• (2/3)

    From Arthur Neuendorffer@21:1/5 to All on Tue Aug 17 15:34:10 2021
    [continued from previous message]

    . Held by the Wings, fill EVERy Ear with Noise.
    . And what? those former Calumnies you mention'd,
    . First, of the Law: Indeed I brought in Ovid
    . Chid by his angry Father, for neglecting
    . The Study of their Laws, for Pœtry: --------------------------------------------------
    JULY 6, 1604 - Edward de Vere buried
    . on St. GodeliEVE's Day
    ................................................
    July 6, 1070 - St. GodeliEVE murdered by
    . *DROWNING IN A POND* after being strangled into
    . unconciousness by her mother-in-law's servants. -------------------------------------------------
    . *GROS(s)ER NAME* : *ENVIOU(s) SLIVER*
    . *ROGE(r) MANERS* : *NIL VE(r)O VERIUS* ............................................
    . . Hamlet (Quarto 1, 1603)

    Queene: O my Lord, the yong Ofelia
    . Hauing made a garland of sundry sortes of floures,
    . Sitting vpon a willow by a brooke,
    . The *ENVIOUS SPRIG* broke, into the brooke she fell, ..................................................
    . Hamlet (Quarto 2, 1604) Act 4, Scene 7
    .
    Queen: There is a Willow growes ascaunt the Brooke
    . That showes his horry leaves in the glassy streame,
    . Therewith FANTASTIQUE gaRLANDs did she make
    . Of Crowflowers, Nettles, Daises, and long *PURPLES*
    . That liberall Shepheards giue *A GROS(s)ER NAM{E}* ,
    . But our cull-c{O}ld maydes doe [D]ead mens fing[E]rs call them.
    . There on the pen[D]ant boughes h[E]r *CRONET WEED{E}S*
    . Clamb(RING) t{O} hang, an *ENVIO[U](s) SLIVER* brok[E],
    . When downe he[R] weedy trophi[E]s and her selfe ................................................
    . . . . . . . . <= 12 =>
    .
    . *A. G R O S (s) E R N A. M {E}*
    .. B. u t o u. r. c u l l -c {O}
    .. l. d m a y. d. e s d o. e [D]
    .. e. a d m e. n. s f i n. g [E]
    .. r. s c a l. l. t h e m. T. h
    .. e. r e o n. t. h e p e. n [D]
    .. a. n t b o. u. g h e s. h [E]
    .. r *C R O N. E. T W E E. D {E}
    .. S* C l a m. b.(R I N G) t {O}
    .. h. a n g,a. n *E N V I. O [U]
    . (s) S L I V. E. R*b r o. k [E]
    .. W. h e n d. o. w n e h. e [R]
    .. w. e e d y. t. r o p h. i [E]
    .. s. a n d h. e. r s e l. f. e
    .
    [DE{E.O.}UERE] 12
    -------------------------------------------------------
    . . David Roper Stratford Monument array: ........................................................
    . . . . . . . . . . . . <= 34 =>

    . TE. R R A T. E (G) I TPOP U L. U S M Æ R E T O{L Y . M P U S H A B E}T .........................................................................
    . ST. A Y P A. S (S) E NGER W H. Y G O E S T T H O U . B Y S O F A S T R
    . EA. D I F T (H)(O) U CANS T W. H O M[E N V I O U S]. D E A T H H A T H
    . PL. A(S)T W (I)(T) H INTH I S {M O N[U]M E N T} {S H A K S P E A R E}W
    . IT (H W H)O (M)(E) Q UICK(N)a {T U R[E|D]I D E} {W H O S E N A M E D}O
    .<TH. D(E)C K> Y (S) T OMBE F A. R M O[R|E]. t H E N C O S T{S I E H}A L
    . LY. T(H)E H. A (T) H WRIT T L. E[A.V|E|S L I V]. I N G A R T B U T P A
    . GE. T O S E. R. V. E HISW I T. T .................................................................... ............................ "[ENVIOUS SLIV/ER] broke" --------------------------------------------------------------
    I read Michell's hardback book 25 years ago and it
    soon after fell apart so I bought a new paperback.

    Michell not only sold me on ciphers but also on group theory...

    I think Oxford wrote the (self referential) Hamlet 1603
    Quarto while others (including Rutland & Lord STRANGE)
    improved upon it for the 1604 Quarto.

