[continued from previous message]

................................................
. . . . <= 24 =>
.
. H .e. r e k e n n e l’d i n a b r a k e s h e f i
. n [D] s a h o u n d,A n d a s k s t h e w e a r y
. c [A] i t i f f f o r h i s m a s t e r,A n d t h
. e [R] e a n o t h e r l i c k i n g o f h i s w o
. u [N] d,G a i n s t v e n o m’d s o r e s t h e o
. n [L Y] s o v e r e i g n p l a s t e r;A n d h e
. r [E] s h e m e e t s a n o t h e r s a d l y s c
. o .w. l i n g,
..............
[DARNLE] 24
--------------------------­------------------------------­--
(HENRY){STEWART} = Albany, King Hamlet, Duncan/Banquo

https://en.wikipedia.org/wiki/Henry_Stuart,_Lord_Darnley

<<(HENRY){STEWART}, Duke of Albany (7 December 1545 – 10 February 1567), was king consort of Scotland from 1565 until his murder at Kirk o' Field in 1567. Many contemporary narratives describing his life and death refer to him as Lord [DARNLE]y, his
title as heir apparent to the Earldom of Lennox, and it is by this appellation that he is now generally known. He was the second but eldest surviving son of Matthew Stewart, 4th Earl of Lennox. He was a first cousin and the 2nd husband of Mary, Queen of
Scots, and was the father of her son James I.>> -----------------------------------------------------------
<<Fulke Greville lived in Warwick Castle on
the River Avon and his family's crest was a *SWAN*.

He frequented Mistress Quyney's Stratford tavern
(and the Bear and the *SWAN*).>> ---------------------------------------------------
Sweet *SWAN* of A\V\on! what a sight it w\E\re
To see thee in ou\R\ waters yet appear\E\, ..............................................
. . . . . <= 15 =>
.
. S w e e t s w a n o f A. \V\ o n!
. w h a t a s i g h t i t w \E\ .r
. e T o s e e t h e e i n ou \R\
. w a t e r s y e t a p p ear \E\
.
\VERE\ 16 : Prob. (in couplet) ~ 1 in 47 ..................................................
And make those flights upon t{He} bankes of Tha[M]es,
That so did t[A]ke Eliza, and ou[R] James !
B{U}t stay, [I] se{E} thee in th{E} [He]misphe{R}e
Advanc'd, and made a Constellation t{He}re ! ................................................
. . . . . <= 13 =>
.
. A n d m a k e t h o s. .e. f
. l i g h t s u p o n t. {H e}
. b a n k e s o f T h a. [M] e
. s T h a t s o d i d{T} [A] k
. e E l i z a a n d o{U} [R] J
. a m e s B{U}t s t a y. [I|s)
. e{E}t h e e i n t h{E} [H e]
. m i s p h e{R}e A d v. .a. n
. c'd,a n d m a d e a C. .o. n
. s t e l l a t i o n t. {H e}r e ! ....................................................
[MARI.H(e.)] 13 : Prob. at end (skip<14) ~ 1 in 2525 .......................................................
THE LA. [MARI]e [H(e.)]r(be)rt COUNTESSE OF PEMBROOKE. ------------------------------------------------------- https://tinyurl.com/y9fpaj6v
Third Folio (1664) second issue:

. . MR. {W}ILLIAM SHAKE{S}PEAR'S
Comedi[ES], Hist{O}ries, a[N]d Trag{E}dies.
. P[U]blish{E}d acco[R]ding t{O}
. the (TRUE O)riginal Co<PIES>.
...........................
. . . <= 10 =>
.
. M R. {W} I. L .L I A .M. S H A
. K E. {S} P. E .A R'S .C. o m e
. d i. [E S], H .i s t {O} r i e
. s,a. [N] d. T .r a g {E} d i e
. s.P. [U] b. l .i s h {E} d a c
. c o. [R] d. i .n g t {O} t h e
.(T R. .U. E. O.)r i g .i. n a l
. C o. <P. I. E. S>.
.
[RUNES] -10 : Prob. ~ 1 in 930
[RUNE/S] -10 : Prob. ~ 1 in 210 {all Folios sans "&"} ------------------------------------------------------
. . [M]r. William S(H)AK<ES>P(E|A|R}ES
Comedi(E)s, H{I}st(O|R|I|E}s & T{R}ag{E}d(I|E}s,
. <P|U}b(L|I|S)h{E}d accor(D)ing to
. t[He] Tr{U}e Orig(I)nall Co<PIES>. ...............................................
. . . . . . . . . . <= 17 =>
.
. [M]R.W i l l i a m S (H) A K <E S> .P(E)
. [A|R}E S C o m e d i (E) s,H <I> .s t(O)
. [R|I|E}s&T{R}a g{E}d (I){E}s <P> {U}b(L)
. [I|S)h{E}d a c c o r (D) i n .g. {T}o t
. [H e}T r{U}e O r i g (I) n a .l . l C o
. <P I E S>.
..........................................
[MARI.H(e.)] 17 : Prob. ~ 1 in 4174 -----------------------------------------------
. . . . . . . . . . <= 17 =>
.
. [M] R (W) H A L L {H} A .P. P I N E S S E
. [A] N (D) T H A T {E} T {E} R N I T I E P
. [R] O .M. I S E D {B}(Y){O} V R E V E R L
. [I] V .I. N G P O {E}(T){W} I S H E T H T
. [H e] .W. E L L W .I (S){H} I N G A D V{E}
. .N. T .V. R E R I .N .S. E. T T I N G F{O}
. .R. T .H. T T
..........................................
[MARI.H(e.)] 17 : Prob. ~ 1 in 10,000 --------------------------------------------------------------- https://en.wikipedia.org/wiki/Hebe_(mythology)

