[continued from previous message]

. maker, we are lesse afraid to be drownde, then thou art.

Gonz. I'le warrant him for drowning, though the
. Ship were no stronger then a Nutt-shell,
. and as leaky as an vnstanched wench.

[BOTES]: Lay her a hold, a hold, set her
. two courses off to Sea againe, lay her off.

Enter Mariners wet.

Mari. All lost, to prayers, to prayers, all lost.

[BOTES]: What must our mouths be cold? ----------------------------------------------------------- http://www.bbc.com/news/education-35973094

<<There is a stage direction in King Lear, which, in the early
part of the print run, says rather cryptically "H {EDIS}",
which is then updated in later copies to "He dis"
before it is finally corrected to "He dies".>> ------------------------------------------------------
. "H {EDIS}" : {You *PUBLISH*} "H". ..................................................
_______ Sonnet 102 (Only Sonnet's *PUBLISH*)
.
. MY LOVE IS Strengthned though more weake in seeming
. I love not lesse, thogh lesse the show appeare,
. That love is marchandiz'd, whose ritch esteeming,
.
. The own[E]rs tongu[E] (DOTH} PUB[L]ISH {E}VER[Y] {WH}E{R}E) .
. Ou[R] lov{E} was [N]ew, and th[E]n but in t[H]e spring,
.
.{WH}en I was wont to greet it with my laies,
. As Philomell in summers front doth singe,
. And stops his pipe in growth of riper daies:
. Not that the summer is lesse pleasant now
. Then when her mournefull himns did hush the night,
. But that wild musick burthens *EVERy bow* ,
. And sweets growne common loose their deare delight.
. Therefore like her, I some-time hold my tongue:
. Because I would not dull you wiTH MY SONGE. ..................................................
..... <= 8 =>
.
.... T h(E)o w n [E]
.. r s t(O)n g u [E]
. (D O T{H}P U B [L]
.. I S H{E}V E R [Y]
. {W H}E{R}E)O u [R]
.. l o v{E}w a s [N]
.. e w,a n d t h [E]
.. n b u t i n t [H]
.. e s p r i n g,{W H}
.
. Sidney friend/Queen's Champion:
[HENRY LEE] -8 : Prob. in any Sonnet ~ 1 in 1765 ----------------------------------------------------------- http://91.1911encyclopedia.org/S/SH/SHAKESPEARE.htm http://www.stratford-upon-avon.org/images/memorial.jpg

<<The Stratford bust & monument must have been erected
on the N. wall. The design in its general aspect was one
often adopted by the "tombe-makers" of the period, and
according to Dugdale was executed by a *Fleming* resident
in London since 1567, Garratt Johnson (Gerard JANssen),
who was occasionally a collaborator with *NICHOLAS STONE*,
Esq., (fellow Freemason Warden with [W]illiam [H]erbert). .............................................................
. Gerard JANssen / NICK Stone

. Q1 Rossencraft Gilderstone
. Q2 Rosencrans Guyldensterne
. F1 Rosincrane Guildensterne
. F2,3,4 Rosincross(e) Guildenstare

. Rosy Cross Stone Guild
. Rosicrucians Freemasons / the Craft ----------------------------------------------------------------
. "Moore C W The Freemasons Monthly Magazine Vol IV 1845"
....... https://tinyurl.com/yykurxjk
.
GRAND MASTERS, OR PATRONS, OF THE FREE AND ACCEPTED MASONS IN ENGLAND,
from the coming in of the Saxons to the year 1839, Compiled and
condensed from the most authoritative records, by Br. Thomas Joseph
Tennison, President of the Masonic Council of Armagh, Ireland. ........................................................................
1607: James I., a Brother Mason, Grand Patron by Prerogative, appointed
Inigo {IONES}, Grand Master of all England, in which capacity he served
for 11 years. His Wardens were M(aste)r [W]illiam [H]erbert the Earl
of Pembroke, & *{N}ICHOLAS {STONE}*, Esq., who, attended by many
Brothers attired in Craft clothing, walked to White Hall, and laid
the first stone of the Banquetting Hall, with knocks, huzzas,
and sound of trumpets, throwing a purse of gold upon the
{STONE} for the operatives to drink “To the King and Craft!"
.
1618.[W]illiam [H]erbert, Earl of Pembroke, was chosen Grand Master.
. He appointed Inigo {IONES} his Deputy.
.
. Charles I., a Royal Mason and Grand Patron by Prerogative;
. under him [H]enry [DANVERS], Earl of Danby, who erected
. the beautiful gate of the Physick Gardens, at Oxford.
.
1630-1-2. [H]enry [DANVERS] , Earl of Danby. --------------------------------------------------------------------- https://wikivisually.com/wiki/Henry_Danvers%2C_1st_Earl_of_Danby

