• BACON bits

    From Arthur Neuendorffer@21:1/5 to All on Fri Sep 3 18:37:00 2021
    ---------------------------------------
    . . . Henry V (Quarto 1, 1600)
    .
    . THE CRONICLE History of Henry the fift,
    . With his battell fought at Agin Court in
    . France. Togither with Auntient Pistoll.
    .
    As it hath bene sundry times playd by the Right
    honorable the Lord Chamberlaine his Servants.
    .
    Printed by Thomas Creede, for Tho. Millington, and Iohn Busby.
    And are to be sold at his house in Carter Lane,
    next the Powle head. 1600.
    ..............................................
    Flew.: I he was born at Monmorth.
    . Captain Gower, what call you the place where
    . Alexander the *BIG* was borne?

    Gour.: Alexander the great.

    Flew.: Why I pray, is nat *BIG* great?
    . As if I say, *BIG* or great, or magnanimous,
    . I hope it is all one reconing,
    . Saue the frase is a litle varation.

    Gour.: I thinke Alexander the great
    . Was borne at Macedon
    . His father was called Philip of Macedon,
    . As I take it.

    Flew.: I thinke it was Macedon indeed where Alexander
    . Was borne: looke you captaine Gower,
    . And if you looke into the mappes of the worell well,
    . You shall finde litle dif{F}ere[N]ce betweene
    . Macedon and Monmorth. Looke you, there is
    . A Riuer in Ma{C}ed[ON], and there is also a Riuer
    . In Monmorth, the Riuers name at Monmorth, {I}s <[C]ALL>ed Wye.
    . But tis out of my braine, what is the name of the other:
    . But ti{S} <[A]LL ONE>, tis so like, as my fingers is to my {F}ingers,
    . And there is Samons in [B]oth.
    . Looke you captaine Gowe{R}, and you marke it,
    . You shall finde our King is come after Alex{A}nder.
    . God knowes, and you know, that Alexander in his
    . Bowles, a{N}d his alles, and his wrath, and his displeasures,
    . And indignations, was kill his friend Clitus. .........................................................................
    . . . . . . . . .<= 57 =>
    .
    . litledif{F}e r e [N]c e b e twe e neMaced o nandMon m(O)r t hLoo k eyouther(E)isA
    . RiuerinM a{C}e d [ON](A)n d the r eisalso a RiuerIn M o(N)m orth t heRiuers(N AME)
    . atMonmor t h{I}s [C]A L L)e dWy e Buttiso u tofmybr a i n(E)what i sthename(O)fth
    . eotherBu t t i{S}[A]L L ONE> ti s solikea s myfinge r s i s tomy{F}ingersAn d the
    . reisSamo n s i n [B]o t h L ook e youcapt a ineGowe{R}a n d youm a rkeitYou s hal
    . lfindeou r K i n .g i s c o mea f terAlex{A}nderGod k n o w esan d youknowt h atA
    . lexander i n h i .s B o w l esa{N}dhisall e sandhis w r a t hand h isdisple a sur
    . esAndind i g n a .t i o n s was k illhisf r iendCli t u s
    .
    {FRAN.} 49
    {F.CIS} 58
    [BACON] -57
    ------------------------------------------------
    . THE STORY OF THE LEAR{NED PIG}
    . As related by himself to the Author
    . of the following letter.
    .
    Dear Sir,
    .
    . I have the pleasure to be v[E]ry
    . intimate wit{H} the m{A}n w[H]o {S}hews
    . {T}h(E) le{A}r{NED PIG} at[S]adler’s We(L)ls.
    . As (I) was o(N)E D[A]y sitting (I)n
    . his parlour, a[N]d no perso(N) in
    . the house bu[T] myself, I was alarmed by a gentle
    . rap at the door, which I immediately opened, and
    . discovered the lear{NED PIG} erect on his hinder legs,
    . and bowing VERy gracefully with his head and body. ....................................................
    . . .<= 5 =>
    .
    . .s .u .r .e. t
    . .o .b .e .v [E]
    . .r .y .i .n. t
    . .i .m .a .t. e
    . .w .i .t {H} t
    . .h .e .m {A} n
    . .w [H] o {S} h
    . .e .w .s {T} h
    . (E) l .e {A} r
    . {N .E .D .P. I
    . .G} a .t [S] a
    . .d .l (E) r’ s
    . .W .e (L) l .s
    . .A .s (I) w .a
    . .s .o*(N) E .D*
    . [A] y .s. i .t
    .
    {HASTA} 5 : Prob. in first sent. ~ 1 in 667
    (NILE) -5
    ....................................................
    . . . . . . . . <= 22 =>
    .
    . I h a v e t h e .p. l e a s u r e t o b e v [E]
    . r y i n t i m a .t. e w i t{H}t h e m{A}n w [H]
    . o{S}h e w s{T}h (E) l e{A}r*N E D*p i g a t [S]
    . a d l(E)r’s W e (L) l s.A s(I)w a s o(N)E D [A]
    . y s i t t i n g (I) n h i s p a r l o u r,a [N]
    . d n o p e r s o (N) i n t h e h o u s e b u [T]
    . m y s e l f,
    .
    [T.NASHE] -22 : Prob. in first 2 sent. ~ 1 in 410
    (NILE) -22
    -----------------------------------------------------
    . . . . . Sonnet 65