<<{HEBE} (Ἥβη: inherited word for "youth") is the goddess of youth or the prime of life. She is the daughter of Zeus and Hera. Hebe was the cupbearer for the gods and goddesses of Mount Olympus, serving their nectar and ambrosia until she married
Heracles; her successor was the divine hero Ganymede. Hebe was worshipped as the goddess of forgiveness or mercy at Sicyon.

Hebe had influence over eternal youth and the ability to restore youth to mortals, a power that appears exclusive to her, as in Ovid's Metamorphoses. Her role of ensuring the eternal youth of the other gods is appropriate with her role of serving as
cupbearer, as the word ambrosia has been linked to immortality, undying, and lifeforce. In art, she is typically seen with her father in the guise of an eagle. Eagles were connected with immortality and there was a folklore belief that the eagle (like
the phoenix) had the ability to renew itself to a youthful state.

Pindar refers to Hebe as the most beautiful of the goddesses. Servius said that Zeus gifted her two doves with human voices, and one flew to where the Oracle of Dodona would be established. Hebe was often connected to Aphrodite, whom she was described
dancing with and acting as her herald or attendant. In Euripedes' play Orestes, Helen is said to sit on a throne beside Hera and Hebe upon obtaining immortality.

Cicero seems to imply that either Hebe or Ganymede could serve in the role of cupbearer at the heavenly feast. The reasoning for Hebe's dismissal was transformed into a moralizing story in the 1500s by the Church of England, where it was stated in a note
in an English-Latin dictionary that Hebe fell while in attendance to the gods, causing her dress to become undone, exposing her naked body publicly. Although there is no Classical literary or artistic source for this account, the story was modified to
function as a warning to women to stay modestly covered at all times, as naked women in particular were seen as shameful by the Church. During this period, Hebe was strongly associated with spring, so this addition of Hebe falling to the myth was also
allegorized to represent the change of season from spring to autumn.>> ------------------------------------------------
<<Aubrey says of Lady [MARY S]idney: "She was VERy salacious,
and she had a Contrivance that in the Spring of the yeare,
when the *STALLIONS* were to leape the Mares, they were to
be brought before such a part of the house, where she had
a vidette (a hole *to peepe* out at) to looke on them and
please herselfe with their Sport; and then she would act the
ike sport herselfe with her *STALLIONS*. One of her great
Gallants was *CROOKE-BACK't Cecill*, Earl of Salisbury.">> ....................................................... https://upload.wikimedia.org/wikipedia/commons/3/3c/Richardthird.jpg

The Tragedy of King Richard the third. Containing, His
{T}reach{E}rous P{L}ots ag{A}inst his brother Clarence :
. *THE PITTIEFULL* murther of his innocent nephewes :
. . . his tyrannicall vsurpation :

. with the whole course of his de{TEST}ed life,
. and most deserued death. As it hath beene
. lately Acted b[Y] the Right honourabl[E]
. the Lord Chamberlai[N]e his seruants.