<<On the night of the death of the 17th Earl of Oxford [June 24, 1604]
Baron [H]enry [DANUERS], the Earl of Southampton and Sir Henry Neville as
well as the a [LEE] were arrested by order of the king and Privy Council. .......................................................................
Baron [DANUERS] had been employed in Ireland under the Earl of Essex, and Charles Blount, 8th Baron Mountjoy, successive lords-lieutenant of Ireland.>> --------------------------------------------------------------------------- First Folio (1623)
TO THE MEMORIE of the deceased Authour
Maister W. SHAKESPEARE.

SHake-speare, at length thy pious fellowes giue
The world thy Workes: thy Workes, by which, out-liue
Thy Tombe, thy name must: when that {STONE} is rent,
And Time dissolues thy {STRATFORD MONIMENT},
Here we aliue shall view thee still. This Booke,
When Bras{SE} and Marble fade, shall make thee looke
Fresh to all Age{S}:{W}hen Posteritie
Shall loath what's new, thinke all is pr{O}d{E}gie
That is not *S[H]AKE-SPEARES* ; eu'ry Line, each Verse
He{R}e s{H}all reuiue, re[D]eeme thee from thy Herse.
Nor Fire, nor {C}ankring Age, a{S N|A]so said,
Of his, {T}hy wit-fraught B{O}oke sh[A]ll once i{N}vade.
[N]or shall I {E}'re beleeve, or thinke thee de[A]d.
(Though mist) [U]ntill our bankrout Stage be sped
(Impossible) with som[E] new straine t' out-do
{P}assions of Iuliet, and her Romeo;
{O}[R] till I heare a Scene more nobly take,
{T}hen when thy half=[S]word parlying Romans spake.
{T}ill these, till any of thy (V)olumes rest
Shall with more fire, more feeling be expr{E}st,
Be sure, our Shake=speare, thou canst n[EVER DYE],
But cr{O}wn'd with Lawrell, liue eternally.

L. Digges.
.................................................
.......... <= 14 =>
.
. a {S N}[A]s o s a i d,O f h i
. s,{T} h y w i t-f r a u g h t
. B {O} o k e s h a l l o n c e
. i {N} v a d e[N]o r s h a l l
. I {E}'r e b e l e e v e,o r t
. h i n k e t h e e d e a d.
............................................
{N/STONE} 14 : Prob. in poem ~ 1 in 280 --------------------------------------------------- http://en.wikipedia.org/wiki/Nicholas_Stone

<<In 1619 *{N}ICHOLAS {STONE}* (d. 24 Aug. 1647) was appointed *MASTER-MASON* to James I, and in 1626 to Charles I. Stone owed his early success in London
in part to Inigo {IONES}, the King's Surveyor, under whom he first worked at Holyrood Palace, Edinburgh, in 1616, which led to the spectacular contract,
for building {IONES}'s Banqueting House, that placed him in the forefront of London builders. Nicholas Stone was born in 1586, the son of a quarryman of Woodbury, near Exeter. He was first apprenticed to Isaac James, a Dutch-born London mason working in Southwark, London.{IONES}>> -------------------------------------------------
from: _Big Secrets_ William Poundstone
https://sites.google.com/site/zprime21/

Masonic Secret Word: Not to be confused with the password. The Word (always capitalized) is so secret that initiates are taught it one letter at a time. First they learn A, then O, then M, and finally I. The Word is *IAOM*. You never get a straight story
as to what it means. As best as anyone can figure, it is the ineffable name of god, or some approximation thereof. The Word (or Name) is a internal linktongue-internal linktwister. It takes some practice to get it right.
...................................................
_Masonry and Its Symbols in the Light of Thinking and Destiny_
by Harold Waldwin Percival (15 April 1868 - 6 March 1953):

https://tandd.org/hlib/masonry-and-its-symbols/section06.html

<<The Word, an English translation of the Logos, as used by St. John, is not the Name. It is an expression of the full Triune Self powers, each of the three parts being represented in it by a sound, and the perfect body in which the Triune Self dwells
being also represented by a sound. The Doer part is expressed as A, the Thinker part as U or O, the Knower part as M, and the perfect body as I. The Word is I-A-O-M, in four syllables or letters. The expression of the perfect body and the Triune Self as
these sounds is an expression of the Conscious Light of the Intelligence through that Self and body. When a part in its physical body sounds as *IAOM* each of the parts sounds AOM, and each represents a Logos. The Knower is then the First Logos, the
Thinker the Second Logos and the Doer the Third Logos.