    Since brasse, nor stone, nor earth, nor boundlesse sea,
    But sad mortallity ore-swaies their power,
    How with this rage shall beautie hold a plea,
    Whose action is no stronger then a flower?

    O how shall summers hunny breath hold out,
    Against the wrackfull siedge of battring dayes,
    When rocks impregnable are not so stoute,
    Nor gates of steele so strong but time decayes?

    O feare{F}ull meditation, where alack,
    Sh[(A)LL] times {B}est Iewell from times chest lie hid?
    Or wh{A|T) strong hand can hold his swift foote ba{C}k,
    Or who his (S)poile of beautie can [FOR]bid?

    {O N} [ONE], vnlesse this mir(A)cle haue might,
    That in black inck my love may still s(H)ine bright. .........................................................
    . . . . . . . <= 34 =>
    .
    . . . .O f e are {F} u l l m edita t ionwhere a lackSh
    .[(A)L L]t i mes {B} e s t I ewell f romtimes c hestli
    . .e h i d O rwh {A} t s t r ongha n dcanhold h isswif
    . .t f o o t eba {C} k O r w hohis(S)poileofb e autiec
    . .a n[F O R]bid {O N}[O N E]vnles s ethismir(A)clehau
    . .e m i g h tTh .a. t i n b lacki n ckmylove m aystil
    . .l s h i n ebr .i. g h t T hatin b lackinck m ylovem
    . .a y s t i lls (H) i n e b right.
    .
    {F.BACO/N} 34 : Prob. in Sonnets ~ 1 in 23
    (HASTA) -43 : Prob. in last 6 lines ~ 1 in 42 -------------------------------------------------------------------
    Is it not *STRANGE*, that I, to whom they all have beene beholding:
    is it not like that you, to whome they all have bee[N]e be-holding,
    shall (were yee in that case that I am now) bee both at [ON]ce of
    them forsaken? Yes trust them not: for there is an vpstart [C]row,
    beautified with our feathers, that with his Tygers hart wr[A]pt in
    a Players hyde, supposes he is as well able to bombast out a [B]lanke
    verse as the best of you: and beeing an absolute *IOHANNES [F]ACTOTUM*
    , is in his owne conceit the onely Shake-scene in a countrey. ...................................................................
    . . . . . . . . <= 52 =>
    .
    . Isitnot*STRANGE*thatI .towhomthey .allhave b .e. enebeho. ldingis
    . itnotli kethaty outow .hometheyal .lhavebe e [N] ebehold. ingshal
    . lwereye einthat caset .hatIamnowb .eebotha t [ON] ceofth. emforsa
    . kenYest rustthe mnotf .orthereisa .nvpstar t [C] rowbeau. tifiedw
    . ithourf eathers thatw .ithhisTyge .rshartw r [A] ptinaPl. ayershy
    . desuppo sesheis aswel .labletobom .bastout a [B] lankeve. rseasth
    . ebestof youandb eeing .anabsolute *IOHANNE S [F] ACTOTUM* isinhis
    . ownecon ceitthe onely *SHAKESCENE* inacoun t r ey
    .
    [F.BACON]. -52 : Prob. ~ 1 in 6460
    [F.BACO/N] -52 : Prob. ~ 1 in 4500 -------------------------------------------------------
    The KJV title page to the 1611
    http://tinyurl.com/yafpyqk