    After Rutland died in 1612
    William Stanley honored him in Hamlet's letter: ----------------------------­-------------­-----------
    .... 1623 Folio (Act 4, Scene 7)
    . Claudius reads Hamlet's letter to Laertes:

    'High and mighty, You shall know I am set naked on
    . your kingdom. To-morrow shall I beg leave to see
    . your kingly eyes: when I shall, first asking your
    . pardon thereunto, recount the occasion of my sudden
    . *AND MORE STRANGE RE(t)URN*.' 'HAMLET.' ......................................................
    ____. *AND MORE STRANGE RE(t)URN*
    ____ *ROGER MANNERS, E. RUT(l)AND* ------------------------------------------------------
    ________. Sonnet 111
    .
    O For my sake doe you wish fortune chide,
    The guiltie goddesse of my harmfull deeds,
    That did not better for my life prouide,
    Then publick meanes which publick *MANNERS* breeds.
    Then{C}e *COMES* it that *MY NAME* receiues {A} brand,
    And almost thence my natu{R}e is subdu'd
    To what it workes in, l{I}ke th[E DYER]S HAND,
    Pitty me then, a{N}d wish *I wERE REnU'DE*,
    Whilst like {A} willing pacient I will drinke,
    Potions of Eysell gainst my strong infection,
    No bitternesse that I will bitter thinke,
    Nor double penna.nce to correct correction.
    ..................
    {CARINA} 27 [Latin for the keel of a ship] ----------------------------------------------------
    ________. Sonnet 112
    .
    YOur loue and pittie doth th'impression fill,
    Which vulgar scandall stampt vpon my brow,
    For what care I who calles me well or ill,
    So you ore-greene my bad, my good alow?
    You are my All the world, and I must str(I)ue,
    To know my (S)hames and pr(A)ises from your t[O]unge,
    None e[L]se to me, nor [I] to none ali[V]e,
    That my st[E]el'd sence o[R] changes ri[G]ht or wrong,
    In so profound Abisme I throw all care
    Of others voyces, that my Adders sence,
    To cryttick and to flatterer stopped are:
    Marke how with my neglect I doe dispence.
    You are so strongly in my purpose bred,
    That all the world besides me thinkes y'are dead. ..............................................
    . . . . . . <= 10 =>
    .
    .. Y o u a r e. m. y A l
    .. l t h e w o. r. l d,a
    .. n d I m u s. t. s t r
    . (I)u e,T o k. n. o w m
    .. y(S)h a m e. s. a n d
    .. p r(A)i s e. s. f r o
    .. m y o u r t [O] u n g
    .. e,N o n e e [L] s e t
    .. o m e,n o r [I] t o n
    .. o n e a l i [V] e,T h
    .. a t m y s t [E] e l'd
    .. s e n c e o [R] c h a
    .. n g e s r i [G] h t o
    .. r w r o n g,
    .
    (ISA.).... 11
    [OLIVER].. 10
    [GREVIL.] -10 : Prob. of [GREVIL] in Sonnets ~ 1 in 145
    . Fulke [GREVIL]le: Recorder of Stratford (1606-1628) --------------------------------------------------------------------- https://en.wikipedia.org/wiki/Fulke_Greville,_1st_Baron_Brooke

    <<Fulke Greville, 1st Baron Brooke, de jure 13th Baron Latimer and 5th Baron Willoughby de Broke KB PC, known before 1621 as Sir Fulke Greville, was an Elizabethan poet, dramatist, and statesman who sat in the House of Commons at various times between
    1581 and 1621, when he was raised to the peerage. Greville was a capable administrator who served the English Crown under Elizabeth I and James I as, successively, treasurer of the navy, chancellor of the exchequer, and commissioner of the Treasury, and
    who for his services was in 1621 made Baron Brooke, peer of the realm. Greville was granted Warwick Castle in 1604, making numerous improvements. Greville is best known today as the biographer of Sir Philip Sidney, and for his sober poetry, which
    presents dark, thoughtful and distinctly Calvinist views on art, literature, beauty and other philosophical matters.