The Word is symbolized by a circle in which are a hexad of two interlaced triangles, and the point in the center. The point is the M, the triangle Aries, Leo, Sagittary is the A, the triangle Gemini, Libra, Aquarius is the U or the O, and the circle is
the fully expressed point M as well as the line of the body I. The hexad is made up of the macrocosmic signs standing for the sexless triad and the androgynous triad, the triangle of God as Intelligence and the triangle of God as nature. These letters in
which the perfect Self sounds, are symbolized in Masonry by the square and compass or the emblem of the interlaced triangles.

There is a succinct relationship of the Word with the Ineffable Name. The Word is feeling-and-desire, the Doer. The Doer is lost in the body of flesh and blood in the world of life and death. Thus the Doer is the lost Word. The body, when perfected,
serves as the instrument through which the Doer pronounces the Ineffable Name. The Ineffable Name and the embodied Word, when one is fitted to speak it, is IAOM. By so doing the body is raised from a horizontal to an upright position.

The Name is pronounced as follows: It is started by opening the lips with an “ee” sound graduating into a broad “a” as the mouth opens wider with the lips forming an oval shape and then graduating the sound to “o” as the lips form a circle,
and again modulating to an “m” sound as the lips close to a point. This point resolves itself to a point within the head.

Expressed phonetically the Name is “EE-Ah-Oh-Mmm” and is pronounced with one continuous outbreathing with a slight nasal tone in the manner described above. It can be correctly and properly expressed with its full power only by one who has brought
his physical body to a state of perfection, that is, balanced and sexless.>> ----------------------------------------------------------------
I stumbled across a long youtube:

Alan Green - presenting "Dee-Coding Shakespeare" https://www.youtube.com/watch?v=upzjM7-83LE

and it got me thinking about the mispagination of page: 273/265 http://internetshakespeare.uvic.ca/Library/facsimile/book/SLNSW_F1/283/?zoom=850

So I did an ELS search for the top of page: 264 http://internetshakespeare.uvic.ca/Library/facsimile/book/SLNSW_F1/282/?zoom=850

...and discovered: {M}[MASONS]{r} skip 33 = 264/(273-265) : --------------------------------------------------------------
. Twelfth Night (First Folio, 1623) top of page 264: II, v
.
{M}al. Ioue knowes I loue, but who, Lips do not [M]ooue, no
. man must know. No man must know. Wh[A]t followes?
. The numbers alter'd: No man mu[S]t know,
. If this should be thee Maluolio?
.
T[O]. Marrie hang thee brock(E).
.
Mal. I may comma[N]d where I adore, but silenc(E) like a Lu-
. cre[S]se knife:
. With bloodlesse st(R)oke my hea{r}t doth gor(E), {M}.O.A.I. d{O}th
. sw{A}y my l{I|F|E).
.
Fa. *A FUSTIAN RIDDLE*! ........................................................
............ <= 33 = 264/(273-265) =>
.
. {M} alIou. e kn o. w e s I l. o. uebu. t w h o L i p. sdonot
. [M] oouen. o ma n. m u s t k. n. owNo. m a n m u s t. knowWh
. [A] tfoll. o we s. T h e n u. m. bers. a l t e r d N. omanmu
. [S] tknow. I ft h. i s s h o. u. ldbe. t h e e M a l. uolioT
. [O] Marri. e ha n. g t h e e. b. rock (E)M a l I m a. ycomma
. [N] dwher. e Ia d. o r e b u. t. sile. n c(E)l i k e. aLucre
. [S] sekni (F)eW i. t h b l o. o. dles. s e s t(R)o k. emyhea
. {r} tdoth. g or(E){M O A I}d {O} thsw {A}y m y l{I|F)(E)
.
{M}[MASONS]{r} 33 : [MASONS] Prob. here ~ 1 in 1470
(FREE) -35,18 : Prob. of both here ~ 1 in 135
{MOAI} 5,1
-------------------------------------------------------- http://www.bartleby.com/153/107.html http://www.luminarium.org/renascence-editions/colin.html ...................................................
Colin Clo{UT}s Co(M|E)
......... Home Ag(A|I|N)e
......... BY ED. (S|P|E)NCER
............... L(O N|D)ON
............. PRI(N)T E D FOR WILLIAM PONSONBIE ................................................
(MASON) 8 : Prob. ~ 1 in 5,750
(PIE) -8
(NED) 8
................................................
Colin Clouts Co[M]E H[O]me [A]ga[I]ne ................................................
[MOAI] 3 : Prob. ~ 1 in 135
-------------------------------------------------
...... Sonnet 90