    At the top, is:

    1) the Tetragrammaton "יהוה" ("YHWH"/*26*) over
    2) the holy spirit in a form of a dove over
    3) a grotesque *St.THOMAS* with a *carpenter's square* in *SHADOW* --------------------------------------------------------------- http://en.wikipedia.org/wiki/Thomas_the_Apostle

    Thomas the Apostle
    Honored in: Anglican Communion
    Attributes: The Twin, placing his finger in the side of Christ,
    *SPEAR* (means of martyrdom), square (his profession, a builder) --------------------------------------------------------------
    The KJV (1611) Epistle Dedicatory http://www.hilltopbaptistnewport.net/images/DedicatoryCover.jpg .......................................................
    . TO THE MOST HIGH AND MIGHTIE
    . (P)rince, (I)AMES by the grace of (G)od
    . King of Great Britaine,{FRANC}e, and I{R}ela[N]d,
    . Defe{N}der [O]f the F{A}ith, &[C].
    . THE TRANSL[A]TORS OF THE [B]IBLE,
    . w{IS}h Grace, Mercie, and Pea{C}e, through IESVS
    . Christ our Lord.
    ............................................
    Masonic *carpenter's square* :

    ___ . . <= 10 =>
    .
    . {F R (A) N C.} E A N D I
    . {R}E (L) A[N] .D,D E F E
    . {N}D (E) R[O] .F T H E F
    . {A}I (T) H[C] .T h e T r
    . .a n .s. l[A] .t o r s o
    . .f t .h. e[B] .i b l e w
    . {I S} h. G r . a c e,M e
    . .r c .i. e,a . n d P e a
    . {C}e, t. h r . o u g h I
    . .E S .V. S C . h r i s t
    . .o u .r. L o . r d.
    .
    [BACON] -10 : Prob. ~ 1 in 750
    (TELA). -10
    .........................................................
    [BACON] skip < 11 occurs only 8 times in the rest of KJV ---------------------------------------------------------
    Terry Ross wrote:

    <<As Hannas says, if Harvey had meant to suggest *SPEARS*
    . he could have used a form of {HASTA}, which would be
    . more naturally translated as "SPEAR" [than (TELA)]. ...................................................
    . Witty {A}bove her sexe, bu{T} that's not all :
    . Wi{S}e to salvation w{A}s good Mistress {H}all ; .................................................
    . . . . .<= 14 =>
    .
    . W i t t y {A} b o v e h e r s
    . e x e b u {T} t h a t s n o t
    . a l l W i {S} e t o s a l v a
    . t i o n w {A} s g o o d M i s
    . t r e s s {H} a l l
    .
    {HASTA} -14
    ...............................................
    . Something of Shakespere was in that, but this
    . Wholly of H[I]m with whom she's now in blisse.
    .*Then, pa[S]senger, hast ne'er a teare*
    . To weepe wit[H] her, that wept with all ?
    . That wept, yet s[E]t herself to chere
    . Them up with comfo[R]ts cordiall ?
    . Her love shall live, her m[E]mory spread,
    . When thou hast ne'er a tear to shed.
    ........................................
    . . . . . . . . . <= 31 =>
    .
    . Somethingof *SHAK .E. SPERE* wasinthatb
    . utthisWholl. yofH [I] mwith .whomshesno
    . winblisseTh. enpa [S] senge .rhastneera
    . teareToweep. ewit [H] herth .atweptwith
    . allThatwept. yets [E] thers .elftochere
    . Themupwithc. omfo [R] tscor .diall

