Earl of [SOUTH-ampton]

    KG: Quarterly of four: Azure, a cross or between four *HAWKS* close argent (Wriothesley);
    2nd: Argent, a fret gules on a canton of the second a lion passant or (unknown);
    3rd: Argent, five fusils conjoined in pale gules a bordure azure bezantée (unknown);
    4th: Per pale indented gules and azure, a lion rampant or -----------------------------------------------------------
    HAMLET: I am but mad north-north-west: when the wind
    . . is [SOUTH]erly I know a *HAWK* from a HANDSAW. .......................................................
    . . . [SOUTH-ampton] Wriothesley coat of arms:

    Azure, a cross or between four *HAWKS* close argent

    https://upload.wikimedia.org/wikipedia/commons/thumb/f/f9/WriothesleyArms.png/800px-WriothesleyArms.png
    ...................................................
    . . . Shakespeare coat of arms:

    a *FALCON* his wings displayed argent [silver], supporting a spear gold

    https://upload.wikimedia.org/wikipedia/commons/5/54/Shakespeare_coat-of-arms.jpg

    The motto that runs along the bottom reads:

    . . {NON SANS DROICT}
    . . {CONNARDS OINTS} : (French) "Anointed Assholes" -------------------------------------------------------------------- https://en.wikipedia.org/wiki/Daedalion

    <<The Death of Chione>> by Nicolas Poussin, 1622 https://en.wikipedia.org/wiki/Daedalion#/media/File:Nicolas_Poussin-La_Mort_de_Chion%C3%A9.jpg

    <<Daedalion's daughter Chione was said to be so beautiful that she was the object of a thousand men's desire. Whilst returning from visits to earth both Apollo and Hermes caught sight of Chione and were filled with a burning lust. Apollo decided to wait
    until night fell, however Hermes was not so patient. Through the use of magic he caused Chione to fall into a deep sleep and proceeded to rape her. Later that evening Apollo also visited her in the guise of an old woman. As a result of these two divine
    visitations Chione gave birth to twins. By Hermes she gave birth to *Autolycus* who grew into a notorious thief and charlatan. By Apollo she bore Philammon, a man famed both for his voice and skill with a lyre. The attentions of not one but two gods led
    Chione to boast that her beauty exceeded even that of *Artemis*. To avenge this personal slight, not to mention blasphemy, Artemis struck Chione down by shooting an arrow straight through her tongue. Her father, Daedalion, was overcome with grief. At his
    daughter's funeral Daedalion tried to throw himself onto the pyre three times but was restrained. After a fourth unsuccessful attempt he ran, at an impossible speed, through the fields and the forests, climbed to the summit of Mount Parnassus and jumped.
    Apollo though took pity on the grieving father, transforming him into a *HAWK* before he could hit the ground. It is said that the *HAWK's* great strength, as well as its propensity for hunting other birds, is a result of Daedalion's former courage and
    the rage caused by the death of his daughter.>>
    .. *R . I. S. E*.
    ..........................................
    {SO TEST} -4 (Prob. skip <5 ~ 1 in 2580) --------------------------------------------------
    5[S WE H]'s:
    ...................................................
    TO THE MOST NOBLE AND INCOMPARABLE PAIRE OF BRETHREN.

    . . WILLIAM Earle of Pembroke...
    .
    <<Masonic Secret Word: Not to be confused with the password. The Word (always capitalized) is so secret that initiates are taught it one letter at a time. First they learn A, then O, then M, and finally I. The Word is {IAOM}. You never get a straight
    story as to what it means. As best as anyone can figure, it is the ineffable name of god, or some approximation thereof.>>
    ...................................................
    _Masonry and Its Symbols in the Light of Thinking and Destiny_
    by Harold Waldwin Percival (15 April 1868 - 6 March 1953):

    https://tandd.org/hlib/masonry-and-its-symbols/section06.html

    <<The Word, an English translation of the Logos, as used by St. John, is not the Name. It is an expression of the full Triune Self powers, each of the three parts being represented in it by a sound, and the perfect body in which the Triune Self dwells
    being also represented by a sound. The Doer part is expressed as {A}, the Thinker part as U or {O}, the Knower part as {M}, and the perfect body as {I}. The Word is {I-A-O-M}, in four syllables or letters. The expression of the perfect body and the
    Triune Self as these sounds is an expression of the Conscious Light of the Intelligence through that Self and body. When a part in its physical body sounds as {IAOM} each of the parts sounds AOM, and each represents a Logos. The Knower is then the First
    Logos, the Thinker the Second Logos and the Doer the Third Logos. The Word is symbolized by a circle in which are a hexad of two interlaced triangles, and the point in the center. These letters in which the perfect Self sounds, are symbolized in Masonry
    by the square and compass or the emblem of the interlaced triangles.

    There is a succinct relationship of the Word with the Ineffable Name. The Word is feeling-and-desire, the Doer. The Doer is lost in the body of flesh and blood in the world of life and death. Thus the Doer is the lost Word. The body, when perfected,
    serves as the instrument through which the Doer pronounces the Ineffable Name. The Ineffable Name and the embodied Word, when one is fitted to speak it, is {IAOM}. By so doing the body is raised from a horizontal to an upright position. Expressed
    phonetically the Name is “EE-Ah-Oh-Mmm” and is pronounced with one continuous outbreathing with a slight nasal tone in the manner described above. It can be correctly and properly expressed with its full power only by one who has brought his physical
    body to a state of perfection, that is, balanced and sexless.>> ..................................................
    . . . . 1714 Poem by John Gay
    . . . . . . . KJV Psalm 40

    1 I waited patiently for the Lord, and
    . he inclined vnto me, and heard my crie.
    2 He brought {M}e vp also out of an horrible pit,
    . out of the (M)irie clay, {A}nd set my feete vpon
    . (A) rock, and established my going{S}.
    3 And he hath put a new song in my m(O)uth, euen praise
    . vnt{O} our God: ma(N)y shall see it, and feare,
    . and shall trust i{N} the Lord.
    4 Blessed is that man that maketh the Lord hi{S} truste: and
    . respecteth not the proud, nor such as turne aside to lies. ................................................
    . . . . . . . . <= 23 =>
    .
    . I w a i t e d p a t i e n t l y f o r t h e L
    . o r d,a n d h e i n c l i n e d v n t o m e,a
    . n d h e a r d m y c r i e H e b r o u g h t{M}
    . e v p a l s o o u t o f a n h o r r i b l e p
    . i t,o u t o f t h e(M)i r i e c l a y{A}n d s
    . e t m y f e e t e v p o n(A)r o c k,a n d e s
    . t a b l i s h e d m y g o i n g{S}A n d h e h
    . a t h p u t a n e w s o n g i n m y m(O)u t h,
    . e u e n p r a i s e v n t{O}o u r G o d:m a(N)
    . y s h a l l s e e i t,a n d f e a r e,a n d s
    . h a l l t r u s t i{N}t h e L o r d.B l e s s
    . e d i s t h a t m a n t h a t m a k e t h t h
    . e L o r d h i{S}t r u s t e:
    .
    {MASONS} 43
    (MASON). 26
    Prob. of 2(MASON)s in 1st 3 verses of any Psalm ~ 1 in 325 -----------------------------------------------------------
    Art Neuendorffer

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