. At Lon[D]on, Printed by Valent[I]ne Sims,
. for Andrew (WI[S]E) , dwelling in Paules
.{C}hurch-yard, at the signe of the Angell. 1597. ...........................................
. . . . . . . <= 18 =>
.
. A s i t h. a t .h. b .e e n e l a t e l
. y A c t e. d b [Y] t .h e R i g h t h o
. n o u r a. b L [E] T .H E L o r d C h a
. m b e r l. a i [N] e .h i s s e r u a n
. t s A t L. o n [D] o .n P r i n t e d b
. y V a l e. n t [I] n .e S i m s f o r A
. n d r e w (W I [S] E) d w e l l i n g i
. n P a u l. e s {C} h .u r c h-y a r d,
.
[{C}SIDNEY] -18 Q1(1597)
[{C}ountesse of pembrooke: mary SIDNEY]

Prob. of [SIDNEY] ~ 1 in 2215 ----------------------------------------------------- https://upload.wikimedia.org/wikipedia/commons/f/ff/R3_Q5_TP_1612.jpg

THE | TRAGEDIE | of King Richard | the third. | Containing his treacherous Plots against his brother | Clarence : the pittifull murther of his innocent Ne- | phewes : his tyrannicall vsurpation : wi[T]h the | whole course of the detested life, [A]nd |
most deserued death. | As it hath beene [L]ately Acted by the Kings Maiesties | ser[V]ants. | Newly augmented, | By William Shake-[S]peare. | LONDON, | Printed by [T]homas [C]reede, and are to be sold by Mathew | Lawe, dwelling in Pauls Church-yard, at
the Signe | of the Foxe, neare S. Austins gate, 1612.

[TALVS] 33
----------------------------------------------------- https://upload.wikimedia.org/wikipedia/commons/d/dc/Merry_Wives_tp.jpg

A | Most pleasaunt and | excellent conceited Co- | medie, of Syr Iohn Falstaffe, and the | merrie Wiues of Windsor. | Entermixed with sundrie | variable and pleasing humors, of Syr Hugh | the Welch knight, Iustice Shallow, and his | wise Cousin M.
Slender. | With the swaggering vaine of A{U}ncie[N|T} | Pist[O|L}l, and [C|O}rpor[A|L}l Nym. | [B]y William Shakespeare. | As it hath bene diuers times Acted by the right Honorable | my Lord Chamberlaines seruants. Both before her | Maiestie, and else-
where. | LONDON | Printed by [T]. [C]. for Arthur Iohnson, and are to be sold at | his shop in Powles Church-yard, at the signe of the | Flower de Leuse and the Crowne. | 1602.
...........................
. . . <= 6 =>
.
. .A. {U} n c i e
. [N] {T} P i s t
. [O] {L} l,a n d
. [C] {O} r p o r
. [A] {L} l N y m.
. [B] .y .W i l l
. .i . a .m S h a
. .k . e .s p e a
. .r . e.

[BACON] -6
-----------------------------------------------------
Mary [SIDNEY] Herbert --- Newly drawn?
http://tinyurl.com/zf6kjzl

The swans on the collar look suspiciously prominent. ------------------------------------------------------
. . The *Swan of Mantua* : *VIRGIL*

*VIRGIL*'s tomb, once treated like a shrine, has disappeared.

. . . *VIRGIL*'s epitaph was supposedly:

. Mantua me genuit, Calabri rapuere, tenet nunc Parthenope.
Mantua GAVE me BIRTH, the Calabrians took me, now Naples holds me; -------------------------------------------------------------------
. IVDICIO [P]YLIVM, GENIO [S]OCRATEM, ARTE [M]ARONEM,
. . . TERRA TEGIT, POPVLVS MAERET, OLYMPVS HABET.

("In judgement a *Nestor*, in wit a *Socrates*, in art a *VIRGIL*
the earth buries him, the people mourn him, Olympus possesses him") -------------------------------------------------------------------------
. . David Roper Stratford Monument array: ........................................................
. . . . . . . . . . . . <= 34 =>

. TE.R. R .A .T. E (G) I TPOP U L. U S M Æ R E T O. {L Y M P U S H A B E} T ...........................................................................
. ST.A. Y .P .A. S (S) E NGER W H. Y G O E S T T H O U . B Y S O F A S T .R
. EA.D. I .F .T (H)(O) U CANS T W. H O M[E N V I O U S] .D E A T H H A T .H
. PL.A (S) T .W (I)(T) H INTH I S {M O N[U]M E N T} {S H A K S P E A R E} W
. IT (H W H) .O (M)(E) Q UICK(N)a {T U R[E|D]I D E} {W H O S E N A M E D} O .<TH.D (E) C .K> Y (S) T OMBE F A. R M O[R|E]t H E . N C O S T{S I E H} A L
. LY.T (H) E .H. A (T) H WRIT T L. E[A.V|E|S L I V]. I N G A R T B U T .P A
. GE.T. O .S .E. R. V. E HISW I T. T .................................................................... ............................ "[ENVIOUS SLIV/ER] broke" .......................................................
<HEWS> . . -34 : https://tinyurl.com/5ryf94sf -------------------------------------------------------------
Art Neuendorffer

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