    [IS HERE] 31
    -------------------------------------------------------------
    Good [BACON]: gone musty. Shakespeare [BACON]'s wild oats.
    Cypherjugglers going the highroads.
    *SEEKERS* on the great quest. What town, good *MASTERS*? .................................................................
    When Rutland[BACON]southamptonshakespeare or another poet of the same
    name in the comedy of errors wrote Hamlet he was not the father of
    his own son merely but, being no more a son, he was and felt himself
    the father of all his race, the father of his own grandfather, the
    father of his unborn grandson who, by the same token, nEVER was
    born for nature, as Mr Magee understands her, *abhors PERFECTION* -----------------------------------------------------------------
    Finnegans Wake p.332 (8th 100 letter *THUNDER* word) http://everything2.com/title/thunderword ...........................................................
    Snip snap snoody. *Noo err historyend goody*.
    Of a lil trip trap and a big treeskooner for he
    put off the ketyl and they made three (for fie!) and
    if hec dont love alpy then lad you annoy me. For hanigen
    with hunigen still haunt ahunt to finnd their hinnigen

    where - Pappappapparrassannuaragheallach[N]atullaghm[O]ngan macma[C]macwhackf[A]lltherdeb[B]lenonthedubblandaddydoodled ............................................................
    Joyce would have been familiar with the
    simple gematria cipher the letters of [BACON] = #33
    and :FRANCIS BACON: = #100

    [BACON] cipher starts on the #33rd letter of #100 letters: ..................................
    ___ . <= 10 x 10 =>

    . P a .p. (p) .a. p p a p p
    . a r .r. (a) .s. s a n n u
    . a r .a. (g) .h. e a l l a
    . c h [N] (a) .t. u l l a g
    . h m [O] (n) (g) a n m a c
    . m a [C] .m. (a) c w h a c
    . k f [A] .l. (l) t h e r d
    . e b [B] .l. (e) n o n t h
    . e d .u. .b. .b. l a n d a
    . d d .y. .d. .o. o d l e d
    ..........................................
    Prob. of [BACON] in one of FW's 10 perfect
    10 x 10 arrays: ~ 1 in 855 .......................................................
    and anruly person *CREEKED A JEST*. Gestapose to
    *PARRY off CHEEKARS* or frankfurters on the odor. -----------------------------------------------------
    ______ . . . Hamlet Q1 (*1603*)
    .
    Hamlet: An excellent fellow by the Lord Horatio,
    . This *SEAUEN YEARES* haue I noted it: the toe of the pesant,
    . *COMES so neere the heele of the courtier* ,
    . That hee gawles his kibe, I prethee tell mee one thing,
    . How long will a man lie in the ground before hee rots?
    .
    Clowne: I faith [SIR], if hee be not rotten [B]efore
    . He be laide in, [A]s we haue many pocky [C]orses,
    . He will last y[O]u, eight yeares, *a tan[N]er*
    . Will last you eight yeares full out, or nine.
    .
    Hamlet: And why *A TANNER*?
    .
    Clowne: Why his hide is so tanned with his trade,
    . That it will holde out water, that's a parlous
    . Deuourer of your dead body, a great soaker. .............................................
    . . . . . . . <= 17 =>
    .
    . I f a i t h [S I R] i f h e e b e n
    . o t r o t t e n [B] e f o r e H e b
    . e l a i d e i n [A] s w e h a u e m
    . a n y p o c k y [C] o r s e s H e w
    . i l l l a s t y [O] u e i g h t y e
    . a r e s a t a n [N] e r
    .
    [SI/R BACON] 17
    ............................................
    Francis Bacon was knighted in *1603*. -------------------------------------------------
    . King Lear (Quarto 1, 1608) Act 3, Scene 2
    .
    . . . . Enter Lear and Foole.
    .
    Lear: Blow wind & *CRACKE YOUR CHEEKES*, rage, blow
    . You caterickes, & Hircanios spout til you haue drencht,
    . The steeples drown'd the *COCKES*,
    . you su[L]pher[O]us an[D] Thou[G]ht ex[E]cuting fires,
    . vaunt-currers to Oke-cleauing *THUNDERboults*,
    . singe my white head, And thou *ALL SHAKING THUNDER*,
    . smite flat The thicke Rotunditie of the world, *CRACKE* natures
    . Mold, all Germains spill at once that make Ingratefull man. .........................
    . . <= 5 =>
    .
    . .y. o u s u
    . [L] p h e r
    . [O] u s a n
    . [D] T h o u
    . [G] h t e x
    . [E] c u t i
    . .n. g f i r
    . .e. s,