THen hate me when thou wilt, if euer, now,
Now while the world is bent my deeds to [CROSSE],
Ioyne with the spight of fortune, make me bow,
And doe not drop in for an after losse:
Ah doe not, when my heart hath scapte this sorrow,
Come in the rereward of a conquerd woe,
Giue not a windy night a rainie morrow,
To linger out a purposd ouer-throw.
If thou wilt leaue me, do not leaue me last,
When other pettie griefes haue done their spight,
But in the onset co[M]e, s[O] st[A]ll [I] taste
At first t{H}e v{E}ry {W}or{S}t of fortunes might.
And other straines of woe, which now seeme woe,
Compar'd with losse of thee, will not seeme so.

[CROSSE] 1
{HEWS} 3
[MOAI] 3
----------------------------------------------------
...... Sonnet 152

IN louing thee thou know'st I a[M] forsworne,
But thou art twice f[O]rsworne to me loue swearing,
In [A]ct thy bed-vow broake and new fa[I]th torne,
In vowing new hate after new loue bearing:
But why of two othes breach doe I accuse thee,
W{H}en I breake twenty:I am p{E}riur'd most,
For all my vo{W}es are othes but to misu{S}e thee:
And all my honest faith in thee is lost.
For I haue sworne deepe othes of thy deep[E] kindne[S]se:
Othe[S] of thy l[O]ue, thy t[R]uth, thy [C]onstancie,
And to inlighten thee gaue eyes to blindnesse,
Or made them swere against the thing they see.
For I haue sworne thee faire:more periurde eye,
To swere against the truth fo foule a lie.

[MOAI] 26
{HEWS} 20
[CROSSE] -7 : Prob. in Sonnets ~ 1 in 30 ----------------------------------------------------
The Shepherd's Week : Saturday; Or, The Flights -
. 1714 Poem by John Gay

And plays a tickling Straw withi[N] his Nose.
He rubs his Nostril, and in w[O]nted *Joke*
The sneering Swains with [S]tamm'ring Speech bespoke.
To you, my L[A]ds, I'll sing my Carrol's o'er,
As for th{E} [M]aids, — I've something {E}lse in store.

No soone{R} 'gan he raise his tune{F}ul Song,
But Lads and Lasses round about hi[M] t(H)rong.
Not Ballad singer plac'd above th(E) Croud
Sings with [A] Note so shrilling s(W)eet and loud,
Nor Parish Clerk who call[S] the Psalm so clear,
Like Bowzybeus sooths th' attentive Ear.

[O]f Nature's Laws his Carrols first begun,
Why the grave Owl ca[N] never face the Sun. .........................................................
............ <= 25 =>
.
.. A n d p l a y s a t i c k l i n g S t r a w w i t
.. h i[N]h i s N o s e H e r u b s h i s N o s t r i
.. l a n d i n w[O]n t e d J o k e T h e s n e e r i
.. n g S w a i n s w i t h[S]t a m m r i n g S p e e
.. c h b e s p o k e T o y o u m y L[A]d s I l l s i
.. n g m y C a r r o l s o e r A s f o r t h{E|M]a i
.. d s I v e s o m e t h i n g{E}l s e i n s t o r e
.. N o s o o n e{R}g a n h e r a i s e h i s t u n e
. {F}u l S o n g B u t L a d s a n d L a s s e s r o
.. u n d a b o u t h i[M]t(H)r o n g N o t B a l l a
.. d s i n g e r p l a c d a b o v e t h(E)C r o u d
.. S i n g s w i t h[A]N o t e s o s h r i l l i n g
.. s(W)e e t a n d l o u d N o r P a r i s h C l e r
.. k w h o c a l l[S]t h e P s a l m s o c l e a r L
.. i k e B o w z y b e u s s o o t h s t h a t t e n
.. t i v e E a r[O]f N a t u r e s L a w s h i s C a
.. r r o l s f i r s t b e g u n W h y t h e g r a v
.. e O w l c a[N]n e v e r f a c e t h e S u n
.
[MASON] -30, 49 : Prob. of both so near ~ 1 in 100
{FREE}. -18 : Prob. here ~ 1 in 10
(HEWS).. 32 : Prob. here ~ 1 in 5 ----------------------------------------------------
Art Neuendorffer

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