    In 1628 Greville was stabbed at his house in London by Ralph Haywood, a servant who believed that he had been cheated in his master's will. Haywood then turned the knife on himself. Greville's physicians treated his wounds by filling them with pig fat
    which turned rancid and infected the wounds, and he died in agony four weeks after the attack. His body was brought back to Warwick, and he was buried in the Collegiate Church of St Mary, Warwick, and on his tomb was inscribed the epitaph he had composed:

    Folk Grevill
    Servant to Queene Elizabeth
    Conceller to King James
    and Frend to Sir Philip Sidney.
    Trophaeum Peccati.>>
    ---------------------------------------------------------
    . . Loues Labour's lost (Folio, 1623) Actus primus.
    .
    Dumane: My louing Lo[R]d, Dumane is m[O]rtified,
    . The [G]ROS(S)ER *MANN[E]R* of these wo[R]lds delights,
    . He throwes vpon the grosse worlds baser slaues:
    . (T)o loue, (T)o weal(T)h, to pom{P}e, I pin{E} and di{E},
    . With a{L}l thes{E} liuin{G} in Philosophie. ....................................................
    . . . <= 6 =>

    . (T) o. l o u e,
    . (T) o. w e a l
    . (T) h, t o p o
    .. m {P} e,I p i
    .. n {E} a n d d
    .. i {E},W i t h
    .. a {L} l t h e
    .. s {E} l i u i
    .. n {G} i n P h
    .. i. l. o s o p
    .. h. i. e
    ..{PEELE,G} 6 {Prob. ~ 1 in 2350, Folio only} ...........................................
    . . . . . . <= 11 =>

    . M y l o u i n g L o [R] d,
    . . D u m a n e i s m [O] r
    . . t i f i e d,T h e [G] r
    . . o s s e r*M A N N [E] R*
    . . o f t h e s e w o [R] l
    . . d s d e l i g h t (S),

    [ROGER] (S) 11 {Prob. ~ 1 in 550, Folio only} ----------------------------------------------
    .... *GROS(S)ER MANNER*
    .... *ROGER (S) MANNERS*
    .........................................
    *GROS(S)ER NAME* : *ENVIOU(S) SLIVER*
    *ROGE(R) MANERS* : *NIL VE(R)O VERIUS* -----------------------------------------
    . *MULTUM IN PARVO*
    . *Much in Little*
    .
    . motto of : {E. RUTLAND} ROGER Manners ------------------------------------------
    . Twixt this T{URTLE AND} his Queen.
    .......................................
    . Whereupon it made this Threne,
    . To the {PHOENIX} and the Dove,
    . Co-su[P]remes [A]nd sta[R]s of lo[V]e,
    . As Ch[O]rus to their Tragic scene.
    ....................................
    . . <= 6 =>
    .
    . C o s u [P] r
    . e m e s [A] n
    . d s t a [R] s
    . o f l o [V] e,
    . A s c h [O] r
    . u s t o. t. h
    . e i r t. r. a
    . g i c s. c. e
    . n e.

    Prob. of *PARVO* ~ 1 in 4400 (any skip) --------------------------------------------------
    Adam. Y[O]nder comes my *MASTER*, yo[U]r brother.

    Orlan. Goe a-[PAR]t Adam, and thou shalt
    ..... he[A]re how he *WILL SHAKE* me v[P].
    ....................................
    . . . . . <= 20 =>
    .
    . . Y[O] ndercom esmy*MASTE R*
    . y o[U] rbrothe rOrl anGoe a
    .[P A R] tAdaman dtho ushal t
    . h e[A] rehowhe*WILL SHAKE*m
    . e v[P]

    [PARUO] -20
    ------------------------------------------------
    . . . . . As You Like It: III, iii

    Clo. : for heere wee haue no {TEMPLE} but the wood,
    . no assembly but horne-[B]easts. But what though? Courage.
    [A]s hornes are odious, they are ne[C]essarie. It is said,
    . many a man kn[O]wes no end of his goods; right: Ma[N]y
    . a man has good Hornes, and knows no end of them. ..........................................
    . . . . . . . . . . . . <= 26 =>
    .
    . forheereweehaueno {TEMPLE} bu. t
    . thewoodnoassembly. buthor .ne [B]
    . eastsButwhatthoug. hCoura .ge [A]
    . shornesareodioust. heyare .ne [C]
    . essarieItissaidma. nyaman .kn [O]
    . wesnoendofhisgood. sright .Ma [N]
    . yamanhasgoodHorne. sandkn .ow. s
    . noendofthem