    [LODGE] 5 : Prob. in speech ~ 1 in 1855 ---------------------------------------------------------
    In his Frontline essay, William Murphy
    mentions *THOMAS LODGE* once & only once: ......................................................
    Thirty-Six Plays in Search of an Author
    by William M. Murphy, Union College Symposium 1964 .............................................................
    There are those, like Delia Bacon, who are afflicted with what
    has been called the "Corporation Syndrome," holding that such
    distinguished literature must be the work of a com{M}i[T]tee.
    Its members w{O}u[L]d include, in addi{T}i[O]n to BACON and Oxfor[D],
    Robert GREENE, Geor[G]e PEELE, Samuel DANI[E]L, Thomas NASHE,
    *THOMAS LODGE*, Michael Drayton, and Thomas Dekker. ....................................................
    _____ . <= 17 =>
    .
    . .m u .s. t .b. e t h e w o r k o f a c
    . .o m {M} i [T] t e e.I t s m e m b e r
    . .s w {O} u [L] d i n c l u d e,i n a d
    . .d i {T} i [O] n t o B a c o n a n d O
    . .x f .o. r [D] R o b e r t G r e e n e,
    . .G e .o. r [G] e P e e l e,S a m u e l
    . .D a .n. i [E] l,T h o m a s N a s h e,
    . *T H .O. M .A. S L O D G E*

    [T.LODGE] 17 : Prob. stuck on *THOMAS LODGE* ~ 1 in 100,000 ......................................................................
    <<H[E REVE]eals in the Sonnets... that he had latent homosexual tendencies
    and that he carried on a protracted and degrading adulterous affair with a repulsive dark-skin(N)ed lady who probably gave him a l(O)athsome disease.
    In short, Shake(S)peare didn't write the plays bec(A)use we don't know enough about hi(M) -- or because we know too much. The l(A)yman takes his choice.>> ................................................................
    . <= 27 =>
    .
    . a .f. f a i r w i t h a r e p u l s i v e d a r k-s k i
    . n (N) e d l a d y w h o p r o b a b l y g a v e h i m a
    . l (O) a t h s o m e d i s e a s e.I n s h o r t,S h a k
    . e (S) p e a r e d i d n't w r i t e t h e p l a y s b e
    . c (A) u s e w e d o n't k n o w e n o u g h a b o u t h
    . i (M) o r b e c a u s e w e k n o w t o o m u c h.T h e
    . l (A) y m a n t a k e s h i s c h o i c e.
    .
    (A MASON) -27 .................................................................. ..................................................................
    It should be apparent to anyone possessing normal common sense, then,
    that {Shakespeare's authorship} of the works is not merely "pro[B]able"
    or "likely," as some softhe[A]ds have put it, but absolutely [C]ompelling.
    Yet it is common kn[O]wledge that after Delia [BACON] published her
    vague notions about authorship in 1856 defenders of her unorthodox
    views and creators of others multiplied like rabbits, and any reader
    of the modern newspaper knows that the tribe increases every year. ....................................................
    ________ . . . . . <= 25 =>
    .
    . {S h a k e s p e a r e's a u t h o r s h i .p} o f t
    . .h e w o r k s i s n o t m e r e l y"p r o [B] a b l
    . .e"o r"l i k e l y"a s s o m e s o f t h e [A] d s h
    . .a v e p u t i t,b u t a b s o l u t e l y [C] o m p
    . .e l l i n g.Y e t i t i s c o m m o n k n [O] w l e
    . .d g e t h a t a f t e r D e l i a [B A C O N] p u b
    . .l i s h e d h e r v a g u e n o t i o n s
    .
    [BACON] 25 : Prob. stuck on [BACON] ~ 1 in 325 --------------------------------------------------------
    Art Neuendorffer

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