    [BACON] 26
    --------------------------------------------
    . LET the bird of loudest lay
    . On the sole Arabian tree,
    . Herald sad and trumpet be:
    . To whose sound cha[S]te wings obey.
    . But tho[U] shrieking harbinge[R],
    . Foul precurrer of th[E] fiend,
    . Augur of the fe[V]ers end,
    . To this troup[E] {COME (t)}hou not near! ..........................................
    . . . . . . <= 18 =>
    .
    . L e t t h e. b. i r d o f.. l o u d e s
    . t l a y O n. t. h e s o l.. e A r a b i
    . a n t r e e, H. e r a l d.. s a d a n d
    . t r u m p e. t. b e:T o w.. h o s e s o
    . u n d c h a [S] t e w i n.. g s o b e y.
    . B u t t h o [U] s h r i e.. k i n g h a
    . r b i n g e [R],F o u l p.. r e c u r r
    . e r o f t h [E] f i e n d,. A u g u r o
    . f t h e f e [V] E R S E n.. d,T o t h i
    . s t r o u p [E]{C O M E(t)} h o u n o t
    . n e a r!
    .
    Prob. of *E.VERUS* ~ 1/12,240 (any skip) ........................................
    . [E]douardus [VERUS] , {COME(s)} Oxoniae,
    . Vicecomes Bulbeck, Dominus de Scales
    . & Badlismer, D. Magnus Angliae Ca-
    . merarius: Lectori. S. D.
    .
    http://comp.uark.edu/~mreynold/aulicus.html --------------------------------------------------------
    And though thou hadst *SMALL* Latine , and lesse Greeke, ..................................................
    . *PARVO* : *SMALL* (Latine)
    ..................................................
    . The merry Greeke, tart Aristo[P]hanes,
    .*NEAT* Terence, witty Plautus, now not ple[A]se;
    . But antiquated, and deserted lye
    . As they we[R]e not of Natures family.
    . Yet must I not give Nat[U]re all: Thy Art,
    . My gentle Shakespeare, must enj[O]y a part; ..................................................
    . . . . . . . . . . . . <= 38 =>

    . ThemerryGreeketartAristo [P] hanesNeatTere
    . ncewittyPlautusnownotple [A] seButantiquat
    . edanddesertedlyeAstheywe [R] enotofNatures
    . familyYetmustInotgiveNat [U] reallThyArtMy
    . gentleShakespearemVstenj [O] yapart

    . . . . . . [PARUO] : skip = 38 ..................................................
    . *MULTUM IN PARVO*
    . *Much in Little*
    .
    . motto of : {E. RUTLAND} ROGER Manners ------------------------------------------------------ http://en.wikipedia.org/wiki/Timon_of_Athens

    <<Timon is *not initially* a misanthrope. He is a wealthy & generous
    Athenian gentleman. He gives a large banquet, attended by nearly all
    the main characters. Timon gives away money wastefully, and everyone
    wants to please him to get more, except for Apemantus, a churlish
    philosopher whose cynicism Timon cannot yet appreciate. He accepts art
    from Poet and Painter, and a jewel from the Jeweller, but by the end
    of Act 1, he has given that away to another friend. Timon's servant,
    Lucilius, has been wooing the daughter of an old Athenian. The man is
    angry, but Timon pays him three talents in exchange for the couple
    being allowed to marry, because the happiness of his servant is worth
    the price. Timon is told that his friend, Ventidius, is in debtors'
    prison. He sends money to pay Ventidius's debt, and Ventidius is
    released and joins the banquet. Timon gives a speech on the value
    of friendship. The guests are entertained by a masque, followed by
    dancing. As the party winds down, Timon continues to give things
    away to his friends; his horses, and other possessions.>> ---------------------------------------------------
    From: Stephanie Caruana (spear-sha...@mindspring.com)
    Subject: Re: Complete morons 1999/12/07
    Newsgroups: humanities.lit.authors.shakespeare
    --
    I feel it's only fair to mention that Oxford's home for a
    while in the late 80's or so was "Fisher's Folly", just outside
    Bishopsgate, in Bishopsgate Ward. It is described in John
    Stow's "London Under Elizabeth: A Survey," (1598) as follows:

    "Next to [John Paulet's new house], a far more large and beautiful
    house, with gardens of pleasure, bowling alleys, and such like,
    built by Jasper Fisher, free of the goldsmiths, late one of the
    six clerks of the chancery and a justice of the peace. It hath
    since for a time been the Earl of Oxford's place. The queen's
    majesty Elizabeth ha[TH LODGE]d there. It now belongeth to Sir
    *ROGER MANERS*. This house, being so large and sumptuously built
    by a man of no greater calling, possessions, or wealth, for
    he was indebted to many, was mockingly called Fisher's Folly..." ----------------------------------------------------------------- http://www.motco.com/Harben/2087.htm

    <<Fisher's Folly.-In Bishopsgate Street, in Bishopsgate Ward Without.
    A house bui